Could this flag have flown at the 1956 Olympics on Lake Wendouree ??? Probably not because the current tricolour came into use in 1946. The flag would have been made during the reign of King Victor Emmanual III. If you are able to assist with any information on this flag, including why it would be held in a Ballarat collection, please email is via the link on the lower right . The State flag, and state and naval ensign. It is a vertical tricolour of green, white, and red, defaced with the arms of Savoy and crown. This was the first national flag after the unification of Italy. Proportion 2:3 Adopted 1861 (proclamation of the Kingdom of Italy) Relinquished 1946 (birth of the Italian Republic) The flag without the crown woul the the design adopted by the Kingdom of Piedmont-Sardinia in 1848 The flag has been stitched in 5 places. Stamped in ink on edge 'November [1930] Torino" A note with the flag states: "Old Italian Flag - (Before independence in 1946) his flag was made in 1930 in Torino- Italy? This flag Shows the royal insignia displayed in the white area and was designed around the time of Napoleon (by him) in 1840s Red "Flags" book V D'Angri"flag, italy, italian flag, italian army flag, turin, torino, house of savoy, savoia, crown

RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright

Soft drink came in bottles bought at the local grocery store or at a larger city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. The history of Zedmanfg Company, Albury. Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing & shape especially if in good condition. Clear glass bottle. Bottom half has straight sides. Upper half tapers to the top where a metal crimp fits over the lip. Manufacturer's name is heavily embossed in cursive script diagonally across the lower half. The place 'Albury' is embossed below the diagonal script, in capital letters.There is heavy embossing at the base and at the bottom of the sides. All in capital letters. It has a crown seal - AGMZedManfg Co. Albury - across the bottom half of the bottle. At the base on the sides around the circumference 'This bottle is the property of the Zedmanfg Co. Albury. On the Base: F1486, GM inside A, M 113 glass, bottle, domestic, household, albury, zedmanfg co., drinks, lemonade

Roper's Hut belonged to the Roper family who brought their cattle up onto the Bogong High Plains during summer. Their hut was visited and used by skiers and walkers. The log books kept a record of their visits over the years.The log books gave an insight into the activities of visitors, the weather, the frequency, etc. The case was a safe place for storage of these books.Light brown vinyl case with zip fastener around three sides and partly at the back on each side. There is a separate pocket at the top with a zip fastener. There is a flap to fasten the case across the centre top and a leather handle. The zip around the case has a silver fastener with a small key hole.The inside is mostly black and has two vinyl straps that fasten to hold the contents in place and there is an open pocket inside.roper's hut case, roper's hut log book, cattlemen's hut

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of three men in bathing costumes standing with arms crossed on a diving board. In the background are changing rooms, a grassy bank and trees. The place is Calembeen Park at Creswick and the men are Jack Zilles, Jack Cartasso and Frank Wright. .2) Black and white photo taken at Creswick, The men on the diving board are Ron Hammond, Norman Jebart, Harley Chapman, Jack Cartasso and Frank Wright..1) Written in pencil on back - Jack Zilles, Jack Cartasso, Frank Wright, Creswick, Feb 3rd 1930 .2) Written on the back in pencil - Ron Hammond, Norman Jebart, Harley Chapman, Jack Cartasso, Frank Wright. Creswick Feb 3rd 1930bathing costumes, swimming, changing sheds, creswick, frank wright, calembeen park, jack zilles, jack cartasso, ron hammond, norman jebart

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing in the centre of the picture with several other people facing away from the camera on the right. The man is leaning against a thick art deco style armpit high wall with an extending ironwork protective fence above. The view seen beyond is of a city skyline. The man is Frank Wright and the place is the viewing platform at the top of the Empire State Building in New York.frank wright, brass bands, conductor, new york, empire state building

Bendigo Advertiser ''The way we were'' from Monday, June 3, 2002. Tough: our early settlers did it tough. All goods had to be carried to and from the ports to the settlers' new abode. The mainstay of transport was bullock wagons. The bullocky was as tough as anyone in the pioneering era and a godsend to the many outlying settlements. These teams are carting wool to be sold and exported overseas. Time and place unknown. The clip is In a folder.newspaper, bendigo advertiser, the way we were

Contract of sale of land dated 10th August, 1953 between Mr. N.V. Wodetzki (seller) and Mr. D. & Mrs. E.M. Phillips for land being part of Crown allotment 7 section 31C described in certificate of title volume 6403, folio 473 situate at No. 158 Barkly Place, Bendigo, together with all registered appurtenant easements. Brick dwelling and all sundry. Price 1,950 pounds.organization, business, h.a. & s.r wilkinson real estate

Bendigo Advertiser ''The way we were'' from 2000. Charing cross: circa 1914. The Alexandra Fountain was built with proceeds from the Bendigo Juvenile Industrial Exhibition in March 1879. The architect was W.C. Vahland. The fountain was officially opened by Prince Albert Edward Victor of Wales in 1881. During the years, Charing Cross has been an important landmark and meeting place for visitors and residents of the town. The clip is in a building.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Parade: Sunday school parade, Charing Cross, circa 1900. The Alexandra Fountain stands at the intersection of Mitchell and View streets and Pall Mall and High street, formally known as Charing Cross. Charing Cross has been an important landmark and meeting place for visitors and residents of Bendigo and is a pick-up point for the talking tram tour. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Booklet. ALEC H CHISHOLM COLLECTION. A 16 page booklet (2nd Edition) of NSW aboriginal place names and their meaning. Compiled by W. W. Thorpe (Ethnologist). Set up and printed by the Australian Museum, Sydney in May 1927. Inside are 5 newspaper clippings from an Adelaide paper (no dates) about nomenclature. Catalogue sticker '2155 THO' on front cover together with the signature of A. H. Chisholm.W. W. Thorpebooks, collections, place names, alec h chisholm collection, aborigine, w.w.thorpe, place names

2 x Fax's. One from Jan Kriesemer Seesterasse 630 8706 Meilen to Mrs Myrtle Hassett, thanking her for her efforts in organising the Hanro reunion along with placing a letter in the newspaper. Second from Jan Kriesemer to the Bendigo Advertiser advising them of his visit and some historical information of the Hanro Company. He requested any activities of the company between 1926 and 1930.Jan Kriesemerbusiness, retail, hanro

Letter dated 28 June 2000 from Carolyn Rasmussen, Long Gully History Group, to Gerard House, President, Board of Management, Central Victorian Group Training asking if a plaque could be placed in the front grounds of CVGT as it is a place that has made history. The group also asks the Board to consider covering the costs of the plaque $250. The Group could supply a granite block to attach the plaque to.bendigo, history, long gully history group, the long gully history group - letters from the long gully history group, gerard house, central victorian group training, mr paul green, city of bendigo, st matthews church, first suburban fire station, carolyn rasmussen

Photograph. Harry Biggs Collection. A black & white photo of a man in a suit sitting in a sulky. The top of the sulky has a cover with a fringe around it & the man has a rug over his knees. He is holding the reins of a decorated horse which the sulky is attached it. At the back is a work place & the letters RSONS can be seen. Beside that is a brick building & 2 school children, a boy and girl are standing in front of it.person, individual, casual, harry biggs collection, horse drawn carriage

Newspaper summary list of Australians to win Victoria Cross WW1(Herald 24/6/1919). A2 size, includes 50 photographs of recipients. Article list name, rank, unit, place/date of birth, occupation, where/when won, remarks. Bendigo area: Alexander Stewart Burton (Kyneton), Albert Jacka (Wedderburn), Walter Peeler (Barkers Creek), William John Symons (Eaglehawk).military, world war 1, victoria cross

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's jaw and is placing an instrument inside the patient's mouth. An anaesthetist's hands are supporting the patient's jaw and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: It takes Two to support the Mandible. •Handwritten with blue ink on reverse and underlined: Photo. 6. / (Frame 23).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye

This hat was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This hat is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A red, purple and blue silk, six paneled hat embroidered with gold braid and adorned with mirrors. Tip of hat has red, silk bobble sewn into place. Each panel is embroidered with gold and orange thread. Among the threads are eight circles of metal around one central, circle. There is a blue band around the bottom and a ribbon tie attached to one panel and it is lined with pale blue cotton fabric.There is a black stamp of a Chinese character on the inside of the hat.young chinese league, processions, melbourne, victoria, china

Cast iron boot last - used for making shoes and boots and repairing them. The cast iron boot last provides the bootmaker with the ability to place the boot upside down over the last and drive shoe tacks into the leather soles. Where the tack was set well into the leather, hitting the cast iron would cause the tack to bend over, clinching the tack and securing the sole or heel on the boot or shoe;Non visible.boot last (cast iron)

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Corner of Springfield Road, Nunawading and Springvale Road, Nunawading, looking West across intersection, on opposite corner (South West) Formosa House Yum Cha Restaurant (very popular eating place). On far left opposite corner (North West) the grounds of Nunawading Primary School; signs in foreground to Church of Christ & Mullauna Secondary College along Springfield Road.formosa house restaurant, nunawading primary school no 4190, mullauna secondary college, springfield road nunawading, springvale road nunawading

Colour postcard of Wellington Parade, East Melbourne with Melbourne skyline in background and Fitzroy Gardens in background. Would appear works for the underground are in progress. Has W2 509, outbound on route 29 to 'Kew Depot' and a tram (wide body car) in bound on route 74. Has on rear caption, "National View" by Murfett Pty Ltd. Australia, place for address and stamp. Taken early 70's.trams, tramways, melbourne, wellington parade, postcards, tram 484, tram 229, tram 364

Colour postcard of SECV Ballarat No. 26, photographed in Wendouree Parade during possibly late 1975 by W.J.Kingsley for the BTPS postcard. Tram has St Aidans Drive destination and "TRAM RIDES" signs. Tram in SECV livery. Has "Nothing Beats Briquettes for heat" advertising board on side. On rear is a note regarding the tram, the BTPS and its operations, printers name and photographers name, with place for stamp and address. trams, tramways, wendouree parade, btps, postcards

Two cards from St Clements Anglican Church Huntly inviting the public and others to a Debutante Ball to be held on 10th July 1987, and presentation of Debutantes at 9pm. Admission for a single was $8 and children under 12 $4. No 11.the second cards is for another Debutante Ball to be held on Friday July 13, 1984, presentation of the Debutantes will take place at 9.15pm, Premiers orchestra, Single $6, No. 13.church, celebration, debutante balls

'Ting Tong Table Pole'Tennis' game. Made in Denmark. Contains two wood paddles, a wood pole and cloth tape as 'net' and two wood poles and bases to anchor net. 'Ball' is a large wooden bead held in a string pouch. Pouch attached by string to a wood rod which is to be place in holder at centre of net. Appears complete. Materials: Cardboard, Ink, Wood, Lacquer, Metal, Stringtennis

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan