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Eltham District Historical Society Inc
Photograph, Steam locomotive J-521 with the Royal Train on the Wharf Spur line during a visit to Echuca by the new Governor of Victoria, His Excellency Sir Rohan Delacombe, c.May 1963
In this picture the Royal Train is pulled up with the State Car at the commemorative platform on the Wharf Spur line. The train has been shortened comprising steam locomotive J-521 and tender to which is attached the State car. The State car is in the design of the Spirit of Progress. The platform is lined with plants in planter boxes. Two men in suits standing to the right, one with a large camera – either press or official photographer. The sign on the platform commemortaes the visit of Her Majesty Queen Elizabeth and His Royal Highness Phillip Duke of Edinburg on March 5th, 1954. George Coop advised that the occasion is the visit of the Governor of Victoria, Sir Rohan Delacombe to Echuca in 1963. Delacombe had replaced Sir Dallas Brooks in May 1963 who had departed for England on the liner Iberia,11 April 1963 (1963 'SIR DALLAS ON WAY TO U.K.', The Canberra Times (ACT : 1926 - 1995), 9 April, p. 9. , viewed 27 Jan 2020, http://nla.gov.au/nla.news-article104249252) George believes the Governor was doing a considerable formal train ride around the State and Echuca was on the schedule. The ‘platform’ was a special creation for such purposes, located on the wharf spur line that ran behind the Echuca Civic Centre. The large notice board commemorates the Queen’s visit on March 5th, 1954 for which the platform was initially built. From time to time it would get spruced up with pot plants, fresh paint and repaired hand rails for formal functions. A picture of His Excellency Sir Rohan Delacombe, Governor of Victoria, and Lady Delacombe about to entrain at Spencer Street for a visit to western Victoria is available on page 4 of VICTORIAN RAILWAYS REPORT OF THE VICTORIAN RAILWAYS COMMISSIONERS FOR THE YEAR ENDED 30th JUNE, 1963. (http://www.victorianrailways.net/vr%20history/annual_reports/vrar1963.pdf) More information about the Victorian Railways Royal Train https://en.wikipedia.org/wiki/Victorian_Railways_Royal_Train State Car No. 5 https://www.pjv101.net/cd/pages/c160v06.htmDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca, george coop collection, governor of victoria, j-521, royal train, sir rohan delacombe, state car no. 5, victorian railways, wharf spur line -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Radios, box with a 'Mullard' valve, 20thC
Mullard Limited was a British manufacturer of electronic components. The Mullard Radio Valve Co. Ltd. of Southfields, London, was founded in 1920 by Captain Stanley R. Mullard, who had previously designed valves for the Admiralty before becoming managing director of the Z Electric Lamp Co. The company soon moved to Hammersmith, London and then in 1923 to Balham, London. The head office in later years was Mullard House in Torrington Place, Bloomsbury, now part of University College London. In 1923, in order to meet the technical demands of the newly formed BBC, Mullard formed a partnership with the Dutch manufacturer Philips. The valves (US vacuum tube) produced in this period were named with the prefix PM, for Philips-Mullard, beginning with the PM3 and PM4 in 1926. Mullard finally sold all its shares to Philips in 1927. In 1928 the company introduced the first pentode valve to the British market. Mullard opened a new manufacturing plant at Mitcham, Surrey in 1929 and in late 1930s Mullard opened a new plant in Blackburn, Lancashire. By 1949 Mullard had produced a number of television sets, such as the MTS-521 and MTS-684 and in 1951 Mullard was producing the LSD series of photographic flash tubes. In the early 1980s, Mullard manufactured the SAA5050, some of the earliest teletext decoding modules made in the UK. In 1957 Philips-Mullard helped to set up the Mullard Radio Astronomy Observatory (MRAO) at the University of Cambridge. Philips continued to use the brand name "Mullard" in the UK until 1988. Mullard Research Laboratories in Redhill, Surrey then became Philips Research Laboratories. As of 2007, the Mullard brand has been revived by Sovtek, producing a variant of the ECC83 and EL34. The Z Electric Lamp Co. continued business into the 1970s operating from premises in Thornton Heath, south London, manufacturing lamps of specialised design but it closed due to the recession in the mid 1970s. Sovtek is a brand of vacuum tube owned by Mike Matthews's New Sensor Corporation and manufactured in Saratov, Russia. They are often used in guitar amplificationA box with a 'Mullard' valve for a radioTop of box : MULLARD / ELECTRONIC VALVE / Side of box; GAURANTEED ELECTRONIC / VALVE / MULLARD ( in a shield) : mullard radio valve co. ltd., london, mullard captain stanley, electronic equipment, moorabbin, bentleigh, cheltenham, early settlers -
Federation University Historical Collection
Photograph - Photograph - black and white, Sarah Wright and family, 1928?
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. As Sarah is in her dressing gown and slippers these photos could refer to a note on an envelope left by Frank which says 'Mother taken on the first day up out of bed - at Lauls on 13th May 1928'. .1) black and white photograph of a man and a woman sitting on a wicker chair which is on a tessellated floor of the front porch of a brick building. The woman is wearing a dressing gown and slippers. The man is Frank Wright and the woman is Sarah Wright, his mother. .2) black and white photograph of a woman sitting on a wicker armchair with a pillow behind her back. The chair is on a tessellated floor on the front porch of a brick building. The woman is Sarah Wright. .3) black and white photograph of a man, two women and a child sitting on a wicker chair which is on a tessellated floor on the front porch of a brick building. The man is Frank Wright and the older woman is his mother Sarah Wright. The younger woman is his sister Laura and her son, Frank Ritchie is sitting on Frank's lap.On the left hand side of the porch are ornate columns and on the right hand side is a potted plant.frank wright, sarah wright, laura wright, tessilated floor, wicker chair, ornate column, child -
Federation University Historical Collection
Newspaper, Overland Telegraph Centenary, 1972
.1) Overland Centenary Supplement to The Australian. Six pages of information and images including the Roper River Camp, First Telegraph Pole at Port Darwin, Route of the Overland Telegraph, Australian Telecommunications Development Association, Alice Springs, Frew's Ponds. Charles Todd, Alice ToddFrank Kraegen, Pony Express. .2) 'The O.T. Line' - four page coloured news shhet published of by the Australian Post Office for the Overland Telegraph Line Centenary, 22 August 1972. Includes articles and images such as J.A.G. Little (Darwin Poatmaster), Robert Patterson, Charles Todd, A.J. Mitchell (surveyor), Maps of the sections (Begot's contract, Central Sections, Darwent and Dalwood contract, Patterson contract), planting of the first pole at Darwin, Roper River Camp, Charles Todd, Alice Todd, Alice Springs Repeater Station, Grave of Kavenagh, Roper River, Frank Kraegem, Maryvale station.roper river camp, telegraph pole, port darwin, overland telegraph route, australian telecommunications development association, alice springs, frew's ponds, charles todd, alice todd, frank kraegen, pony express -
Bendigo Historical Society Inc.
Document - NORTH DEBORAH GOLD MINING CO N. L. - BASIC WAGE INCREASE OF 4/- WEEK NOV 1952
Handwritten page of wages per week and wages per shift of the different mine workers, they were: Miner Learner, Miner, Miner Rise & Winze, Miner Dry Shaft, Miner Wet Shaft, Miner Leader Wet Shaft, Shift Boss, Shovellers Below, Shovellers Wet Shaft, Plat & Brace, Plat Wet, Winch Driver, Timberman, Timberman Shaft, Timberman Wet Shaft. For Surface workers: Shoveller, Blacksmith, Tool Sharpener, Engine Driver (Winding), Fireman 1 Boiler, Fireman 2 Boilers. Battery Workers: Batteryman, Batteryman Special, Battery Feeder, Cracker Attendant, Battery Driver, Battery Driver In Charge of Dynamo and Plant and Battery Driver in Charge of Dynamo. Basic Wage 11 pound 5 shillings Per Week. Wages for North Deborah No 1 Shaft November 1952.document, gold, north deborah gold mining co n. l., north deborah gold mining co n. l., basic wage increase of 4/- week nov 1952, north deborah no 1 shaft, basic wage -
Bendigo Historical Society Inc.
Document - ALBERT RICHARDSON COLLECTION: GREAT EXTENDED HUSTLERS, TRIBUTE
Four page typed document with information on the Great Extended Hustlers mine on the Hustlers line of reef. Formed in 1865 closed down in 1925. The mine was located a little to the south of the intersection of Hustlers Road and Anderson Street, North Bendigo. The mine plant and overall history of the mine is detailed in the document. The poppet head was steel, 70 ft high. Rear legs set on top of low mullock heap. Gold was first discovered here in 1853 by Jonathan Harris, who was later joined by two coloured men to whom he later sold out. They in turn sold out to a one armed man, J. Hustler and Messrs Latham and Watson. The poppet heads of the Great Extended Hustlers were later removed and the extra 15 ft of the front lets cut to the Stanfield mine at Long Gully. From there to the Wattle Gully Mine at Chewton.bendigo, mining, great extended hustlers -
Bendigo Historical Society Inc.
Photograph - QC BINKS COLLECTION: MAN IN UNIFORM AND WOMAN HOLDING ONTO HIS ARM
Black and white copy of original : man dressed in uniform, woman holding onto arm, dressed in short dress and hat. Narration: Lieut. D. Canning with Ms. Francy Morse on the verandah of 'Craigmore' Guest House in Myrtle St., ( Now Don St., ) Bendigo. 'Craigmore' was a guest house for men during the war years, it is now Frew Hall, a part of the new Girton College. At the time of the photo it was part of the old Girton College. The tree in the background is understood to have been planted by a visiting member of the Royal family in the late 1920's. It was one of a pair on either side of the steps up onto the verandah. The two trees were cut down several years ago go make way for developments on the site. Francy and her mother ran the boarding house for a number of years with mostly around 10 boarders. Photo 21.9.1941. -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NOTES RE GOVERNMENT GAZETTES AND LIST OF PLANT
Two page, handwritten document on lined paper - front page reference to Victorian Government Gazettes and Chinese regulations, where listed in the gazettes and dates. Includes Chinese regulations for management of Chinese on Gold fields (1856) , Chinamans Flat Steam Engine company (1857), two Chinese murdered at Clinkers Hill, Castlemaine (1862) Charles Chromley Dowling appointed Chinese Protector (1857), John Chatfield Tyler Immigration agent, to carry out the Chinese Emigrations Act (1861) Back page dated 1947 lists "stocktake list of plant" On list - Deborah United 1946; North Hustlers; New Monument GMC, North Virginia, South Wattle Gully, Central Napoleon, Red, White and Blue Extended, Deborah Extended, New Don, East Clarence, Napoleon Reef, New Monument Battery, Deborah Extended. Possibly written by Albert Richardson.bendigo, mining, mccoll rankin & stanistreet -
Bendigo Historical Society Inc.
Document - DRAINAGE PROBLEMS - VICTORIA QUARTZ DRAINAGE PROBLEMS
Handwritten notes from the Bendigo Advertiser 5/7/1910 Page 3. 'New Chum Mines. Yesterday, Mr H. V. Whetelaw, officer in charge of the local survey branch, Mines Dep't accompanied by Inspector Ross, made their first inspection. Water has reached the 3224 ft. level. Now 1530 feet of water in shaft, including the workings below the 3324 ft. level. Bailing been carried on at the Victoria Quartz, Lansell's 180, 222, and New Chum Consolidated. It will take a week or more to get the Lazarus plant in readiness. Then the shaft will have to examined. At Lansell's 222, the water is 18 ft. below the No 18 level, New Chum Consolidated - 18 ft. below, the 1910 ft. Plat.' Bendigo Advertiser- New Chum Mines - 5/7/1910 Page 3.document, gold, drainage problems, new chum drainage association, victoria quartz drainage problems, bendigo advertiser 5/7/1910 page 3, mr h v whitelaw, mines dept, inspector ross, victoria quartz, lansell's 180, 222, new chum consolidated, lazarus -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL RED WHITE AND BLUE - BUNDLE OF PAPERS, 1912
Documents: Whitelaw Central Red White and Blue Mine Bendigo. 28 pages summary of gold mining correspondence - mortgage mining leases 943689340, contract of sale to Central Blue Gum GM 1933, leases with mining rights, treatment of pyrites agreement 1917 - J. Edwards & Co, Helen Streader - release of liability after being paid (pounds)125 by mine due to accidental death of husband 1912. Another for Ellen Lane 1916, list of titles held by Co , lease agreements Filcock and Manning, Andrew Harkness 'winding plant at mine' 1923, notice to perform agreement to Manning's 1916, Edwards Metallurgical Works 1917, map for 9777 Bendigo, contract for explosives with Dalgety & Co 1917, new scrip for lost shares 1917, Miner's Right 1911, sale of land Ra. A. Rankin 1910.MCCOLL RANKIN AND STANISTREETorganization, mining, central red white and blue, mccoll rankin and stanistreet. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 4, Richard Gilbert, 20/08/1971 12:00:00 AM
Set of four black and white photographs of interior and equipment of the former ESCo / SECV Wendouree Parade Ballarat A power station sent to the Editor of Trolley Wire - used in the November 1997 issue of Trolley Wire. All photos by Richard Gilbert. Photos taken on 20/8/1971. All photos on Kodak paper. 1144.1 - Looking along building at main distribution switch panel - used on page 24 of trolley wire. 1144.2 - a view across the main steam generator section of the power station - and AC plant - used on page 23. 1144.3 - of the British Thomson Houston rotary converters in used at the time of the photo - used on page 23. 1144.4 - a view from the opposite end of the building shown in 1144.1 - showing the rotary converters are in the front of the photo, AC generators in the middle and foreman's cabin - used on page 22. All have yellow stickers with photo number for magazine printer, and white sticky labels with photo number and words "photo xx same size" written on black ink and photo numbers in pencil from Richard.trams, tramways, trolley wire, esco, power station, ballarat a power station, rotary converters -
Kew Historical Society Inc
Photograph, J F C Farquhar, Studley Park Road, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, Railway Bridge Over the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic) -
University of Melbourne, Burnley Campus Archives
Plan, Emerald Environmental Horticulture Annexe VCAH Burnley, 1992-1996
In 2012 was owned by John Rayner who purchased site from The University of Melbourne in c2006.(1) Tracing paper Sketch. Scale 1:500 dated 26.7.96 drawn by JK. (2) Tracing paper and paper copies, "Proposed Location of Toilet Facility and Septic System." Scale 1:500. (3) Tracing paper copy,"Revegetation Program Works 1993/94." Scale 1:500. (4) Coloured laminated and tracing paper copies, "Proposed Concept Plan for Development." (5) Tracing paper and paper copies of labelled sketch. Scale 1:500. (6) Proposed Development 1994-95 - List of Proposed New Works. (7) Tracing paper and paper copies, Exisiting Ornamental Plants, Drawing No E1 drawn by J.J.W. 1.8.92. Scale 1:100. (8) Proposed Amenities Block at Lot Charman Ave, Emerald 3782 by Belgraphic. Drawn by Rosemarie, Plan No 93 003 tp March 1993. Scale 1:50. emerald, vcah, john rayner -
Melbourne Tram Museum
Photograph - Digital Image, construction of W class tramcars at the Holden Factory Woodville, 1924
Set of 7 digital images provided by Dr John Radcliffe of Adelaide of the construction of W class tramcars at the Holden Factory Woodville, by a photographer known as Collins. All 1924. .1 - W class body in a low roofed shop near completion .2 - W Class body in a high roof area, with the roof slats being fitted. Note the brace drill type tool sitting on the destination box. .3 - completed body with an "A" sitting on dolly's outside the workshop buildings. - see item 7403 for a print. .4 - ditto - another view .5 - interior view of the erecting shop with at least four bodies under construction and a frame. .6 - interior view showing a new underframe, and other bodies partly completed in the background. .7 - Woodville sidings and the plant in the far background. Permission from John Radcliffe to be obtained prior to use.trams, tramways, new tramcars, w class, adelaide, holdens, construction -
National Wool Museum
Textile - Community Textile Tapestry, Lisa Kendal et al, WARM, 2016
WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming -
The Beechworth Burke Museum
Geological specimen - Oil shale
This particular specimen is found in Wolgan Valley, New South Wales. It could be linked to the abandoned oil shale mining sites in Wolgan Valley such as Newnes. Newnes was an industrial complex operational in the early 20th century is now partly surrounded by Wollemi National Park. It produced motor spirit, kerosene, and gas oil. Newnes's Torbanite oil shale rock contained around 350 litres of oil shale per tonne. The Torbanite was mined by the Commonwealth Oil Corporation Ltd. Oil shale is a sedimentary rock and also a form of fossil fuel. It is often formed millions of years ago and usually contain fossilised remains of plants and/or animals. Oil shale is rich in kerogen that releases hydrocarbon when heated. These hydrocarbon can be used as an alternative petroleum or natural gas. The oil-shale rock was converted into oil by "destructive distillation"; the rock being heated until it broke down to form an oily vapour and an ash residue. Oil bearing shale is one of Australia's national assets. There are many oil companies established in Australia. It reflects Australia's rich natural resources as well as connection to the Australia's engineering and oil industry. The booming oil shale extraction businesses can be traced as far back as 1920s. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Piece of dark gray oil bearing shale with shades of light brown and fossilised leavesExisting label: OIL BEARING SHALE with / FOSSILISED LEAVES / Locality: Wongan Valley, NSW / Donor: Miss M. Cambell geological specimen, geology, geology collection, burke museum, beechworth, oil shale, shale, fossil fuels, alfred selwyn, wolgen valley, 1868 geological survey of victoria, rocks, sedimentary rocks, newnes, torbanite, commonwealth oil corporation ltd -
Kiewa Valley Historical Society
Core Rock Samples
The core samples in the display cabinet were obtained from the various sites at which drilling into the rock surface was carried out (under the control of design and structural engineers of the SEC Kiewa Hydro Scheme - late 1940's). This function was a precursor to the decision where to locate, in this case, the McKay Creek Power Station. The information gained by structural engineers from the core samples would be used also for the placements of underground tunnels entry and exit points and the overall effective size of the generator plant. This would have included drill and blast techniques (rock characteristics play an import part of explosion control), requirements for support structures and reinforcing cement/steel forms. The use and replenishment of diamond drill bits(the strongest available, see KVHS 0280) was dependent on the "type" of rock found (harder rock required greater numbers of drill bits). Support beams for reinforced ceilings and floors was also a necessity.These rock core samples are very significant in the formulation and placement of the underground Power Stations and their maze of tunnels (in and out) for a successful implementation of the Hydro Scheme. The amount of pre-planning and engineering studies required for such a large scheme must be undertaken to ensure that a "white elephant" was not the result.There are nine columns of rock cores, each 30mm in diameter, set in a wooden display rack. A clear plastic (slide out) protective panel is installed to the front section. Within each column are block details of the depth from which that section was brought from. See KVHS for the appropriate sketch details.Depth levels (retrieved from) are shown for each section on wooden Blocks: 1st Block: "7'10" (seven feet, ten inches), 2nd Block:"9'4" (nine feet, four inches), 3rd Block: "19'3" (nineteen feet, three inches), 4th Block: "24'2" (twenty four feet, two inches), 5th Block: "25'7"( twenty five feet, seven inches) and last block: "30' (thirty feet)"alternate energy supplies, alpine feasibility studies temperature, rainfall, sec, kiewa hydro scheme, electricity -
Warrnambool and District Historical Society Inc.
Document, Prospectus Leahy's Electrical, 1951
This prospectus contains the history of Leahy's electrical . The objectives of this company were to allow expansion of the present business ( est,1946) , to take advantage of the excellent corner site and to modernise the building and carry all heavy duty electrical and mechanical lines for commercial users and farmers.Attached was a hire car services which operated as Leahy's Hire cars. The service of the the previous business commenced in 1946 at 82 Fairy Street and grew to employ up to 25 tradesmen. However the assets of the business were lost May1, 1950 when building stock and plant was destroyed by fire.In October 1950 Mr leahy purchased the freehold on the corner of Liebig and Koroit Streets Warrnambool The directors of the new company were John James Leahy, John Beynon Dwyer, William John Taggart Walter, William James Croft, Martin White and James Albert Affleck. They aimed to raise 50000 pounds with 100000 shares at ten shillings each. This document shows the beginnings of one of Warrnambool's most successful 20th century companies. It lists the people associated with it from its inception many of whom were and are well known in the district. It therefore has strong social and historical significance.Cream soft card cover with dark blue text. It is stapled together and contains 6 pages on cream paper with black text.back cover is plain.Prospectus of Leahy's Electrical Industries Ltd Warrnambool Vic, 19th April 1951.warrnambool, j j leahy, jim leahy, leahy's electrical industries, prospectus leahy's electrical industries 1951 -
Orbost & District Historical Society
plan, before 1948
Drainage infrastructure was developed and maintained in this region by the Snowy River Improvement Trust. The Trust was administered by a local committee and its activities funded by a local rate charged on the farmers and land owners in the Trust’s designated district. The level of the rate charged by the Trust was designed to be proportionate to the benefit derived from the works undertaken. Financial assistance was provided by the State Government from time to time for specific projects such as post flood repairs but not for new capital works. The Trust undertook new drainage and river management works including tree planting, rock beach construction and servicing of the drains and flood gates. The Trust also provided a personal flood warning service to the farmers in its district. The Trust ceased to operate in 1997 with the advent of the East Gippsland Catchment Management Authority. The infrastructure developed by the Trust continues to provide a service to the farmers in the region. (ref. 4 East Gippsland CMA Submission to Inquiry into Flood Mitigation Infrastructure in Victoria) This plan is significant as a historical document. The Snowy River Improvement Trust was vital to the Orbost district because of its ability to apply local knowledge and to engage the local farming community.A large plan of divisions of land for the purpose of levying the Snowy River Improvement District - Bete Bolong, Orbost, Waygara, Newmerella and Orbost East. The properties are coloured according to levy amount. The scale is 1" - 20 chains. snowy-river-improvement-trust -
Marysville & District Historical Society
Flyer (item) - Information Flyer, Forests Commission, Victoria, Cumberland Scenic Reserve, 1918-1983
An information flyer that was produced as a guide to the Cumberland Scenic Reserve by the Forests Commission of Victoria. The Forests Commission Victoria (FCV) was the main government authority responsible for management and protection of State forests in Victoria, Australia between 1918 and 1983. The Commission was responsible for ″forest policy, prevention and suppression of bushfires, issuing leases and licences, planting and thinning of forests, the development of plantations, reforestation, nurseries, forestry education, the development of commercial timber harvesting and marketing of produce, building and maintaining forest roads, provision of recreation facilities, protection of water, soils and wildlife, forest research and making recommendations on the acquisition or alienation of land for forest purposes″. The Cumberland Scenic Reserve is set in the heart of the mountain forests of Victoria and is 16km east of Marysville on the Cumberland Road. This reserve forms part of the catchment of Armstrong Creek, a tributary of the Yarra River which provides water for the Melbourne area. The reserve is a prime mountain ash area in which is set the old Cambarville sawmill and village site.An information flyer that was produced as a guide to the Cumberland Scenic Reserve by the Forests Commission of Victoria. 423Aforests commission victoria, cumberland scenic reserve, marysville, victoria, cambarville, the big tree, cora-lyn falls, barton's lookout, cumberland falls, sovereign view, armstrong creek, yarra river, mountain ash -
Glen Eira Historical Society
Article - Glen Eira Parks and Gardens
This file contains four items. An article in the Glen Eira News reporting on a new park with indigenous planting and an interpretive walk being developed to link Duncan Mckinnon Reserve and Packer Park in Murrumbeena, dated September 2000. An article from the Glen Eira Leader on the converting of sports grounds from cool season to warm season grasses, as well as the installation of subsurface drip irrigation at Princes Park, Caulfield South, dated March 2012. An article from the Caulfield/Port Phillip leader reporting Caulfield RSL military historian Carl Johnson’s appeal to have a “lone pine” in Caulfield Park designated as a war memorial, dated 11/9/2012 An article from the Glen Eira/Port Phillip leader reporting on the Friends of Caulfield Park organising the first band stand concert in over twenty years with the city of Glen Eira Band, dated 6/11/2012glen eira council, hawthorn rd caulfield, glen eira rd caulfield, glen eira, caulfield, parks, reserves, leila rd caulfield, glen eira city council, landscaping, memorial park, kooyong rd caulfield north, caulfield recreation tennis club, murrumbeena rd caulfield, churchill green housing estate, north rd caulfield, boake street caulfield, exservices organisation, rsl clubs, sporting clubs, recreations, sportsgrounds, clubs, tennis clubs, associations, leisure, cultural events, cultural activities, sports establishments, recreations establishments, irrigation, water conservation, conservation of natural resources, water supply, ovals, playing fields, tennis courts, murrumbeena park, school concerts, musical activities, musical events, glen eira artists society, dimarco lisa, st. aloysius college, band rotundas, entertainment structures, musical ensembles, city of glen eira band, bands, the friends of caulfield park, gallipoli lone pine, princes park, packer park, duncan mckinnon reserve, king george reserve, caulfield park, glenhuntly park, glen huntly park, bentleigh reserve, victory park, schools, education establishments, recycling, water disposal, cultural structures, cultural establishments, caulfield rsl, johnson carl, war memorials, monuments, memorials, avenue of honour, “lone pine”, glen eira leader, glen eira news, caulfield/port phillip leader, glen eira leader -
Federation University Historical Collection
Painting - Artwork, Edith Alice Watson, Examples of General Design from folio of artwork undertaken at the Ballarat Technical Art School, 1931,1932
Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson -
Federation University Historical Collection
Work on paper - Fashion Illustration and Commercial Art, Alice Watson, Ballarat Technical Art School folio of Alice Watson, 1931,1932 and 1933
Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. These works include commercial art, advertising and catalogue illustrations as well as figure construction and fashion-plate designs. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Commercial artA folio of Fashion Drawing by Edith Alice Watson of the Ballarat Technical Art School. .1) Two women dressed in fashionable clothing- lhs tan ensemble and hat; rhs fuschia ensemble with black and white accessories plus fur stole. Signed lrs A.Watson. 1933. .26) The image with three women wearing a hats. This appears to be an example of ticket writing. Signed lrs "A Watson- 2nd term. 1932." .35) The image with a woman wearing a hat appears to be an example of ticket writing. Signed lrs "A Watson--11th-7-32." .23) female figure drawing. Signed lrs A.Watson. 1st Term. 1932 .21) female figure drawing. Signed lrs A.Watson. 2nd Term. 1932 .17) drawing of lips, side view. Signed lrs A. Watson. 1931 .18) drawing of lips,three-quarter view. Signed lrs A. Watson .37) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)alice watson, ballarat technical art school, art, drawing, figure drawing, alumni, costume drawing, fashion drawing, ticket writing, 1930's fashion, indian ink, edith alice watson, figure construction, advertising, commercial art -
Ballarat Heritage Services
digital copy, Ballarat East High School Magazine 1960, 1960
School History: In February, 1955, Ballarat East High School opened in Hopetoun Street, in the vacated weatherboard buildings of the Girls’ Secondary School. In 1956, however, the School moved to its present site in Fussell Street, but because of the lack of space, Woodwork and Cookery classes were still held at Hopetoun Street. Since then there has been steady progress. The original building was extended, more classrooms and a library being built. A Domestic Science block was completed in 1957. Later, as mentioned elsewhere, sheltersheds, basketball courts, a bidycle shed and a canteen were provided for the pupils from funds raised by the Parents’ Association. Where there were previously bare areas of clayey soil we now have asphalt paths and neat gardens. Shrubs were planted, and seats, painted in the School colours, were places around the asphalted areas. (Page 5, 1959 BEHS School Magazine) 3 pdf files containing multiple pages of the BEHS 1960 School Magazinebehs, ballarat east high school, ballarat east, magazine, 1960 -
Ballarat Heritage Services
digital copy, Ballarat East High School Magazine 1961, 1961
School History: In February, 1955, Ballarat East High School opened in Hopetoun Street, in the vacated weatherboard buildings of the Girls’ Secondary School. In 1956, however, the School moved to its present site in Fussell Street, but because of the lack of space, Woodwork and Cookery classes were still held at Hopetoun Street. Since then there has been steady progress. The original building was extended, more classrooms and a library being built. A Domestic Science block was completed in 1957. Later, as mentioned elsewhere, sheltersheds, basketball courts, a bidycle shed and a canteen were provided for the pupils from funds raised by the Parents’ Association. Where there were previously bare areas of clayey soil we now have asphalt paths and neat gardens. Shrubs were planted, and seats, painted in the School colours, were places around the asphalted areas. (Page 5, 1959 BEHS School Magazine) 3 pdf files of multiple pages of BEHS School magazine=1961 behs, ballarat east high school, ballarat east, magazine, 1961 -
Ballarat Heritage Services
digital copy, Ballarat East High School Magazine 1962
School History: In February, 1955, Ballarat East High School opened in Hopetoun Street, in the vacated weatherboard buildings of the Girls’ Secondary School. In 1956, however, the School moved to its present site in Fussell Street, but because of the lack of space, Woodwork and Cookery classes were still held at Hopetoun Street. Since then there has been steady progress. The original building was extended, more classrooms and a library being built. A Domestic Science block was completed in 1957. Later, as mentioned elsewhere, sheltersheds, basketball courts, a bidycle shed and a canteen were provided for the pupils from funds raised by the Parents’ Association. Where there were previously bare areas of clayey soil we now have asphalt paths and neat gardens. Shrubs were planted, and seats, painted in the School colours, were places around the asphalted areas. (Page 5, 1959 BEHS School Magazine)4 pdf files holding multiple pages of BEHS 1962 School Magazines. These are large pdf files being each around 20MB or largerbehs, ballarat east high school, ballarat east, magazine, 1962 -
Surrey Hills Historical Society Collection
Photograph, Garden party in the grounds of 'Medlow' in the 1935, 1935
Medlow was built in 1889 for Col Cairncross and named 'Willcyrus' after his sons William and Cyril. The Cairncross family was responsible for the planting of many of the trees, some sourced from Canada by one of the Cairncross sons. The date is approximate. The Bull family lived at 'Medlow' at 42 Warrigal Road, Surrey Hills from 1911. Dr Richard Bull graduated MD, BS in 1904. He was a lecturer in bacteriology during WW1 and developed typhoid vaccines. He was President of the British Medical Association (BMA), forerunner to the AMA, in 1926. Dr Bull's wife Catherine (nee Perrier) was a lover and patron of music and the arts. Their daughter Norma was a well-known artist. Mrs Bull was a great lover of music and the arts and made 'Medlow' available for the advance of these causes. 'Medlow' was bequeathed to the National Trust of Victoria by his son, Ronald Richard Bull, but it has since been sold back into private ownership.Black and white photo of groups of people in a garden setting, seated at tables with folding chairs and umbrellas. A Union Jack flag is flying.medlow, doctors, garden parties, gardens, surrey hills, houses names, 1935, national trust of victoria, (dr) richard joseph bull, (mr) william cairncross, (col) william cairncross, (mr) cyril cairncross, (mrs) catherine bull, (miss) catherine perrier, (miss) norma bull, (mr) ronald richard bull -
National Wool Museum
Photograph - Chernihiv Worsted and Cloth Mill, Ukraine, 1990s
This image shows members of the International Wool Secretariat, including Stuart Ascough, at the Chernihiv Worsted and Cloth Mill in the Ukraine. Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Image depicting five men holding guitars in an indoor setting.stuart ascough, international wool secretariat, topmaking, career, wool industry, training, technical advice, mills, ukraine, textile industry, chernihov, guitars -
National Wool Museum
Photograph - Chernihiv Worsted and Cloth Mill, Ukraine, 1990s
This image shows the team from the topmaking section at the Chernihiv Worsted and Cloth Mill in the Ukraine. Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Image depicting four men and two women seated and standing around a table with coffee cups.stuart ascough, international wool secretariat, topmaking, career, wool industry, training, technical advice, mills, ukraine, textile industry, chernihov