Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting on paper depicting a hand holding an egg, mounted on wooden panel.art, artwork, loris button, button, hand, egg, available

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut

WWI officers uniform button Part of the Charles Honybun CollectionDress uniform buttonSilver military buttonNilww1, charles henry honybun

Jack's Day Appeal was run during the first and second world war's to raise awareness and funds for naval personnel Button forms part of a collection of buttons from Frederick HyamsBadge, white ensign "Jack's Day Appeal 1945", pin on reverse White button with Jack's Day Appeal 1945 around the perimeter of the badge.

This button hook was used by Annie Meredith Brown (née Nicholls) and her daughter Annie Meredith Bailey (née Brown). Button hooks were mainly used for doing up buttons on shoes and boots.Small button hook with bone handle, the hook folds inwards and opens out like a penknife.button hooks

These brooches were owned by Mrs. Alice Yardy nee Dinsmore, grandmother of Mrs. Jean Raper. The St. Louis Button Company was established in 1893 in St. Louis, Missouri, USA. They had an extensive mail order catalogue.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 different sized celluloid photo badges showing photos of a woman. In the smaller photo she is bare headed, in the larger image she is wearing a hat.On back: "A. Dinsmore/ St. Louis Button Co. St Louis Mo"photo brooches, celluloid badges

This button has come from an item of clothing made by George Wardrop, a well-known Victorian tailor who was apprenticed to a Mr J. Jones in Smith Street Collingwood in the late 19th century. George Wardrop was a partner in the Jones firm for seven years before opening his own tailoring business in Collingwood and later in Northcote. The business expanded, with a major store in Melbourne established in the 1930s, (Wardrops, My Tailor) and other stores opening in suburban and regional areas in Victoria. The business lasted until the early 1970s. This button is of interest as it was found in a Warrnambool garden and perhaps came from an item of clothing owned by a local resident and purchased from a Wardrop tailoring shop early in the 20th century.This is a round buff-coloured button with an eyelet and printing around the button edge. The item is slightly bent and discoloured.‘G. Wardrop Collingwood’wardrop, tailor

b. 1888 London; 1908 to Sydney NSW University of Sydney, St Andrew's Theological Hall; 1918 ordained Binbara NSW; 1920 Glebe; overseas, Theological Seminary New York; Edinburgh PhD; 1924–27 Candish Church Edinburgh; 1928 Ballarat, St Andrew's; 1941, 1942 Moderator, Victoria; chairman Ballarat College; died June 4 1950.Head and shoulders portrait of Button who is wearing rimless glasses and a clerical collar and suit."Rev. C. N. Button M.A., B.D., Ph.D, formerly of Merchison Presbyterian Church Edinburgh, who last Thursday Mar 1 accepted the call from St Andrews Kirk Congregation Ballarat"button, clifford norman, st. andrew's ballarat, victorian moderator, ballarat college

Two buttons that once belonged to J B McLean. He might have kept them as keepsakes of his time in the army in World War 1. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM). This is an example of mementos held by an ex soldier. These buttons would have been very familiar to many Legatees that served in WW1.Australian Military Forces button and a navy button collected by J B McLean.01121.1 Australian Military Forces on the front 01121.2 On reverse the makers 'Firmin and Sons Ld London'world war one, souvenir

This is a protector used to cover the shirts or jackets of military or other uniforms that had brass buttons. The horseshoe shape enabled the button to be isolated from the rest of the top and made it easier to clean and polish without getting the jacket soiled. It would have been a common item in military or militia or band member families in the 19th and early 20th centuries. They may even be still used today for regimental uniforms. This item has no known local provenance but is of interest as an example of a cleaning object in days gone by. This is a brass button protector in the shape of a horseshoe with straight sides and rounded tips. It is slightly misshapen. It has an advertisement for Brasso metal polish etched into the brass. ‘Use Brasso Metal Polish’button cleaner/protector, brass, warrnambool, military

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings and flower details of two plants with green stem, yellow flower and long green leaves. Nine drawings including (left-right) one brown and green detail, one yellow and pencil flower detail, a cutting of plant with a tall yellow flower and green foliage at base of stem, two flower details in pencil (one with yellow), a cutting with yellow flower and green foliage at base, two flower details in yellow and one detail in green and yellow. The work is mounted in a double matt (pale grey on apricaot) and framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Craspedia glauca (uniflora) (Common Billy-button) " pleiocephala (Soft " ") (lower left) (pencil) Back: 23 (upper left) (pen)cema, botanical, collin woolcock

It is presumed that this is an authentic relic from a very significant shipwreck in Tasmania. It was bought at a museum in King Island. The Cataraqui, carrying British emigrants, was wrecked on King Island in 1845 with the loss of over 400 lives. The British Parliamentary and general public outcry following this disaster resulted in the establishment of the lighthouse at Cape Otway in 1848 (and indirectly the establishment of Warrnbambool in 1847)This button, listed as a uniform button, is of some interest as a small relic of the shipwreck, Cataraqui. This wreck has a connection to the establishment of the Cape Otway lighthouse and to Warrnambool’s history as Superintendent Charles LaTrobe came to the Warrnambool district several times in an effort to find the best route to the Cape Otway area. While doing so he became familiar with the Warrnambool area and the need to establish a new settlement at Warrnambool. This is a small metal button covered with verdigris, with any writing or markings obliterated. A small piece is missing at the edge. cataraqui shipwreck, warrnambool, superintendent charles latrobe, button

Silver button hook with angel head ornamentation on handle. Used for doing up boots or shoes with buttons.clothing accessories, footwear

Clunes Fire BrigadeBrass uniform button Clunes Country Fire Brigade. Small ring at back. Emblem and shield on front.Country Fire Brigade Victoriaclunes country fire brigade, uniform button

1924 photograph taken outside Methodist Girls' Hostel attached to Howard Street Church. On the right is Miss Daisy McKinnon. On the Left Miss Edna Button to whom the Communion Furnishings at the Errol st Chapel are dedicated. Miss Button took the Degree of Deaconess in New Zealand after which she was known as Sister Lenna . She lost her life during an air raid in England in 1940. Full Length B & W gloss photographdaisy mckinnon, sister lenna button, methodist girls' hostel howard street, edna button

Item sold by Jones, a shop located in Bridge Street, Ballarat.Metal button hook with hoop shaped handle, a narrow shaft ended with a small hook. The shop details are printed in relief on the handle.Jones, Bridge Street, Ballaratfootwear, clothing accessories, button hooks

SoftcoverBlack ballpoint pen inscription on title page: 'Patricia / With love and best / wishes / John Button [signature] / 10/11/96'walsh st library

This object was used a shield to slide brass button through to enable them to be polished.They were a common object for those who wore military type uniforms with metal buttons The item belonged to John T Sizeland who was a member of the Warrnambool Urban Fire Brigade from 1940 through to 1977.This is an object which was commonly used by those in the military and those who wore uniforms with brass buttons. This item has strong provenance having belonged to John Sizeland who was a member of the Warrnambool Fire Brigade for over 30 years and was donated along with a number of associated fire brigade items. Long horse shoeshaped piece of copper with narrow slice three quarters through with rounded notch at the end.J Sizeland hammered into one end.warrnambool, button cleaner/protector, button cleaning shield, brass button, john t sizeland, brass button cleaning

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Fundraising badge sold by the Commonwealth Button Fund to raise funds for the victims of the Armenian massacres in the Ottoman Empire during the war."Servia Syria Armenia"patriotic buttons, first world war (1914-18), badges

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Self portrait of artist.art, artwork, loris button, self portrait, alumni, available

Button is an example of sample used to ensure standard of manufacture among local contractors. See item 9806.Round button, gold-coloured. Shank attachment. Raised military insignia in middle of button. Paper identification tag, sealed with lead seal.Button - raised military insignia - a cross within a cog, crown at top of cross. Verso - "STOKES/MELB." impressed. Tag (handwritten) - "8455-66-025-9877" "ITEM 13" "BUTTON INSIGNIA/ARMY APPRENTICE, GOLD ANODIZED LINE 40" "STOKE (A'ASIA)/V113055)" "7-9-87/ [signature]"insignia, uniform buttons

Button is an example of sample used to ensure standard of manufacture among local contractors. See items 9806 & 9807.Round button, silver coloured. Shank attachment. Raised military insignia in middle of button. Paper identification tag, sealed with a lead seal.Button - raised military insignia. Two (2) unfurled flags either side of a crown above a tank, all surrounded by a round wreath with a boomerang at the base. Verso - "STOKES/MELB." impressed. Tag (handwritten) - "8455-66-012-6356" "BUTTON INSIGNIA/THE ROYAL AUSTRALIAN ARMOURED CORPS SILVER ANODIZED LINE 30" "STOKES (A'ASIA)/28902188" "8-3-89/RODNEY SCOTT [signature]"military insignia, button

mission to seamen, ww1, 1917, badge, button day, bulldog, lady hennessy