Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting on paper depicting a hand holding an egg, mounted on wooden panel.art, artwork, loris button, button, hand, egg, available

Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut

Number on back of button Y6-245

On rear of button has number Y6-284

Royal Australian Infantry Corps 19mm and 25mm button featuring crossed rifles beneath a crown, commonly identified as an Australian Infantry Corps uniform button.Obverse-The button bears the Imperial Crown, indicating it may be from the pre-1953 era. Reverse-Stokes and Sons Melbourneinfantry corps

WWI officers uniform button Part of the Charles Honybun CollectionDress uniform buttonSilver military buttonNilww1, charles henry honybun

Jack's Day Appeal was run during the first and second world war's to raise awareness and funds for naval personnel Button forms part of a collection of buttons from Frederick HyamsBadge, white ensign "Jack's Day Appeal 1945", pin on reverse White button with Jack's Day Appeal 1945 around the perimeter of the badge.

These brooches were owned by Mrs. Alice Yardy nee Dinsmore, grandmother of Mrs. Jean Raper. The St. Louis Button Company was established in 1893 in St. Louis, Missouri, USA. They had an extensive mail order catalogue.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 different sized celluloid photo badges showing photos of a woman. In the smaller photo she is bare headed, in the larger image she is wearing a hat.On back: "A. Dinsmore/ St. Louis Button Co. St Louis Mo"photo brooches, celluloid badges

This button hook was used by Annie Meredith Brown (née Nicholls) and her daughter Annie Meredith Bailey (née Brown). Button hooks were mainly used for doing up buttons on shoes and boots.Small button hook with bone handle, the hook folds inwards and opens out like a penknife.button hooks

b. 1888 London; 1908 to Sydney NSW University of Sydney, St Andrew's Theological Hall; 1918 ordained Binbara NSW; 1920 Glebe; overseas, Theological Seminary New York; Edinburgh PhD; 1924–27 Candish Church Edinburgh; 1928 Ballarat, St Andrew's; 1941, 1942 Moderator, Victoria; chairman Ballarat College; died June 4 1950.Head and shoulders portrait of Button who is wearing rimless glasses and a clerical collar and suit."Rev. C. N. Button M.A., B.D., Ph.D, formerly of Merchison Presbyterian Church Edinburgh, who last Thursday Mar 1 accepted the call from St Andrews Kirk Congregation Ballarat"button, clifford norman, st. andrew's ballarat, victorian moderator, ballarat college

This button has come from an item of clothing made by George Wardrop, a well-known Victorian tailor who was apprenticed to a Mr J. Jones in Smith Street Collingwood in the late 19th century. George Wardrop was a partner in the Jones firm for seven years before opening his own tailoring business in Collingwood and later in Northcote. The business expanded, with a major store in Melbourne established in the 1930s, (Wardrops, My Tailor) and other stores opening in suburban and regional areas in Victoria. The business lasted until the early 1970s. This button is of interest as it was found in a Warrnambool garden and perhaps came from an item of clothing owned by a local resident and purchased from a Wardrop tailoring shop early in the 20th century.This is a round buff-coloured button with an eyelet and printing around the button edge. The item is slightly bent and discoloured.‘G. Wardrop Collingwood’wardrop, tailor

Two buttons that once belonged to J B McLean. He might have kept them as keepsakes of his time in the army in World War 1. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM). This is an example of mementos held by an ex soldier. These buttons would have been very familiar to many Legatees that served in WW1.Australian Military Forces button and a navy button collected by J B McLean.01121.1 Australian Military Forces on the front 01121.2 On reverse the makers 'Firmin and Sons Ld London'world war one, souvenir

This is a protector used to cover the shirts or jackets of military or other uniforms that had brass buttons. The horseshoe shape enabled the button to be isolated from the rest of the top and made it easier to clean and polish without getting the jacket soiled. It would have been a common item in military or militia or band member families in the 19th and early 20th centuries. They may even be still used today for regimental uniforms. This item has no known local provenance but is of interest as an example of a cleaning object in days gone by. This is a brass button protector in the shape of a horseshoe with straight sides and rounded tips. It is slightly misshapen. It has an advertisement for Brasso metal polish etched into the brass. ‘Use Brasso Metal Polish’button cleaner/protector, brass, warrnambool, military

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings and flower details of two plants with green stem, yellow flower and long green leaves. Nine drawings including (left-right) one brown and green detail, one yellow and pencil flower detail, a cutting of plant with a tall yellow flower and green foliage at base of stem, two flower details in pencil (one with yellow), a cutting with yellow flower and green foliage at base, two flower details in yellow and one detail in green and yellow. The work is mounted in a double matt (pale grey on apricaot) and framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Craspedia glauca (uniflora) (Common Billy-button) " pleiocephala (Soft " ") (lower left) (pencil) Back: 23 (upper left) (pen)cema, botanical, collin woolcock

buttonCrown in centre, 'Queen's Own DY' around crown

Small domed brass buttonraised image of old-fashioned lyre

WW1Round Domed Button (2.0cm Dia). AUSTRALIAN COMMONWEALTH around outside. Centre, Royal Cypher of Edward VII surmounted by crown

WW1Button with curved sides and flattened top.Outside around rim reads NEW ZEALAND FORCES. Centre image of 4 New Zealand stars

WW1Round Button (2.00cm Dia) with raised edgeBackground etched with horizontal lines. Crown placed above curved bugle with ties.

Manufactured by Gieves Ltd

SoftcoverBlack ballpoint pen inscription on title page: 'Patricia / With love and best / wishes / John Button [signature] / 10/11/96'walsh st library

2 Stawell Band Button with picture of Band 1907. To raise funds.stawell

Following standard British and colonial naval traditions adopted by early Australian yachting communities, official club members wore distinct dark navy blue reefer jackets or blazers, with buttons displaying the club's monogram, during formal functions, dinners, and off-water events. The St Kilda Yacht Club arose from the formation of the St Kilda Sailing Club in 1876. The club was renamed the St Kilda Yacht Club in 1884. In April 1924, King George V bestowed the title 'Royal'. In 1961 Queen Elizabeth II approved the change of name from Royal St Kilda Yacht Club to Royal Melbourne Yacht Squadron.Raised round brass button featuring club insignia, with hook attachment.SKYCroyal melbourne yacht squadron, st kilda yacht club