Tin, "Choicest Nectar Tea" is an example of retail packaging, for domestic goods, the tin was made by J Marsh and Sons, Melbourne, for John Connell & Co Ltd, Melbourne, Victoria, Australia, 1900-1940Item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset.Container; tea caddy for "Nectar Tea" brand, 1 lb. Packed by John Connell and Co Ltd, Melbourne. Blue and white vertical stripe decoration. On label "The Nectar Tea Caddy" and "Nectar, the finest tea the world produces, is a blend of the Choicest Pure Leafed Teas from the Gardens of Ceylon, India, Java"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea canister, tea caddy, tea tin, container, kitchen storage, food storage, food, nectar tea, john connell, melbourne, j march & sons, john connell & co ltd

Milliners block of wood-shape comprising of base and four removable blocks set on vertical protruding iron rods, two of the side blocks have lobes.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The swift winder together with lace pieces was bought in Europe by Nan Warner, who was a retired school teacher and together with her husband Max travelled to Europe and China after they retired. Nan joined a lace making group in the late 1970s who until well into the 1980s and 1990s the group met in each others homes once a month in the eastern suburbs of Melbourne around the Vermont and Ringwood area. The group later became part of the Australian Lace Guild. The donor was also a lacemaker in the group. Hand turned spindle winders and swifts are also used by weavers and spinners.Hand turned wooden wool winder and swift and spindles. It has a wooden base with drawers with a vertical wheel, spindle with winder on an arm with rotating thread holders.spindles, winder, swift, yarn, spinners

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".Medal ribbon bar with brass fastener on back. Ribbon has vertical red, blue and white stripes representing the WW2 British War Service Medal.bennetts collection, alva bennetts, medal ribbon, british war service medal.

Identified by Mrs Surman as the Linton football team in about 1900. Mrs Surman also identified names of players, which are inscribed on the back of the photograph. Guernseys were apparently hand-knitted at this time, mostly by the players' mothers. They were all in team colours, blue and white, but had different patterns. (This information given by Mrs Stella Surman in a 1991 interview. Interview recorded on CD - see Registration no. 2019-212.)Original sepia photograph of a group of men wearing football guernseys. Guernseys have different patterns (mostly variations on vertical stripes) and most are laced at the front."Jack Brown / about 1900 / L to R / H Roberts, R Nicol, Ben Cornish, Catton, Jack Hogan, Pearly Power, J Mitchell, H Catton /Jim Hogan, A Nicol, P Crane, B Angus, W McMillan, Tony Cunningham / Mick Cunningham, -?- , Whitecross, Jack Cunningham, J Brown".linton football club, jack brown, h. roberts, r. nicol, a. nicol, ben cornish, h. catton, jack hogan, jim hogan, "pearey" power, j. mitchell, p. crane (craine), b. angus, w. mcmillan, tony cunningham, mick cunningham, jack cunningham, whitecross

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8134.1 - The shirt is coloured with stripes of olive green and cream. There are several panels on the shirt, majority of the panels have the stripes running vertically but two panels over the left breast have the stripes running horizontally. Over the horizontal stripes is the Australian emblem with the Olympic rings and "Barcelona 1992," underneath. On the reverse of the shirt there is only one panel and the stripes all run vertically. Along the shoulders of the reverse of the shirt are four velcro dots from the object being previously displayed. 8134.2 - The shirt is coloured with stripes of olive green and cream. There are several panels on the shirt, majority of the panels have the stripes running vertically but two panels over the left breast have the stripes running horizontally. Over the horizontal stripes is the Australian emblem with the Olympic rings and "Barcelona 1992," underneath. On the reverse of the shirt there is only one panel and the stripes all run vertically.8134.1 - BARCELONA 1992 8134.2 - BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

hand written on back: Queen's Road underpass. Photo filed 11.12.1967 Shows a building with a large vertical neon sign 'Recruiting'black and white matt photograph good condition unmountedQueen's Road underpass. Photo filed 11.12.1967 L16514/5 H71. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

Supporting a pole, probably for the tram overhead with pykes (round poles with 2 spikes at the end) to make it vertical. Location and date unknown.Black and white print on paper.No. 2 inside a circle written in pen on the reverse. 18-4 and GRS710/18/1/4 written in pencil on the reverse.,installation of tramway overhead pole, pykes

This box of metal stamps was owned by Mr D.K. Fraser, a property owner and grazier in the Ballan district.A timber box, split horizontally, with 27 (3x9) holes drilled vertically containing square section metal hand stamping tools each a separate letter of the alphabet.The top lid is marked "D K F & CO 1905" and each stamp is marked "D K FRASER".tools, ballan, fraser dk, metal stamps

Leo Harris No 3132, KIA. Refer 2478 for service history also 2476, 2477P, 2479.3.Tag, Deceased Soldiers Kit. Cardboard, black & pen writing, red strip vertical through centre. Nothing on the rear. String tie with metal clip attached.3132 - HARRIS - GNR - L - 56th / 60th BATTY AIFdocuments - labels, deceased military

Native woven souvenir sash from East Timor. Pink, green, brown & gold bands alternating in vertical & horizontal stripes on each side, fringed ends.“East Timor repeated on woven central design”costume accessories-female, memorabilia, handcrafts- embroidery, military history - souvenirs, timor

Green Glass Bottle. The words ''WHITTAKER BROS.'' ''MAYBOROUGH'' and ''DUNOLLY'' are moulded into the bottle vertically. The bottle is showing fluorescence. Diameter 6cm x Height 22 cm.''WHITTAKER BROS.'' ''MARYBOROUGH'' ''DUNNOLLY''food technology, bottling, softdrink bottle?

Donated by Ann BarryCream polyester five pearl button fastening down front. Thirty six vertical pin tucks across shoulders, long sleeve, pearl button at cuff.Fletcher Jones. Australia's Finest Clothingcostume, female

1914-15 brass medal. Star shaped with crown on top with crossed swords Cv on bottom. Ribbon vertically striped red white and blue of cotton material.On Front of medal C with v in middle at bottom of badge. On rear of badge- 2595A Pte R.H. CHURCH. 22/BN. A.I.F.

Brown yearbook with a navy stripe along the lower section of the cover and a WHS logo overlayed above below 1953. KORRUMBEIA is written vertically along the left side

This note to the local milkman was associated with the milk bottle from the Wattle Park Dairy, which was purchased by Robin Kelly from a home in Surrey Hills in the 1970's or 1980's. This dairy was established by Horrie Breeden. The Breeden family came to Surrey Hills in 1905, first to Guildford Road, then Middlesex Road where Horrie Breeden lived as a boy. He sometimes used to help with milking at the adjoining Kenneally's dairy in Highfield Road. Sometimes he and his brother drove the cows from there to Schneider's property near Florence Road on the way to Surrey Hills Primary School. The cows would graze here until the boys took them back after school. At other times he would deliver milk from the Croydon Road dairy (Isherwood's or Bovill's) to St Joseph's Boys Home before school. Horrie became an apprentice in woodwork / carpentry at Vine's timber yard before serving in World War 1. Horrie's father died in 1919 and in the same year he bought 3 cows and established his own dairy on his mother's property on the corner of Goodwood Street and Boisdale Road. In the 1920s Horrie built the first house in Goodwood Street. He went on to build others in the street including his own at No 7 Goodwood Street. He did all the joinery and internal fittings for this. [Oral testimony: Horrie Breeden to Jocelyn Hall in 1979.] In the first half of the 20th century there were many local dairies in Surrey Hills and Mont Albert. In those days home deliveries were comparatively informal. This note to the milkman is material evidence of this. A rectangular wooden T-shaped note; the vertical part extending from middle of the lower edge and the upper part wide enough to balance on the top of a milk bottle.In grey lead pencil: " 1 pint / extra"dairies, milk delivery

A large fabric flag of the Legacy logo. It would be used on many occasions to identify and promote Legacy. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The flag was used in many events up to at least the late 1990s to promote Legacy. A similar flag is attached to a flagpole in the President's office. Maker was Evan Evans Flags.A record of the former colour scheme used by Legacy.Commercially made Legacy Flag. Legacy symbol appliqued onto yellow background with Legacy in purple letters under the torch. Flag rings attached for it to hang vertically.Legacy in purple text.legacy promotion, logos

A large fabric flag of the Legacy logo. It would be used on many occasions to identify and promote Legacy. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The flag was used in many events up to at least the late 1990s to promote Legacy. A similar flag is attached to a flagpole in the President's office. Maker was Evan Evans Flags.A record of the former colour scheme used by Legacy.Commercially made Legacy Flag. Legacy symbol appliqued onto yellow background with Legacy in purple letters under the torch. Flag rings attached for it to hang vertically.Legacy in purple text.legacy promotion, logos

This is a bag trolley that was used to transport large bags of grain or other items at the mill.Wooden frame of trolley, with vertical handles with three stabilising cross bars. Base of trolley has a curved metal part. This mounted on two small metal wheels.

J A Eden (Clothier) was first listed in Pall Mall in 1895. The Surprise Shop was located on the third block Pall Mall Bendigo, next to the Lyceum Store. John A Eden (Draper) listed at the corner of Bath Lane and Mitchell Street from 1898. J A Eden retired from business in 1904. A sale of men's clothing, hosiery, hats, underwear and general clothing of every description was conducted by Mr J H Curnow on the premises in Eaglehawk. Gilbert Rule's second wife was Louisa Kate Eden.Sepia photograph on card. Pictured is a man wearing a suit standing in front of a clothing shop. Sign above the shop front "J.A.EDEN". Vertical sign on LHS "The SURPRISE"j a eden, clothing, surprise shop.