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Buda Historic Home & Garden Castlemaine
Drawing - Illustration - Design for Jewellery, Ernest Leviny - Britannia pendant jewellery design, c1851
Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851 -
Stawell Historical Society Inc
Dab Wyrrung Greenstone Axe, Hand Axe
First People's Stone Axe. Found 1960's Lake Lonsdale by Alan Tangey - Brought home for children. Mt Dryden quarry was where it came from. Pre European SettlementGreenstone- Oval - Smooth / Rough Surface. Rougher surface holding thumb Indent -
Stawell Historical Society Inc
Coin - Realia, R. PARKER IRONMONGER GEELONG MOORABOOL STREET
HEATON & SONS, BIRMINGHAM WERE EMPLOYED TO STRIKE THE EXTENSIVE TOKEN ISSUES. THE IRONMONGERY STORE IN MOORABOOL STREET, GEELONG WAS ESTABLISHED IN 1844 BY RICHARD PARKER. PARKER WENT ON TO ESTABLISH STORE IN CLUNES, BACK CREEK (TALBOT), FIREY CREEK AND ARARAT. HE ISSUED AT LEAST TEN VARIETIES OF TOKENS, ALL WITH THE SAME INSCRIPTION AND FIGURE ON THE FACES, BUT WITH SLIGHT VARIATIONSCOPPER PENNY TOKEN 34MM OR 35 MM DIAMETER OBVERSE: INSCRIBED WITH R PARKER IRONMONGER MOORABOOL STREET GEELONG REVERSE: HAS A FEMALE FIGURE REPRESENTING JUSTICE, HOLDING A BALANCED SET OF SCALES IN HER RIGHT HAND. THE WORD AUSTRALIA IS AROUND THE TOP OF THE TOKEN. ,token coin -
Ballarat Masonic Centre - Roger Porteous Library and Robert Bell Archive
Sepia Photograph, Holy Royal Arch Chapter Photo
Sepia Photograph. Man with white whiskers, in Masonic regalia of the Janitor in the Chapter degree, holding a Sword upright in his right hand, gloves in his left hand standing beside an ornate chair (part).Photograph is labelled by an embossed photgraphers name across the bottom. " Richards & Co 19 STURT STREET BALLARAT." Plus an ensignia (coat of alms) placed between the 'Co and the 19" janitor, freemasons, ballarat, circa 1900 -
Kingston Libraries
Framed photograph, 1940
Bill Waters (b. Traralgon 1897, d. Fitzroy 1968) served as Commissioner of the Victorian Rovers, a section of Scouts Victoria, 1930-65. An award is named in his honour. He became a prominent ski-touring explorer and held several offices in the Melbourne Walking Club.A rare signed photograph of Bill Waters, leader of the Victorian Rovers.Framed black and white photograph of William Frances "Bill" Waters, Victorian Rover Scouting notable in Australia and prominent bush walker in Victoria, standing in the snow holding skis.Written in pen on front bottom right hand corner of photograph. "W.F. Waters / Rover Commissioner / September 1940"william waters, bill waters, rovers, scouts, scouting, scouts victoria, kingston, victoria, melbourne walking club -
Nillumbik Shire Council
Sculpture: Liz Williams, Liz Williams, In Love, c.1996
Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog -
Nillumbik Shire Council
Sculpture: Dean Bowen, Dean Bowen, Bird Boy, 1997
Was purchased by the Nillumbik Shire Council after being a finalist in the 1997 Nillumbik Art awards. Small bronze sculpture of a short boy holding birds, both of different size, in each outstretched hand. He has a long thin (length-ways) head and a flat squat body.He is wearing a belt with eyelets holding up his stripy long sleeve shirt. His head and the birds are showing green patina, yet is less prominent on his body.On bottom boy's left foot, are the initials 'DB' the artist and '97'; the year created. On bottom of the right foot, '5/9' has been etched, indicating it is the fifth of nine pieces..1997, nillumbik art awards, dean, bowen, bird boy, birds, people, sculpture, bronze -
Beechworth Honey Archive
Extractor
Frames are uncapped with an uncapping knife, and placed into a holding spot or basket. The handle is then turned, spinning the frames inside. Eventually, the centrifugal force drains the honey from the frames. The honey can be poured from the drum via the tap. The empty frames go back into beehives to be filled with honey again.Antique two frame manual extractor. Metal 44 gallon drum with external tap, handle and hole. Inside; rotating two-frame honey extractor. The two frames are attached to a square metal structure. Each frame is only attached by one end. Each frame is a rectangular metal construction with square wire panels on two sides. Internal frame rotates freely. Other two sides and base solid. On top of drum is a hand-driven metal crank for turning internal frames.two, frame, hand, manual, extractor, honey, beechworth honey -
Tatura Irrigation & Wartime Camps Museum
Photograph - Photograph of Painting, Self Portrait George Rosenkranz, 1945
... , Graytown camp 1945. Brown hair, blue shirt, red trousers, hand..., hand in pocket. Holding a grey satchel bag. Rolling hills ...Colour photograph of a self portrait of George Rosenkranz, Graytown camp 1945. Brown hair, blue shirt, red trousers, hand in pocket. Holding a grey satchel bag. Rolling hills in background. Trees, plants and creek right hand bottom.internees, george rosenkranz, graytown victoria -
Tatura Irrigation & Wartime Camps Museum
Photograph, Peter Mueller
Peter Muller was a German pilot in North Africa and captured and sent to Camp 13. Model of JunkersBlack and white photograph of Peter Mueller in Luftwaffe uniform and forage cap in front of a hut and suspended from the window is a 4 engine model plane. Looks like a civilian plane the left hand of Herr Mueller is lightly holding up the wing tip of the model plane.peter mueller, german internee, camp 13, camp internees, luftwaffa pilots, german planes, model planes -
Tatura Irrigation & Wartime Camps Museum
Drawing - Woodcuts, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 5 sketches (all have 1943 above them): 1 - 3 men with part of hut on left hand side and huts behind. Poles with wire in front of huts; 2 - 5 guards marching with rifles with a big tree to the right of the photo and a fence with 4 posts in front; 3 - part of a hut showing an open door and open window; 4 - wild flowers from in camp; 8 people standing behind a bonfire holding signs. the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Tatura Irrigation & Wartime Camps Museum
Sewing Machine and Case, Kayser, Late 1800's
Hand operated sewing machine made in Germany in the late nineteenth century. Mrs Weiss, a young Templer Lutheran living in Palestine, owned it and took it with her to Heluan, Egypt, where Germans in this region were interned during WWI. Her permission to take it was dependent on her sharing the machine with other internees. When the Templers in Palestine were interned in WWII, the sewing machine accompained Mrs Weiss and her family to Tatura in 1941 on the condition that other imternees would also use it. After the war it was taken to South Australia where its use by Mrs Weiss continued until they replaced it with an electric machine.Wooden case/cover for hand operated sewing machine. Has silver metal collapsible carrying handle and metal keyhole. Has Decorative inlay border on top and around handle. Metal hand operated table top sewing machine, painted black with gold decorative pattern. Hinged to a wooden base. Drawer built into base with sliding panel for holding accessories.Kayser, Johannes Weiss, Christine Weiss.sewing machine case, kayser, tatura internment camps, templer, palestine -
Maldon Vintage Machinery Museum Inc
Type Cabinet
Galleys print type cabinet holding type which has been set to print. Each tray has letters of alphabet on right hand side. Green painted metal cabinet. -
Vision Australia
Certificate - Text, Life Governor certificate: RVIB, 1950
Life Governor certificates were given to those who supported the RVIB either through certain levels of financial contribution or by activities undertaken to support the institute. In this example, William Hughes was awarded a governorship in March 1949.1 x cream coloured page with brown writing and images (front view of St Kilda Road building across top, and pictures of children playing with boat, male working on carpet, female weaving rug and a nurse holding two babies along left-hand edge)Royal Victorian Institute for the Blind Babies, Children and Adults St Kilda Road, Melbourne Patron: His Excellency The Governor General of Victoria, Major-General Sir Winston Dugan, G.C.M.G., C.B., D.S.O Patroness: Lady Dugan President: C.L. Kimpton, Esq. Vice-Presidents: Chas. W. Bennett, Esq. M.R.C.S. (Eng), F.R.A.C.S., R. Ramsay, Esq Hon. Treasurer: Percy W. Briggs, Esq. Members of Board: Harold E. Brookes, Esq, JP Mrs C.H. Tutton G.E. Newton, Esq G.H. Grimwade, Esq. W.H. Cowper, Esq Joseph Taylor, Esq E.V. Willis, Esq. Leighton Irwin, Esq. Superintendent & Secretary: Stannus W. Hedger, M.B.E. Recreation, Industry, Education, Nursery This is to certify that William Hughes Esq. has been appointed a Life Governor of the Institute. C.L. Kimpton President S. Hedger Superintendent & Secretaryroyal victorian institute for the blind, awards -
Vision Australia
Mixed media (item) - Object, Australia Post, 1987 Christmas stamp issue
In 1987, Australia Post released Christmas stamps and two first-day covers (envelopes with stamps affixed) with the Carols by Candlelight theme. The top first-day cover has a red candle in a gold old-style candlelight holder, with five stamps showing groups of people who are singing and holding similar candles. A large '50th Performance of Carols by Candlelight, Melbourne, Vic 3000, 24 Dec 1987' mark is stamped on the envelope, which has a background image of the Myer Music Bowl, a candle and songbook. The lower first-day cover has a boy holding a red candle in his right hand and a songbook in his left, singing. Two stamps, different to the ones in the envelope above, are affixed to the envelope and consist of groups of people holding red candles and singing. One '50th Performance of Carols by Candlelight ...' cancellation mark is stamped. In between the two envelopes is a photograph which shows the Myer Music Bowl at night, from the rear of the large crowd who are holding candles and songbooks.royal victorian institute for the blind, carols by candlelight -
National Wool Museum
Functional object - Wool Winder, pre. 1950
Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration -
Stawell Historical Society Inc
Photograph, Grampians Community Health Centre photo of Rev David Fotheringham
B/W copy from Grampians Community Health Centre Book Rev Fotheringham is wearing striped shirt and trousers with a belt. Holding a frame over a tub. Background is brickwork, mirror on top of cupboard, painting on right hand wall and clothes line. In foreground two pillow slips hanging onclothes line. Tea chests with items on top. -
National Wool Museum
Photograph
... holding her Grandfather McCabe's hand. /Approx 1927/28... from /Coorumbene. Pat holding her Grandfather McCabe's hand ...Part of the "Squatter Game" collection.Bales of wool going from Loch Station from /Coorumbene. Pat holding her Grandfather McCabe's hand. /Approx 1927/28sheep stations - history wool - transportation, lloyd, mr robert, coorumbene via loch, sheep stations - history, wool - transportation -
Puffing Billy Railway
Platform Scales, Avery
Averys Ltd was the holding company for the 32 operating companies in the Avery Group. The Group's main activity was the design, manufacture, sale and servicing of a wide range of weighing machines, physical testing machines and fluid measuring equipment. The company's history can be traced back to 1730, with the manufacturing by hand of steelyards and beam scales in a small workshop in Birmingham. When legislation was introduced at the turn of the century requiring the stamping of all weighing machines used for trade Avery branches were set up in some 100 towns in the United Kingdom. This was the beginning of the sales and service organisation that expanded to cover not only every important town in the United Kingdom but was also established in many overseas countries. Historic - Railway Platform Scales Avery Platform Scales - Iron and glassavery scales, puffing billy, platform scales, scales -
Uniting Church Archives - Synod of Victoria
Photograph
Oamaru NZ origin 1923 Essendon (St. John's) from July 1929 admittedSepia studio portrait of Rev S F Hunter mounted on brown card. The Rev Hunter is posed sitting holding a piece of paper with his arm resting on a table. He is dressed in his clerical clothing. The mount has been cut on the left hand side. Handwritten on the back: "Rev. S. F. Hunter MA. D." "July 1923 - 1929" "c/o Mrs S. F. Hunter Brighton St Highgate Hill Sth Brisbane"presbyterian ministers, rev s f hunter, st john's presbyterian church essendon -
Wangaratta RSL Sub Branch
Doily, c1915
This hand crafted doily, created during war time, features a side on image of a soldier handing a rifle with butt at his feet. In Victorian times, idle hands were frowned upon so women knitted and crocheted. In addition to their decorative function doilies have the practical role of protecting fine-wood furniture from the scratches caused by crockery or decorative objects, or from spilled tea when used on tea trays or with cups and saucers. Off white square doily with side on image of soldier holding rifle in the centre.Crotched - "Our Hero Were proud of him" "ANZAC 1915"doily, 1915 -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Hebe, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Greek goddess of eternal youth, Hebe, was famed for having the power to restore to age the vigour of youth and was cup-bearer to the gods.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a cup in one handHebe/ Presented by Thomas Stoddart 1884hebe, stoddart, botanic gardens -
Hume City Civic Collection
Door Handle
This handle is believed to be from the first safe used by the Shire of Bulla. It was given to Mr. Kevin Smith by the Shire Secretary Mr. Tom McCormack.A heavy round base handle with a hand coming from the centre holding a rod that forms the handle.:Cozens & Harveys..."shire of bulla, smith, john, kevin, george evans collection -
Hume City Civic Collection
Photograph, c1914 - 1918
From information on the reverse side of the image, the subject is identified as Private Frank Naylor, son of Dr. Hills. Frank Naylor served in the 3rd Company.A soldier in uniform holding a cane in boths hands behind his back, identified as Private Frank Naylor, son of Dr. Hills. Written on the back L/H corner in Biro, "Doctor/Hills/Son" . Across the centre in ink, "Private Frank Naylor, 3rd Coy."on back in biro: LH top corner: DOCTOR / HILLS / SON across centre in ink: Private Frank Naylor 3rd Coy---soldiers, armed forces, uniforms, clothing and dress, naylor, frank (private), hills, - (dr), mcgeehan, r., photographers, george evans collection -
Hume City Civic Collection
Photograph, Ethel Pringle, c1890s
The lady in the photograph is Ethel Pringle, who was the youngest daughter of Jacob and Amelia Benzley. The Benzley family were early vingerons and business people in Sunbury. A copy of a black and white studio photograph of a fashionably dressed lady seated on a bench and holding a folded umbrella. A hand written message is in the bottom RH corner of the photograph. MUCH LOVE/ ETHELethel pringle -
Mt Dandenong & District Historical Society Inc.
Photograph
The man in the photograph is Ted Child. Photo (KAL0258) shows Ted wearing the same outfit standing in the cut at Silvan Dam so this is probably taken at the same place. This photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with man in foreground in front of bushes. He is wearing a suit jacket. tie, jodhpur type trousers and leather gaiters. He is holding a wide brimmed hat in his right hand.Written below photograph in album: Repeated, only nearer.ted child, arthur edward child, ivy child, silvan dam -
Mt Dandenong & District Historical Society Inc.
Photograph, Pioneer Settlers Of Olinda
Group photo of pioneer settlers of Olinda. Jack Dodd is shown RHS holding the rein of his packhorse 'Darkie". The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.Pioneer settlers of Olinda. Jack Dodd with the packhorse.jack dodd, dodd, packhorse, olinda, horse, settlers -
Mt Dandenong & District Historical Society Inc.
Photograph, The New Garden Mountain Grange Kalorama 1931, 1931
View of garden and part of circular paths. Man in suit holding young child on right hand side.mountain grange -
Mt Dandenong & District Historical Society Inc.
Photograph, Jeeves Coach on CRB Road at Foot of Farringdon Road Kalorama, 1920
... in foreground were on Thomas Hand’s original 23 acre holding. Those.... Mountain ash trees in foreground were on Thomas Hand’s original 23 ...Scene looking down Farringdon Road showing Jeeves horse drawn coach going along the CRB road (Mt Dandenong Tourist Road) in 1920. Detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Jeeves Coach on CRB road at foot of Farringdon Road Kalorama (Mt Dandenong North) 1920. Road was formed most of the length from Montrose by contractors Bladin and Dick employing Robert Logan the younger, in 1919 and lay unmetalled till metalled by the contractors in 1922. Mountain ash trees in foreground were on Thomas Hand’s original 23 acre holding. Those beyond coach were on Isaac Jeeves original 160 acre holding Selection Crown Allotment 925(B). This was the area forming part of the inheritance lost by John William Richardson because of the expense of his wife’s illness. Hand enlarged his 23 acres to 305 in 1874. William and his family grew large crops of raspberries on his area, part of which is in the foreground. It had been cleared by his father’s employees before 1877. The section below the Main Road was cultivated by Fred hand, son of William and grandson of Thomas in the twenties before he moved to Redcliffes where he is today (1974). Comment by John Lundy-Clarke 10.5.1974 coach service, jeeves, crb road, farringdon road, kalorama, mt dandenong north, mt dandenong tourist road, john lundy-clarke, coach -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1870s
An item from an outstanding and diverse collection, assembled by members of the Christian and Washfold families of Kew.Hand-tinted studio photograph of a man, Orlando Henry Beater Christian seated holding a brass cornet, Hair centre parted, moustache and pink rose. Pink mount.orlando henry beater christian, christian-washfold collection