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Rutherglen Historical Society
Photograph - Image, Thalma, July 1911
Group photograph taken on the occasion of the opening of Lilliput Bridge in July 1911. Two individuals are identified on the back of the photograph: Olive Hiskins and her father John Hiskins.Group photograph, mounted on brown cardboard, Photographic studio identified at bottom of cardboard frame on front. Details of event and names of two individuals written on back.On back "Lilliput Bridge, opened July 1911". "Lady in lampshade like hat - Olive Hiskins, man to her right standing out front, her father - John Hiskins" On front "Thalma. Ilsley Opp. P.O. Rutherglen"olive hiskins, john hiskins, lillput bridge -
Bendigo Military Museum
Container - BISCUIT TIN, c.1939 - 1945
Tin contains large quantity of RAF, RAAF badges of rank. Trade badges. Buttons, brass & dark. Belt buckles plain brass, British coat of arms, darkened. Stored in a biscuit tin, rectangular shaped with corners flattened to make an octagonal. The lid has a still life scene of 6 tomatoes & a blue patterned, gold topped jug. Sides have a wavy mesh appearance of two tone blue.Printed in small black letters on lid near bottom edge: “Persimmons”numismatics-badges-military, containers - domestic, metalcraft, raf, raaf -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, "Bourke St looking east from Queen St 1921", 1980's?
Reproduced photograph, sepia toned of "Bourke St looking east from Queen St 1921" with the Post Office, Myers, the Leviathan, and Parliament House in the distant background. Also a shop "Hatters Kenos Mercers" The cable tram has the destination of "Spencer St" One of a series of four photographs produced by an unknown person/company. Two small size prints held. See Reg Items 301 and 5274 for other copies.On the rear of 587 "Cable Tram prints $10/set"trams, tramways, melbourne, bourke st, cable trams, post office -
Melbourne Legacy
Photograph, Anzac Day 1993, 1993
Two Legatees at the Shrine of Remembrance after the Anzac Day service in 1993. As it was Legacy's 70th Anniversary Legatees were allowed to march in a contingent during the march, instead of in their respective battalions. According to the paper label "Over 300 Legatees participated in the ANZAC Day march commemorating Legacy's 70th Anniversary." Photos show the Legatees assembling before the march, see also 00754, 00755 and 00756. Plus an article in the Answer reporting on the day.A record of a Anzac Day march to commemorate the 70th Anniversary.Black and white photo two Legatees after an Anzac Day March 1993.Marked B14 which is the frame number from the B proof sheet (00754.2)70th anniversary, anzac day, answer, march -
Melbourne Tram Museum
Magazine, "Kew Depot News", 1996/1997
Set of two issues of Kew Depot News Vol 2 Issue 3 - April 1996 - notes City Spencer Destination issues, pool table, rosters, tickets, bad flats on trams, uniforms, refresher training and soccer club matches. Vol 2, issue 5 - August 1997 - four pages - disputes, heaters on trams, budget cuts, running into depot, tram faults, rosters, amenities, new conductors, soccer.Demonstrates a set of two Union produced depot newsletters.Set of two magazines - Kew Depot News - printed and finished to A4 size.tramways, kew depot, unions, disputes, issues, depots -
Orbost & District Historical Society
candlestick, late 19th century
Brass is an alloy made of two-thirds copper and one-third zinc, although the ratio varies.Before the advent of electricity candlesticks were a necessity in every household.A tall and thin brass candlestick on a hexagonal base.The candlestick has a decorative shape with several raised bands and engraved lines encircling the body horizontally. It has two concentric circles decorating the foot. candlestick brass victorian lighting domestic-lighting candle -
Ringwood and District Historical Society
Letters, Letters - Guardian Assurance Company to Mr and Mrs Pullin (Ringwood). 1964 and 1970, 1. 30-Jul-1970; 2. 18-Aug-1964
Two letters to Mr & Mrs Pullin in their capacities as the President and Secretary of the Ringwood Hisrorical Research Group.Two single pages of letters - typed.; 1. To Mrs Pullin; 2. To Mr Pullin re fireworks, from Guardian Assurance Co Ltd. +Additional Keywords: Pullin, E.V. / Pullin, R.A. -
Halls Gap & Grampians Historical Society
Photograph - B/W
Frederick Paasch 's house with two Chandlers outside. See Victoria's Wonderland p98-99. Weather board slab building with climbing rose growing on side of house. Bricks form base of chimney with an iron flue forming rest of chimney. Two men and a horse stand to the right of the cottage.buildings, houses -
Flagstaff Hill Maritime Museum and Village
Tin, J Millhoff, 1925-1940
Édouard de Reszke was born into a well-to-do and cultured Polish family in Warsaw, where he first learned to sing. He spent four years in Italy, studying singing first with Stella and Alba in Milan and later the retired baritone Filippo Coletti. He later went to Paris to study with Giovanni Sbriglia, who was also his brother's teacher. Initially, he did not want to become an operatic performer but at the urging of his younger sister, Josephine (Józefina), he accepted an engagement with the Paris Opera. He was chosen by the composer Giuseppe Verdi to make his debut in the first Paris performance of Aida on April the 22nd 1876, appearing under the composer's baton as the King of Egypt. De Reszke's older brother was the renowned lyric dramatic tenor Jean de Reszke (1850–1925), with whom he would sing often in Paris, London and New York City during the next two decades. In 1887, for example, the brothers performed together in the 500th performance of Gounod's Faust at the Paris Opera. Josephine, Eduardo and Jean's sister, also embarked on a career as an opera singer in Paris but she retired early from the stage after marrying an aristocrat while at the height of her powers. Between the start of 1880 and the end of 1900, Édouard de Reszke appeared on more than 300 occasions at the Royal Opera House, Covent Garden, performing a wide range of roles in French, German and Italian operas, including works by Wagner, Verdi, Rossini, Bellini, Donizetti, Ponchielli, Verdi, Rossini, Bellini, Donizetti and Mozart. He was a huge favourite, too, with audiences at New York's Metropolitan Opera during the same era. He also sang in Chicago in 1891 and, in 1879–1881, at La Scala, Milan. In 1903, he retired from the stage after his once superlative voice developed technical difficulties and went into a swift decline. De Reszke taught singing for a while in London before returning to his estate in Poland, where he was adversely affected by the outbreak of World War I in 1914. He was cut off from his brother by the fighting, and died on 25 May 1917 at a house in Garnek, near Częstochowa, Poland. Édouard de Reszke, was a Polish bass singer from Warsaw, born with an impressive natural voice and equipped with compelling histrionic skills, he became one of the most illustrious opera singers active in Europe and America during the late-Victorian era. De Reszke cigarettes are named after Édouard de Reszke and were advertised as ‘the Aristocrat of Cigarettes’. They were produced by J Millhoff, a Russian cigarette maker living in London. He created a special blend of tobacco that it was believed would not damage the famous singer's voice. In gratitude, Millhoff was allowed to sell the blend as 'De Reszke' cigarettes. Cigarette tin, small square, pale aqua color.Marked on lid with two coats of arms in gold, and text in dark blue underneath. 'De Reszke Virginia ‘The Aristocrat of Cigarettes'.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, aristocrat of cigarettes, j millhoff, opera singer -
Blacksmith's Cottage and Forge
Stereoscope
Stereoscopy (also called stereoscopic or 3-D imaging) refers to a technique for creating or enhancing the illusion of depth in an image by presenting two offset images separately to the left and right eye of the viewer. Both of these 2-D offset images are then combined in the brain to give the perception of 3-D depth. Three strategies have been used to accomplish this: have the viewer wear eyeglasses to combine separate images from two offset sources, have the viewer wear eyeglasses to filter offset images from a single source separated to each eye, or have the lightsource split the images directionally into the viewer's eyes (no glasses required). Stereographic cards and the stereoscope. Two separate images are printed side-by-side. When viewed without a stereoscopic viewer the user is required to force his eyes either to cross, or to diverge, so that the two images appear to be three. Then as each eye sees a different image, the effect of depth is achieved in the central image of the three. Stereograms cards are frequently used by orthoptists and vision therapists in the treatment of many binocular vision and accommodative disorders. Source: www.wikipedia.org Wooden viewer with two glass "windows", separating divider between them. Sliding cross-piece which holds the photocard between wire holders. Turned handle.home, stereoscope, photography, 3d, postcards, entertainment, viewers -
Port Fairy Historical Society Museum and Archives
Photograph
Drill Hall, Bank Street, Port Fairy. This two-storied building was constructed in 1874 as livery stables and was later used for the garrison from c.1885. The structure is symmetrically arranged about a large arched opening and features include the plinth, quions and the parapet. Reconditioned c.2000 when the interior was renovated for functionsBlack and white photograph of the drill hall a two storied rendered building with double doors opening into the streetdefence, hall, drill hall, bank street -
Warrnambool and District Historical Society Inc.
Book, One of the best medical books in the world, 1844
This book, an Irish spelling book with a strong religious tone, is in a very tattered state but has the name ‘Freckleton’ on it and it may have come with the first Freckleton immigrants to Australia. In the 19th century there were Freckleton families in the Warrnambool district at Port Fairy, Cooramook, Mailors Flat, Woolsthorpe, Woodford and Wangoom. The provenance of this book is unclear but it is kept because of its early printing (1844) and because of its association with the Freckleton families. This is a soft cover book of 240 pages. The cloth cover is brown with no visible markings on the front cover or spine. The pages are bound together with string and the material on the spine is almost worn away. Some of the pages are torn and very dirty and all are dog-eared. There is a grey and white illustration on the first page. The inscriptions on the first and second pages, barely legible, are handwritten in pencil and in black ink. ‘W. Freckleton, landed (?) 1857….1875….1888’ ‘…May landeth….’ freckleton families,, western district, history of warrnambool -
Warrnambool and District Historical Society Inc.
Booklet, The Dublin spelling book, 1844
This book, an Irish spelling book with a strong religious tone, is in a very tattered state but has the name ‘Freckleton’ on it and it may have come with the first Freckleton immigrants to Australia. In the 19th century there were Freckleton families in the Warrnambool district at Port Fairy, Cooramook, Mailors Flat, Woolsthorpe, Woodford and Wangoom. The provenance of this book is unclear but it is kept because of its early printing (1844) and because of its association with the Freckleton families. This is a soft cover book of 240 pages. The cloth cover is brown with no visible markings on the front cover or spine. The pages are bound together with string and the material on the spine is almost worn away. Some of the pages are torn and very dirty and all are dog-eared. There is a grey and white illustration on the first page. The inscriptions on the first and second pages, barely legible, are handwritten in pencil and in black ink. ‘W. Freckleton, landed (?) 1857….1875….1888’ ‘…May landeth….’ freckleton families, western district, history of warrnambool -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection, head in the land (private persons), doug wright -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection, adriane strampp -
Eltham District Historical Society Inc
Negative - Photograph, Art show, Eltham Community Centre, c.1994
An art auction for the Save the Copper Butterfly campaign arranged by Pauline Toner was held in 1987 at which a number of which were acquired by the Shire of Eltham for the Eltham Art Collection, now part of the Nillumbik Art Collection. This show circa 1994 in the Eltham Community Centre displayed several of the works.Roll of 35mm colour negative film, 1 stripKodak Gold 100-4art exhibition, eltham community centre, eltham copper butterfly, nillumbik art collection, ona wendi henderson -
Ballarat Tramway Museum
Photograph - Illustration/s, ESCo 21, Grenville St
Tram has the destination of City. Has 1920 in bottom rh corner. Cut from a magazine. Has photos of warehouse on rear, with horse drawn carts & motor vehicle. Sepia toned. See also Reg item 5143 for another version of this image and 9465 for a glass plate negative.Yields information about the ESCo Sebastopol type electric trams and the streetscape in central Ballarat 1920.Small clipping of ESCo tram No 21, arriving Grenville Street. 1920 in pencil on right hand bottom cornertrams, tramways, sturt st, grenville st, sebastopol type, esco -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bairnsdale Advertiser, 1/11/1988 12:00:00 AM
Also two other black and white photographs of raging flood waters during same flood event. 04933.1 10 x 17 cm and 04933.2 18 x 24.5 cmBlack and white photograph showing flood waters flowing through a camping park with two large tents and a caravan surrounded East Gippsland Victoriaoil and gas industry -
Robin Boyd Foundation
Letter, The Melbourne Beefsteak Club, The Melbourne Beefsteak Club to Robin Boyd, 11.11.1966
The Melbourne Beefsteak Club, Australia’s oldest food society, was founded in May 1886. Members were from business, professional and academic circles. The Club had some arcane rituals, with Masters and Writers of the Records. This letter from The Recorder is addressed to Brother Boyd and includes a list of 26 members and lists of past Writers of the Records and Masters from 1964-1966, and list of Writers of the Records and Masters for the next two years 1967-1968. These roles change each month. Boyd was scheduled to be Writer in March 1968.Letter plus two pages with list of members and Writers of the Records and Masters. -
Ballarat Tramway Museum
Photograph - Illustration, "Ballarat (Sturt Street) Victoria, c1900
Set of two views from an illustrated publication on Ballarat. 1 - Illustration - "Ballarat (Sturt Street) Victoria " of a horse tram eastbound on the south side of Sturt St. Has several horse-drawn vehicles in the image, the gardens in the central median strip, and Snow's store verandah. 2 - illustration - Sturt St Ballarat" looking west from Grenville St with a horse tram traveling westbound on the north side of Sturt St. Has the buildings on both sides of the street in the view along with Suttons Music store.Yields information about Sturt St from the Town Hall or Grenville St.Illustration cut from a magazine or publication - set of two - back to backballarat, illustrations, sturt st, horse trams, snows -
Kew Historical Society Inc
Newspaper - Articles, Willsmere Swimming Club, 1930
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Two newspaper articles about the Willsmere Swimming Club and ‘Olly’ Christian. orlando henry beater christian, willsmere swimming club, christian-washfold collection -
Melbourne Legacy
Photograph - Photo, Widows Committee, 1991
Two Legacy widows, from Essendon, Tess Bendon and Lorna Tozer. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). The photo was used in an issue of The Answer in May 1992. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-15 could mean 3 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00650, 00651 and 00661 - 00666. Photos of the committee members of Widows clubs were taken by a professional photographer in 1991.Black and white photo of two Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-15. Pg 3 in and "Tess Bendon, Lorna Tozer" in pencil.widows, widows club, committee -
Hume City Civic Collection
Photograph
Since it was built in the 1860s the two storey brick building has had a number of commercial uses including butter and ice making, a general store, an equestrian store, an art gallery, a community Christian centre and a health studio. It has apparently been built in two stages because one section of the brickwork has a smoother finish.A coloured photograph of a two storey brick building with a slate roof. There is a shop front on the ground floor and 5 windows are on the 2nd storey. A verandah extends across the front of the lower storey to the edge of the footpath.butter and ice making, johnston, george, james, william, george evans collection -
Warrnambool and District Historical Society Inc.
Functional object - Bottle, British Syphon Co Ltd London, Warrnambool Cordial Co, Early 20th century
Warrnambool Cordials was one of a number of cordial and aerated Waters Manufacturers who operated in Warrnambool from about 1859 until the 1980’s. Warrnambool Cordials was commenced in the early 1920’s by two brothers, Joseph and James Lescai. James operated a fruit shop in Fairy Street and Joseph as an industrial chemist made his own cordials which became very popular. Soon a company was formed with four local businessmen, J S Tait, Chas McMeekin, G Cinquegrana and John Gleeson who took over the company around the 1930’s. Warrnambool Cordials was then purchased by the Flett brothers around 1942. It was then sold in the 1960’s to Thomas McKenzie who traded as McKenzie Cordials. Warrnambool Cordials were one of a number of cordial manufacturers who operated in Warrnambool from the late 19th century until late 20th century. Two clear glass cylindrical bottles with 12 lines and indentations within formation of glass. It is topped with plastic spout which has two metal rims at bottom . Warrnambool Cordial Co. surrounds stylized logo “W” topped with small “C” and encased in large “C.” Small print.” British Syphon Co Ltd London. Warrnambool Soda Water in rectangle on back.: warrnambool, warrnambool cordials, lescai, joseph lescai, james lescai, flett mckenzie cordials. -
Eltham District Historical Society Inc
Photograph, Ezra Goulter, Unidentified Shillinglaw Family Male, c.1885
Photographer Ezra Goulter operated from 23 Chapel St. Prahran between 1878-1890 A duplicate photo is contained in Album 2 (05664) CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1878-1890, goulter photographer chapel st prahan, male shillinglaw 7, unknown, 1885 -
Melbourne Legacy
Document - Document, letter, Re: Blamey House
Carbon copy of a letter from Legatee H.L. Berg dated 4th October 1974 to A.Quayle, Esq., Chairman of the Housing Steering Committee in which Legatee Berg confirms the completion of the Stage Two design for Blamey House. The plan was to be submitted to the Board of Management. Costs of $170,000 were estimated and the plans would also have to be submitted to Kew Council, which Legatee Berg undertook to do. See also Cat. No. 01696. In a file with documents pertaining to the residences. An example of the detailed work Melbourne Legacy did to house Junior Legatees.1 x carbon copy, black on white. Two holes punched for filing. residences, blamey house -
Melbourne Tram Museum
Photograph - Set of two colour prints of L class 102 on a tram tour, Bill Kingsley, July 1974
Set of two photographs, possibly during a Footscray Technical College tour in July 1974. Such tours were arranged by Bill Kingsley. 1 - L 102 at Brunswick Depot. Note the destination of "Fawkner" - which was used to link with bus services at various times of the day between North Coburg and Fawkner station - see reference. 2 - ditto turning from Pilkington St into Barkly St North Fitzroy, part of the single track Holden St. line.Yields information about the use of L class trams.Set of two colour prints, Kodak paper with date of July 1974 on rear.Location and tour notestrams, tramways, l class, tram 102, pilkington st, barkly street, bill kingsley., brunswick depot -
Kew Historical Society Inc
Postcard, Yarra Falls, The Yarra at Studley Park, 1920-1950
The Yarra River was a major subject for the producers of postcards in Melbourne. This dual image postcard shows images of the Yarra in two locations. Studley Park in Kew was a major location for recreation activities by the people of Melbourne.Image of the Yarra at Sudley Park shows remnant vegetation preserved on the banks of the Yarra in this part of Kew.Monochrome postcard with two images of the Yarra River, the lower image showing the Yarra at Studley Park. The reverse has a handwritten birthday greeting from Eileen to her mother Mrs Clark. Original postage stamp has been removed and slight tearing in top right corner. Two ink stamps KEW HISTORICAL SOCIETY have been added."Mrs Clark, Harp Road, East Kew / Wishing Mother a very happy Birthday and many returns / from Eileen"yarra falls, dual image postcards, yarra river -- studley park -- melbourne (vic.), monochrome postcards -
Sunbury Family History and Heritage Society Inc.
Photograph, Bulla Primary School - Playground, C1992/3
The two little girls were in Prep grade at Bulla Primary School c 1992/93. They are playing on the old playground equipment which was replaced in 1994 when the school underwent many interior and exterior improvements. A non-digital photograph of two little girls playing on climbing frame in a school playground. The classrooms are visible through the conifer trees in the background.bulla primary school, playground equipment