Vic WOOD (1939 - 02 October 2020) Born Melbourne, Victoria Vic Wood was an internationally renowned artist, craftsman and teacher from the 1970s. He studied gold and silversmithing, woodturning and cabinet making at Melbourne Teachers' College and Royal Melbourne Institute of Technology. He was a skilled woodturner who, as a lecturer at Melbourne College of Advanced Education, taught a generation of woodworkers. Best known as a master wood-turner, Vic Wood retired from lecturing in 1983 to become a full-time woodturner. He was a sought after demonstrator and presenter for all kinds of local and international events. His teaching philosophy was simple: ‘share everything, have nothing to hide, and have no secrets; for ultimately it is in giving that you receive’. Vic Wood was a foundation member and inaugural president of the Victorian Woodworkers Association (VWA). In 1923 the Victorian Woodworkers Association announced the establishment of an annual Vic Wood Scholarship. he intent of the award is to promote excellence in woodwork and to engender inclusive and supportive woodworking networks. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large lathe-turned sculptural relief. art, artwork, vic wood, wood, woodwork, sculptural relief

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4851)

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Unframed painting with cardboard border.

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Handwritten notation on back of frame - "Lilypond at Quambee Nth Ringwood 1912, and sticker - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolishedA hand sewn ivory cotton muslin nightgown, c. 1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi-attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown. st ninians, george ward cole, brighton, night gown, thomas anne ward cole

The Mural is a picture in wool of the origin of the Ballan district and is made of pure wool donated by local growers.The centre panel is a reproduction of a sketch by Emma von Stieglitz in 1852 of the Ballan General Store. The ram's heads symbolise the importance of wool to the area and the circular shapes the transport of the day. Mrs Grace Slocombe designed the Mural, fifty-three local craftswomen (and one man) began the work in November 1981, and the finished work was exhibited at the 1982 Ballan Arcadian Arts Festival. The Mural was also exhibited at the 1982 Royal Melbourne Show then went on a tour of of various country areas in Victoria. It now hangs in the Ballan Old Courthouse.The Mural is significant to the local area.A text document on the story of the Wool Mural made for the Ballan Arcadian Festival in 1982.ballan art and craft society, grace slocombe, kathy diamond, enid swan, jessie mclean, joyce strickland, margaret young, cynthia ranken, dorie young, wool, wool mural

RMIT University's first ceremonial mace was commissioned by Professor David Beanland, Vice-Chancellor, Royal Melbourne Institute of Technology in 1992, and designed by Ian Wong, a lecturer in Industrial Design. It was the result of a collaborative effort, with staff from industrial design, gold & silversmithing, sculpture, engineering, applied physics, and optical technology working on its production. Materials used include carbon fibre, optical fibres, computer chips, honeycomb aluminium, gold, titanium and crystal. This design drawing shows how the University's distinctive pixel log (that conveys a sense of being at the forefront of technology) was incorporated into the design of the top element of the mace. Michelle Novacco, 2017Sketches of designs for RMIT ceremonial maceSigned bottom right corner, 'IAN WONG / iw / 1992 'ceremonial mace, industrial design

John TESCHENDORFf (1942- ) Born Richmond, Melbourne, Victoria John Teschendorff studied at the Caulfield Institute of Technology (now Monash University), the Royal Melbourne Institute of Technology and the Royal College of Art London. In 1995 he was selected for Australian Ceramics 1830-1995 a major survey exhibition presented at the Museo Internazionale della Ceramiche, Faenza Italy. Since the early 1980s John Teschendorff has been working with constructed forms and works on paper whilst holding a number of senior academic appointments in Melbourne (Melbourne State College), Perth (Curtin University) and Kuala Lumpur (Malaysian Institute of Art & Limkokwing Institute of Technology). Black ceramic of slab construction item in a perspex box.john teschendorff, ceramics, jan feder memorial ceramics collection, gippsland campus, john teschendorf, strezleckie sptkanie

Articles in annual report include: the retirement of Mrs Esme Dunell MBE - former matron (nurse) of the nursery worked since 1960, 1971 she was awarded Churchill fellowship to investigate work for blind child in other countries, supporting the Anti Rubella Crusade, Margaret Fialides staff member awarded Churchill Fellowship study tour of major libraries and production centres for talking books in Europe, UK and USA, occupational centre in Raleigh Street keeps 36 people employed, establishment of a Vocational Development department, purchase of high-speed duplicators for the library, and the RVIB stand at Royal Melbourne show won 1st prize in their section.1 volume of text and illustrationsroyal victorian institute for the blind, corporation records

Model tram wheel set for an articulated tram made by The Met for their model tram at the Royal Show Melbourne c1985. Two sets of heavy duty electric motor, geared to two sets of four wheel bogies and one unmotorised bogie with a centre pins, washer and split pin that secured the articulated section of the tram. Each set number on side "MTA No. 9A with motor section given "10" and 7B" Made from brass, steel, plastic - purpose made. Placed with two sections of O gauge track - each 340mm long.trams, tramways, models, b class, the met, royal show

Victor GREENHALGH (1900-1982) Born Ballarat, Victoria Edward Gough Whitlam was born in Kew. In 1972 he became the first Australian Labor Party Prime Minister in 23 years, and served as Prime Minister until 1975 when the Governor-General dismissed the government. Victor Greenhalgh was born and educated in Ballarat. He was a student, then a staff member of the Ballarat School of Mines Technical Art School. Greenhalgh was appointed head of the Royal Melbourne Institute of Technology's Att School in 1955. He died in 1983. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Marquette of a bust of Prime Minister Gough Whitlam. It was used for the bronze bust in the Ballarat Botanical Gardens. art, artwork, prime minister, gough whitlam, prime ministers avenue, victor greenhalgh, sculpture, bust, ballarat botanical garden, ballarat school of mines, ballarat technical art school, alumni

A cake decorated to look like the Shrine of Remembrance. The event is the annual Fete in 1993. The cake was entered into the Melbourne Show and shows a lot of skill. It was used as a raffle prize at the 1993 fete held at Legacy House (see the article from The Answer). The article says: The 31st annual Club Fete was held at Legacy House and a highlight of the event was a raffle to win a spectacular cake depicting the Shrine of Remembrance. The cake, made by Mrs Audrey McMaster (friend of a former Junior Legatee) was a 1993 prize-winning cake at the Royal Melbourne Show. Mrs McMaster kindly donated the cake to Legacy and nearly $200 was raised from the raffle (won by Mrs Mary Thompson of Reservoir).Part of the annual fete organised by the Legacy Widows' Clubs for fundraising.Colour photo x 2 of a cake decorated to resemble the Shrine of Remembrance.Printed on back "NOV93". 00673.1 has P6 No 3 in pencil and E in blue pen.fundraising, answer, widows, cake

Creamy Coloured Card folded in half. Marvellous Melbourne Bicentennial Ball The Royal Exhibition Building Carlton 29th April 1988. Order of Programme. 8.00pm Arrival 8.30 Welcome to Guests Dancing. 9.30 Dinner Dancing. 10.30 Announcement of Prizes. Addresses Dancing 2.00 am Close Music provided by the Wedderburn Old Timers. Menu Hot Chicken Entrée Selection Cold Meats & Salads Tipsy Cake Dinner Mints & Coffee. Acknowledgements Artwork - The Scriptorium Patricia Barth Hose Glassware Seppelt's Wines Trustees of the Exhibition Building Melbourne Parks and Gardens Proudly sponsored by 3AK.person, individual, peter ellis oam

Victor GREENHALGH (1900-1982) Born Ballarat, Victoria John Grey Gorton served as Prime Minister from 1968 to 1971. He was a member of the Liberal Party of Australia, and alienated many with his unorthodox style of leadership. In 1971 a party vote on a motion of confidence in his leadership was evenly split and Gorton resigned. Victor Greenhalgh was born and educated in Ballarat. He was a student, then a staff member of the Ballarat School of Mines Technical Art School. Greenhalgh was appointed head of the Royal Melbourne Institute of Technology's Att School in 1955. He died in 1983. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Plaster marquette of the bust of Prime Minister John Gorton. The marquette was used for the bronze bust located in the Ballarat Botanical Gardens.art, artwork, john gorton, john grey gorton, prime minister, prime minister's avenue, ballarat botanical gardens, victor greenhalgh, ballarat school of mines, ballarat technical art school

Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley. Sculpture of a head carved from Cooper's Creek Black Limestone. artwork, artist, sculpture, gippsland campus

Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley.Marble sculpture of Hygia, the Greek goddess of health and healing. Daughter of Asciepius the God of Medicine, Hygeia symbolises the preservation of good heallth and prevention of illness. Presented to the Gippsland Medical School from the Campus. churchill, gippslands campus, clive murray white, sculpture, clive murray-white

Leslie DUMBRELL (14 October 1941 - ) Born Melbourne, Victoria Leslie Dumbrell was a pioneer of geometric abstraction in Australia. After completing a Diploma of Art (Painting) at the Royal Melbourne Institute of Technology (RMIT) in Melbourne in 1962, Leslie Dumbrell adopted the international style of colour field and hard-edged abstraction. She taught alongside Peter Booth, James Doolin and Alun Leech-Jones at RMIT and Prahran College of Advanced Education. In 1966 Dumbrell was appointed to the Prahran College of Advanced Education teacing with Alan Leach-Jones and Jim Doolin. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Geometric AbstractionA large painted canvas with precise, brightly coloured geometric patterns on a black background. Dumbrell uses colour and line to create optical effects which often convey the illusion of movement. art, artwork, dumbrell, hard-edged abstraction, colour field, leslie dumbrell

This knitted layette including a bonnet, cardigan, and two booties was created by Mrs Lavinia Brown, a champion knitter who loved Churchill Island. Mrs Brown was born on 16 June 1913 in Regent, and she entered all of her knitting into the Royal Melbourne Show. Her daughter recalls that her knitting never won anything less than first prize, and was most often Champion. She remembers that once Mrs. Brown's work was disqualified as being 'machine knitted', and after an appeal in which she was required to knit a pattern in front of them, she was awarded the champion. Mrs Brown chose to use bicycle spokes with wax ends as she could not find needles small enough for use to make babies' clothing.Lavinia Brown loved Churchill Island, and this was donated by her daughter, A. Cattell. It represents a superb example of non-conventional hand knitting as well as being of the era for Churchill Island.Cream fine wool knitting sample on bicycle spoke needles with wax ends made for knitter by her husband. Ball of wool still attached knitting, lavinia josephine brown, churchill island, amess house

This knitted layette including a bonnet, cardigan, and two booties was created by Mrs Lavinia Brown, a champion knitter who loved Churchill Island. Mrs Brown was born on 16 June 1913 in Regent, and she entered all of her knitting into the Royal Melbourne Show. Her daughter recalls that her knitting never won anything less than first prize, and was most often Champion. She remembers that once Mrs. Brown's work was disqualified as being 'machine knitted', and after an appeal in which she was required to knit a pattern in front of them, she was awarded the champion. Mrs Brown chose to use bicycle spokes with wax ends as she could not find needles small enough for use to make babies' clothing.Lavinia Brown loved Churchill Island, and this was donated by her daughter, A. Cattell. It represents a superb example of non-conventional hand knitting as well as being of the era for Churchill Island.Cream fine wool knitted layette comprising of bonnet, cardigan, and two booties. layette, churchill island, lavinia brown

Dale HICKEY (31 July 1937 - ) Born Melbourne Dale Hickey studied art at Swinburne College of Technology before teaching at Phillip Institute of Technology (now Royal Melbourne Institute of Technology) from 1973–89. Leaving that position he devoted himself full-time to painting. In 1968 he was included in the National Gallery of Victoria exhibition of Australian minimalism, 'The Field'. His work is known for an awareness of minamalism, colour field and realism. In 1986 Dale Hickey won the Ballarat Fine Art Gallery's Hugh Williamson Art Prize. In 1988 the Ballarat Fine Art Gallery mounted a large retrospective exhibition of his work which was then toured. His work is widely represented in Australian public collections. Framed painting. dale hickey, available

Document. Green book containing weight of gold, advance payment and value of gold. 7 loose pages and 2 coupons held in the book with clip. Deborah Extended Gold Mining Company No Liability stamped on stamp edges and stuck on the front of the book. Office copy of a receipt for the delivery of 1 load of pyritesto be carried to Victor Leggo Mining co.. Letter regarding sampling of pyrites at the Deborah Extended Mine, showing the results of the samples. 2 receipts from the English Scottish & Australian bank of monetary debits, along with the assay report from the Royal Mint Melbourne Branch. 2 receipts from the English Scottish & Australian Bank for the deposit of monies into the account of Deborah Extended Mining co., and a receipt from the Royal mint Melbourne Branch for the assay of gold sent. Letter from Victor Leggo Mining Co. No. 2528, Re the purchase of gold from the Deborah Extended mine showing the assay results and payment due. Letter from Victor Leggo Mining co., No.2542, re purchase of gold from Deborah Extended Mine and payment amount due. Weighbridge receipt from city of Bendigo indicating the weight of the service.Report regarding a pyrites sample showing the tonnage of the sample. Paper indicating the results of a Fire assay and checks for gold, Docket no. E 566.McColl, Rankin & Stanistreetorganization, business, deborah extended mine, mccoll, rankin & stanistreet, deborah extended gmc n l, gold mining, gold book

Carte-de-visite is a small black and white photograph stuck to a card. It was invented by French photographer Andre Disderi in 1854 as a method for producing multiple images on a single glass plate, a format for mounting the resulting images on cards. The card on which the photograph was mounted displayed the name of the photographer on the front and back. The back was often a showy piece of lithographic printing with the photographer's name decorated with culicues.Sepia toned photograph on card showing Dan Kelly with left arm resting on a pillar."Burman Photo 200 Bourke St - East & St Georges Hall" (under photograph). "From Burman's Photographic Rooms 209 Bourke Street. East Near parliament Houses. St Georges Hall Next to Theatre Royal Melbourne. Portraits Enlarged, Copied or Colored. Views taken in any part of Victoria. Copies of this can be had at any time: (on rear) "Dan Kelly" (handwritten in ink underneath image on front of card)dan kelly, kelly gang, ned kelly, carte-de-visite, burman

Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: acknowledgement of the work on Thomas Luxton as foundation president, having a stand at the Royal Melbourne Show, acknowledgement of Joan Cunnington for working 50 years as a transcribing and producing the most volumes (789) of any transcriber, display of a thermoform map designed by 2nd year Architecture students of the Melbourne University campus, Sir Paul Hasluck winning the Braille Book of the Year award, first edition of Library Talk audio magazine, congratulations from the Federation of Blind Citizens on providing 2 track cassettes, retirement of Alice McClelland and Geoffrey Wilson, and a delegate attending the Australian and New Zealand Association of Teachers of the Visually Handicapped conference,1 volume of illustrations and textbraille and talking book library, annual reports