What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. This is a Performing Arts Department Final Year presentation to Industry representatives and the general public. It features the work of William Saroyan, William Shakespeare, John Godber, Jane Thornton, Matthew Cahoulin, James Saunders, Stephen Sondheim and Anton Chekhov. The course combines formal teaching and practical experience aimed towards the development of artists. An attempt is made to foster secondments to theatre, theatre companies and arts bodies. Cream A3 sheet of cover paper, folded in half. Front half is folded again. Maroon and black print.performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, ballarat university college, graduate exhibition, 1993, third years, william saroyan, william shakespeare, john thornton, matthew cahoulin, james saunders, stephen sondheim, anton chekhov, michael dickinson, rebecca moore, amanda davis, david whiteley, richard jeziorny, simon power, damien muller, jay strybosch, donna brunt, james edwards, tony marsh, ron hinkley, martin newton, michael gibbins, john bateman, clare o'sullivan, adam turnbull, curtis barnot, vicki pollock, warren muschailli, cristin schwanker, kristian pithie, libby tanner, ruth greenberg, peta brady, christine bennett, brett edgington, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch.One white A3 sheet, folded, with two white A4 sheets. Black and white photographs and black print performing arts, student profiles, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, buc, ballarat university college, graduate exhibition, 1991, jennifer pacey, simon piening, bernadette lamaro, jacqueline port, stephen macklin, michal glickson, felicity hay, gregory wright, douglas knight, merran lisette, sadat-jon hussain, emily robinson, nicholas reid, richard sutherland, third year, monologues, scenes, kruse collection

M72 LAW 66mm Rocket Launcher Anti Tank Cylinder Housing. Round cylinder with a 2 clip on end caps adjustable sites & trigger mechanism rubber. All metal construction, has a fabric shoulder strap. Firing instructions drawn in white on one side.Rocket HE 66 mm Anti Tank M72 A3 Lot RAN90 E 001 - 018, Operating and Storage Temp 40oF to + 140oF - Danger near blast area.arms-ordnance, military history, m 72, rocket

A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic men's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts, a green and yellow striped shirt with the Australian emblem on the right breast of the shirt and a brown leather woven belt. The top of the page shows a detailed drawing of the belt weave with a symbol of Australia as the belt buckle. To the right of the main image is a detailed drawing of the shorts as well as a drawing of a leather pouch that is attached to the belt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

Set of two Envelopes used by "Victoria Transport - Ministry of Transport". Has the logo and return address details printed on it in green ink. Would have been used for A3-size and folded A4 documents or publications. A stationery that is associated with a now-evolved ministerial department which existed in the 1990s. Set of two Brown paper envelopes - large and medium size - pre-printed for Victoria Transport - Ministry of Transport. with a flap that required to be moistened for sealing.public transport, letters, stationery, transport, ministry of transport

The original document was published as a hard cover book and was funded by Country Education for Orbost North Primary School. It describes the social life and customs of the older people in Orbost.A black and white printed A3 photocopy of document produced by Grade 6 children of Orbost North Primary School. 44pages.orbost social-life orbost-north

Sketch used for the advertising brochure for the gallery.A3 cream cardboard black & white sketch of FINDLAY Art Gallery and garden. also name, address and phone number.Findlay Art Gallery 10 FINDLAY Street Cowes Phillip Island Telephone Cowes 522431 Original. Rurric (Pop)shifted from French Island to this house, Cowes, Phillip Island in the early years (primary school) of Dad’s life. (Harry). Note! No front verandah. Enclosure during D L H ownership. Sketch Signed D. Folkes 74.findlay art gallery, de la haye family, houses - cowes

Spiral A3 folio with purple cover. A cut out in the centre of the cover shows a concept drawing of the Tatura Town Square. non-fictionA proposal by the Tatura Revitalisation Committee for the development of the Tatura Town Square precinct. The initial design work for the pedestrian precinct, renovation of the existing fountain, landscaping and the installation of the Tatura Heritage Mosaics was done with the assistance of a Victorian Government Price of Place Grant. See L1059, L0764mural, tatura, mosaic, town square, 1998

Spiral A3 folio with purple cover. A cut out in the centre of the cover shows a concept drawing of the Tatura Town Squarenon-fictionA proposal by the Tatura Revitalisation Committee for the development of the Tatura Town Square precinct. The initial design work for the pedestrian precinct, renovation of the existing fountain, landscaping and the installation of the Tatura Heritage Mosaics was done with the assistance of a Victorian Government Price of Place Grant. See L1058, L0764tatura, town square, mural, mosaic

Yields information about the appearance of some of the tram fleet of the Museum during 2015.Laminated A3 size colour photo of No. 27 at St Aidans Drive, c2015. Photo by Roger Gosney. A winter photograph.trams, tramways, btm, st aidans drive, tram 27

Hanger, William Robert B. 1907 Aust Inf Corps. VP3651 NAA file covers 1935. The jacket was probably from Hanger, William Robert.1. Dark Khaki woollen jacket. Four pockets. Darkened AMF buttons. 38Bn colour patch on shoulders. darkened Major's badge on epaulettes. Rising Sun on collars. One medal ribbon on chest - Efficiency decoration. 2. Cotton polyester short sleeve shirt. light plastic buttons with epaulettes. 3. Tie, Khaki, Polyester. 4. Belt, Sam Browne, tan leather with brass fittings.4. Belt. Written inside belt is "Donated by Capt. D.F.V. Hufer A3/92041. There was another name, it has been obliterated. Another name - Capt. W.R. Hanger VP 3651.ww2, 38 bn, passchendaele barracks trust

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

This staff newsletter aimed to keep staff members up to date with what was happening around RVIB, with its often informal manner and chatty style. A Rebel Chronic was produced at times, which consisted of two A3 folded pages. 1 v. of illustrations and textAlso titled: The RVIB Chronic, The newsletter of the Royal Victorian Institute for the Blind, The Rebel Chronicroyal victorian institute for the blind, newsletters

Mr George Potter Manager of the Victorian Hardwood Company mill at Powelltown is sitting in centre of photograph Image of three fallers with axes and two others around stump of large tree. Black and white photograph A3 mounted on cardboardrear of photo, writen description; central figure is Mr George Potter Manager VHC Powelltown Died c1949 presented by Mrs A G Potter daughter in-law of above 76 Bluff Rd Black Rock axe, ferns, powelltown, timber, fallers, george potter, victorian hardwood company

Written on the back of the poster -"The artist is Betty Barberis nee Barton daughter of Roderick Barton and Myrtle Hore(?) of Gundowring born 1927. She illustrated Esther Temple's book 'The History of the Kiewa Valley'. The subject Sunda Singh was I believe a well known traveling salesman in early Kiewa Valley.. A Sundah Singh is recorded as dying 1948 in Henty. Sunda Singh (I think this must be) died 1933 in Beechworth and was later exhumed and cremated."The History of the Kiewa Valley by Esther Temple, Pages 36 and 37 re the Singh brothersA3 size poster of Sunda Singh, travelling salesman, and his horse drawn covered caravan . Sketched in black by Betty Barberis.Written on the back in pencil an explanation of the drawingsunda singh, travelling salesman, betty barberis, kiewa valley

Map of the area, when Peterborough was part of Warrnambool ShireHistoric map of the area when Peterborough was in the Warrnambool ShireA3 size map, larger view of the whole shire of Warrnambool, and includes adjoining Shire Boundaries. Shows individual land allotments.peterborough, warrnambool shire, old maps

Architect drawings and correspondence re: new building at Bayview Campus. Consists of 80+ A3 pages of architects drawings, notes and letters.williamstown high school, 1995, architect's drawings

Yields information about the appearance of some of the tram fleet of the Museum during 2015.Laminated A3 size colour photo of No.33 crossing Wendouree Parade at Depot Junction, early 2015. Photo by Roger Gosney.trams, tramways, btm, depot junction, tram 33

Article titled "Lighting Effects in the Victoria Gardens, Bendigo", "High = Lighting in Bendigo", "An Echo from the Past". The article has photos of celebratory flood lighting in Bendigo, Victoria Gardens during 1937, for the Bendigo Carnival and Coronation Celebrations. Festivities were held in Victoria Gardens. Notes the Coronation tram car, illuminated and decorated. Has a photo of No. 21 outside the depot. Reprint of an extract from the Geelong Advertiser in 1912, 25 years ago of the opening of the Geelong tramways, passenger numbers and celebrations of the event. Record revised 3/4/2019 to add digital images with those from Andrew Cook CD. See item 9099 for the image of tram 21. Page 35 - records the relocation of Mr. A N Mercer who was involved in the reconstruction of Ballarat and Bendigo Tramways has transferred to the Flinders St Drawing Office. Each item had a thin strip of paper attached by staple to the top left hand corner, giving the Vol. No. details.Yields information about tram 21 as the Bendigo Coronation tram in Photocopy of an article in the State Electricity Commission of Victoria Magazine, Contact, Vol 2, No. 2, Aug. 1937. One A3 sheet.trams, tramways, sec, geelong, decorated trams, bendigo, opening, coronation

Reproduction of the front page of The Courier, 24/11/1955 about the State Government defeat of a motion in the Legislative Assembly of a motion to rescind a SEC Notice to close the Geelong tram system. The State Opposition leader, Mr John Cain (Senior) warned that the SEC intended to abolish trams in both Ballarat and Bendigo.Yields information about the SECV notice to closure the Geelong system in 1955.Copy of a celebratory part of The Courier Ballarat - A3 sheet featuring big events that the paper covered, such as the Declaration of the 2nd World War.trams, tramways, geelong, closure, parliament, john cain, secv

Brochure to accompany the Soroptimist Quilt Project 2000. The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt has been displayed in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objects of Soroptimism.A3 sized folded brochure printed in blue and white depicting images and text relating to squares of the Soroptimist Project Quilt 2000.front: [printed] SOROPTIMIST / INTERNATIONAL / Soroptimist International / SOROPTIMIST / PROJECT QUILT - 2000 / To celebrate the Year 2000, members of the / seventeen Victorian Soroptimist Clubs have / worked together to produce this quilt. The / quilt squares illustrate some of the projects / which have been initiated, funded and / supported by Victorian Soroptimist / members as well as illustrations of our / broader affiliations and responsibilities.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations