History of Catholic Ladies College in Eltham 1902-2002 from its beginnings in East Melbourne. Includes photographs and lists of former principals, teachers and students.v, 231 p. : ill., plan, ports. ; 28 cm.ISBN 0958125805 Annotated: Donated to the EDHS Inc library for reference . Meera G. 10/9/02 [MeeraGovil, Eltham Bookshop]catholic ladies college eltham, clc, school

Happy Valley was originally called Lucky Woman's. The School opened under the name of Happy Valley in 1883, and the brick building probably dates from that time. Miles Barraclough was the head teacher from 1873 to 1887. When mining ceased the population declined and the land reverted to grazing. The School closed in 1940. (Visions and Realisations)Sepia photo of Happy Valley School Teacher, Mr Miles BarracloughVerso Handwritten "Sept-84 Mr Barraclough School teacher Happy Valley" Printed "From J.W. Lindt Photographer Prize Medalist Philadelphia Paris Sydney Brisbane Sandhurst Melbourne 7 Collins Street East Melbourne.happy valley, happy valley school, barraclough, j.w. lindt, miles barraclough, miles barrowclough, lucky woman's, myles barraclough, happy valley school principal

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Sand Pit Fortuna." It shows a mining sand pit and the Fortuna mine in the background. The painting is signed on the bottom right-hand side. The painting is under glass in a dark brown wooden frame. On the back: Penrose Norman William 14 Barkly Terrace east Bendigo. Price: - guineas. Title: Sand Pit Fortuna. For: drawing, watercolour and graphic art exhibition. Victorian Artista Society 430 Albert Street, East Melbourne bendigo, mining, norman penrose, artist, teacher, fortuna

Sympathy cards for the death of "Mervyn Clive Townsend" KIA on 15/11/41 on the sinking of HMAS SYDNEY by HSK Kormoran. Refer No. 2313P for Townsends service.Small white folded sympathy cards. 1. Double folded sheet with message inside in black writing and "Sympathy" on front. 2. 4 page card tied with black ribbon with flag and wreath on front and "In Remembrance" . 3. Double folded sheet with message on front "With Sympathy and deep regret". 4. Four page card with black ribbon. On front "Kindest Sympathy" over top some flowers. 5. Double folded sheet with "Sympathy". 1. From Mr. & Mrs. C.L. Stewart, East Melbourne. 2. From Rosemary Graham, Wedderburn. 3. From Veda Ashford. 4. From Mr. & Mrs Cowling, Bendigo. 5. From C. M. Crum, Bendigo.hmas sydney, hsk kormoran, ww2, mervyn clive townsend

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

Set of 11 Kodachrome transparencies taken on 23/10/1965 in Melbourne. 1178.1 - W7 1020 (on route 9A, Northcote via St Georges Road) with a W2 536 (Deepdene) behind at the corner of Victoria Parade and Brunswick St. East Melbourne or Fitzroy. Has Eastern Hill fire station and ICI building in background. 1020 has front dash panel ads for Queens Bridge Motors and Bridgestone tyres. 1178.2 - W5 759 (route 19, North Coburg) and W5 807 in Elizabeth St. Melbourne at the intersection of Bourke St. with the State Savings Bank building in the background. 759 has side ads, one of which is for CASTROL. 1178.3 -SW6 903 crossing Brunswick St. in Victoria Parade, Fitzroy bound for Deepdene, route 45. Photo taken after tram has passed photographer. 1178.4 - W7 1019 (route 96, East Brunswick Blyth St.) and W7 1010 (route 88 East Preston) in Nicholson St at intersection with Victoria Parade. A Herald newspaper truck is alongside 1019. 1178.5 - W7 1040 (route 96, East Brunswick Blyth St.) in Nicholson St at intersection with Albert St. Has Princess Theatre in the background. (High res scan added 26/10/2008 - copy to FOHTD) .1178.6 - W6 974 (route 89 East Preston Bell St.) in Bourke St. about to turn into Spring St. Has buildings on the south side of Bourke St in background, including Southern Cross Hotel. Note trees in tubs and red phone box by Windsor Hotel. 1178.7 - as for same location as 1178.6 - SW6 967 (route 96) and W6 971 (inbound - route 90 - City Spencer St.) 967 has Lucas ad on front dash. 1178.8 - W7 1013 (route 88 East Preston) photographed from W6 991 in Bourke St at corner of Russell St. Has Normans corner store, Treadways and Foys in background. 1178.9 - W2 553 (route 1 East Coburg) at the corner of Elizabeth St and Bourke St. Has the Leviathan, Roger David and Ezywalkin shops in the background. 1178.10 - W6 991 (route 88) and W7 (route 96) in Bourke St. at corner with Elizabeth St. Photo taken from the GPO steps. 991 has ads for BIC pens and CASTROL. In background are the State Savings Bank, Halls Books and McEwans shops. 1178.11 - Line up of north bound trams (3 +) lead by W2 449and southbound in Elizabeth St at corner of Collins St. Has Flinders St. station building in the background. Hi -res image of .10 added 22-12-2018All have date stamp of "23 Oct 1965" in purple ink. All black ink unless otherwise noted. 1178.1 - "W7 1020 turning into Brunswick St. from Victoria parade, East Melbourne (followed by W2 536) 1178.2 - "W5 799 and 807 in Elizabeth St. Melbourne at cnr. of Bourke St." 1178.3 - "SW6 903 entering reserved track in Victoria Parade, East Melbourne" 1178.4 - "W7 1019 and 1010 in Nicholson St. East Melbourne at Victoria Pde intersection" 1178.5 - "W7 1040 Melbourne's last tram (to date) in Nicholson St. at Albert St. intersection." 1178.6 - "W6 974 in Bourke St. Melbourne, about to turn into Spring St." 1178.7 - "W6 971 entering Bourke St. from Spring St. Melbourne, passes SW6 967 outward bound for East Brunswick" 1178.8 - "W7 1013 (seen from W6 991) in Bourke St. Melbourne crossing Russell St." 1178. 9 -"W2 553 in Elizabeth St. Melbourne at cnr of Bourke St." 1178.10 - "W6 991 and W7 1005 in Bourke St. Melbourne at cnr of Elizabeth St." 1178.11 - "W2 449 leads a line of Peak hour cars along Elizabeth St. Melbourne (at Collins St. corner)"tramways, trams, melbourne, victoria parade, nicholson st., brunswick st., bourke st, elizabeth st, tram 1020, tram 536, tram 799, tram 807, tram 903, tram 1019, tram 1010, tram 1040, tram 974, tram 967, tram 971, tram 1013, tram 553, tram 991, tram 1005, tram 449

Photograph of SW5 764 (Route11) taken from an office window in Gisborne St East Melbourne. Tram has The Met colour scheme with adverts for Heineken beer and advertising 60+ travel cards. Shows a tram in Gisborn St East Melbourne during The Met period.Colour print with notes on rear."From my office 28/6/89"sw5 class, tram 764, tramcars, gisborne st, the met

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Database - Hotham Street Road Overbridge HO116 Heritage Overlay - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/43557 (as of 04/07/2021) The Hotham Street road overbridge is located on the Sandringham railway line between Ripponlea and Elsternwick railway stations. It is presumed to have been built by contractors Sharp and Campbell who signed a contract on 25th . November, 1881 to construct a second line of railway between Windsor and Elsternwick. This contract was completed during 1882 and the bridge may have been designed in the year when Robert Watson took over from William Elsdon as engineer in chief for the Victorian railways. It is historically, aesthetically and technically significant. It is historically significant (Criterion A) to the extent that it demonstrates the standards of construction adopted by the Victorian Railways Department when it rebuilt the lines acquired from the private railway companies, (compare the Geelong and Melbourne Railway Co's line from Newport to Geelong, acquired in 1860). It is aesthetically significant (Criterion E) as an intact nineteenth century structure of its type, many similar girder bridges having been renewed with concrete girders in recent years. The bluestone abutments demonstrate high standards of stone masonry and are representative of Departmental work of the period. This bridge forms one of a group of historic structures on the railway to Brighton Beach and therefore contributes to the line's cultural importance as a whole. The survival of the riveted iron girders with their bellied angle iron struts is important since these elements are representative of the civil engineering practices of the Victorian Railways at the time and constitute the technical significance (Criterion F) of the structure.Page 96 of Photograph Album with three photographs (one portrait and two landscape) from Hotham Street - two external views of one house and a railway bridge.Handwritten: Hotham Street [top right] / 112 HOTHAM ST [under top left photo] / BRIDGE OVER SANDRINGHAM RAILWAY [under top right photo] / 112 HOTHAM ST CNR MELBY AVE [under bottom left photo] / 96 [bottom right]trevor hart, elsternwick, hotham street, caulfield, houses, brick, bay windows, verandahs, railway bridges, tunnels, gardens, bluestone, civil engineering, victorian railways, sharp and campbell, contractors

'The Melbourne Chorale', directed by Val J. Pyers and assisted by Rodney Kendall, organ; Richard Ireland, harpsichord; Don Howley, cello; and an ensemble of professional string and brass players, presents a program of Sacred Music by Palestrina, Schutz, Monteverdi, Bruckner and Bax. City Hall Bendigo, Saturday Sept. 19, 8.15 pm. Dallas Brooks Hall, East Melbourne: Saturday, September 26 8.15 pm. The Aldine Press 1970.event, entertainment, music, the melbourne chorale, val j pyers, rodney kendall, richard ireland, don howley, the aldine press

Colour photograph, block mounted onto a piece of wood chipboard with black edging of T Class No. 180 crossing Swanston St in Flinders St with Flinders St station in the background. Tram has the destination of "Special", but carrying an "East Melbourne" Auxiliary board. Photographed during the 1980? Australia Day Transport Cavalcade event. The board has a hanging device which looks like it came from a beer can.On rear in pencil "Driver Ins J. Dowell / Conductor Birney Edison" tramways, australia day, tram 180, t class, trams

Framed photograph showing Eddie Brogan and Peter Fraser with RSL Award for Meritorious Service Medal at RSL Victoria Branch State Conference 2007Combined Tramways/ East Melbourne Sub-Branch Member Eddie Brogan with the award and certificate of the RSL Meritorious Service Medal with Sub - branch president Peter Fraser at the RSL Victoria Branch State Conference 2007. This information is taped onto the exterior of the frame. eddie brogan, meritorious service award, peter fraser, portraits, returned services league, presentations, certificates

Digital album in PDF format of Miss Nugent's shop, Corner Spring St East and Esplanade East Port Melbourne . Plus images of Nugent, Dowling, Maloney and Moloney families.business and traders, domestic life, mary moloney, jim moloney, ellie moloney, ellen dowling nugent, bridget nugent, leo bernard dowling, cath dowling, margaret nugent maloney, tot moloney, ellen hoogen dowling, leo robert dowling, jack moloney, rosa dowling, frank dowling, rob dowling, ellen (nell) dowling, rosa nugent

This album contains a collection of portrait photographs taken in the later part of the 19th Century. Some of the photographers listed on the back include Stewart & Co., Bourke St East, Melbourne, Theodor Bloch Trafalgar St Nelson, A McDonald St George’s Hall Bourke St East Melbourne, G Kendall, Echuca and E. Goulter Prahran. The sepia photographs depict people of different ages. Winnie Willock was born in Warrnambool around 1882 and served as a nursing sister in World War 1enlisting in October 1915 and returned in 1919.https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=8855203 A typical photo album of the time. It has social significance as far as costume and styles are concerned.Dark green leather album with brass metal lock and embellishments on front and back covers The same pattern is repeated on spine. Gilt on edges of pages. Sepia photographs are set in card inserts.Winnie Willock Ventnor Warrnambool, written in black pen on inside front page. A W Willock Ventnor No 14 inside front cover.winnie willock, ventnor, ww1, first world war, great war, 1914-1918, nursing, warrnambool, photo album

Photograph looking along Burwood Road eastwards towards the city from about Station St prior to the construction of the East Burwood tram line. Has the city sky line in the view Kodak cardboard mount slide, taken by Peter Moses, slide mount dated Feb. Taken early 1977.In ink on slide "1977 Melbourne East Burwood Tram Extension"trams, tramways, east burwood, new tramway

This item came from Geoff Bishop's rooms at Mollison House, 386 Albert Street, East Melbourne. Distributed by Ethnor P/L Sydney, these bulk purchase packs pre-dated the individually sterile packaged products with disposable applicators.Two white, plastic Lippes Loop IUDs [.1 and .2], with yellow string attached to one end of each. Double S-shape intrauterine devices. Also includes "LIPPES LOOP" product information label [.3], and a clear hinged plastic case with adhesive sticker [.4].intrauterine device, contraception

This item came from Geoff Bishop's rooms at Mollison House, 386 Albert Street, East Melbourne. Distributed by Ethnor P/L Sydney, these bulk purchase packs pre-dated the individually sterile packaged products with disposable applicators.Ten Lippes Loop IUDs [29.1-29.10], Size B. Made of white plastic with black threads attached at one end of each. Double S shape intrauterine device. With clear plastic bag [.11], clear plastic hinged container [.12] and paper product information sheet [.13].intrauterine device, contraception

Skirt of wedding dress worn by Jesse de Frayne Talbese at her marriage to Herbert Bishop on 14th April 1903 at Box Hill. Jesse was born August 1876 in East Melbourne and died 23/04/1955 in Box Hill.Full length cream silk skirt. Panel of tucks down each side of front with lace and tucks around bottom third of skirt. Waistband has a hook & eye.costume, female ceremonial

Single yellow page advertising Auction of five home sites to be sold separately on Saturday, 11th May, 1974. Details include vendor terms, subdivision services, and location map (north-east corner of Warrandyte and Oban Roads).(Agent) Eric Weber & Co. Pty. Ltd., 148 Wellington Parade, East Melbourne, 3002, Phone: 416025, Mr Elliott A.H. 8577502. Later handwritten notation suggests vendor was possibly Country Roads Board (VicRoads) after completion of road widening works.

Black and white photograph of a cable car set, c1908, of a well loaded grip car on the Richmond - Spencer St line, with an auxiliary board "Direct to Football Match" Has a paper boy standing in front of the tram, Would appear that the conductor is at the front of the tram, collecting fares. Has the caption "Off to the Essendon v South Melbourne Match - Saturday's Football Essendon V South Melbourne at East Melbourne and Fitzroy v St Kilda at Fitzroy"in ink in the corners "Australasian" and "2008" and photograph measurements for printing.trams, tramways, richmond, football, sports, papers, cable trams, conductors

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Their children Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club.This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia photo of a group of men and women grouped as in team or class photos against a leafy background. There are 23 men and 4 women. The women are all wearing large brimmed hats. The men are dressed in a variety of outfits. Most are wearing hats. Five are wearing stripey blazers but the rest are either in shirt sleeves with ties or light-coloured jumpers. On jumper has an emblem of a kangaroo facing forward over the left breast. There are 8 bowls lying randomly on the grass in front of the group.FRONT: Two crosses marking a man and woman. REAR: In black ink - "Kangaroos v M.C.C. 3 "B" / City Green / 12th March 1910 / Kutsy's last (single) / (in lead pencil) XX (In blue biro) David Millar Mair / Lily Vipond Dad & Mum Mair" The later handwriting is thought to that of Beryl Young (nee Mair). bowls, kangaroo club, david miller mair, dave mair, lily vipond deakin, lily vipond mair

Messages in relation to the death of "Mervyn Clive Townsend" KIA on sinking of the HMAS SYDNEY by the HSK Kormoran on 15 Nov 1941. Refer Cat No. 2313P for Townsends service.Folded white Sympathy cards for Mervyn Townsend. Sizes ranging from 13 x 8 to 10 x 8 cm. 1. Folded three sheets with message in middle. Cover says sent in Heartfelt Sympathy. 2. Folded 3 sheets with message in middle and cover saying "With Deepest Sympathy". 3. Folded 2 sheets with message in middle and cover sheet saying "With Sincere Sympathy". 4. Folded 2 pieces with inside message and cover sheet saying "With Sincerest Sympathy". 5. Double folded sheet with message "Peace, perfect peace and dove flying over a sun and picture of Lilies all in black." 1. From Mr. & Mrs. John Owen, East Melbourne. 2. From Norma D. Young, Bendigo. 3. From Mr. & Mrs. J. L. Horne. 4. From E. Casey & sisters, Murrumbeena. 5. From Mr. & Mrs D.J. Treage, Balwyn. hmas sydney, hsk kormoran, ww2, mervyn clive townsend

A letter from Legatee Savige to Legatee Aaron Beattie. It appears to be a reply to a letter congratulating him on his knighthood in 1950.A record of a note between Legatees.Cream note dated 1 December 1950 from Stan Savige to Aaron Beattie.Note card is printed with Stan Savige's address in blue gothic font '9 Goldthorns Avenue, East Kew, Melbourne.stan savige, aaron beattie