Items in collection of K W Peatling, Refer Cat No. 5140.2, Box 173 for his service details.Cotton, khaki short with patch pockets and long sleeves. Round brown plastic buttons, Epaulettes on both left and right shoulder and held in place with round, brown plastic buttons.1st label, white with black writing attached at neck edge of back. M603197, Dkt 33686 F/No 13109. Size 16 x 33 SHIRT MANS S/58 GREEN ARMY W.3 54. 2nd label - green, black writing. CGCI, VICTORIA 1969. Size 16 x 33. 8405.66.011 9886. Army No. Name.khaki shirt, uniform, military issue

Mens shirt, light jungle green, collarless uniform shirt with long sleeves, 2 front breast pockets with bottom down flaps, epaulettes & half closure with 3 buttons.uniform - military - army, costume - male uniform, passchendaele barracks trust

DALE HANNAFORD 8435318 Served Afganistan 2011Shirt, long sleeve, cotton polyester, camouflaged desert pattern. Has 2 front pockets & pocket on each arm. There are 5 valcro areas complete with name, rank & unit.1. Name: “HANNAFORD” 2. Colour patch blue/white with red lightning: TG633.14 3. Rank: Corporal 4. Rising Sun badge 5. Australian Flag with AUSTRALIAuniforms - army - badges, desert pattern

DCPU is a five colour camouflage pattern developed by the Australian Defence Force and tested during Auscamthe late 1970s. DCPU has been replaced in the Australian Army by Australian Multicam Camouflage Uniform (AMCU) Long sleeved Shirt with two pockets, epaulets on both shoulders, tightening tabs on cuffs. Material is Disruptive Pattern Camouflage Uniform (DCPU) nicknamed Auscam or Jelly Bean Camo. auscam cammo, shirt, uniform, australian armed forces

DCPU is a five colour camouflage pattern developed by the Australian Defence Force and tested during Auscamthe late 1970s. DCPU has been replaced in the Australian Army by Australian Multicam Camouflage Uniform (AMCU) Long sleeved Shirt with two pockets, epaulets on both shoulders, tightening tabs on cuffs. Material is Disruptive Pattern Camouflage Uniform (DCPU) nicknamed Auscam or Jelly Bean Camo. shirt, australian armed forces, auscam cammo, uniform

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of torso and head of a woman. The woman is wearing a long sleeved top, a large necklace and a brown hat with large feathers. The background is yellow with light brown wallpapered patterning.Front: Portland Commemorative Print 4/20 A. Gee. The Organist. John Cain signature Premier of Victoria Back: 16

In this photograph are : L -R Margory Smith, Margaret Vincent, Michael Pardew, Rob Young and George Thomas. Orbost Apex Club donated $1,800 to the Orbost Continuing Care Appeal (now Lochiel House). The money had been raised at a successful New Year's Eve Ball. Margory Smith and Margaret Vincent, Acting President, were the O.C.C.A representatives. Michael Pardew was the co-ordinator of the New Year's Eve Ball, Rob Young was the Apex President and George Thomas was the Apex Social Director. Apex clubs were made up of volunteers who "raise awareness about social justice issues, assist the needy in a practical way and contribute resources to causes" (ref Apex website) The Apex Club of Orbost was a volunteer service club which contributed to the Orbost community. A declining population has led to the demise of many social groups in the area.A black / white photograph of two women and three men standing in front of a wall. The men are wearing wearing long - sleeved tops with a triangular shaped logo at the top left shoulder,on back -a list of namesorbost-clubs apex-club-orbost service-club

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. This white, cotton Lady's blouse with pin-tucked front and back is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners in the Moorabbin Shire. Ladies long-sleeved white cotton blouse with high collar. Pin-tucking to front and back, guipure lace inserts on front of bodice. Significant tear at lower edge of the garment.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, home dressmaker, craft work

Worn by patients at Sunbury Asylum.Man's shirt (buttons L over R) in unbleached calico with blue stripe. Long sleeved, patch pocket on wearer's lower front side, three buttonholes - buttons missing.costume, sunbury asylum, george evans collection

This coat was produced from wool first shorn in c.1928. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the South Australian manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat and a text panel used by Elders were also donated at the same time.Coat, brown wool. Long sleeves, knee length with three circular brown buttons and two external pockets. Lined in brown satin, with a blue and red label at the base of the collar.Wording: Solo;Method: Embroidered;Location: Label at base of collar, inside coat Wording: PURE WOOL;Method: Printed;Location: Label on side seam, inside coatfashion wool - characteristics wool processing textile mills textile mills, lindsay and mckenzie elders limited gordon technical college, royal adelaide show - exhibition (31/08/2001 - 08/09/2001), groves, mr mal groves, mrs, dutchman station, south australia, fashion, wool - characteristics, wool processing, textile mills

Made by Mrs Norah Huggins 1891 - 1965 for her glory box. She was married to a blacksmith who worked with carriages. They lived at Ballarook near BallaratLong white cotton nightgown. Broderie Anglaise yoke with white lace trim on square neckline. Long sleeves trimmed with Broderie and lace. Centre closing has four buttonsN.Hugginscostume, female nightwear

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Long black velvet evening coat with an attached wide collar of brown fur. The same fur is used to border the long sleeves. The garment and or the attached fur would appear to be homemade.women's clothing, evening wear, australian fashion, evening coats, teresa mayer

Part of Old Lintonian collection.Sepia portrait of a gentleman wearing spectacles and suit with lapel badge, standing on left and slightly behind lady with hair drawn to back of head, wearing dark long sleeved top."Mr and Mrs R Hyatt to be put in the OLA picture gallery from Mrs and Mrs R Hyatt Geelong Rd, Linton Dec. 1940".mr and mrs r hyatt, old lintonians collection

A.G.C.F (Australian Government Clothing Factory) Victoria 1983 Size : 96-101R Army No. .......... Name ..........

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995 This item was made by Mrs Whiteman, Marjorie Burton's mother. Her mother was a milliner who made most of Marjorie’s clothes, hats and outfits.Marjorie Burton wore it to work with a skirt when she worked in Brittannia Insurance as a comptometrist earning 12/6 per week. She stopped working when she was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11 . This item is an example of a home-made item and reflects the handcraft skills of women during the first half of the 20th century.A lady's blouse - probably silk. It has a square neckline, long sleeves with press studs on the cuffs. An pleated inset is attached with press studs. There are 3 large brown buttons to open the front.women's-clothing blouse burton-marjorie

1 & 2. This is a light blue, cotton polyester, long sleeve shirt. Two breast pockets. Held shut with a plastic button each. The front is held shut with six plastic buttons.Inside on label is written W326143. B. Williams.raaf, cadet uniform, female

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki Long-sleeved polycotton army shirt featuring epaulettes and two breast pockets. The shirt is closed with six buttons. A white material manufacturers label is sewn to the inside of the shirt's neck.Stamped on the inside of the collar: ' 41 81' On the manufacturer's label: SALCO MFG CO., Service No......, Name......, DO NOT BOIL OR WRING, MACHINE WASHABLE, DRIP DRY. IRON LIGHTLY WITH WARM IRON'.army chaplain, uniform, major thomas b. williams

This baby's dress is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire in mid 19th CThe skill and craftsmanship shown in this baby's dress is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire who had to be self reliant and made their own clothing and utensils.Home-made, infant's short, long-sleeved, cream silk dress. With inset machine-made lace panels and ribbon inserts on bodice and on the sleeve cuffs. Small buttons down the back. .clothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork

Replica of officer's uniform jacket made for Klaus Baldenhofer at Dhurringile POW CampNavy blue woollen, long sleeved jacket 12 buttonholes, no buttons. Royal blue oblong tabs on the collar. 2 pockets with flaps on the front, and 2 pockets on inside of front panelsjacket, dhurringile, officers

This wedding dress belonged to Barbara Stewart, nee Bellamy, who married Alexander Stewart at St Andrews Church in Brighton on 15 June 1968. The dress was made by 'Madam', a dress shop in Church Street. At the time of donation, Barbara had been a Brighton resident for 80 years.Cream mini-dress of net and wool lace with textured floral pattern. High round neck and long sleeves, with small frill at collar, cuffs and hem. Satin lined, with a zip at the back.barbara bellamy, barbara stewart, alexander stewart, st andrew's church brighton, 1960s, wedding dress

The Kew Library was run by the City of Kew until it was amalgamated into the Boroondara Library Service, when Kew became part of the City of Boroondara in 1994.Black Kew Library woollen long sleeve jumper with the name of the library embroidered in acqua thread. This black jumper was part of a new colour scheme, superseding the previous royal blue uniforms."Kew Library"library uniforms, kew library, jumpers, clothing

Black and white photograph of a young woman wearing long sleeved blouse and long skirt, standing with right hand bolding flowers up against shoulder and left arm to back of hip."Jane Elizabeth Blamire - always called Lilly - was housekeeper companion to Miss Nancy Austin "The Croft" Toorak".jane elizabeth blamire (lilly)

Mary Ellen Hart, sewing mistress at Happy Valley State School, married William Charles McNamara in 1895.Sepia photograph of a fresh faced young woman with dark hair drawn back from face, wearing long sleeved gown with necklace, standing with hands resting on an article at waist height."Mary Ellen Hart, sewing mistress Happy Valley school Married William Charles McNamara 5.6.1895 Linton RC".mary ellen hart, mrs william charles mcnamara