Shows typical dress of the period. Preferred form of transport in the area.This is a typical representation of the people and the transport of the time and is relavent to the Western Districts.Rectangle, Black & White. Male sitting on a horse wearing a hat and clothes typical to the time. He has a garter on his sleeve. There are gum trees in the background.Back: "Jack Kerr" written in black pen. The words Post card, correspondence, address only, Kodak Australia and a line stamped in black ink.horse, clothing, east, western, hobbies, farming, streatham, westmere, mininera, nerrin, transport, districts

Both men are dressed in typical clothing of the time period. They are dressed for going out as they are attending the Stawell Gift which was very popular at the time for a annual outing.Demonstrates typical dress of the period for local residents.Rectangular Black & white. Two men dressed in typical clothing of the time period. Suit, tie and hat. They are standing together posing for the photo.In red ink stamped across the back Kodak Nov 85m. Written in blue ink "George Davis & Eric Hamilton ready to go to Stawell gift 1929"gift, george, streatham, nerrin, davis, stawell, eric, hamilton

There is a man leaning on a bike against the bluestone wall of a building. There are several windows and doors to the establishment. The building opperated as the local hotel until 1977" when a fire burnt through the township of Streatham. The front of the building was distroyed and a smaller hotel operated after the fire. Shows the kind of early buildings in the township of Streatham.Rectangular shape black and white picture.In blue ink the words"Desma Meek" "3" and Burnt in 1977"clothing, hotel, streatham, streetscape

Pleated ruffles were a fashionable trimming for ladies’ clothing in the late 19th century - early 20th century. Dressmakers and classy laundries offering “fancy” ironing services both had plenty of use for a pleating machine. Pleating machines were sold for home use too.This item is an example of a machine not commonly used today.Metal and wood pleating machine, still in working order. Handles are carved wood.textile-machinery sewing pleating-machine

A boudoir cap was popularly worn in the nineteenth and early twentieth centuries In its original form, the boudoir cap was worn over undressed hair, It was designed to be worn in the privacy of the boudoir with negligees or nightwear.[andwas often made from lightweightfabrics such as muslin or net and trimmed with silk ribbon and lace. In the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping.This item is an example of a piece of clothing no longer in fashion.Hand crocheted boudoir cap. Light blue thread crochet on top. Fine piece of fabric around centre. Blue and pink border. wire inserted into cap at sides.cap costume-female boudoir-cap handcrafts crochet sleepwear

Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag

This item is an example of a clothing accessory commonly used by women in the early -mid 20th century.Black lace collar with ornate design and scalloped bottom edge.collar costume accessories lace

Studs used by Mrs Jean Snow, daughter of John Cameron who in 1875 selected the first lan on the Snowy River flats.Block with 13 asorted studs used with clothing. Glued to block with putty.studs costume-accessories haberdashery

This appears to be a "special" petticoat, one that could have been made as part of of a trousseau in preparation for marriage.This item is an example of the skills shown by the women of Orbost in the late 19th to early 20th centuries.A full-length fine cotton petticoat with lace around the neck and bodice and about 50cm of lace at the bottom of the garment. A pale blue ribbon is threaded through the lace. This garment appears to be be hand-made rather than mass-produced.petticoat hand-craft dressmaking womens-clothing

Mrs John Draffin was the wife of a Shire President of Orbost Shire Council. She is reported to have made this lace herself. The design might have been copied from a book of laces.Associated with the wife of an early resident of Orbost who was Shire President. A large white cotton lace collar, roughly rectangular in shape, made from tape lace and with decorative infills. This collar is very pretty and beautifully made. tape-lace lace-collar women's-clothing

This blouse shows excellent workmanship and is very decorative. It is not every-day-wear, but would have been worn for special occasions.This blouse is an example of the needlework skills of women in the late 19th and early 20th centuries.A woman's black blouse or top made of shot silk and with panels of black lace. It has long sleeves which are trimmed with lace at the wrist. Down the front of the garment is a pleated panel with the fine pleats travelling cross-ways. Inside are metal stays which preserve the shape and are now rusty. women's-clothing silk-lace

This dress was handed down through the family of Harry Cameron, Orbost. It was likely worn by a member of the family.Associated with the Cameron family, Orbost.A full length black satin dress with long sleeves. It has two rows of 6 buttons across the bodice and lace applique on the shoulders. The neck and sleeves are trimmed with a fine white lace. There are metal stays inside the front of the dress.women's-clothing

This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing

A set of collars, possibly worn during the 1920s-1950s period, wearer unknown. A detachable collar is a shirt collar separate from the shirt, fastened to it by studs. The collar is usually made of a different fabric from the shirt, in which case it is almost always white, and, being unattached to the shirt, can be specially starched to a hard cardboard-like consistency. The popularity of detachable collars and starched collars in general began to fade in the 1920s and 30s as men’s clothes became more comfortable.These items are examples of men's clothing from the first decades of the 20th century when men wore more formal daily attire. A set of four white men's collars of assorted sizes, made from stiffened fabric.Cremorne Collar Company, Melbournemen-collars male-apparel

This cape comes from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.A black shoulder cape made of crepe silk. It has scalloped edges and is probably hand-made. It fastens with press studs and the hems have been machined.cape silk clothing

This article was handmade by Amelia Frances Selwyn probably in England after she married Lance Mallett in London. Amelia was the mother of Brenda Murray, dedicated community worker and local government councillor. Brenda was awarded the Order of Australia Medal (OAM) for services to the community. Amelia Mallett was an early Croajingalong resident and she and Lance are buried in the Orbost Cemetery.This item is an example of a handcrafted item and reflects the needlework skills of women in thefirst half of the 20th century.A handmade black lacy bolero. It has beadwork along the edges and fastens with an ornate black clasp.bolero costume-women handcraft clothing

This photograph seems to be associated with an early settler family in the Bete Bolong district. It is also a pictorial record of children's clothing of the late 19th century.Two photographs. 3164.1 is a sepia photograph of a young girl standing beside a little boy who is seated. The photograph is mounted on card. it has been taken inside a studio. the little girl is wearing a long dress with a lace smock. The boy is wearing a suit with short pants. He has a lace collar. 3164.2 is of a small boy standing next to a tree. He is wearing a suit with a waistcoat and a lace collar.on back - :"Evelyn & Jim Sealey neighbours of Richardsons in Bete Bolong"sealey-jim sealey-evelyn clothing-children's

Included in the photograph are Mrs P. Nixon and her two children, Mary Gilbert, Margaret Irvine, Mrs A. Hossack, Annie Gilbert. they are watching a football match around 1920.This photograph is associated with Mary Gilbert, a well-known Orbost citizen. It is a pictorial record of a social activity of the first half 20th century. It also shows the clothing and transport of that time.A sepia photograph of some women and children sitting in cars. Two of the women are holding babies. Two older girls in school uniforms are seated in the back of the car on the right.cars-1920 gilbert-mary nixon-mrs p. hossack-mrs a. gilbert-annie irvine-margaret

There is no information with this item.This is a pictorial record of local Orbost people in typical mid 20th century fashion clothing which tended to be more conservative than current fashion..A black / white photograph of three people in - a man on the left in a suit and tie; two women with hats and pearl necklaces.The woman in the middle is wearing a spotted dress and holding a white hat with a handbag over her arm. The other woman, in glasses, is wearing a plain dark dress and a more formal hat.on back - "Jack Irvine, Audrey Cameron, Elsie Norman (nee O'Brien)"irvine-jack cameron-audrey norman-elsie

There is no information with this photograph. The Lavell family has been associated with Orbost from its early settlement.This item is a pictorial record of 1920s society in Orbost depicting the clothing worn in that time. The Lavell family has been associated with Orbost from its early settlement.A black / white photograph of a large group of people, mostly adults, sitting on a large ground sheet in a garden. There are three cars in the background and a large brick house with a verandah. All are wearing hats, the men in jackets and ties.on back - "picnic at Lavells"picnic-orbost lavell recreation

This item was worn by Sarah Archer, born 9.11.1881, and her daughter Irene Jean Maiden, born 1.7.1923, She lived in Orbost all her life having been born at the oOld Orbost Hospital in Nicholson Street. Irene died aged 86. Until well into the 20th century, the corset was an essential element of fashionable dress. Corsets were worn by women (and much earlier by men) to enhance their figures and to hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960. A corset made of heavy apricot / pink cotton fabric . It has back tape acing through metal eyelets, and slide hooks. It has suspender straps with clips attached to the bottom of the corset. The stays, possibly whalebone, are sewn vertically into the fabric.on label - in red ink - "Liberty Reg'd "6/2815 D" small below waist size 32" exactcostume-women corsetry clothing