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The Beechworth Burke Museum
Animal specimen - Bandicoot, Trustees of the Australian Museum, 1860-1880
The name bandicoot is taken from the term ‘pandi-kokku’ which means ‘pig-rat’ in Teluga, an Indian language. The bandicoot is endemic to Australia, and is a nocturnal marsupial. When first discovered, the bandicoot was originally mistaken for a type of rodent. This confusion can still occur among people today who don’t know the difference. However, the bandicoot actually descends from the marsupial lineage. Its most distinguishing features are the pointed snout, big ears, long hairless tail, round black eyes, and plump body. The hair colour is brown or tan, sometimes mixed with black or white markings. The hind limbs tend to be longer than the front limbs, and two of the toes are fused together, similar to the kangaroo. They play an important ecological role – turning over soil, which increases the rate of leaf litter decomposition, soil production and nutrient cycling. They're also critical in dispersing fungi spores, so losing bandicoots (and bettongs) from ecosystems has cascading effects on plant diversity, species composition and structure of forests and woodlands. Due to its immense diversity, the bandicoot has a large range of different body sizes. It typically varies between 12 and 31 inches in length, while the tail adds another four to 12 inches. This makes it on average about the size of a house cat. Males may be up to twice as large as females, but otherwise the sexes are similar in appearance. The main difference exhibited by the female is the rear-facing pouch with six to 10 teats to protect and feed the young. The bandicoot is one of the few marsupials to have a developed placenta. However, this placenta is small and lacks certain features, thus separating it from most other placental mammals. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small sized bandicoot with a pointy snout, small rounded eyes made of glass, a thin tail, small rounded ears, and sharp clawed legs. The fur in colouring is golden brown with streaks of dark brown, and is of medium length and fine.On wooden mount: BMM5896/ On Catalogue Tag (attached to left foreleg): Bandicoot Mou(...)/ Catalogue, Page. 45/ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, bandicoot, marsupial, peramelemorphia -
Bendigo Historical Society Inc.
Photograph - GROUP PORTRAIT, Circa 1940
Photograph - black and white. Group portrait, of 6 women and 2 men. Standing on the steps of a building. All wearing coats, cold but sunny. One man wearing a trench coat, one lady having fur on her collar.person, group, photograph. group portrait. circa 1940. -
Bendigo Historical Society Inc.
Photograph - WOMAN IN EVENING DRESS
Black and white photograph (from a painting by John Longstaff) of a woman in evening dress, fur trimmed evening coat draped over right shoulder. Woman holding closed fan in right hand. Wearing necklace and hair ornament.Bartlett Bros, Bendigocottage, miners -
Orbost & District Historical Society
framed photograph
A framed formal photograph of a man wearing what appears to be either a graduation robe or a mayoral robe. It is trimmed with fur and he has a frilled ruffle (a jabot?). One hand is resting on a small table and the other holds a scroll.The frame is wooden. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, J. Ravensdale, Mayoral Robe
Full length black mayoral ceremonial robe with centre front opening. Dark brown ermine fur edging on centre front opening and cuffs. Decorative piping edging and white satin lining in sleeves. Gathered/puckered detail at back. mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, j. ravensdale, mayoral regalia -
Montmorency/Eltham RSL Sub Branch
Unknown - Hat, Fur Felt, New Zealand, WW1 NZ felt Hat, 1916-1918
This head-wear was Introduced by Lieutenant colonel William Malone whilst in command of a New Zealand Territorial unit (Taranaki Rifles) just prior to World War 1. The hat's crown was said to mirror the outline of Mount Taranaki. The hat was formerly adopted by the New Zealand army in France in early 1916 and is commonly referred to as the 'Lemon Squeezer'. It is still in use for ceremonial purposes. Note: Lieutenant colonel Malone was killed in action on Gallipoli in 1915 during the battle of Chunuk Bair. Fur felt hat, khaki, similar in appearance to a Scout's hat but with a higher crown and longer 'bashes'. Blue/red/blue cloth Puggaree with brass WW1 NZ Artillery badge. Often referred to as a New Zealand "Lemon squeezer" of WW1.hat, headgear -
Flagstaff Hill Maritime Museum and Village
Footwear - Boots, 1900s
Boots are believed to be one of the earliest shoes created when the evolution of footwear had begun. Boots form the building blocks of modern footwear which were merely a two-piece unit covering the foot and lower leg, a century ago. Throughout history, the importance of boots has been about fulfilling the needs of the wearer to be in sync with the prevailing culture. Boots were initially made of various materials like cotton, wool, silk, fur, felt, and leather (including caribou hide and sealskin. Around1000 B.C.E., men wore simple boots made of untanned leather with the fur turned in against the leg to keep it warm. These baglike boots were simple in design and then leashed to the leg by just a thong of leather. A mass produced pair of children's boots from the first quarter of the 20th century no significance other than the items age giving a snapshot into footwear of the period. Boots are unable to be linked to a significant person, family or event.One pair of Antique Victorian/Edwardian young boys-young girls shoes / boots. The boots are a black leather which lace up the front, laces missing bottom soles are leatherNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boots, children's boots, footware -
Bendigo Historical Society Inc.
Photograph - BABY PORTRAIT
Sepia photograph : baby portrait. Baby sitting on something covered in a fur rug, Baby wearing a white lacy dress with a large lace collar and a plain but dark coloured bow. Portrait by Steward & Co., 284 - 286 Bourke Street, Melbourne.Stewart & Co., 284-286 Bourke Street, Melbourne. Victoriaphotograph, portrait, baby, photograph, portrait, baby, photographer stewart & co. melbourne. -
Bendigo Historical Society Inc.
Postcard - DUKE AND DUCHESS OF YORK
postcard, sepia tinted. Duke and Duchess of York. Duychess dressed in coat, hat, holding fur trimmed article. Duke in suit, walking stick. Dog on LH side of image looking up at Duke. On rear' Tuck's Post Card, No. 3786.royalty, british, duke of york, duke of york, royalty -
National Vietnam Veterans Museum (NVVM)
Functional Object, Guitar Case
Oblong case featuring gold patterned material with brown leather handle and side casing. Two gold coloured metal locks and extra lock pad. black fur lined interior. Seperate separate sections for guitar, strap and an information phamphletguitar, tony parrello, parrello collections -
Orbost & District Historical Society
Koala tea cosy, Early 1900's
This was probably used by the Powell family. Selena Powell came from Eden to Orbost at the age of 18. She met and married Henry James Powell in Orbost.This item is an excellent local example of the type of hand made tea cosies which were used in an Australian domestic setting during the 1920's through to the 1960's. Fawn coloured hand-knitted tea cosy. The wool has been brushed to resemble the fur. It has brown button eyes and the nose and mouth are sewn in black yarn. The feet are embroidered in black and it has a narrow green velvet ribbon around the neck.tea-cosy domestic-item tableware handcraft knitting powell-selena -
Bendigo Military Museum
Headwear - HAT, SLOUCH, Dunkerley Ltd, 1968
Refer to Cat 5825.This is a slouch hat made of khaki fur felt. It has the left side raised and clipped up. It has a puggaree in a lighter khaki. On the raised edge is a copper coloured Royal Australian Infantry badge. Inside the hat is a leather liner. It is dried and cracking up.Written in ink on the leather liner is the name "Patterson".slouch hat, vietnam war, infantry -
Bendigo Historical Society Inc.
Photograph - FEMALE GROUP, approx. 1900
black and white photograph mounted on cream board. Group of ladies all wearing hats. Some with fur collars. Standing and seated under trees with large succulents in background. F Harrison PHOto 161 Lyttleton Terrace Bendigo on back cannot identiftyF. Harrison, 161 Lyttleton Terrace, Bendigoperson, group, women -
Glen Eira City Council History and Heritage Collection
Photograph, Perceval St John Hall
The portrait is one of two portraits which were located in a basement storage area beneath the library at Glen Eira City Council Town Hall. This image does not have the name of the sitter below, however it has been identified as an image of Perceval St John Hall, Mayor 1910, by an copy of the same image in the series of portraits of mayors in the corridor of the Glen Eira City Council Town Hall. B/w portrait photograph, mounted and framed in wooden frame, no glass covering image. Image of Perceval St John Hall wearing a Mayoral robe with a fur trimmed collar and a visible shirt and tie. He is shown standing beside a side table. -
Wangaratta RSL Sub Branch
Headwear - Army Slouch Hat, Fayrefield of Melbourne
History has it that the origins of the Slouch Hat began with the Victorian Mounted Rifles; a hat of similar design had been worn in South Africa by the Cape Mounted Rifles for many years before 1885. The design of the Victorian Mounted Rifle hat originated from headgear of native police in Burma where Lieutenant-Colonel Tom Price had recognised its value. The Victorian hat was an ordinary bush felt hat turned up on the right side. The intention of turning up the right side of the hat was to ensure it would not be caught during the drill movement of “shoulder arms” from “order arms”. The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol.Slouch Hat - made of fur felt with an 8 fold hat band (puggaree) it has the blue/gold unit badge on the band denoting the 8th Light Horse brigade with a leather chin strap. The right hand side is held by a brass rising sun badge.army, slouch hat -
Victoria Police Museum
Prison record (Muriel Butler), 2 August 1919
Muriel Butler stole a black coat and a fox skin fur in Melbourne in January 1918. She was arrested when getting off the train in Ballarat. She was also wanted by the police for circulating valueless cheques. She had committed previous crimes of stealing and false pretences between 1914 and 1918, sometimes under the name of Agnes James.Prison record for Muriel Butler, prisoner registered number 7400, giving details of the prisoner, her crimes and the dates and places of her trials.english speaking prisoner, female prisoner, muriel butler, agnes james, false pretences, stealing, larceny -
Federation University Historical Collection
Photograph - Photo, [Dick Richards with Antarctic Memorabilia], 1982 (exact)
Dick Richards was a member of the Shackleton Antartic Expedition and was marooned on the Ross Sea shelf. He was also a former principal of the Ballarat School of Mines.Framed colour photographic portrait of Richard W. Richards, in a gold aluminium frame with cream mount. The image includes Dick Richards holding a pipe, the book 'The Ross Sea Shore Party', an opened tin of food, globe of the world, a fur lines coat, and papers on a desk. dick richards, r w richards, antarctic exploration, ross sea shore party, richard w richards, ballarat school, mines, antarctica, available -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: WEDDING COUPLE
Photograph of a Bride and Groom in a studio setting. The bride has a long white dress and shot veil, she is holding a bouquet. The gentleman is seated in a chair which is half covered with some sort of fur like material. He is wearing a dark coloured three - piece suitperson, family, wedding photo, bride and groom -
Tatura Irrigation & Wartime Camps Museum
Booklet, The Bark Paintings of Grrote Eylandt
Dr. Leonhard Adam studied both anthropology and jurisdiction as a young manCream coloured soft cover booklet with brown spine. Copies of 3 bark paintings on the back cover. A few bark paintings are reprinted throughout the booklet. Reprinted from part of "South Seas Studies", Basle 1951 (Museum fur Volkerkunde). Pages 162 - 190.ww2 camp 2, books, history, local -
Bendigo Historical Society Inc.
Costume - Ladies' hat
Watermelon pink hat made from faux fur fabric. The band is a wide lighter pink ribbon tied at the back and hand stitched to the crown. Synthetic fabric lining inside. Hand stitching presents as the hat being hand made from a purchased hat base.hat, millinery -
Federation University Historical Collection
Headwear - Costume, Top Hat by W. Gribble & Co, c1920
The firm W. Gribble & Co. are associated with the long-term President of the Ballarat School of Mines Council, Bill Gribble.Black top hat with black band purchased at W. Gribble & Co. Ballarat, possibly by Peace Brown. The hat was made by Woodrow Hatters, Piccadilly, London, circa 1920. A black fur felt top hat with black band. Lined with white fabric and pale calf leather.Printed on inside white cloth: Woodrow and Sons Hat Manufacturers To H.M the King, Manchester, Piccadilly, Liverpool. Extra Quality. Made in England for W. Gribble & Co., Ballarat. On the leather is stamped Manufactured by Woodrow & Sons; Undyed Calf Leather; Made in England for W. Gribble & Co. Ballarat. Handwritten on leather: Adams and Tully. Swan Hilltop hat, gribble, gribble & co., peace brown, costume, woodrow & sons, headwear, adams and tully -
Wangaratta RSL Sub Branch
Headwear - Slouch Hat, September 2005
On 22 December 1890, the military commanders of the then separate Australian Colonies prior to the Federation of Australia met to discuss the introduction of the khaki uniform throughout Australia. They agreed that all Australian Forces with the exception of the Artillery would wear the slouch hat. It was to be looped up on one side—Victoria and Tasmania on the right and the other colonies (later states) on the left. This was done so that rifles could be held at the slope without damaging the brim. After Federation, the slouch hat became standard Australian Army headgear in 1903Today it is worn by military personnel from a number of countries, although it is primarily associated with Australia, where it is considered to be a national symbol.Slouch Hat - this broad brim hat is made of fur felt with an 8 fold hat band (puggaree) around the outside of the crown and attached to the inside of the crown is a brown leather chin strap. The left side of brim is held up by a gold colour metal rising sun badge.slouch hat, australian army, puggaree, rising sun badge, headgear -
Brighton Historical Society
Stole, Buckley & Nunn, Mink fur stole
Fur stole consisting of two black mink pelts with heads at one end and tails at the other. Heads contain plastic eyes and noses. Black satin lining. Decorative front fastening consisting of a fabric-covered chain secured to a clip at one side and a hook fastening at the other.Label: "FURRIERS / Buckley & Nunn LTD/ MELBOURNE".fur, fur stole, mink, buckley & nunn, department stores -
The Beechworth Burke Museum
Animal specimen - Grey Squirrel, Trustees of the Australian Museum, 1860-1880
The Grey Squirrel is a small to medium sized member of the rodent family Sciuridae. This species is commonly located in England, Wales and central Scotland. They are known for their agility and ability to climb trees. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen has silver-grey fur with a brown colouring located on the face and a pale underside. The tale stands tall along the back of the specimen and is bushy. The specimen is of a smaller size and has no tuffs on its ears. It stands on a wooden platform and has two paper tags tied to its hands.Grey Squirrel / BMM 7534 / A.4485/ 41. Squirrel Sp / Catalogue Page, 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel -
Flagstaff Hill Maritime Museum and Village
Plant specimen - Wood Sample, Alexander Hall and Son, ca. 1855
The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co -
Flagstaff Hill Maritime Museum and Village
Plant specimen - Wood Sample, Alexander Hall and Son, ca. 1855
The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co -
Whitehorse Historical Society Inc.
Photograph, Opening of Whitehorse Heritage Trail, 2/07/2001 12:00:00 AM
Heritage Trail funded by grant to the City of Whitehorse from Commonwealth of Australia to celebrate 100 years of Federation.Coloured photograph of Phillip Baressi, MHR for Deakin, unveiling the Display Panel at opening of Whitehorse Heritage Trail at Furness Park, Maine Road Blackburn.On left: Cr Bill Bowie, Mayor of Whitehorse.|On right: Cr. Kaele Way, Geoff Pascoe, City of Whitehorse and Cr Peter Allen.whitehorse heritage trail, city of whitehorse, baressi phillip, bowie, bill, way, kaele, pascoe, geoff, allan, peter -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1925c
Black and white photograph of four women visitors at Venga Guest House, Esplanade. Women wearing hats and fur trimmed coats of the era. Also in picture Miss Bertha Hansen and her parents. In the background shop and premises owned by Mrs Hehir, with various lessees. Lakes Entrance Victoriaguesthouses, clothing -
Dandenong/Cranbourne RSL Sub Branch
Plaque
H M S TRUMP was ordered on the 20th December 1941, laid down 31st December 1942 , launched 25th March 1944 and commissioned 8th July 1944. She was built by the Vickers Armstrong Company at Barrow in Furness (England). She saw action in various conflicts with her service in Australia. H M S TRUMP was finally scrapped at Newport - Wales in August 1971.Historical significance.Plaster and wooden plaque. Depicting H M S Trump a T Class Submarine Pennant # P333.Inside circle of trumpet enclosed by Laurel leaves surrounded by gold coloured rope. Name TRUMP on top with Crown above. Crown depicts sailing ships. -
Kew Historical Society Inc
Clothing - Black satin and lace capelet, c.1900
Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with a double band of jet passementerie. The capelet has a high dog neck collar, which is lined with leather. The original lace, of which some remains, has been removed in the past, probably due to damage, leaving some traces of its original style. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear