Cheese Platter - Ceramic (previously #89a and b from Mechanics Institute Eaglehawk). Wedge shaped plate and cover decorated with trail of leaves, flowers and vine. White, brown and silver. Approx 30cm x 20cm x 10cm . Makers Mark appears under plate. Two eyes with mouth. See Image 064-DSC_1009.jpgtwo eyes with mouthcottage, miners

Black and white photograph of 5(five) men in front of vine covered wall. Inscription on reverse: 'The Last of the Moakins' in blue ink. Stamped in blue 'Oliver's , late. Stamped in blue oval 'Barker Chemist'. Written in pencil PM 936 Date stamped in blue 10 May 1939. Signature of Basil Miller 'B. Miller'.person, individual, basil miller

A photo from a book compiled about the Legacy children's residence called Stanhope. This photo shows a reunion in 1959 featuring Matron Dorrie Vines with several past residents. The Age featured the picture in an article on 13 April 1959. The caption read: These three couples all met for the first time when they were legacy wards at Stanhope, the Legacy Club home at the corner of Burke and Cotham roads, Kew. They met again yesterday when the first reunion at Stanhope was held, and met again Matron Dorothy Vines, who has helped raise 300 Legatees there since it opened 13 years ago. Left to right: Les and Diane Johnson, Graeme Ball, Matron Vines holding three-month-old Karen Ball, Alison Ball (nee Wisdom) and Alan and Iris Andrews. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook as she is referred to as 'self' in another photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01827. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Harelands accomodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of a reunion at Stanhope. A great example of the impact the residence and care had on the lives of the junior legatees that they kept in touch with each other and the home.Black and white photo of a Stanhope reunion in 1959 and a newspaper clipping from the Age.residences, dorothy vines, stanhope

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows the homestead and gardens as they were in the 1940s, with the passionfruit vine visible on the right hand side.Black and white photograph of Amess House, with some vegetable garden and the Norfolk Pine visible. Taken from the Northern side of the House. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Wilfred (Fred) Warren and niece Ida Warren (who later married Robert Greer). They are shown standing in front of Warren's Bakery van, which is parked in front of their house. Warren bakery was started in 1929 by John Warren, his wife Florence, their daughter Ida and an aunt Miss Vine. see Bridging the Gap p.58A man and a woman standing in front of a truck marked "Baker.". There is a house in the background.people, warren, transport, trucks

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a light jacket and trousers, carrying a brief case. He is standing at the entrance of building with a wide doorway which has an ornate carving over the door frame. A light and dark chequer board tiled floor can be seen inside. Thick vine covers the outer wall above the door. The man is Frank Wright.frank wright, composer, adjudicator, musician

Benola singers collection, large EPNS trophy , bowl shaped with lions head ring handles and decorated with relief grapes and vines, brass wire netting insert and on a circular black wooden base with green felt underneath. Engraved on side, Bendigo Competitions 1960 1st Prize Ladies Choir won by Benola Singers presented by Dunklings The Jewellers.trophies & awards, public events, music

Sepia tint photograph, copy. Image shows workers sitting outside the Horwood's Foundry, corner of Vine and Mackenzie Streets, C1880. Brick building behind workmen. 'Horwood & Sons' written on window. On side of building, RH wall is written 'Horwood's Foundry'. Horwood's manufactured mining machinery of various types. Their logo is on the stampers at the Deborah Gold Mine.bendigo, business, horwood's foundry

Highly decorative silver-coated object in the shape of a four-pronged fork. A sailing ship forms the top of the handle. The handle (or stem) has 2 curlices on each side. The main section depicts a homely interior in which a seated woman plays the harp, a man stands listening and a child sits on the potty. The whole is surrounded by raised vine-like patterning. A very tiny triangle is engraved in the point of the fork at the back.

Used by the Mah Meri people, Kuala Langat, Selangor (Malaysia), 1936. While Malaysian, this blow-gun is analogous to that used by Indigenous groups from South America with curare. The gun is of bamboo, with a highly polished inner tube of the same. The darts are reeds, made directional by knobs of a tudor wood, with poison made from the ipoh tree and the Strychnos vine The blowpipe examined in this report consists of a long bamboo tube with engraved floral motifs on the outside and a second bamboo tube inside. The mouthpiece is attached to the inner tube and the whole piece can be removed from the outer casing. There is a quiver, filled with darts, a small poisons receptacle, and a single dart and hollow bamboo tube, stored outside the quiver. The objects were donated as a whole to the museum in 1948 by Dr Thomas Edward Marshall. The engravings on the outer case originate from the Mah Meri community in Kuala Langat, Selangor, Malaysia. The floral ‘motif is of a vine with small incisions to reflect the properties/identity of the plant (poisonous/harmful)’. These motifs are generally handed down through the generations and can be used for kinship identification. They are also believed to enhance the performance of the blowpipe. The outer casing is made up of several pieces of bamboo fused together. Broken or damaged blowpipes were not discarded. Broken sections of a pipe could be removed and replaced as required, and the observably different bamboo sections suggest this has taken place at some point. Sap from the perah tree is used to seal or glue the pieces together and the glue is reversible by heating. The Mah Meri created a poison from the ipoh tree for use in hunting. The poison acted swiftly to kill the animal and did not result in secondary poisoning. The way in which the Mah Meri hunted is analogous with other blowpipe hunting practices elsewhere in the world. Blowpipe hunting practices represent a starting point for the introduction of standardised muscle relaxants into surgery during the 20th Century. In parts of South America, plant poisons were used to tip the darts and kill prey. These poisons are known as curare. The crucial ingredient in curare was Chondrodendron tomentosum root. Raw curare formed the basis for Intocostrin, the first standardised, mass produced muscle relaxant. The introduction of muscle relaxants dramatically changed surgery, allowing for more precise surgery and better patient outcomes. Bamboo blowpipes can be found in many museum and heritage collections, particularly those with strong colonial origins or influence. Blowpipes from Borneo seem to be well represented, along with those from Guyana. Blowpipes from Malaysia appear to be less common. More research is required to establish the rarity or representativeness of the blowpipe. Ownership of the blowpipe can be traced back from the museum to Dr Thomas Marshall. It has also been established the blowpipe’s point of origin is among the Mah Meri people of Kuala Langat, near Kuala Lumpur. There is no information regarding the way in which Marshall came into possession of the blowpipe. Provenance cannot be fully established. Despite these difficulties, the blowpipe represents a full set of hunting implements. It is accompanied by a quiver, also decorated with a floral motif, a set of bamboo darts, and a poison receptacle. The quiver also has a waist strap which enabled the owner to strap it to themselves, preventing its loss while hunting. Each object within the set is in good condition, although the inner tubing is beginning to split lengthwise and should not be removed from its outer casing. While the blowpipe and accompanying objects are not of South American origin, the techniques and poisons used are analogous and this object has high interpretative capacity. Hollow bamboo blowpipe with mouthpiece at one end. Two different types of organic fibre have been used at difference points along the shaft to secure different segments of the blowpipe. The item consists of two tubes a thin and unpolished inner tube that has degraded and can no longer be removed, and a polished and decorated outer casing. The outer casing is made up of different sections of polished bamboo, some pieces have developed a deep red hue which is likely the result of prolonged polishing and regular heating over many years, other sections are a lighter yellow indicating that they are newer pieces of bamboo. The entire outer tube is covered in a varied sequence of genomic patterns. The exact meaning of these patterns is unknown however they are passed down through family lineage, the exact family of origin is unknown. Connected to the mouthpiece if it is removed from the inner casing is a piece of cloth with the numbers 2241 written in black ink, their purpose is unknown.curare, malaysia, bamboo

From a newspaper article showing the Russell Street yard with a number of vehicles and a group of five men standing around. Caption tells about the new aerial erected at police headquarters. The building shown are: single members quarters at the rear adjacent to LaTrobe St. Motor police offices on the corner with a vine covering the wall. The Wireless Room on the right adjacent to Russell St.Russell St Yard 1925police vehicles; wireless patrol; motor police branch; russell street headquarters; transport

HAMILTON COLLECTION ; Three certificates awarded to Nancy Hamilton by the Australian Music Examination Board of the Universities of Melbourne, Adelaide, Tasmania, Queensland & Western Australia, & The State Conservatorium of Music of New South Wales. 1929 passed in Theory Grade 2. Printed on off white paper with navy blue print, with an intricate border of columns, cherubs, vines, State emblems, & a portrait of Beethoven.person, individual, nancy blyth hamilton

A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton

A brutalist style ciborium in the modern manner, crown of thorns decoration to lower outer rim of cup with squared knop to stem decorated with the instruments of Christ's passion. Four sides of the stem are decorated with enamelled wheat and the base is set with four cameos the panels between decorated with vine leaf and grapes. The lid to the ciborium is decorated with engraved stars surmounted with and enamelled cross, centred with IHS.Presented by Mrs W.F.Holmes & Family in Loving Memory of her Devoted Husband and their Loving Father. 17-3-64.

This program was given to attendees at the Bendigo Symphony Orchestra performance on 8 September 2024. Bravo Bendigo presents a spectacular showcase of local talent. This concert features two exceptional compositions by musicians from Bendigo Symphony Orchestra’s very own ranks, and Kaid Normington as soloist in Arutiunian’s brilliant Trumpet Concerto. BSO is joined by renowned concert organist Thomas Heywood for Saint-Saens’ mighty Organ Symphony. BRAVO BENDIGO Sunday 8 September, 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Conductor Kaid Normington trumpet Thomas Heywood organ Claude DEBUSSY Les Couleurs Debussique arr John Matthews Alexander ARUTIUNIAN Trumpet Concerto in A flat major Cally BARTLETT Kati Thanda – Lake Eyre INTERVAL Camille SAINT-SAËNS Symphony No 3, in C minor, Op. 78bendigo symphony orchestra, luke severn, regional victorian orchestra, performance

Bendigo Advertiser '' The way we were'' from 2000. Busy: the Frank Brown Brick factory, Back Creek, circa 1900. Frank M. Brown was born in 1857. He began his working life as an apprentice pattern maker with A. Roberts & Sons, iron founders, in Wills Street, Sandhurst. He later became foreman of Horwoods Foundry in Vine Street. He formed a foundry partnership with Thomas R.J. Carter in 1887 as Carter & Brown. In 1889 he left Carter to start his own City foundry in Wattle Street. In 1892 Brown established a steam brick works opposite 208 Sheepwash Road (now Sternberg Street) which continued to operate until about 1916. In 1902 he purchased the Vine Street foundry to trade as Bendigo Iron Works. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document. Greeting Cards. Small white tri-fold card with uneven cut edges with gold edging resembling a ribbon threaded through the material. Around the edges are gold & white ivy leaves framing a blue coloured scene of an old water wheel and building. Another ivy vine from the top right cornewr to the bottom left corner. 'With kindest Wishes' written in gold at the bottom.person, greeting cards, malone collection, malone collection, greeting cards

HAMILTON COLLECTION ; Three certificates awarded to Nancy Hamilton by the Australian Music Examination Board of the Universities of Melbourne, Adelaide, Tasmania, Queensland & Western Australia, & The State Conservatorium of Music of New South Wales. 1927 passed with Credit in pianoforte Grade 3. Printed on off white paper with navy blue print, with an intricate border of columns, cherubs, vines, State emblems, & a portrait of Beethoven.person, individual, nancy blyth hamilton

HAMILTON COLLECTION ; Three certificates awarded to Nancy Hamilton by the Australian Music Examination Board of the Universities of Melbourne, Adelaide, Tasmania, Queensland & Western Australia, & The State Conservatorium of Music of New South Wales. 1927 passed with honours in Theory Grade 3. Printed on off white paper with navy blue print, with an intricate border of columns, cherubs, vines, State emblems, & a portrait of Beethoven.person, individual, nancy blyth hamilton

Evening or opera coat with princess line seams and shawl collar. Leg o' mutton sleeves, full length flared skirt of six panels and secured with one self covered button and bound buttonhole at the waist. Fully lined in cream coloured silk taffeta. Fabric is printed in gold with flowers, vines and butterflies with hand silk screened roses and forget-me-not flowers over the topNone

Copy of a black and white photograph some of pupils in the photo are named as follows: back row left to right Clara Martin, Unknown, Doris Martin, Edna Martin, Unknown, Peggy Holden. Middle row, Unknown, Keith Wiegard, Edith Hamilton, Unknown, Unknown. Front row: Arthur Wiegard, Kevin Vines, Jim Murdoch, Stewart Hamilton, Harry Wiegard. Photo about 1927.education, bendigo, shelbourne east

Report or plan - approx. 200 A4 pages, unbound, titled "Melbourne Metropolitan Tramway Heritage Study", includes, Introduction, Historical Background, Development of Melbourne's tramway system, Social and recreation, Personalities, tramway technology and cultural heritage significance. Includes 7 tables and some 113 photographs. Has a number of errors in it. Prepared by Gary Vines, Biosis Research, May 2011 for Heritage Victoria.trams, tramways, heritage victoria, conservation planning, mmtb, melbourne

Decorative object made by Ernest Leviny probably to sell in his jewellers and watchmakers shop in Market Square Castlemaine.Silver mounted emu egg goblet with gold-wash interior and cast emu figure on lid. Silver stem has elaborate scrolled ribbon design and cast decoration topped by four heads of the god Pan. Filigree silver design of grapes and vine leaves above base. 'Egg' rests in 'cup' of filigree feathers/shell and acanthus leaves. Lost wax casting method used.Noneernest leviny, silversmithing, colonial silverware, decorative arts, natural history specimens, ornithology

The stone wall is part of the terraces that were built into the hillside at the winery at Goonawarra. They were constructed in the early days when the vineyard was established to terrace the hillside for growing vines. The winery was originally established by Joh Goodall Francis, a former member of the Victorian Legislative Assembly. He acquired a parcel of crown land and proceeded to develop it as a vineyard. The terraces were built by vignerons, who were employed to work on the property. Goonawarra Winery was one of a number of vineyards that were established in the Sunbury area in the 1800s. The volcanic soil and temperate climate were ideal for grape growing.A coloured photograph of a stone wall with a notice to the left of the wall and long dried grassland in the front. A barbed wire fence is in the foreground.terraces, vineyards, goonawarra, james goodall francis

Johann Carl Pohl (1824-1/6/1906) came to Bendigo in the 1850's. He was originally a butcher in White Hills but then planted about 12 acres of vines at Emu Creek. He was a very successful winemaker, winning prizes throughout Australia and overseas for his red wines. This certificate is from the 1873 Vienna World's Fair, again for his wine. He also won prizes at the Vienna Fair in 1875.Copy of a certificate of merit issued to Carl Pohl Emu Creek Strathfieldsaye Victoria by The Internationale Jury Weltausstellung 1873 in Wien.document, certificate, pohl

Six black and white photographs in a brown wooden frame which has a metal inset. Top left is of 100 ft long vines. Note a figure is in centre. Top middle is of mahogany gums at Upper Combienbar. Top right is Big Tiger Snake Creek- panning for gold. Bottom left photo is of Bemm River. Bottom middle photo is Thunderbolt's Lookout and the bottom right photo is big timber. photographs combienbar bemm-river thunderbolt's-lookout mahogany-gums