Showing 47 items
matching colors
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Moorabbin Air Museum
Document (item) - Folder of Federal Standard Colours, Federal Standard Colors No. 595A, January 2 1968
Provides painting reference for any objects painted using Federal Standard colours during the period the publication was still valid. -
Whitehorse Historical Society Inc.
Article, Colors Reflect The Art Season, 1991
Mitcham Arts Association Autumn Art Show features exhibits and demonstrations of crafts, plus the awarding of the City of Nunawading award. With photo. Photocopy.shows and exhibitions, mitcham arts association, john, jenny, kolar, gerda, jamieson, david, rogalski, barbara -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Trams to be painted in old colors", Aug. 1980
Newspaper Clipping from an August 1980 supplement to The Courier, Ballarat, about tourist attractions in the Ballarat district. On page 3 is an item about the BTPS repainting the trams in old colour schemes. Mentions 28, 38 , 26 and 11. Also gives notes about the Museum's operations. Features a photograph of No. 38 outside the depot in the final SEC colour scheme, prior to the extensions of the depot being carried out. On page 6 is an item about Sovereign Hill.btps, ballarat, colour schemes, livery -
Lara RSL Sub Branch
Picture, Ode Tapestry, MId 20th century
The Ode is a verse from a poem Ode Of Remembrance by Laurence Binyon. The Poem first appeared in the Times of London on 21 September 1914. This particular verse is used in ANZAC and Remembrance Day ServicesThe verse of the Poem has been used in ANZAC and Remembrance Day Services from their inception. The verse is pertinent to all service persons who have lose their life in conflict.Oblong, Black Frame, Matt Surround, Glass, Cross Stitch, various colors, cotton thread on aida fabric. Hand sewn the ODE, picture of military Bugler, dark military figures in the back ground. Words LEST WE FORGET, The Ode, seven lines of the ode poem. Framing by Frameline Picture Framing, tapestry work not known.ode, lest we forget, tapestry -
Coal Creek Community Park & Museum
Bottle, glass, M Balfe & Sons, c.1916-1923
Ref: Yarra Ranges Regional Museum. M. Balfe Prim Prod Person Bottle 3.5cm (height) x 6cm (width) Bottle of Balfe Black and Colors for Straw Hats. BALFE BLACK AND COLORS FOR STRAW HATS NOTE - CAREFULLY READ DIRECTIONS ON THE SIDES OF THE BOTTLE. FOR ALL STRAW HATS USE ALL CHIP HATS DILUTE THE PREPARATION WITH US/OWN BULK OF METHYLATED SPIRITS OF WINE M. BALFE'S BLACK OR COLORS. Trademark Rectangular aqua tinted clear glass bottle with wide neck. Panels impressed on three sides, one with text embossed, monogram embossed on base.On side panel 'M. Balfe'. AGM monogram on base.dye, straw hats, balfe -
City of Warrnambool Rowing Club
Metal Shield- coat of arms
In 1953 the warrnambool rowing club was given permission to use the warrnambool city council colors and insignia. Circular metal shield with blue and gold enamel paint depicting the rowing clubs shield: A sailing boat, sheaf of wheat and sun below the Coat of Arms of Victoria, the Princess Royal. City of Warrnambool Rowing Club By These We Florishcity of warrnambool rowing club, warrnambool, warrnambool rowing club, warrnambool city council, coat of arms -
Chiltern Athenaeum Trust
Campaign Ribbons for medals and awards WW1 : Military Cross, 1914 Star, French Croix de Guerre, 2 ANZAC Corps colours (The Joseph Nott Collection), Circa 1914 - 1919
Associated with WW1 campaign medals and bravery awards. Items from the Joseph Nott collection WW1 soldier. Joseph Nott was a Military Cross recipient. WW1 colored ribbons associated with campaign medals and bravery awards. The Joseph Nott collection (Chiltern and Rutherglen resident). Medal and Award ribbons associated with WW1 : 1 x bright green with thin red striping (French 1914-1918 Croix de Guerre), 1 x red, cream, white and blue stripes (the 1914 Star), 1 x red and white flag shape cloth patch (2 ANZAC Corps)), and 1 x cream, purple and cream striped ribbon (The Military Cross). The thin ribbon strand consists of cream, crimson and royal blue colored ribbons (Empire colors and the 1914 Star colors). 2 anzac corps colours (light horse unit), joseph nott colleciton ww1 soldier rutherglen and chiltern resident., military cross, croix de guerre and 1914 star ribbons ww1, ww1 medals and awards ribbons -
National Vietnam Veterans Museum (NVVM)
Flag - North Vietnamese Flag
This flag was retrieved from a North Vietnamese tunnel by Lionel Corrie (tunnel rat) who served in 9th Battalion.Red and blue flag with a Gold five pointer star embroidered in the center over the two colors. Gold lettering in Vietnamese language across the top (four words); Gold lettering on the blue half (embroidered) with four words and 1969.QUYET CHIEN QUYET THANG. CHIEN THANG VUNG TAU 1969flag, tunnel rat, north vietnamese, lionel corrie, 9th battalion -
Ballarat Tramway Museum
Document - Press Release, Ballarat Tramway Museum (BTM), Ballarat Tramway Museum Press Release, 23/09/1997 12:00:00 AM
One page letter or press release on fax paper advertising that the trams will be decorated in Crows colors for the 1997 AFL Grand Final. Also explaining that most of our trams were built in Adelaide, therefore having a special link to Adelaide.trams, tramways, btm, adelaide, football -
Greensborough Historical Society
Container - Bottle, Gilman Bros, M. Balfe & Sons, 1912 to 1922
Medicine-style bottle , square profile, "M.BALFE" pressed into front of bottle. AGM monogram on the base. Contained Balfe black and colors for straw hatsClear glass bottle, pressed inscription, stopper top.Pressed on front: "M.BALFE"glass bottles, medicine bottles, straw hats -
Bendigo Historical Society Inc.
Document - PRESENTATION OF COLORS, 1916
Document: Australian Commonwealth Military Forces 38th Battalion Australian Imperial Force (QUOD JUBETUR, SIT). PRESENTATION OF COLORS,' by His Exellency the Right Hon. Sir Ronald Munro Ferguson, PC., GCMG. On behalf of The Citizens of Bendigo Sunday 11th June, 1916 at 3 pm. Printers Bolton Bros., Bendigo.organization, military, 38th battalion -
Bendigo Historical Society Inc.
Textile - Scrap quilt
Scrap Quilts are quilts, usually pieced, that are made from a wide variety of fabrics, in various colors and designs. The quilt may be made from one Bloc design or different designs. Scrap Quilts can be carefully planned by color and design or improvisational in design.Hand stitched single bed patchwork quilt with a series of patchwork squares made from scrap materials, including clothing. Each square has a central point with narrow strips arranged in the form of a maze. Viewed at an angle and highlighted when photographed, a diamond pattern appears. "Autumn tones dominate the the quilt. most of the pieces appear to come from men's clothing (browns, tweeds, checks). Most squares include a red strip and some pink or lilac pieces from women's clothing or home furnishing fabrics. The backing is a heavier linen fabric (possibly curtain fabric) with predominant colours of green, red, pink and green in a floral design. At the top of the quilt several cotton tabs have been attached to allow the quilt to be hung. These have not discoloured so may be a more recent addition, A gathered border (6cms wide) is on all sides in the same fabric as the backing.linen, scrap quilt, patchwork quilt -
Bendigo Historical Society Inc.
Book - BOOK - 38TH BATTALION AIF PRESENTATION OF COLORS & LETTER, 11/06/1916
Small book for Ceremonial Presentation of Colors of 38th Battalion Australian Imperial Force by His Excellency the Right Hon. Sir Ronald Munro Ferguson, P > C. G. C M. G. On behalf of The Citizens of Bendigo on Sunday, 11th June, 1916 at 3 p. M. Printed by Bolton Bros, Bendigo. The program outlines Presentation of Colours Ceremonial, names of Regimental Staff, Duties, Companies and the names of Officers and the Consecration of Colours. On the front is the Rising Sun Badge with Australian Commonwealth Military Forces and two crossed flags. On the right is the Union Jack and on the left is the green 38th Battalion flag. The letter is from Allan Wilkie who has sent $10 to cover his subscription to the Historical Society and he enclosed the 38th Battalion AIF booklet on the Presentation of Colors. Two copies of this booklet.book, bendigo, 38th battalion aif, book, 38th battalion aif presentation of colors, allan wilkie, bendigo historical society, william henry wilkie, sir ronald munro ferguson, lady helen munro ferguson, c h davis, r o henderson, a fraser, j m mccusker, r m marks, w n gunson, p s spark, p j telfer, h w joseph, j j code, a runting, f e fairweather, j h moore, g v lansell, r e trebilcock, l lipshut, w j collins, c h peters, l l smith, e f moore, h dench, e w latchford, f c morrison, f r b martin, g hurry, j akeroyd, r d tyers, j l whitehead, w maxwell, h mccoll, a j a maudsley, h f selleck, w l bogle, w williams, a l reid, w h orchard, j b o'donnell, t e green -
Deaf Children Australia
Photograph, Portrait of a woman, 1873-1875
A sepia coloured portrait of a woman on card. On back 'KEMP, PERRY & CO/Artists and Photographers./81 BOURKE ST. EAST./2 doors East of/THEATRE ROYAL/MELBOURNE' / 'PHOTOGRAPHIC COPIES & PORTRAITS IN OILS & WATER COLORS/CAN BE HAD FROM THIS CARD.' deaf children australia, victorian deaf & dumb institution -
Waverley RSL Sub Branch
Plaque Royal Regiment of Australian Artillery 2/3 Anti Tank Regiment
This regiment 2/3 Anti-tank later was known as the 2/3 Tank Attack Regiment. The colors are sometimes shown as the reverse of the above.http://www.awm.gov.au/collection/records/awmohww2/army/vol1/awmohww2-army-vol1-app4.pdf The "T" shape of the colour patch denotes the Regiment served at Tobruk Wooden Plaque 15cm x 13cm with insignia of Plaque Royal Regiment of Australian Artillery 2/3 Anti Tank Regiment Plaque Royal Regiment of Australian Artillery 2/3 Anti Tank Regiment 2/3 anti-tank regiment, 2/3 tank attack regiment, tobruk -
Flagstaff Hill Maritime Museum and Village
Container - Round Jar, Early - Mid 20th Century
Milk glass is an opaque or translucent, milk white or colored glass that can be blown or pressed into a wide variety of shapes. First made in Venice in the 16th century, colors include blue, pink, yellow, brown, black, and white. https://en.wikipedia.org/wiki/Milk_glass#:~:text=Milk%20glass%20is%20an%20opaque,brown%2C%20black%2C%20and%20white.The ointment smells faintly of tar, so it was proberly used to alleviate irritation of some sort.White glass container with brown ointment inside which is now almost dried up. Black screw lid, and no label to indicate contents. Indented base.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, milk glass, ointment, medical -
Melbourne Tram Museum
Photograph - Z1.24 at Preston Workshops, May 1983
Photograph shows Z1 No. 24 (with "Special" indicated on the route banner) at Preston Workshops. The tram is in the first version of "The Met" livery, with the standard green and gold colors. The car number is in the original MMTB gold with black shadowing. The tram also had trolley poles installed. On later trams, the logo was enlarged and the yellow stripe lowered to near floor height.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a now-superceded transit agency and the first version of The Met livery. Colour Photograph - Z1.24 at Preston Workshopstrams, tramways, z1 class, metropolitan transit authority, the met, public transport, tram 24, preston workshops -
Bendigo Historical Society Inc.
Document - STILWELL'S INVOICE, 1923
Stilwell's Invoice: Cream in colour with Fencing and Barbed Wire, Plough Shares. Lead, Oils and colors. 281-285 Hargreaves St. Bendigo April 6th 1923. Dr. to Stilwell's. General Ironmongers, Complete House Furnishers. Phone 117. Importers of Hardware, Crockery and Glassware, Carpets, Linoleums, &cc. Addressed to Miss L. Bush for 1 drum of Carbide.(used for lamps) Hole in the center of paper. Box 625business, retail, house furnishings, stilwell's furnishers. hargreaves street bendigo -
Lorne Historical Society
Print - Framed coloured print, Print Accommodation Lorne to 1950, Exact date Unknown
Rob Coy depicted the 22 following buildings with a map 1. Bonnie Doon 2. Gracedale 3. Cora Lynn 4. Carinya 5. Kia-Ora 6. Kalimna 7. Argyll 8. Minapre 9. Erskine House 10.Hotel Pacific 11. The Cumberland 12. Riverview 13. Hotel Lorne 14. The Chalet 15. Santoy 16. Clovelly 17. Yendallock 18. Nenthorne 19. Quamby 20. Ben-My-Kree 21. Glenora 22. Ozone House Rectangular framed color print of Rob Coy ‘ sketch Accommodation Lorne to 1950. The guest houses were, Bonnie Doon, Gracedale, Cora Lyn, Karinya, Kia Ora, Kalimna, Argyle, Minapre, Erskine House, Hotel Pacific, Cumberland, Riverview, Lorne Hotel, Chalet, Santoy, Clovelly, Yendaloch, Nenthorne, Quamby, Ben - My Cree, Glendora, Ozone House and a small map showing the locations of the accommodation. We believe this this is the original print. The colors are mainly blue and light tan. rob coy, lorne, accommodation, hotels, guest houses, pubs, erskine house -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: PHOTO OF FEMALE, Ninteenthn Century
Black & White studio head & Shoulders female aged mid thirties. Wearing Hat, gloves, fern leaf with flowers pinned on dress front. Linked chain visible. Eastwood Bros Bairnsdale printed on front. Scrolled ornatley on reverse, 'Artists & Photographers, Eastwood Bros, Portrait Parlors, Main Street Bairnsdale. Also on reverse printed in small letters. 'This or any other portrait enlarged up to life size & painted in oils or water colors. Extra copies at any time.'Eastwood Bros Bairnsdalephotograph -
Dutch Australian Heritage Centre Victoria
Wall Tile (Tegel)
Tiles are formed using the using the same tools as four centuries ago, namely a knife and a wooden mould with little nails in the corners. Afterwards, the imprints of the nails remain visible as minute points in the glaze. After the first baking, the tile is glazed. The wet glaze is imprinted with a charcoal powder design. Then the painter redraws the lines with a fine paint brush and uses his own craftsmanship to color with paints that are in fact glazes colored by a metal oxide. The second baking blends these colors with the layer of tin glaze. The result is a unique and beautiful tile. Tile design, making and baking is a traditional Dutch craft and continues today. The province of Friesland has its own traditions in the field of which this tile is a sample.Off-white pottery tile with blue coloured proverb in the Frisian language. There are also some blue glaze decorations in the four corners. On the back the brand name Harlingen Holland forms part of an imprint. There is also a hook for hanging.The proverb reads: "Doch dyn plicht en lit de lju mar rabje." (Do your duty and just let people talk). -
Bendigo Historical Society Inc.
Document - WILLIAN LUNN INVOICE, 31/05/1923
William Lunn Invoice: Dated May 31st 1923 No 682. . Cream paper with Navy Blue print, invoice is torn at the bottom. Bendigo Glass and Paperhangings Warehouse, Tel 315, PALL MALL, Bendigo. Mr A Bush, 99 View Strees. Dr to William Lunn (H.W. C. Newman) Painter, Glazier, Paperhanger, &c. Dealer in Glass of All descriptions. Colors, Oils, Paints, Varnishes, &c. Terms - Cash Paperhangings, Borderings of Newest Designs and Panel Decorations. Some items listed. Box 625business, retail, house furnishings, william lunn. a bush -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: NORMAN PENROSE
Various items of interest related to the work of Mr. Norman Penrose who held an exhibition of his water color work at the Hotel Shamrock, Bendigo on Monday, October 2nd. 1950. Included is a programme of his work at the exhibition and Bendigo Advertiser cuttings. See also Norman Penrose Collection catalogue number 2214artwork, water colour, norman penrose, lydia chancellor collection, collection, painter, artist, male, individual, colors, colours, exhibition -
Kiewa Valley Historical Society
Box of Victorian Readers, 1,2,Third, Fourth, Fifth, Sixth, Seventh, Eighth Victorian Readers, 1989
These Readers are reprints of the readers used in Victorian Schools - one for each grade - first published by the Victorian Education Department between 1928 and 1930. Second editions of all but the First book, with a few changes in content, occurred about 10 years later. From the 1950s, new Departmental publications gradually replaced the old books with the exception of the Fifth and Sixth Books, which survived until the late 1960s, when commercially produced reading material finally took over in schools. (Ref. Kelvin Edwards - on side of box.)The schools and people in the Kiewa Valley used and owned copies of these readers - as did their parents. Pink cardboard box with 8 reprints of the victorian readers. The back of the box is the height of the books with black logo and writing. 1. Side: 7 oval black and white pictures and black writing. 2. Side: Black writing and a white panel with black writing. Both sides slope towards the front. Front: Half the height of the books with title, black & white picture & decor. Each book has a soft cover with title and logo in black on the front and spine. Colors: (in order 1 - 8) fawn, orange, brown, green, blue,, blue, red and olive. education, literacy, reading, schools, victorian education department, students -
National Wool Museum
Archive - Alexander Lau Clothing Tag, Alexander Lau Pty Ltd
Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissioned many of his textiles to be spun and woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Glossy paper clothing tag with rainbow coloured logo and black printed text.front: CRESTKNIT KNITWEAR & / ALEXANDER LAU FABRICS / TOGHETHER IN / CO-ORDINATING FASHION / (SEE OVER) back: This ticket is your / SYMBOL GUIDE / to help you to / co-ordinate this garment with / a color-matched CRESKNIT lambswool / pullover or cardigan. / Look for the matching ticket on / CRESKNIT LAMBSWOOL KNITWEAR / and you'll find colors created to / give you sophisticated / CO-ORDINATION. -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, "The Town Hall and Sturt Street Ballarat Vic", 1930s
Rose Series - P1713, titled "The Town Hall and Sturt St, Ballarat Vic" with an ESCo tram with a "Vote No" on the front dash panel, two taxis mid-block, and the Town Hall in the background. Drivers standing along both taxis. On the rear in pencil in a note to Ken Magor of Newcastle, Wal Jack has written: "Ballarat old type No. 6. Note route colors square coloured sheet right hand side above driver's head & lower destination sign. Also note side adverts boards on car roof. See item 3581 for a copy negative and 5177 for a digital image of this postcard. Yields information about Ballarat 's trams in the 1930's and three street scene at the City Centre with the Town Hall in the background. Shows nature of the area with street lights and parked motor vehicles and a sign on the tram regarding prohibition and a vote on the banning of the sale of alcohol.Postcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, esco, sturt st, lydiard st, taxis, town hall, tram 6 -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae looking into a mirror applying makeup, c.1905 to c.1920s
The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae holding an Ichimatsu Doll, c.1905 to c.1920s
The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Ballarat Tramway Museum
Postcard - 1939 Floral Tram, No. 29, Taylor & Taylor, March 1939
Photo features the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered in colour. March 1939. Has four ladies dressed in matching clothes standing outside the tram and four inside the doorways. See Item 7000 for a hand coloured image. with the ladies standing in the tram and 5188 for a digital image of the card. On the rear in pencil is "Ballarat No. 29, ex MMTB G class 152 former Fitzroy, Northcote and Preston Trust car. Car with waxed paper flowers and ran during the florale week March 1939. Car outside depot in Wendouree Parade. Colors are nearly approx to the real thing. Taylor & Taylor photo, Neg destroyed". Note written by Wal Jack and card sent to Ken Magor of Newcastle.Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity and demonstrates its colours of the flowers used.Postcard coloured, divided back, with a handwritten note on rear.See image 2 and notes for details of the handwritten note. tramways, trams, floral tram, tram 29, decorated trams -
Bendigo Historical Society Inc.
Magazine - AILEEN AND JOHN ELLISON COLLECTION: PIX, THE WAR IN EUROPE SOUVENIR ISSUE 1945
Pix magazine volume 15 no. 19 May 12, 1945. The war in Europe souvenir issue. The magazine has 31 pages, price 6 pennies. Features in this issue: Britain faced Hitler alone in 1940 - Many races united against common enemy - Allied leaders' words inspired their nations - Color maps reveal changing face of Europe - Picture diary shows five year pattern of war - Jardine paints second front landing in colors - Rise and fall of fascism - Women shared role in fight for freedom - Danger of armistice in Europe - War closes in on Japan, Pacific color map - Proud records of Australia's fighting men - Four great powers shared burden of struggle - World found time too laugh at war - Famous pictures epitomised war's tragedy.books, magazines, war in europe