Two men and a dog outside of a wood, bark and mud hut. Plate 4.building, persons, mining

Wood Working Factory. Established 1853. Plate 237 Chuck Photo Series.mcculloch & sons, mair street, manufacturing

'Into the Woods' program, 2003. Please contact [email protected] to request access to this record.visual and performing arts, music, 2000s

A chiesel is a wedged hand tool for cutting hard materials such as wood, metal and stone.Handmade pointed chisel made of metal. tools, chisel

The following information is written on then back of the photograph - 'Wee Georgie Wood, English tutor'.A sepia studio photograph backed onto a light brown board of a lady and a young boy.Handwritten across the lower RHS: BEST WISHES/GEORGIE BOY.

Black and white photo of Frederick William George Woods, b. 1889, Auburn, Vic., (parents William John Woods and Ada Maria Woods nee Smith), d. 16th August 1951, East Melbourne. He was an estate agent in Camberwell. He married Eva Victoria Crowhurst Plummer in 1913 and they had four children, Fred, Jack, Marjorie and Betty (the future Mrs John DeCoite). The photo shows a young man with dark, wavy hair. He is dressed in a three-piece suit and tie.

A wooden racquet featuring dyed wood frame, popular in the 1940's. Decal on throat on obverse comprises of the monogram 'MW' on a blue ribbon, in front of a starred and striped shield, crowned by an eagle. Decal inscription across throat on reverse: NATIONAL. The patent across right side of racquet, was issued in February 1939, for the "coloring of bent wood", developed by William Whyte, an employee of Cortland, who manufactured tennis racquets. Materials: Wood, Gut, Metal, Lacquer, Glue, Leather, Plastic, Adhesive tape, Vinyltennis

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic canister with 'Gum Leaf' design. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

This is a coat hanger made in Germany for the Warrnambool firm of Cramond and Dickson. John Cramond and James Dickson opened a general store in Warrnambool in 1856, selling men’s and women’s clothing, drapery and manchester and it had its own tailoring and millinery business. This store became a prominent one in Warrnambool for over 100 years, closing in 1973. The business operated for most of this time at the corner of Timor and Liebig Streets. This coat hanger is of great interest as a memento of the business of Cramond and Dickson, one of the most important businesses in Warrnambool’s history.This is a wooden coat hanger with a metal hook inserted in the centre of the hanger. The wood has been smoothed and stained to a light brown colour. The wood is curved and the ends are slightly tapered. The hook has a round stud at the bottom to prevent the hook from coming out of the hole. The hook is somewhat rusted. The printing on the hanger is in black.‘Cramond & Dickson Tailors & Outfitters Warrnambool Made in Germany’.cramond and dickson,, warrnambool, history of warrnambool

The hat brush is an example of a domestic object that would have been common to most households in the late 19th and early 20th century.The hat brush is significant in that the inscription connects the brush to a prominent hat maker in the Western district whose business can be dated to the late 19th century. The address of the business was 24 Bridge St Ballarat and was owned by Mr Charles Morris. Curved wooden hat brush constructed from light polished timber. The handle end has a small hole in it and the front end is pointed. The bristles are two tone in a circling pattern and cut to follow the curved shape of the wood. There is a chip out of the wood exposing the bristle holes. The brush is stamped with the suppliers name and address.C. MORRIS, HATTER, (?) BRIDGE STREET, BALLARAT.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, hat brush, wooden hat brush, natural bristles, c.morris hatter, hatter ballarat, c.morris ballarat

A composite wood tennis racquet with open throat. Octagonal handle wrapped with a grip. Has end wrap and butt cloth. String whipping at shoulders and at base of throat. Model name as incomplete decal imprinted across throat on obverse: '...MANDER'. Materials: Wood, Lacquer, Metal, Glue, Leather, Gut, String, Inktennis

Multi-part object of 3 identical racquets (parts are numbered from 2008.963.1 to 2008.963.3). Each racquet is: a Paramount metal racquet with no net and stripped wood handle. Adhesive label inside throat states: 'EUROPEAN FEDERATION/M5/ SPORTS GOODS MANUFACTURERS'. Materials: Metal, Plastic, Leather, Wood, Adhesive labeltennis

Mining Scene - North Cross Reef Co.B/W North Cross Reef with buildings, poppet heads, Tailings and wood stack with people. Two colour prints of North cross Reef. One at a different angle to B/W. Second taken further back with wood stacks, tailing dam fenced in beyond poppet heads buildings chimmney's smoking. stawell

Photograph of a wood chop competition. [Refer to Herb Medhurst in a woodchop team photo of c1912]Digital copy of black and white photograph.wood chop competition

The play was presented Next Wave Festival, Elston, Hocking and Woods and Patch Theatre Co. production reviews on the back of the paperspace demons, athenaeum theatre, program, programme, next wave festival, patch theatre, ariette taylor, richard tulloch, gillian rubinstein

A fid is a conical tool traditionally made of wood or bone. It is used to work with rope and canvas.Fids where traditionally used for working with rope and/or sails on sailing ships. They are still in use today for working with rope.Large timber fid with a metal ring attached to wide end for strength used for splicing rope or cable.fid, sail making, rope splicing

A waddy, nulla nulla or hunting stick is an Australian Aboriginal war club.It was used in hunting, fighting and as a ceremonial tool.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of a wooden weapon used by the early Indigenous people of eastern australia.A hand-made wooden pointed stick, a nulla nulla. One end is thicker that the other. Designs have been burnt into the wood.nulla-nulla waddy aboriginal weapon

Bevel gauge for a bench saw - large metal semi circular attached to a straight wood handle. Device shaped like a protractor flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

CPlL SEPTIMUS was the 1 RAR Mascot for 16 years. All Batt’s off the RAR had a mascot. Item in the collection relating to Frank “Dinky” Dean BEM, refer 124.2 for his service details.Framed photo, wood frame, blue and white colours, glass front, phot is B & W showing a pony with his regalia on.At bottom of photo, “CPL SEPTIMUS 1 RAR 12 OCT 51 - 1 APR 67”mascot, septimus, 1 rar

Geoff Murray No 3411521, Vietnam 3 Cav Regt 27.11.67 to 22.10.68, Survey Corp 15.10.69 to 15.10.70. Refer 638P.Colour photo of G Murray with captured weapons. Label at bottom details time, place and weapons. Frame is brown stained wood.vietnam, 3 cav, weapons

Alfred Charles Jury VX66822, 2/4th L.A.A.Regt 2nd AIF. Refer 2080 for service details also 2079.3.Photo, B & W with metal ornamental frame. Has wood fold out stand on rear. Portrait of a soldier A.C Jury."VX66822 Alfred Charles Jury"photography, military, history

Model of the second wooden floating dock at willianstown. Length o/a 206 feet. Beam inside 35ft 6in. Operated 1895-1958. Constructed from the burnt Hull of the sailing ship Habitant which caught fire on the 7th June 1894. Model constructed by Cliff Gibson. Large wooden model of the second floating dock at Williamstown. Made from wood painted black with the work dock painted in white "DOCK"

From Grand United Order of Oddfellows. MU100F - membership and competition. 1966-67 winners in "B" Class - Loyal Orbost Lodge.Friendly Societies were founded in the Australian Colonies in the mid-19th Century by immigrants from England who had been members in Societies which dated back to the 18th Century. Like all working people these immigrants experienced sickness, accidents, unemployment, death and burial. They needed help of like fellows to tide their families over these times. So they formed a branch of one of the Friendly Societies back in the mother country. The idea was to make fixed contributions to a fund and when they were off work they would receive a payment. When they died funeral benefits would be paid and the widow and children would be cared for. It was a form of local insurance for hard times. This was a time of 'look after yourself' as the Colonial Governments did not provide pensions or benefits. This item reflects those times.Membership and competition certificate from Bairnsdale district. Large certificate with large painting of Collins Street Melbourne in wood and glass frame.document oddfellows certificate lodge muioof