Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225. Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.4/418 Genoese MS. M6 RE MG. in Burgundy P2 S7 1st stockweaving, carpet

There have been a number of municipal depots in the former City of Kew (now part of the City of Boroondara). This perspective sketch by Dorner Rice Pty Ltd represents the original design of the depot at 31-35 Hutchinson Drive, on the grounds of the former Kew Mental Hospital. The large perspective drawing by W.A.D. Brodie in 1984 is an important record of the depot as originally designed.This architectural sketch is a key piece of evidence about public infrastructure developed in the former City of Kew. The facility has been modified from the original design.Large colour perspective drawing of the new Kew Municipal Depot at 31-35 Hutchinson Street, Kew. The drawing was completed by W.A.D. Brodie in 1984 on behalf of the project consortium. In addition to the projected layout of the depot, the drawing includes details of the consortium drawn together to bid for the project: project managers - McGinley & Partners; consulting engineers - D. G. Hill & Harvey Pty Ltd; and project architects - Dorner Rice Pty Ltd.Architectural Perspective Sketch : City of Kew Municipal Depot: Perspective sketch : W.A.D. Brodie 1984 : McGinley & Partners Pty Ltd Project Managers : D.G. Hill & Harvey Pty Ltd Project Engineers : Dorner Rice Pty Ltd Project Architectscity of kew (vic) - municipal depot, w.a.d. brodie, mcginley & partners pty ltd, d. g. hill & harvey pty ltd, dorner rice pty ltd

Early settlement of the Mitcham area is detailed in the farm outline sketched by Arthur Schwerkolt between 1936 and 1959.,Schwerkolt original cottage site included on the sketch.A sketch of the Schwerkolt property drawn from memory by Arthur Schwerkolt who lived on the property from 1936. It includes a photo of his mother sitting in front of the ruins of the original stone cottage.schwerkolt arthur, schwerkolt cottage original, map

Ink sketches of Rutherglen landmarks and old buildings produced by local artist Pat Robinson for planned Historic Walk brochure (not used)One of a series of black and white ink sketches, on paper, of Rutherglen landmarks. This one showing the water tower with the structure that was added to the top to make it look like a wine bottle. pat robinson, buildings, artist, water tower, wine bottle

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

Item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Both, Place mats rectangular shape with rounded corners, white background with all text, depictions in brownish red colour, there are Five sketches over in total.Main Text, " 1941 - 50th Anniversary Seige of Tobruk - 1991", Sketches are, "The War memorial at Tobruk cemetery, Cantonera 31 on the Derna Road, Eagle corner, 4th Australian General Hospital".sovenirs, toruk, mats

Hand draw sketch on cloth handkerchief by Private Edward CURRAN VX143967 - Born Wangaratta 6/6/1923 Service - CMF 23/1/1942-11/7/1943 AIF 12/7/1943-15/10/1945 24th Battalion Embarked 29/3/1943 for New Guinea. Cotton handkerchief depicting hand drawn sketch by soldier whilst on active service in New Guinea during second world war.Brown timber frame and beige mount containing sketch of a koala in a blue diamond above a boomerang on cloth Bouganville New Guinea 24th Battalion AIF "I Hold Fast" Plaque with inscription "Private Edward Joseph Curran 24th Infantry Battalion Australian Imperial Force - New Guinea and Bougainville"new guinea, ww2, 24 battalion, edward curran

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Prelimiinary sketch of 'Derham House, Ruyton' by the artist Joy Stewart. Inscription: "Derham House, Ruyton".joy stewart, derham house (ruyton)

This framed sketch details, in graphic form, where the core samples in the display cabinet were removed. The drilling was a precursor to the decision where to locate, in this case, the McKay Creek Power Station. The information gained by structural engineers from the core samples would be used also for the placements of underground tunnels entry and exit points and the overall effective size of the plant. This would have included drill and blast techniques(rock characteristics play an import part of explosion control), requirements for support structures and reinforcing cement/steel forms. The use and replenishment of diamond drill bits(the strongest available, see KVHS 0280) was dependent on the "type" of rock found. Support beams for reinforced ceilings and floors was also a necessity.The visual derails of where the rock core samples were removed is very significant in the formulation and placement of the underground Power Stations and their maze of tunnels(in and out) for a successful implementation of the Hydro Scheme. The amount of pre-planning and scientific studies required for such a large scheme must be undertaken to ensure that a "white elephant" was not the result.This framed and glass front rock core display sketch has type written information of the rock samples displayed in KVHS 0279 (A). It has a softwood stained and glossed frame with a fixed(nailed) back board and a brass fixture for mounting onto a wall.The paper and type are slighted faded (sunlight affected). The sign heading "ROCK CORE SAMPLES RECOVERED FROM DIAMOND DRILLED BORE" underneath this "BORE NO: 883" and below this "LOCATION: McKAY CREEK POWER STATION AREA" to the left a sketch incorporating the ground level point "GROUND LEVEL R.L.3493", and the core depth point "CORE DEPTH 40' 7". In between and representing( in visual form) the core location areain question.alternate energy supplies, alpine feasibility studies temperature, rainfall, sec, kiewa hydro scheme, electricity

Hand drawn sketch in pencil of grave site with cross belonging to J.T. TOBIN NX 73062 2/15 Field Regiment WW2 who died from illness on 12/9/1943 in BURMA/MYANMARHand drawn sketch in pencil of grave with cross on cream coloured paper Rear side - black square with three rows of dots coming to a pointNX73062 J.T.TOBIN 12.9.43 Rear side - Tavoy Golden Temple at Night - Korselj.t. tobin, 2/15 field regiment, ww2, burma

Green Hills School was the first school in the Wodonga area. Before the school could open and a teacher commence duties, the Government had to be assured that a minimum of 20 children would be attending. The school was built of round timber, slab walls, bark roof, dirt floor and shuttered windows. The school opened in 1850 and closed in 1870. This sketch, completed by Jim Parker, a Life Member of Wodonga & District Historical Society, was included on a commemorative plaque as part of the Wodonga Heritage Drive established by the Society to recognise the story of key historic locations in the Wodonga area.This drawing is significant because it depicts the first school opened in Wodonga.A sketch of Green Hills School completed by Jim Parker, a life member of Wodonga & District Historical Society. This sketch was completed as part of a project to place commemorative plaques at key locations around Wodonga green hills school, wodonga schools, education wodonga

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch map of Westernport Bay region showing probable drainage directions of the ancient river system. Drawn by Dr G Baker from original maps by E S Hills D.Sc.local history, illustrations, pen & ink, westernport bay region, black & white sketch, physiography, dr g baker, e s hill d.sc, john jenner, bryant west

Wooden frame with green border & glass front.Sketch Map of Darwin.documents - maps, frame accessories, darwin

David Ancrum Alexander was born c1925 and died in 2015. He practiced medicine in Ballarat but also had a keen interest in drawing and painting, mostly water colour. The sketch books range from 1971 to 2012. Each appears to be related to a specific theme - people, places, and characters in novels. Often this is mentioned on the cover. He became a member of the Art Acquisition Committee at the University Campus at Mount Helen. A Thanksgiving Service was held in his honour at Federation University in the Caro Convention Centre on 27 March 2015.52 sketch books, spiral bound. Pencil drawings and water colour workYear printed on cover of each book. Themes contained in book written on coverdavid alexander, doctor, ballarat, drawing, painting, water colour, art acquisition committee, ballarat university, federation university, caro convention centre, thanksgiving service, 1971, 2012, c1925, 2015

This is a tourist guide to Warrnambool produced by a local artist, Ella Webb, in conjunction with the Warrnambool and District Historical Society. It includes a sketch map showing the location of some points of interest – buildings and sites of historical interest, places of interest that are no longer existing, some natural features (mainly along the coast) and some information about incidents and people in the past. It is an attractive broadsheet that is a useful guide for visitors to Warrnambool. This sheet is of interest as a modern-day tourist map produced in an artistic fashion by a local Warrnambool artist.This is a single sheet of thick paper printed on both sides in green, brown, yellow and beige tonings. One side of the sheet has sketches of buildings and places of interest and printing and the other side has a sketch map of some of the main streets of Warrnambool and some of its attractions.

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Prelimiinary sketch of 'Merritt House, Trinity Grammar School' by the artist Joy Stewart.Inscription: "Merritt House, Trinity Grammar School". c.1978.joy stewart, merritt house, trinity grammar school

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Preliminary sketch of 'Sunninghill', 228 Cotham Road, Kew by the artist Joy Stewart. Inscription: "Sunninghill". Signed and dated by the artist: "JStewart, September 1979"joy stewart, sunninghill (cotham road), cotham road (kew)

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Preliminary sketch of 'Roberts House' [Trinity Grammar School] by the artist Joy Stewart. Inscription: "Roberts House". Another ink drawing by the artist of Roberts House is 1980.0037. A finished watercolour is 1980.0018. Signed by the artist: "JStewart".roberts house (trinity grammar school), joy stewart

The Adult Education Association Drama Group originally staged Liliom at the Union Theatre, University of Melbourne on Saturday, 3rd November, 1951, at 8pm and on the 8th November it was re-staged by them as the opening production of the The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc. in the Eistedford Hall, Ivanhoe. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre.Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre Company. Photo from unidentified newspaper of the director of Liliom by Ferenc Molnar, Joy Youlden.an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951 and restaged at the Eisteddfod Hall, Ivanhoe as the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. The Adult Education Association Drama Group performers, backstage workers and technicians staged the play at the Eisteddfod Hall in Ivanhoe. Local Councillor E.A. Carlyle attended and addressed the audience. Reg Rudd is described as director-producer. He announced another Repertory evening in February. Inagural production under the name of The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc., staged in the Eisteddfod Hall, 14 Ivanhoe Parade, Ivanhoe, Victoria, Australia on the 8th November, 1952.All items in good condition. Original and one colour photocopy of hand drawn sketches for the Prologue and Scenes 2 and 3 settings in blue biro with watercolour washes on ecru paper. On the back side of paper with scene sketch of Act 1. Photo – Joy Youlden - Small black and white cutting from unidentified newspaper on newsprint which has yellowed, Cutting has been glued onto ecru A4 paper sheet. Sketch for Scene 6, The Land Beyond, and Sketch for Scene 7, Julies House 16 Years later, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Sketches for Scene 4, The Railway Embankment, and Sketch for Scene 5, Behind The Shop, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Handwritten detail of scene numbers and names, name of producer, theatre company AEA (Adult Education Association) Drama Group Show and place, Union Theatre.eistdford hall, fern matthews, city of heidelberg repertory group, adult education association drama group, liliom, liliom by ferenec molnar directed by joy youlden, 1952, 1

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design

Sketches made in POW Camp 13 by von Gruenewaldt as the Army sappers dismantle the camp and POW's are repatriated back home. Lt. D. H. Hall wrote his signature bottom left corner. On back of sketch. Jenks with best wishes Splinter.Artist/cartoonist von Grueneweldt POW Camp 13. South African Group. Sketch entitled The Sappers Farewell. Seasons greetings 1946-1947 G. E. Murchison. signed D. H. Hall Lt. bottom left corner. "Morgen 1st Auch Ein Tag" bottom right corner.Jenks With Best Wishes Splinterhans walter von gruenewaldt, pow camp 13, army sappers, pow repatriation

This card has a sketch map showing the properties surrounding Dunmore on one side and a detailed sketch plan of Dunmore homestead in the early 1970s on the other side. The plan of Dunmore homestead shows interesting features such as the brick oven for bread making, the croquet lawn, the site of the aboriginal mia mias, the Turkish baths and the fowl house used later as a poison house. Francis and Ann Baulch were pioneer settlers in the Kirkstall area and their son Samuel worked at Dunmore in the Macarthur area before purchasing in the early 1870s the property he named Rose Park. In the 1890s he acquired property in the Dunmore estate and his son Stan Baulch gained a section of the Dunmore property after his father’s death. Stan Baulch named this Dunmore section, Rose Park, a property to the west of his father’s original Rose Park property. Stan Baulch was a long time member of the Warrnambool & District Historical Society and he contributed many local history articles and donated many local artefacts to the Society.This sketch plan is of interest as it tells us what the historic homestead of Dunmore in Western Victoria was like in the early 1970s. It will be useful for research. This is a sheet of white lightweight cardboard with a pencilled sketch on one side and a blue ink sketch plan of a house on the other side. The edges of the card have some torn sections. The card is enclosed in an oval cardboard cylinder (recycled and torn at the ends). Both the card and the cover have handwritten titles in ink. Dunmore Homestead & History by S. Baulch Dunmore Homestead drawn by Stan Baulch c.1972 dunmore property, western victoria, baulch family

Nicola Cua lived with his Italian parents in London. Interned when Italy came into the war as Germany's ally. Transported on "Dunera" to Australia to Camp 2. Photocopy of a sketch held in British Museum Records of Internment WW2Black and white sketch of four huts in foreground with gum tree centre front of 2nd hut on right side. On extreme right more huts are visible. Black frame - gold stripIndecipherablesketch, pen and ink, camp 2, tatura, ww2 camp 2, illustrations, pen, ink

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 34 Stevenson Street, Kew by the artist Joy Stewart. Inscription: "Stevenson Street, Kew". Signed lower right: "JStewart".stevenson street (kew), joy stewart

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations. Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'South Wing, Xavier College' by the artist Joy Stewart. Inscription: "South Wing, Xavier College". Signed lower right: "JStewart".joy stewart, xavier college (kew)