This Skirt is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Grey A line skirt, bak fastening. Five press stud fasteners and two hook and eye fasteners. One fabric hook on each side for hanging.

This glove is one of a pair and is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Brown leather and suede glove. One of a pair, leather palm with suede top.inside mark "Size 7"

This glove is one of a pair and is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Brown leather and suede glove. One of a pair, leather palm with suede top.inside mark "Size 7"

This hat is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Grey felt hat with 60mm brim. Brown hat band 30mm wide with narrow stripes top and bottom. Narrow stripes red and grey at top of band, grey and red at bottom of band.Inner hat band marked with "N231, 6 7/8, 1942"

Following the Great War of 1914-18 the people who lived in the general area around Coonooer Bridge , (18 kms from St.Arnaud ) erected a Monument in honour of those men and women who served their country in a time of war. In 1920 the monument was erected across from the hall, situated in a small pine plantation which was also planted by community members. The names of those that served their country during war time were placed on the monument. After the 2nd World War the names of the local men and women who once again were asked to serve their country were added to the memorial to honour and remember the sacrifice that they made.This book was compiled to honour and enable families and future generations to remember those who served.This is the only book listing these servicemen that served from the Coonooer Bridge Area.Spiral plastic bound book.Clear perspex cover. Coloured pages.Includes photographs of servicemen, medals and war service information.Dedicated to the people of Coonooer Bridge.

Bought by Phil Rogers, Australian Army no. 2790936 during his time of service in South Vietnam (1969-1970) to celebrate the birth of his son.Donated to the museum by the serviceman himself. This commemorative jacket demonstrates the poignant personal sacrifices made by those in service as significant family events continue at home in their absence.Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam/Vung Tau, 69-70/ Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, children, family, vietnamese craft, craft, souvenir

Bib, ill, p.429.Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other — the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice — ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country.australia - military - personal narratives, soldiers - australia - pictorial works

This is a commemorative program acknowledging the service and sacrifice made by all Australia's veterans.australia - history, military, emblems, national - australia

A chronicle of G.W.C.C. members who joined the Armed Forces for the 1914-1918 War (WW1) noting those who paid the ultimate sacrifice.This honour board signifies the high esteem in which the community held for those soldiers who joined the armed forces during WW1. The large list of names from this relatively small cycling club indicates the huge sacrifice all communities made during this time of war. It is a statement of patriotism, service and sacrifice.Large 3 piece hardwood dark stained timber Honour Board. Names of GWCC members who served in WW1 depicted in gold lettering. Those killed noted. Artwork includes national animal symbols of Emu and a Kangaroo and a Floral Emblem of Wattle Sprigs."Honor Roll/1914-1918 Geelong West Cycling Club/A Thomson/B Thomson/Kld GThomson/JA Smith/Joe Smith/K McCauley/F Cornish/P Lunnon/JW Grundell/H Foote/J McCann/H Toyne/Kld B Hargraves/Kld EA Simmons/Kld G Ross/J Clarke/L W Hansford/N Bowler/Kld J Love/B Lorimore/Kld J Black/C Smith/J Hobbs/Kld E Culliver/Kld G Brequet/Kld P Grundell/J Thomson/P Moir/T Pescud/H H Pescud/M Reynolds/M Foote/C Belperroud/E Cornish/F Fanning/H Mansell/F Hotchin/A Ives/C Grayland/Kld E Bartlett/Kld J Howlett/S Knight/W Shields"geelong cycling club; geelong west cycling club; g.w.c.c; ww1; honor roll; 1914-1918; a thomson; b thomson; g thomson; j a smith; joe smith; k mccauley; f cornish; p lunnon; jw grundell; h foote; j mccann; h toyne; b hargraves; e a simmons; g ross; j clarke; l w hansford; n bowler; j love; b lorimore; j black; c smith; j hobbs; e culliver; g brequet; p grundell; j thomson; p moir; t pescud; h h pescud; m reynolds; m foote; c belperroud; e cornish; f fanning; h mansell;; f hotchin; a ives; c grayland; e bartlett; j howlett; s knight; w shields;

As this photograph and certificate were received by the Museum with a collection relating to the Rutherglen Timber Mill, it is believed that he was probably an employee there before his military service.Black and white portrait photograph of a young man in military uniform, and a memorial certificateText of memorial certificate: "This scroll commemorates Flight Sergeant G.W. Addinsall Royal Australian Air Force held in honour as one who served King and Country in the world war of 1939-1945 and gave his life to save mankind from tyranny. May his sacrifice help to bring the peace and freedom for which he died."industry, timber, timber mill, geoffrey william addinsall, world war 2, ww2, william addinsall, daisy addinsall, daisy bautovitch

Photographs of the interior of Peacock Hall at Ballarat High School. The windows were designed by Amalie Feild of the Ballarat Technical Art School, and were completed as a World War One memorial. Above the wall above the stage honour boards name students from the school who served during the first World War. The Central board lists the 42 alumni who made the ultimate sacrifice. peacock hall, ballarat high school, amalie feild, amalie colquhoun, war memorial

The Ballarat Prisoner of War Memorial was dedicated on 06 February 2004 t acknowledge the pain and suffering that all Prisoners of War endured during their time in captivity, to commemorate the thousands of mates left behind and to acknowledge the sacrifice of families during wartime. The memorial was designed by sculptor Peter Blizzard and is made of natural stone-basalt and granite. 55,000 names are etched onto the 130 metre long granite wall.Photograph of the Ballarat Prisoner of War Memorial ballarat prisoner of war memorial, peter blizzard, pow

The Ballarat Prisoner of War Memorial was dedicated on 06 February 2004 t acknowledge the pain and suffering that all Prisoners of War endured during their time in captivity, to commemorate the thousands of mates left behind and to acknowledge the sacrifice of families during wartime. The memorial was designed by sculptor Peter Blizzard and is made of natural stone-basalt and granite. 55,000 names are etched onto the 130 metre long granite wall.Photograph of the Ballarat Prisoner of War Memorial ballarat prisoner of war memorial, peter blizzard, pow

The Ballarat Prisoner of War Memorial was dedicated on 06 February 2004 t acknowledge the pain and suffering that all Prisoners of War endured during their time in captivity, to commemorate the thousands of mates left behind and to acknowledge the sacrifice of families during wartime. The memorial was designed by sculptor Peter Blizzard and is made of natural stone-basalt and granite. 55,000 names are etched onto the 130 metre long granite wall.Photograph of the Ballarat Prisoner of War Memorial ballarat prisoner of war memorial, peter blizzard, pow

The Ballarat Prisoner of War Memorial was dedicated on 06 February 2004 t acknowledge the pain and suffering that all Prisoners of War endured during their time in captivity, to commemorate the thousands of mates left behind and to acknowledge the sacrifice of families during wartime. The memorial was designed by sculptor Peter Blizzard and is made of natural stone-basalt and granite. 55,000 names are etched onto the 130 metre long granite wall.Photograph of the Ballarat Prisoner of War Memorial ballarat prisoner of war memorial, peter blizzard, pow

The Ballarat Prisoner of War Memorial was dedicated on 06 February 2004 t acknowledge the pain and suffering that all Prisoners of War endured during their time in captivity, to commemorate the thousands of mates left behind and to acknowledge the sacrifice of families during wartime. The memorial was designed by sculptor Peter Blizzard and is made of natural stone-basalt and granite. 55,000 names are etched onto the 130 metre long granite wall.Photograph of the Ballarat Prisoner of War Memorial ballarat prisoner of war memorial, peter blizzard, pow

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture

Media Release 29 January 2016 Advocate of Racism to burn at Eureka Dawn A cardboard effigy of Senator Pauline Hanson, will burn at the Ballarat Eureka Stockade Memorial next Eureka Dawn 3 December. For eight years now effigy burning has become an integral and flamboyant part of the annual 3 December Eureka remembrance, part of the Reclaim the Radical Spirit of the Eureka Rebellion program organised by Dr Joe Toscano, medical practitioner, broadcaster on Melbourne community radio 3CR and Australia's best known anarchist.

"A joint meeting of city and town ratepayers, convened by Messrs Francis Jago and Henry Johns, interested in the formation of a cart bridge in Hill street, over the Yarrowee Creek, was held on Saturday evening, in the Societies Hall, corner of Skipton and South streets, with the view of taking united action in the matter. Mr Morris was voted to the chair, : and about 60 persons were present. The chairman stated that the object of the meeting was that united influence should be brought to bear upon the City and Town Councils, so that a cartbridge should be erected. He said that Mount Pleasant would no doubt be thickly populated in a few years, and the bridge would prove a great boon to the inhabitants of the locality. By means of a cart bridge drays, would be enabled to save on their journeys to and fro between the mount and the batteries, at least a mile and a half each time. He hoped that the councillors for the south ward would assist them in this matter. Mr Jago, as one of the conveners of the meeting, said that united action on the part of both eastern and western ratepayers was requisite, so as to exert a strong pressure upon the City and Town Councils, in order that the work should be carried but. Mr Grainger moved the first resolution as follows;—“ That the construction of a cart bridge over the Yarrowee Creek at Sunnyside, to facilitate communication between the residents of the city and town, is urgently necessary, and that in the interests of both municipalities the two councils be asked to at once jointly carry out the work. In doing so he said that the necessity of a cart-bridge for the residents of Mount Pleasant would be apparent when the number of batteries, tanneries, and also the Woollen Mill, in the district were considered. The place was of growing import ance, and ready communication should at once be established. Another reason was that an immense saving in time would be effected. It was quite a common occurrence to see one, two, or three drays stuck in the bed of the creek which had gone that way to make a short cut. Now, what with the horses floundering about and breaking their harness, it seemed a wonder to him that life had not been destroyed before now, just through the want of a cartbridge. Mr Johns seconded the resolution. Mr Robert Calvert supported the resolution, and said that it was disgraceful action on the part of the representatives of the south ward that the work had not been executed long ago. They should come together like men and demand that the work should be done, and if not done they should not pay rates until it was. (A voice—“But they’ll make us.” Laughter.) The wooden footbridge across the creek was “only a wooden fabric, not fit for a Christian to walk across, and steps should be taken to remedy this also. Mr Blight, a resident of Mount Pleasant, said that, in common with others, he had been opposed to the erection of the bridge two years ago, but his views had since been altered. Cr. Morrison, who was present, said that the fault of the cartbridge not being erected over the Yarrowee at Hill street lay not with the City Council, but with their neighbors, who had always been opposed to its erection there. In 1874 a motion was carried at a meeting of ‘the City Council" by which the sum of £5OO had been voted to carry but the work. As the bridges over the Yarrowee were joint undertakings of the city and town, they had, by the provisions of an act of Parliament, called upon the Town Council to assist them in the erection of the bridge. In consequence, a conference of the two corporate bodies had taken place, when a motion was moved by Cr Howard, the representative of the south ward, and seconded by Cr Turpie, of Ballarat East—“ That the bridge should be erected at Hill street.” The motion was rejected, principally through the eastern representatives, who wanted the bridge lower down. Since then the two councils had often met to consider, the question of bridges over the Yarrowee Creek, but nothing had been done at the meetings, as the Eastern Council wanted the bridge in one place and the City Council in another. He had himself, when first elected to the council, given notice of motion affirming the desirability of a bridge, at the place now fixed upon. The Woollen Company was growing in importance, and a direct, road to its works would greatly advance its interests. For the working, expenses of each ward £400 was annually, appropriated; and this amount would not be sufficient carry out the work. They would have to obtain a special grant of about £900, as Hill street would require a culvert to be erected therein, as now it was virtually an open drain which carried the drainage of the western plateau to the Yarrowee. He advised that strong pressure should be exerted, specially upon the Eastern Council, and then the work might be carried out. He thought that if the foot bridge was repaired, and large stones thrown into the creek, it would do until the bridge could be erected. The chairman then put the resolution, and it was unanimously carried. Mr Hamilton moved the second resolution— “That Messrs Fern, Greenwood, Peirce, and Jago be deputed by the meeting to wait upon the City and Town Councils and present the first resolution; also that petitions in its favor be signed by all ratepayers interested.” Mr Haigh seconded the resolution, which was carried. Votes of thanks to Cr Morrison for his attendance, and to the chairman for presiding, were passed, and the proceedings terminated." (Ballarat Star, 9 August 1881, page 3) "WOOLLEN MILL BRIDGE YARROWEE IMPROVEMENTS Though brief the official ceremony of opening the bridge across the Yarrowee Creek, near the Sunnyside Woollen Mills, was of an interesting character. It took place at noon yesterday in the presence of the Mayors and councillors of the City and Town. Hon. F. Hagel thorn (Minister of Agriculture).Hon Brawn. M.L.C., Lt-Col Morton (Acting City Clerk). Mr J. Gent (Town Clerk of Ballarat East), Mr A. Farrer (City Engineer), Lt. L. Finch (who is about to leave for the Front, and who assisted Messrs A. Farrer and G. Maughan in carrying out the project, Mr W. Hurdsfield (Clerk of Works) and others. An apology was received from Mr J. McClelland, contractor for the work. Mayor Hill expressed pleasure in Introducing Mr Hagelthorn, who had at great personal sacrifice and inconvenience come from Melbourne to perform the opening ceremony of that beautiful bridge, which was of great improvements that had been effected.When Mr Hagelthorn was Minister of Pubic works he visited Ballarat specially to see the condition of the creek, which at that time was in a disgusting state from a sanitary standpoint. After viewing the position, and realising the justice of the claim. Mr Hagelthorn made strong representations to the Government of which the was a member with the result that it voted £17,000 for the work. That action had been the means of turning a plague spot into a thing of beauty. They therefore owed a deep debt of gratitude to Mr Hagelthorn and the Government of which he was a member, and they were particular grateful to Mr Hagelthorn for coming to Ballarat to perform the open ceremony. Mayor Levy said he could bear testimony to the good work Mr Hagelthorn had always done for Ballarat. In him Ballarat and district always had a good friend. He thought Mr Hagelthorn would feel amply gratified at seeing the good work that had been done. It would serve as some reward for the expenditure, on behalf of the residents of Bal larat, of the amount of money made available through Mr Hagelthorn's instrumentality for the two municipalities. Otherwise the City and Town councils would not have been able to carry out so necessary and so beneficial a work. There was a great amount of work yet to be done, and when the financial market became low stringent Mr Hagelthorn would no doubt be pleased to take the necessary steps to have money provided for further works which could not be undertaken at the present time. The adjacent woollen mill was a standing monument to what was being done in Ballarat, and what ever the City and Town Councils or the Government could do to encourage such manufacturing enterprise should be done, and he was glad to be able to say that was being done as far as finances would permit. He concluded by presenting Mr Hagelthorn with a gold mounted pocket-knife with which to cut the ribbon stretched across the centre of the structure as a bar to traffic. The Hon. F. Hagelthorn, who was greeted with applause said before him was a good work well done in the interests of the public. Real prosperity could only be achieved by a movement carried out by the people to increase natural productiveness. Most of them had been made aware, on account of the war par tiularly, that the people who were best equipped, the industries that were best organised, and the Governments that were most intelligently controlled would get the most of this world's goods and some of its luxuries that Would be denied other people less efficient. Any thing the Government could do to promote industry and to increase the reward of those engaged in it, both employer and employee, would be done. Most Governments would do but little in that regard. ... " (Ballarat Courier, 13 September 1916, page 4)Bluestone and iron bridge over the Yarrowee River at Hill Street, Ballarat.sunnyside mill, sunnyside woollen mill, ballarat woollen mill, bridge, yarrowee creek, francis jago, mount pleasant, yarrowee river, robert calvert

Timber Honour Board on display at the Ballarat Base Hospital. nurses, ballarat base hospital, k. blainey, j. booth, a. buckley, a. burns, e. cuthbertson, j. douglas, j. eddy, j. hinds, m. humphries - made the supreme sacrifice, m. larkins, m. lawson, s. leonard, f. lewis, s. long, j. meiklejohn, m. methven, j. mcfarlane, jessie macphee, m. moloney, h. murnane, k. murnane, c. pearlman, l. renkin, b. rousch, m. sculley m.i.d., m. stretch, a. tallant, p. taylor, b. woodbridge, matron a. brown, world war two

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, anton hassell

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, miltary, soldier

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, miltary, soldier

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, digger

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, digger

Framed individual (41) black and white photographs of men and one woman, from the Port Campbell District who served in The Great War. Each photograph named. Surnames include - McKenzie, Underwood, McKay, Magilton, Petty, Lord, McKean, Cameron, Wishart, Tregea, Morris, Fuller, Cairns, Ward, McIntyre, McRae, Page, Ford, Underwood, Baulch, Murfitt, Pascoe, Currell, Brown. Frame - dark brown wood. The 5 central portraits are of the five soldiers who were killed during their service. Framed photograph Members of the Port Campbell District who served in The Great War of 1914-1919 - Paid The Supreme Sacrifice -"Their Names will Never Die" - For Empire and Right.ww1, port campbell, soldiers

The names entered on the Honour Board were selected from enlistments in WW1 who were born in Kyneton.This Honour Board commemorates those servicemen who enlisted from the Kyneton district and made the supreme sacrifice for their country.Wooden Honour Board with gold lettering , three panels, largest with three columns, two outer panels have one column, with oblong, bronze small plaque underneath.Enlistments from the Kyneton District who died as a result of active service in WW1. Inscription on brass plaque below the Honour board reads: Presented by Miss LENNON of the CLUB HOTEL, 23 Feb 1922 Unveiled by Lt. Colonel Geoff HURRY DSO, MHR 11 Nov 1923 Plaque below the board reads: GRUNDY & CO Brunswickhonour board, kyneton rsl, world war one

On 23 July 1922, Brighton City Council adopted the recommendation from a sub-committee that the site for a war memorial be at Green Point, Brighton Beach. Brighton Council invited designs, limited to returned soldier architects and 18 designs were received. The first prize of £30 was awarded to the architecture firm Irwin and Stevenson and the designs were exhibited at the Brighton Town Hall in 1925. The bronze casting, using lost wax technique, was executed by sculptor Mr. Paul Montford, to the design of the architect and the central assemblage was believed to be the largest bronze casting in relief carried out in Australia at the time. The Brighton War Memorial was unveiled by His Excellency the Governor, the Right Honourable Arthur Herbert Tennyson Baron Somers, K.C.M.G., D.S.O., M.C., on Sunday 24th April 1927 in the presence of 4,000 people. The memorial was originally constructed to commemorate those from the City of Brighton who served in World War One but has since been augmented to commemorate those from the municipality of Bayside who have made the ultimate sacrifice during official periods of hostility.War memorial consisting of a sandstone cenotaph, granite base and sandstone terrace situated at Green Point, Brighton. The cenotaph is a truncated obelisk with classical decoration in stone and bronze. The cenotaph bears the Rising Sun badge in bronze relief near its top with bronze lettering running down the cenotaph reading "ERECTED IN HONOUR OF THOSE WHO FOUGHT IN THE GREAT WAR 1914 – 1919". A bronze relief assemblage of crossed weapons, a wreath, the lamp of valour and the Latin phrase "DUCIT AMOR PATRIA" (love of country leads me) sit above the base which is carved with the word "SERVICE". The terrace walls have bronze relief medallions with images of the head of an airman on the left and an infantryman on the right. The back of the cenotaph bears a torch in bronze relief near its top. On the sandstone wall behind the cenotaph are three large bronze plaques that lists the names of those from the City of Bayside who have served in the various conflicts in which Australia has been involved. At the back of the sandstone wall is carved lettering reading "HISTORY GAVE THEM A COMMON FAME. POSTERITY A COMMON MONUMENT" with 1914 carved on the left and 1919 on the right.brighton war memorial, memorial, cenotaph, green point, war memorial, brighton, service, paul montford, irwin and stevenson, rising sun, wreath, weapons, lamp of valour, great war, world war one, honour roll, honour board, roll of honour, ducit amor patriae, brighton beach, city of brighton, leighton major francis irwin, roy kenneth stevenson

Prue Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The six lots on the south side of Macartney Avenue, between Macartney Avenue and Daniell Place were part of a subdivision that occurred before 1930. The subdivision plan is of interest in that the original name of Daniell Place was Brougham Place. On the Plan, it is noted that lots 5 and 6 (currently 10 and 12 Macartney Avenue) had been sold for £13 each. By November 1930, the new six-roomed villa built on 12 Macartney Avenue was offered for immediate sale at a ‘sacrifice price’. Any offer in reason would be considered, although a £350 deposit was required.subdivision plans - kew, mount street - kew, brougham street - kew , macartney avenue - kew