Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia

Heather SHIMMEN (1957- ) Born Melbourne, Victoria Heather Shimmen is a painter and printmaker who ises etching, lithographic and linocut techniques. She often uses mixed media and collage. Throughout her prints Heather Shimmen interleaves personal histories. Between 1976 and 1978 Heather Shimmen studied Fine Art Painting at RMIT in Melbourne. During that time she was taught for one year by George Baldessin This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed linocut with fabric overlayart, artwork, heather shimmen, shimmen, linocut, printmaking, edition, bird, hand, tree branch, bee, moth, princt council australia, pca, available

This model was part of a panorama of 11 pieces designed from photos in an 1892 almanac printed by Port Fairy Gazette. The Panorama was used in the Historical Society rooms in Bank Street. On an extended mantel piece, before being relocate to Gipps Street.This model was made as part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the townSmall hand made model of a shop front from the 1892 almanac and small gold and black painted sign that stated "Port Fairy 1892" Dublin House Russell & Powell Dublin House .1 Port Fairy 1892model, mewkill, bank street, almanac

This model was part of a panorama of 11 pieces designed from drawings in an 1892 almanac Printed by Port Fairy Gazette. The panorama was used in the History Society rooms in Bank St Port Fairy on an extended mantel piece, before the Museum and Archives were relocated to Gipps Street Port FairyThis model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the town.Small hand made 3D model of a shop front from the 1892 AlmanacAlbion House 1854 Hutton Bros.sackville street, model, mewkill, almanac, albion house, bank street

This model was part of a panorama 11 pieces designs from photos in an almanac printed by Port Fairy Gazette. The panorama was used by the Historical Society rooms Bank Street as a display on an extended mantel piece, before being relocated to Gipps Street. It was made by Mr Alan Mewkill a member of the Port Fairy Historical Society.This model depicts in 3D, part of the streetscape of Port Fairy in 1892 as drawn in a calendar/almanac of the time. Small hand made model of a shop front form the 1892 almanacThomas Robinson - Managerpanorama, model, bank street, sackville street, mr t robinson, alan mewkill

This model was part of a panorama of 11 pieces designed from drawings in an 1892 almanac printed by the Port Fairy Gazette. The panorama was used in the Historical rooms in Bank Street on an extended mantle piece before the museum and Archives were relocated to Gipps Street.This model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident.small hand made model of a shop front from the 1892 almanacTailoring Establishment John Sickler Gazette Officemodel, panorama, sackville street, mewkill, almanac, bank street

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 132Black and white Studio portrait. James Davis, PrincipalOn reverse, "Davis," and, "Photographic Unit Media Services Branch Victorian Department Of Agriculture Ref. No. 1981 (901-11)." james davis, green grows our garden, a.p. winzenried, principal, publicity

David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork

MagazineRemembering 100 Years 1915-2015 Gallipoli

Magazine100 Years' Service of the Royal Australian Navy

Black and white photograph. Media bins in the Old Nursery. One of a group of photographsOn reverse, "Old soil bins on west side of glasshouses - removed Jan 1942."1941, soil bins, glasshouses, media bins, old nursery

5 photographs of media bins constructed from wooden poles. Not at Burnley Campus. media bins, construction

(1-15) photographs of a ceremony to commemorate Ro-Tree on 26.09.1984 by the planting of a Davidia involucrata by Premier John Cain. (16) John Cain planting a conifer near Luffmann Ponds, later removed.. Ref. No. 1982 (1090-34A)ceremony, commemoration, ro-tree, planting, davidia involucrata, premier of victoria, john cain, conifer, luffmann ponds

orchard, margaret bowron, betty williams, dept of agriculture, opium poppy, j l provan, t h kneen, geelong excursion, horses pulling lawnmower, ponds, greenhouses, trees, principal's residence, flying fox, j p mclennan, plants, draught horse, calf, students working outside, luffmann ponds, lily ponds, sequoia sempervirans, californian redwood, gardewn views, prunus glandulosa, magnolia stellata, petunia x hybrida

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic button. Silver metal, plastic-coated, with safety pin fastener adhered to back. Button printed with 'KEEP NURSES NURSING - Improve Nurses' Conditions' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, industrial action, strike action, unionism, badges, nurses, buttons, pins, campaigning, trade unions, labour history

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The title for a 'Grade 1' nurse is now a 'Division 1' or (more commonly) 'Registered Nurse'. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular blue and white plastic button. Silver metal, plastic-coated, with safety pin fastener adhered to back. Button printed with 'Don't ask me, I'm a Grade 1 nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, industrial action, nurses, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The title for a 'Grade 1' nurse is now a 'Division 1' or (more commonly) 'Registered Nurse'. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Don't ask me, I'm a Grade 1 nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history, royal australian nursing federation

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. 'Charge Nurse' refers to a Nurse Manager, and is less commonly used in Australia presently (it is still widely used in North America). The badge's message aims to inform the public that highly experienced and skilled nurses are leaving the profession due to inadequate wages and poor working conditions. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'I used to be a Charge Nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, trade unions, badges, buttons, pins, campaigning, 1986 victorian nurses strike, labour history, royal australian nursing federation, victoria, australia

A copy of a speech by Sir John Young to launch Legacy Week in 1990 and a media release and details of the events of Legacy Week. Sir John Young was a Chief Justice of Victoria and the launch was in the Victoria Arts Centre. The events included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. See newspaper article at 01522 and photos at 01523. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality, see items at 01250, 01520. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s, including the speech and media release. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. White A4 paper with black type x 8 pages of a speech and a media release for Legacy Week in 1990.legacy promotion, badge appeal, legacy week, speech

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. The article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Unfortunately the artist died a few weeks after the exhibition and launch of his book. Photos are at 01523 also see media release at 01521. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality, see items at 01250, 01520. The main time of year for fundraising is September when Legacy holds 'Badge Week'. An example of promotional material from the 1990s, including the speech and media release. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. Newspaper article for an aviation art exhibition for Legacy Week in 1990 and an article about the death of the artist.legacy week, paintings, promotion, frank harding, planes, warplanes

A promotional event where Ron Barassi and Daryl Somers did a parachute jump to promote Legacy. Photos show Daryl and Ron in Fawkner Park in Melbourne and some Legatees giving scores on cards of their jump - similar to the scores given on 'Red Faces' a segment of Daryl Somers TV show 'Hey Hey it's Saturday'. The Legatees with President Brian Luscombe, George Logan and Peter Stokes. Photos of the event were published in the Herald Sun on 21/8/97 with the headline 'Jumping into thin air for a worthy cause'. And also in The Answer in October 1997. Ron Barassi was a Legacy boy after his father died at Tobruk in 1941. Daryl Somers was Legacy personality of the year in 1997 as published in The Answer.A record of a way celebrities used their media profile to promote Legacy.Colour photo x 4 of Ron Barassi and Daryl Somers parachuting to promote Legacy and an A4 photocopy of newspaper article.Printed on the back "legacy promotion, answer, ron barassi, daryl somers

A promotional event where Daryl Somers was promoting Legacy by donating a car to Legacy. The Answer reported "Daryl Somers presented a brand new Nissan Pulsar to Legacy and the funds raised from this car will greatly assist Legacy's welfare work". Daryl Somers was Legacy personality of the year in 1997 as published in The Answer. A record of a way celebrities used their media profile to promote Legacy.Colour photo of Daryl Somers and President Brian 'Lucky' Luscombe and a car donated to Legacy.Printed on the back legacy promotion, answer, daryl somers

A photo of Ron Barassi and an elderly widow, Mrytle Ingram of Legacy Widows Club, Hastings. The event was a luncheon after Ron's parachute jump with Daryl Somers to promote Legacy in 1997 (see 00853 and The Answer article). Ron Barassi was a Legacy boy after his father died at Tobruk in 1941. He helped promote Legacy in many ways and at many events over many years. A record of a way celebrities used their media profile to promote Legacy.Colour photo of Ron Barassi and elderly widow Mrytle Ingram.Printed on the back "legacy promotion, widows, answer

The article in The Answer in April 1997 announced that Daryl Somers would be the personality of the year for the Badge Appeal for the second year. He was photographed speaking at Legacy House and with people including Hazel McKean. Hazel was the wife of a VC winner. Also in the photos are Elaine Ward and Lynne Scott who's family had been used to promote Legacy in a 1994. The article mentions the importance of widows helping raise funds by selling a "Card Pack" a small packet of badges which they sell to family and friends. A record of a way celebrities used their media profile to promote Legacy.Colour photo x 3 of an event with Daryl Somers and an article in The Answer.Printed on the back legacy promotion, answer, daryl somers

The label on the tape reel says '1958 ABC Anzac OBS' in pencil. It is likely that it is one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to Anzac Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The ceremony was usually broadcast on the ABC for students that could not attend. The inscription 'The story of the Yarra' is to be confirmed when tape found again as it doesn't appear on the Media image. TBC.A record of a ceremony at the Shrine run by Legacy for students.Square cardboard box, front with black with red and white print. Rear, white background with black print. Clear plastic spool with magnetic tape.Box, Pyrox in red print. Special sound recording tape for highest frequency response. Black Magic Tape. The latest and best Recording Tape, in white print. Rear of Box, Pyrox, Black- Magic-Tape, the ultra in sound recording tape, suitable for all tape recorders, this reel contains:- Supplies available from Pyrox Ltd., 14-36 Queensberry St., Melbourne and at Sydney, in black print. Spool, clear plastic, VP785 in white ink. '1958 ABC Anzac OBS' hand written in pencil on white sticker.anzac commemoration for students, wreath laying ceremony

Program and menu for a testimonial dinner for Eric Welch (1900-1983), sporting commentator and broadcaster and former member of the 14th Battalion AIF. The dinner was held at the Victorian Club on 7 March 1974. The Victorian Club was founded in 1880 and has had many famous, reputable and sporting media personalities among its members. At the time of the dinner, the Club was located at 141 Queen Street Melbourne.White card, folded and printed in dark blueHandwritten notes in black ink on back covereric welch, 14th battalion aif, victorian club

This set of 30 photographs of the Army Survey Regiment’s Fortuna Villa and surrounding facilities was taken circa 1985. The photos feature much of Fortuna’s exterior and most of the out-buildings spread over the property’s fifteen acres of grounds. After Defence took possession of Fortuna in 1942, the Q-store and engineering workshops were added during the wartime period. Soldiers were accommodated in tents during WW2 for 20 years next to the parade ground before the construction of accommodation buildings in 1962. In 1990 most of the weatherboard buildings in the Q-store area were replaced. A climate-controlled building was also constructed to house a map library and digital data media. This photo set also includes the exterior of Air Survey Squadron’s Building 16 and two modular buildings -16A and 16B that were added in the early 1980s to accommodate map production and technical services. See item 6457.22P for photos of Fortuna Villa’s interior that were taken at the same time.This set of 30 photographs of the Army Survey Regiment’s Fortuna Villa and surrounding facilities was taken circa 1985. The colour photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1985. Fortuna Villa – view from the lake. .2) to .4) - Photo, colour, c1985. Fortuna Villa – front view. .5) - Photo, colour, c1985. Fortuna Villa – balcony view of transport compound and Air Survey Squadron. .6) - Photo, colour, c1985. Fortuna Villa – balcony view of Q-store and transport compound. .7) - Photo, colour, c1985. Fortuna Villa – balcony view of transport compound and Bendigo. .8) - Photo, colour, c1985. Fortuna Villa – balcony view of Q-store buildings. .9) - Photo, colour, c1985. Fortuna Villa – Pompeii Fountain and Stables. .10) - Photo, colour, c1985. Fortuna Villa – coach house. .11) - Photo, colour, c1985. Lithographic Squadron delivery docks. .12) - Photo, colour, c1985. Fortuna Villa - Original Roman Bath entry. .13) - Photo, colour, c1985. RAEME and carpentry buildings. .14) - Photo, colour, c1985. Q-store buildings. .15) - Photo, colour, c1985. Q-store buildings. .16) - Photo, colour, c1985. Transport compound. .17) - Photo, colour, c1985. Fortuna Villa’s original laundry, gardeners’ building. .18) - Photo, colour, c1985. Duty Room. .19) - Photo, colour, c1985. L to R: Side of Duty Room, RAP building. .20) - Photo, colour, c1985. Transport compound, Q-store in background. .21) - Photo, colour, c1985. Air Survey Squadron’s Building 16 viewed from carpark. .22) - Photo, colour, c1985. Technical Services, Building 16B. .23) - Photo, colour, c1985. Air Survey Squadron’s Building 16 courtyard. .24) - Photo, colour, c1985. Technical Services, Building 16B viewed from Building 16 courtyard. .25) - Photo, colour, c1985. Air Survey Squadron’s Building 16A and fernery viewed from walkway. .26) - Photo, colour, c1985. Officers Accommodation. .27) - Photo, colour, c1985. Other Ranks (OR’s) ‘New’ Barracks. .28) - Photo, colour, c1985. OR’s Kitchen and Dining Room. .29) & .30) - Photo, colour, c1985. Army Survey Regiment - Front Entry GateThere are brief descriptions on a note behind each photograph.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr