Photo of City of Brisbane Tram No. 20, altered to show the destination of Eaglehawk and Bendigo Tramways. Copied by Keith Kings from The Bendigonian 24/6/1902. Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details.Demonstrates a mock up of a photo of a Brisbane tram altered to show it as a Bendigo tram.Black and white print with source notes on the rear.On rear in ink " SA791 Bendigo "The New Tram"-!!! Actually Brisbane No. 20, suitably "touched." Copied ex "The Bendigonian", 24/6/02; previously printed on 2/10/1900.trams, tramways, bendigo, brisbane, new trams, esco, tram 20

Fifty two page book including paper covers titled "Destination Valley" edited by Jack Richardson, in association with K. Kings and A. J. Antcliff and published by Traction Publications, Destination Series No. 5 in 1964. Briefly details the tramways in Brisbane operated by the City of Brisbane,, details each class of passenger rolling stock, with photographs, service trams, advertising trams, freight and sprinkler trams. Includes many photographs. See image htd1308i2.pdf .2 - Book - 24 pages + card cover, centre stapled, with two colour covers - as for .1. Printed 1956. See image htd1308i1.pdftrams, tramways, brisbane, city of brisbane, tramcars

Prepared by the City of Brisbane for the design of trackworkYields information on the design of trackwork.Set of nine City of Brisbane Tram Track drawings .1 - PPW91 - Standard Crossover left hand - 4'6" between tracks .2 - PPW2450 - Data for British Standard Crossings .3 - PPW 241 - Data for British Standard Lateral Switches .4 - PPW 463 - Concrete Track Construction is 102.73lb rail. .5 - PPW 501 - ditto for AS 82lb rail and other rails .6 - Not numbered - Concrete roads when using T rail sleepers .7 - PPW 575 - 150' radius RH crossover - 5' between tracks .8 - PPW 576 - 150' radius RH Crossover - 4'6" between tracks .9 - PPW 577 - 150' radius LH Crossover - 5' between tracks - 14/12/1948trackwork, points, switches, bcc transport, tramways

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died in England in 1970 at the age of 69.Black and white photograph of a large grassed oval surrounded by a picket fence. There are stands with spectators on both sides of the oval. In the centre is a group of men in band uniform, marching and playing their brass instruments.The place is the Brisbane Exhibition Ground and the group is the City of Ballarat Band.Written in pen on back - The City of Ballarat Band (winners A & B grade quickstep) On March exhibition ground, Brisane Easter, 1923 (V. Hall)frank wright, vernon holt, city of ballarat band, brisbane exhibition ground, brass band

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Adelaide Street Brisbane 12/11/1970. Diggers of 8th Battalion, Royal Australian Regiment march through the City of Brisbane through a paper streamer welcome, past the City Hall, while Sioux Helicopters fly overheadphotograph, brisbane parade, 8rar, gibbons collection catalogue, sioux (helicopter), 8th battalion, royal australian regiment, diggers, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Adelaide Street Brisbane 12/11/1970. Diggers of 8th Battalion, The Royal Australian Regiment led by their Commanding Officer, Lt Col K.J. O'Neill DSO march through the City of Brisbane, through a paper streamer welcome past the City Hallphotograph, brisbane parade, 8rar, lt col o'neill, gibbons collection catalogue, 8th battalion, royal australian regiment, dso, distinguished service order, commanding officer, diggers, denis gibbons

Black and white photograph of the Victorian Tramway team at the Transport Interstate Bowls Tournament Brisbane, March 1985. Photo by the Brisbane City Council - has the City of Brisbane stamp of rear with photograph details - see image i2. Nick Windt, Jack Manning, Tom Arrel, Norm Martin, Self, Stan Willis, John Webb, Eric Mann, Milton Coffin. Alan Edwards, Chas David, Vin Hurley, Ivan Bradley, Leon Grilli, Ken Grimshaw, Ron Phillips, Jack Faulks. Printed on Fujichrome paper.In ink on rear "Nick Windt, Jack Manning, Tom Arrel, Norm Martin, Self, Stan Willis, John Webb, Eric Mann, Milton Coffin. Alan Edwards, Chas David, Vin Hurley, Ivan Bradley, Leon Grilli, Ken Grimshaw, Ron Phillips, Jack Faulks. Victorian Team (Tramways) at Brisbane, March 1985trams, tramways, personnel, sports, bowls

According to the Australian War Memorial, "The Red Cross maintained a policy of ensuring that comfort and entertainment for the wounded in hospital was onging and stated in its Gazette of December 1917 'Wherever they are, our boys will have a reminder on Christmas Day that the thoughts and sympathy of their people in far-off Australia are with them.' The boxes were usually packed in Australia and contained 'a pipe, tobacco, cigarettes, chocolate, playing cards, match-box, handkerchief and an attractive card, Australian in nature, conveying greetings from the Society.' (Gazette no 7, January 1918)." This particular example dates to 1921, after the war had ended. It is apparent that the efforts of the Red Cross extended beyond wartime years, possibly to those still stationed overseas or returned servicemen and women.This box is an example of charitable gift boxes which were delivered to Australian troops during the war by the Australian Red Cross Society.Wood imitation printed card box in two parts, rectangular in shape fashioned from two pieces of card folded and stapled on shorter sides. Larger box (lid) fits on top of smaller box (base). Top of box has adhesive label with printed inscriptions, gold on light coloured label."GREETINGS/from/The/Australian/Red Cross/Society" a map of Australia with the states identified and capital cities "Perth", "Darwin", "Brisbane", "Sydney", "Melbourne", "Hobart", "Adelaide". To right of the map "Xmas/1921"christmas, holiday, gift giving, red cross, red cross society, returned servicemen, veterans, post war, world war i, first world war, the great war

Features photographs of trams in 11 Australian cities, glossy paper, with introduction and captions. Cities included: Sydney, Brisbane, Melbourne, Ballarat, Bendigo, Adelaide, Perth, Fremantle, Kalgoorlie, Launceston and Hobart.Demonstrates an early AETA publication about Australian Tramway systems.Book - 24 pages, including heavier card covers.trams, tramways, sydney, brisbane, melbourne, ballarat, bendigo, adelaide, perth, fremantle, kalgoorlie, launceston, hobart

Features photographs of trams in 11 Australian cities, glossy paper, with introduction and captions. Cities included: Sydney, Brisbane, Melbourne, Ballarat, Bendigo, Adelaide, Perth, Fremantle, Kalgoorlie, Launceston and Hobart.Demonstrates an early AETA publication about Australian Tramway systems.Book - 24 pages, including heavier card covers centre stapled.trams, tramways, sydney, brisbane, melbourne, ballarat, bendigo, adelaide, perth, fremantle, kalgoorlie, launceston, hobart

Dyeline print of Brisbane City Council Drawing No. 4614, titled "Brisbane City Council - Four motor tramcar General Arrangement - 504-" scale 3/4" to 1 foot, dated 17/7/1950, providing a overall vertical and floor plan of the tramcar. Marked as F2805Has drawing title and drawing number on outside when folded and numerous Preston Workshop stamps.trams, tramways, brisbane trams, drawings

26 Page full colour calendar with heavy card covers featuring Australian Trams, published by Topmill Pty Ltd. Cover (2983i1) features Adelaide No. 243 at Mitcham. Other cities represented - Brisbane, Sydney, Adelaide, Perth, Fremantle, Bendigo, Ballarat, Rockhampton, Sydney, and Melbourne. Photos by Arthur Perry, Ken Smith, Lawrie Hort, Leonard Stewart and Les Horsburgh. Originally priced at $9.95, and has Sale Price with $6.00 sticker. Distributed by Gordon and Gotch. Ballarat trams- 2983i2 - 26 southbound in Albert St to Sebastopol in 1970 used for month of May. Has been used at the depot to marked charters for each month and visitors and reminder dates. tramways, trams, australian trams, ballarat, bendigo, museums

A list of Railway Station names across Victoria, inlcuding the derivation and meaning of names. Sunshine Station referenced on page 88.Names of Victorian Railways Stations with their origins and meanings together with similar information relative to the Capital Cities of Adelaide Sydney Brisbane and a few of the Border Station of New South Wales and South Australiarailway

24 Page full colour calendar featuring Australian Trams, published by Top mill Pty Ltd. Cover (1299i5) features Sydney trams outside Central station in Eddy Ave. Other cities represented - Brisbane, Sydney, Adelaide, Perth, Fremantle, Bendigo, Ballarat, Sydney light rail, Hobart and Melbourne. Photos by Hugh Ballment, Dale Budd, Robert Merchant, Arthur Perry and the Sydney Tramway Museum. Priced at $9.95, and has "Parkholme Newsagency and Toys" sticker over bar code section, giving the same price. Distributed by Gordon and Gotch. Ballarat trams - 1299i1 - 33 at depot during hail storm on 20/8/1971 and 1299i2 - BTM trams 14 and 26 at Carlton St. during BTM operations 1970's or early 1980's. Used for month of June. Bendigo trams - 1299i3 - No. 4 at Eaglehawk terminus - 1/2/1971 and 1299i4 - trams 28, 2, 23 and two single truckers at Charing Cross 1970. Used for month of May.tramways, trams, australian trams, ballarat, bendigo, museums

List of Brisbane City Council trams at 31.10.1948. 13 categories, giving type of car, number, seats, load, trucks and car numbers. Single sided foolscap Ink and blue pencil on lined paper.brisbane, trams, tramcars

Fifty Six page book with light yellow card covers, saddle stapled with two staples, titled "Brisbane City Council Rules and Regulations of the Department of Transport". Has date of adoption by the Establishment and Co-ordination Committee of 14 July 1955 on page one. Lists 213 rules for all employees, duties of employees, senior employees, offences and a detailed index.On outside front cover in black ink "32222" and on inside front cover "From John Lambert"trams, tramways, brisbane, bcc, rules, employees

Pocket or wallet size timetable card for the Brisbane Tramway's Red Hill - Stafford line (Northside) line, used by Brisbane City Council, Tramways and Powerhouse Department - Jan. 28, 1940. Gives 1st and last cars from terminals and last car from City. On bottom of each card has an advertisement for :"Myers - Devey Cash Orders". Record images added 20/8/2013.brisbane trams, timetables, commerce

Journal of the Tramway Museum Society of Victoria. Ltd. Volume 5, No.5, June - July 1969. 30 cents.16 pages. Front cover (right) shows Brisbane no. 47 at the entrance to Milton Workshops. This car has been restored, to a glistening livery of red and white with blue lining, by the Brisbane City Council. It is now in the care of the Brisbane Tramway Museum Society. The picture was taken on the 7th October 1968 by Malcolm Rowe.person, individual, basil miller

Set of four documents: - letter from W R Dann Traffic Manager of the Brisbane City Council Transport Department to Les Denmead, Tramway Supertindent Ballarat dated 6/2/1956, enclosing two prints of Brisbane Tramway Drop Centre bogie trams, long wheelbase reversed Maximum Traction truck, and Accident Report Form No. 1 of 8/54. Possibly the letter resulted from a meeting at a tramway conference.Yields information about Brisbane drop centre tramcars and accident report forms.Set of four documents - typed cover letter and other printed sheets.tramcars, accidents, forms, brisbane, drop centre trams, trucks

Journal of Australian Electric Traction Association, Volume XVIII, No. 2, February, 1963, 16 pages. History of document: Part of 'Basil Miller Collection', Also check 1411. Cover picture description: "tall gum trees provide a typical Australian background to four Brisbane tram cars at Toowong Cemetery terminus. Actually cars 305, 475, 346 and 466 (left to right) are less than three miles from the Brisbane City Hall, being surrounded by parklands and a cemetery at this point along the route, which was the most scenic of the four routes recently closed on trial".Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney, NSWdocument

Newspaper Clipping - set of four clippings adhered to two sides of two sheets of ruled quarto paper with punched holes on the left hand side - from newspapers about the removal of trams from Melbourne 1 - Part one of a Large article written by John Messer of The Age, titled "City that went off the rails" about the impact of the closure of the Brisbane tramway system, quotes Brisbane City Mayor - Clem Jones. Dated 7/5/1969 2 - Second part "Is it time to get rid of Trams", dated 8/5/1969 following the closure of the Brisbane system. Mainly quotes from Brisbane transport officials with some Sydney officials. Has photos of a tram in Swanston St and a crowded tram. 3 - "Willy-nilly scrapping of trams 'nonsense'" - written by F. R. Kirby - Acting Chairman of the MMTB - The Age" responding to John Messer's articles. The Age 20/5/1969. 4 - letter from Bernard Boles of Reservoir about the removal of trams in Collins St and replacement by buses. 5 - "Hour fight to free trapped driver" - The Age 19/5/1969 - about the collision of a panel van at corner of High and Chapel St Prahran 6 - Set of two Letters from Edward Sykes and V. Lovel about the removal of trams - for and against.trams, tramways, brisbane trams, sydney trams, closure, tram replacement, buses, collins st, accidents, letter to the editor

Photo Album - dark blue plastic covers with the letters "photo album" in raised letters, stippled finish containing 10 leaves ring bound with an adhesive surface with clear plastic sheet on each cover. Page 1 – set of 8 Last day tram tickets – 16/4/1972 and four SEC tickets rear. Page 2 – set of 10 SEC tickets and 2 backs Page 3 – 2 BTPS 10c tickets, MMTB 25c, 3 Brisbane City Council tickets, two Trittons furnishings, one WCC (Wellington?) cable car and two MMTB City Concession tickets Page 4 – Set of 9 MMTB tickets 4d, 7d city, 7d, 8d, 1/-, 1/ 4, 2/- or 20c, 2/6 and one Pensioner’s check ticket. Page 5 – Set of 9 MMTB tickets, 4c, 8c, 9c, 10c, 30c, Pensioner’s concession, two $1 City concession cards, city concession check ticket and two machine issued tickets 1c and 15c. Page 6 – set of 16 MMTB tickets that have been recovered from within trams, very dirty, check tickets, value tickets and advertising on the rear. Page 7 – various special train tickets – Stainless steel train, ARHS tours, TMSV, ARHS Farewell, ARHS SA Mile End, Ballarat trams x 2, Crich exhibition ticket and one MTT (Tas?) 30c. Page 8 – VR Windsor to Melbourne Quarterly 1940, 7 VR various country and suburban tickets and two VR Motor coach services tickets. Page 9 – two interstate reserved seat tickets, Brisbane suburban ticket and 8 various values QR Parcel tickets – very dirty. Page 10 – Two Puffing Billy guest passes, 10th anniversary ticket, 10 various card tickets for Puffing Billy and tours. Page 11 – 6 + others MTT Adelaide value tickets with adverts on rear and four AETM St Kilda Museum tickets. Page 12 – four Red Bus Rover London tickets, four Peak Tramways tickets, one toll bridge, 6 London machine issued tickets. Page 13 – One San Francisco Municipal Railway ticket, one LlafrairPG platform ticket and two MMTB Machine tickets. Page 14 – One $1 MMTB city concession card and one Parramatta Park tramway ticket issued for COTMA during 1976. Page 15 – One Emerald Park vehicle entry ticket and one PBPS opening day of the extension to Lakeside in 1975 with certificate. Page 16 – One PBPS Notice. Page 17 – not used. Page 18 – three commemorative envelopes – WA Railway Centenary, Standard Gauge to Melbourne, and Sydney to Perth. Page 19 – Brisbane tramways last day, two Last day envelopes for Ballarat and Bendigo. Page 20 – three different St Kilda Centenary – Adelaide. Contained within the album was loose tickets - see Reg Item 3970 and a pamphlet for the opening of the Transport Mural at Spencer St Station on 30 Jan. 1978.has a label on the side in punched letters on a green tape "Tickets and Postal Covers"trams, tramways, tickets, secv, mmtb, adelaide, brisbane, arhs, aetm, aeta, pbps, cotma, tmsv, victorian railways, vr, post office, envelopes, post office

The following information is taken from the PROV (Public Records Office of Victoria) website - "In Victoria regulation of the engagement and discharge of seamen was initially subject to New South Wales legislation. An Act to amend and consolidate the Laws relating to Seamen in the Merchant Service of the Colony of New South Wales, and for keeping a Register of Seamen belonging to Ships registered in the said Colony (13 Vic., No.28) of 1849 introduced requirements for ships masters to enter into written agreements with seamen engaged by them as crew, specifying wages and provisions, the capacity in which they would serve and the nature of the voyage. It also required masters to issue to seamen certificates of discharge upon their discharge or upon payment of their wages. The 1849 Act applied only to ships registered in the Colony. In 1854 the Imperial Merchant Shipping Act was passed, which had application to all British ships except those registered in the Colony. Consolidation of the separate laws occured with the passing of the Seamen Statute 1865 (28 Vic.,No.245) which adopted Part III of the Merchant Shipping Act 1854 (17 & 18 Vic, C 104) (see Parliamentary Debates, Session 1, 22 February 1865). The Imperial Act, like the New South Wales Act before it, required the master or owner of every British ship, over a certain tonnage, to enter a written agreement for the engagement and discharge of seamen. The Articles of Agreement (VPRS 566) were to be made at the start of a particular voyage, although running agreements were able to be made for a defined period in which short and frequent voyages would be made. At the end of the voyage the discharge and release of the crew was recorded. The date, place and reason for leaving the ship, and the balance of wages paid upon discharge, were recorded in the articles of agreement. Under the Merchant Shipping Act 1854 each seaman discharged was also to be issued with a certificate of discharge (this series) giving particulars of the ship, period of service and the seamans capacity, ability and conduct. No seaman could be engaged to work on a ship unless he delivered to the person engaging him a discharge from his last ship or a permit to sign articles. In the articles of agreement and in the Release Books (VPRS 945) the crew were required to sign their release of the ship, master or owner from any claims to wages or otherwise in respect of the voyage. In the release books the master also signed a release of the crew from all claims. It appears that in Victoria licensed shipping agents were initially able to facilitate the engagement and discharge of seamen. From 1 April 1859, however, the function was to be performed entirely in the Government Shipping Office (Government Gazette, 29 March 1859). In 1869, the names of Shipping Offices were changed to Mercantile Marine Offices and Shipping Masters to Superintendents of Mercantile Marine Offices. The role of the Shipping Office/Mercantile Marine Office was to facilitate and oversee the engagement and discharge of seamen and apprentices to the sea service. The facilities provided were subject to fees payable by ships masters. The Offices were located within the Department of Trade and Customs (VA 606) until 1901 and then within the Chief Secretarys Department (VA 475) to 1922. Responsibility for attesting master and seamen engagements and discharges transferred to the Commonwealth under Parts II and III of the Commonwealth Navigation Act 1912, which became effective on 1 March 1922 when the Navigation (Master and Seamen) Regulations were passed. Seamens Discharge Certificates 1882 to 1922 This series comprises counterfoils (or stubs) of Certificates of Discharge issued to seamen upon their discharge or upon payment of their wages between 1882 and 1922. The Certificates were signed by the Master of the ship and authorised by the Mercantile Marine Office. The counterfoils record details about the ships, the birthplaces and ages of the seamen, the dates of engagement and discharge, and the capacity, conduct and ability of the seamen." This particular set of Certificates of Discharge belonged to a seaman called John F. Brown. Little is known about him but information taken from the cerificates tell us that John F. Brown was born in Greenock, Scotland in about 1868 and that his rank was "Able Bodied Seaman". All of his cerificates describe his conduct and ability as "V. G. (Very Good). During the period from April 1895 to August 1908, he worked on about twenty two different ships - sailing on several Liverpool to New York voyages in 1895 and 1896. In September 1896 he began working on Australian coastal steamers - travelling up and down the coast of Australia (between the ports of Melbourne, Sydney, Newcastle, Adelaide and Brisbane) until August 1908. There is an eleven year gap in his records and his final certificate was issued in September 1919. Some of the ships he worked on include the "Arno", "Melbourne", "Burrumbeet", "Kalgoorlie", "New Guinea", "Buninyong", "Pilbarra", "Oakworth", "Cintra", "Lady Musgrave", "Dawn", "Moorabool", "Colac", "Ramazon", 'Brisbane", "City of Lincoln", "Peregrine" "Mareeba" and "Wear".Theses certificates are significant examples of the legal paperwork generated by the British and Australian governments in the day to day regulation of working seamen in the late 19th and early 20th centuries. They are also significant as they document the career of a working seaman at that time.This is a set of twenty three "Certificates of Discharge" issued to seaman John F. Brown primarily between the years 1895 and 1908 (although the last one is dated 1919). They have been issued by the Shipping Masters at U.K. Mercantile Marine Office (abroad), the Port of Melbourne Victoria, the Port of Sydney N.S.W., the Port of Newcastle N.S.W. and the Port of Brisbane. They are all of a similar size and layout with slight differences in their crests (depending on the port of issue) and the fonts used over the preceding years. They give a good overview into the career of John F. Brown as they list his place and date of birth, his voyages (places of engagement and discharge and the dates of the voyages), the ships he served on (with their tonnage, horsepower, official number and place of registry) plus his ranking, conduct and ability. All certificates are signed by the Master and authenticated by the Shipping Officer. Eight of the certificates have a purple circular stamp on the back with "S. F. 19 SEPT 1908 GLASGOW""CERTIFICATE OF DISCHARGE" "FOR SEAMEN DISCHARGED BEFORE THE SUPERINTENDENT OF A MERCANTILE / MARINE OFFICE IN THE UNITED KINGDOM, A BRITISH CONSUL, OR A SHIPPING/OFFICER IN BRITISH POSSESSION ABROAD" Headings filled out include - "Name of Ship", "Official number", "Reg. Tonnage", "Horse power of Engine (if any)", "Description of Voyage or Employment", "Name of Seaman", "Age", "Place of Birth", "No. of R.N.R. Commission or Certificate", "Capacity. If mate or Engineer. No of certificate (if any)", "Date of Engagement", "Place of Engagement", Date of Discharge", "Place of Discharge", "I certify that the above particulars are correct and that the abovenamed Seaman was discharged accordingly* and that the character described herein is a true copy of the report concerning the said seaman." "Dated this .... day of ... " , "Authenticated by ...." "Character for Conduct" , "Character for Ability".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, certificate of discharge for j.f.brown, certificate of discharge, certificate, discharge, discharge for j.f.brown, john f. brown, arno, s.s. melbourne, s.s. burrumbeet, s.s. kalgooli, s.s. new guinea, s.s. buninyong, s.s. pilbarra, s.s. oakworth, s.s. lady musgrave, s.s. dawn, s.s. moorabool, s.s. colac, s.s. city of lincoln, s.s. mareeba, s.s. wear, s.s. ramazon, s.s. peregrine

We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement

City of Ballarat Band winners of the A & B grade Quickstep competitions in Brisbane Easter 1923. Photograph of band standing at attention for inspection. Drum Major is Albert Boyce. Conductor is Frank Wright who is located in the back row second from left with bow tie on (Conductor didn't have to wear same uniform as the players). Regent Studios Thos Mathewson, Brisbane. on front of photo. On back - The City of Ballarat band (winners A. & B Grades Quickstep) Brisbane ( Queensland) Easter 1923 "Inspection"quickstep, 1923, frank wright, wright, brass, brass band

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A Black and White Photograph of a Brass Band with instruments. Included in the photograph are four gentlemen and a young boy sitting on the floor. It appears they are in a Concert Hall. The band is the City of Ballarat Band and Frank Wright can been seen in the centre front row.Brisbane 1923frank wright, conductor, brass band, city of ballarat band

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died in England in 1970 at the age of 69.Black and white photograph of a group of men, most dressed in band uniforms. On the left hand side are three men dressed in suits and in the front middle is a young child wearing a cap.Written in pen on the back - The city of Ballarat band- Exhibition ground, Brisbane, Q, Easter 1923, Taken by Frank Wright (au)frank wright, city of ballarat band, band uniforms, brass band

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died in England in 1970 at the age of 69.Black and white photograph of a train carriage with three of the door open and young men crowded at the openings. At the windows of the train, other people are leaning out. The young men are members of the City of Ballarat Band.Written in pen on the bank - Memembers of city band on journey to Brisbane, Q (1923 Easter), (F.W. au)frank wright, city of ballarat band, train carriage, railway, train, transport