Pre printed clothing issue docket or form on light weight light grey colour card for issuing of uniform to tram crews. Form printed for David Klein Pty Ltd of 23 Lincoln Square South, Carlton 3053. Gives Order, Location, item, name, style and measures and type of garment. Issued to M. Cahill, No. 48 of Ballarat, Motorman/Conductors Tunic and has seven different measurements type or handwritten on the card. Has been folded, torn and mended with tape. Colour copy made for display cabinet - 20-07-2011tram, trams, david klein, clothing, uniforms, sec

It is a woolen khaki green great coat, with inter shoulder lining of khaki green canvas. There are back belt loop holes in the interior, lined by the same canvas. The pockets are made of the same canvas and are not sew to the interior of the coat at the bottom. The insides of the sleeves are lined with a more beige khaki green material. There is a split flap that is 500mm long in the middle at the bottom of the coat, which is fixed shut with two brown plastic buttons and a metal hook and eye at the bottom. The construction of the jacket is four panels and has been taken in at the waist for form above both pockets. The jacket has a back pleat from below the triangle stitching below the nape of the neck. The back belt has three metal insignia buttons, and the backside is lined with canvas. On both shoulders, there are epaulettes which have one metal insignia button each. On the front, there are three metal buttons on each on flap, and when the jacket is done up, the left flap goes on top. It has three button holes on the left flap and one button hole on the right flap for a large brown button on the inside of the left flap. There are two outer pockets on either side of the jacket. Beneath the jacket lapels, on either side there are metal buttons, and there are button holes for them in the middle of the bottom lapel. Where the upper and lower lapels are split, there is a hook and eye. There is a brown plastic button on the underside of both the upper lapels, which is where the extra flap of fabric on the inside of the left jacket flap, can be fixed as a face protector. The tag on the inside reads; DAVID KLEIN PTY. LTD. Victoria 1967 An arrow (Department of defence symbol) SIZE 6 CLASS 8405 66.012.0494 REGIMENTAL NO................... NAME......................... The regimantal number section had a number filled in but then scribbled out and another number written above, which is 359282. The name section was filled in with B.R.MIER. The name and regimental numbers were done in black marker pen. All the metal buttons are decorated with the medical corps symbol, which is a serpent-entwined rod (Rod of Asclepius) surrounded by a laurel wreath and above the rod is a crown (St Edward’s Crown). On the outside of the upper sleeves, just below the shoulder, there is two patches that signifies the rank of Staff Sergeant. The top patch is an embroided St Edward’s Crown and represents the staff rank. It is 47mm wide and 45mm. Below this there is a patch depicting the three stripes/ chevorns of the sergeant rank. The chevorn’s points face down, and the sides measure 66mm, while the depth down to the point is 86mm. The bottom lengths is 100mm on both sides and the top lengths are 9mm. coat, trench coat, great coat, medical corps, staff sergeant, b.p. mier, 359282, david klein pty. ltd., 1967

Royal Australian Corps of Transport mess dress belonging to Kevin John Herdman. Part of the Kevin John Herdman No. 397661 Collection, See Catalogue No. 5942P for details of his service record..1) Black jacket with two button-down breast pockets and two side pockets with flaps. Jacket buttons at the neck and down the front. Unit insignia on right collar. White starched false collar attached with studs. All buttons bear a unit insignia and are gold coloured. Major's rank insignia on each epaulette. Manufacturer's label on inside left. .2) Pair of black trousers with two white stripes down the outside of each leg. Buttons on waist band for attaching braces. .3) White elastic adjustable braces. .4) Black peaked cap with red band. Gold coloured braiding on peak. Brown coloured sweat band and clear plastic lining..1) On manufacture's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. On false collar: 'C.G.C.F., SIZE 15'. .2) On manufacturer's label: 'DAVID KLEIN PTY LTD, PTY LTD, VICTORIA, 1966, (upwards arrow)'. .3) Stamped on leather joiner: 'P-F, 10 73, (upwards arrow), 44'. .4) Inside cap: 'COMMONWEALTH GOVERNMENT CLOTHING FACTORIES, MELBOURNE,6 3/4'.uniform, mess dress, royal australian corps of transport, kevin john herdman

Peter Ball collection, refer Cat No 4704Army issue Great Coat khaki colour, outer lining heavy duty with green light inner lining, all gold colour buttons intact and have a crown and crossed rifles on, plastic brown buttons under collar one missing, large white label sewn in on with maker, date & personal details, white card label on LH side with coat size.On collar label in black print, “David Klein PTY LTD Victoria 1967 (arrow up) Size 7 Class 8405 - 66 - 012 - 0495”, hand written on in black, “3796117 BALL PC”.clothing, great coat, army issue

Type of coat worn by SEC tram crews in Ballarat from the mid 1930s through to 1971. Demonstrates the SEC Uniform in 1921. It is significant for its good condition, which is rare for an item of its age.Green woolen coat with brown leather detailing on sleeves and pockets, and three brass buttons. Buttons - "State Electricity Commission of Victoria 1921" Tag - "David Klein PTY LTD" "22 Patrick Street, Melb. 32 3771" "Name J. Mason SEC Ballarat" "Date D.I 258716" "Pure Wool" btm, uniforms, conductors, ballarat tramway museum, coat, jacket

"B. K. O'Mahoney" was OC 15 TPT SQN at one stage at Mollison Street Depot. Bendigo.1. Jacket - Black. Collar badges are formal coloured Army Service Corps. There are two breast pockets. They are held shut with a brass button. There are 5 brass buttons on front. RAASC Motif. The jacket has a separate detachable white collar. A Major's gold crown is on each epaulette. 2. Trousers - Black. It has two white stripes down the leg. It has black plastic buttons. Inside the trouser waist line is lined with blue striped white cotton. It has side pockets only, no rear pockets.1. & 2. Typed inside the jacket and trousers are “392872 2LT B. K. O'Mahony, D/A 1362” cmf, 15 tpt sqn, uniforms, b. k. mahoney, passchendaele barracks trust

Uniform re Bertram Charles (Bluey) Addington. Initially enlisted No S5269 on 20.4.1942, discharged as a Pte on 13.5.1943 in 4th Bn Volunteer Defence Corps. Re enlisted No 140422 on 25.5.1943 in the RAAF, discharged 5.5.1948 with the rank of Cpl in Laverton Transit Departure and Reception. At some point enlisted in the Army No 41843 and served Vietnam in Aust Force Provost Corp from 19.4.1967 - 19.4.1968, Aust Army Training Team Vietnam 4.8.1970 - 14.10.1971. Awarded U.S Army commendation for Service, Vietnam Armed Forces Honor medal 2nd class. Service ribbons on jacket. 1. British Empire medal. 2. British War medal 1939 - 45 3. Aust Service medal 4. Vietnam Campaign Medal 5. Long Service and good conduct Medal 6. South Vietnam Campaign Medal. .1) Jacket, woollen. Four breast pockets. The top two pockets are held shut with a button. Has woven WO1 metal badges. There are four brass buttons holding the front shut. It has a detachable collar system (white). The collar badges are a laurel wreath, topped with a crown and 2 crossed swords in the centre. The motif on the buttons is similar, but, without the wreath it has a ribbon bar with six medals. .2) Trousers, woollen. Black with white stripe down each leg. .3) Swagger stick. Dowel with woven leather cover.ww2, vietnam war, passchendaele barracks trust

Refers to the service of 392063 "G. Butterworth" 1965.1) Jacket, black woollen. Four breast pockets, top two can be held shut with buttons. Buttons are all missing. Epaulettes have 3 brass pips each (Captain). They are loose, mounting studs missing. Has a collar that can be detached. .2)Trousers, black wool. Side pockets. Two white stripes down the outside of each leg, zip fly.uniform, mess dress, 1965, passchendaele barracks trust

Army mess dress is the formal military evening dress worn by Army officers and senior non-commissioned officers in their respective messes or at other formal occasions. Tailor made item belonging to Lieutenant Leonard V. GREAVES 310387. Badges attached to jacket collar indicate GREAVES served with the Royal Australian Electrical and Mechanical Engineers (RAEME). This uniform serves as an example of the military dress worn by the Royal Australian Electrical and Mechanical Engineer during the late sixties.The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all Army electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and the Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Two piece dark blue/black material suit consisting of long pants with red stripe and jacket with metal buttons and two badges attached to collaraustralian army mess dress, raeme

Issued while serving in the Australian Army. It was not worn and was out of season on his return to Australia.Components of military uniform, comprising the following: Cotton Shirt Size 36 Summer ,Trousers Size 30 Waist Summer, Woollen Trousers Size 30 Waist Winter, Woollen Bomber Jacket Winter, Braces Tie Black BeretDavid Klein Pty Ltd 1967costume, male uniform, military

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Collection of newspaper articles related to the VIOSH program at Ballarat College of Advanced Education. Safety Experts from overseas came to see the course developed at Ballarat. They also addressed seminars that were held. Those mentioned who came were William Pope from the United States, James Tye from the British Safety Council, Professor Peter Compes from West Germany, Professor David Klein of Michigan. Lecturers were Derek Viner, Dennis Else, Steve Cowley Newspaper articles related to VIOSH in The Courier, Ballarat. and Ansett News.Dates 1977, 1978, 1979, 1986, 1988, 1989, 1991viosh, victorian institute of occupational safety and health, ballarat college of advanced education, ballarat courier, ansett news 1987, william pope united states, james tye, british safety council, professor peter compes west germany, professor david klein michigan, derek viner, dennis else, steve cowley

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. The Victorian Industrial Safety Convention was held over three days at Monash University - 21,22,23 August 1979. It was opened by the Governor of Victoria Sir Henry Winneke. Speakers included - J L Fahy, Commissioner of the New Zealand Accident Compensation Commissionand and Professor David Klein from Michigan State University. Derek Woolley and Derek Viner (Engineering) plus J W Snow (Statistics and Mathematical Modelling) from Ballarat College of Advanced Education were among the speakers.Gloss paper with red writing. Section has been cut off - possibly a return slip indicating attendance at the convention.Dates and times for sessions plus speakersviosh, victorian institute of occupational safety and health, victorian industrial safety convention, governor of victoria, sir henry winneke, jl fahy, commissioner accident compensation commission, new zealand, professor david klein, michigan state university, derek woolley, derek viner, ballarat college of advanced education, eric wigglesworth, royal australian college of surgeons

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Year Book produced by the students of the first Intake for Graduate Diploma in Occupational Hazard Management. This was at the Ballarat College of Advanced Education, Mount Helen Campus in 1979-1980. It includes an article printed in The Courier, 29 June 1979 about the visit of American Professor David Klein of Michigan State University. He comments on the quality of the course and high standards of the students. stated there was nothing like this in America. Students were Noel Arnold, Peter Bailey, Neville Betts, Robert Blunt, Ronald Cordingley, William Davis, Bill Embling, John Florence, Gwyn Griffiths, Roslyn Mancy, Laurie Mason, John Moroney, Allen Pang, Graham Suckling, Ross Wyatt, Peter Wilson.Forty-one A4 sheets with yellow cover front and back. Printed and stapledviosh, victorian institute of occupational safety and health, ballarat college of advanced education, graduate diploma in occupational hazard management, intake 1, professor david klein, michigan state university, the courier, derek viner, max brooke, year book, 1979-1980, noel arnold, peter bailey, neville betts, robert blunt, ronald cordingley, william davis, bill embling, john florence, gwyn griffiths, roslyn mancy, laurie mason, john moroney, allen pang, graham suckling, ross wyatt, peter wilson

1. Coat - dark blue colour wool fabric RAAF overcoat. Collar, shoulder epaulettes with grey colour embroidered lettering - "RAAF", double breasted, gold colour plastic buttons with shank and raised emblem, Queens crown and wings - RAAF. Inset side pockets. Blue colour cotton lining with concealed pocket. White cotton manufacturers label. Inside back below collar. 2. Belt - fabric as coat with gold colour plastic slide buckle.Manufacturers Information - blue and black ink print. 1. Blue ink print "DAVID KLEIN/ PTY LTD/ 22 PATRICK ST. MEL/ 32 3771/ NAME/ DATE/ PURE WOOL" Black ink print - "DAVID KLEIN PTY LTD/ VICTORIA / 1966/ ^/"uniform, raaf, overcoat

Collection re "G.A. JONES" 3790932. Refer Cat No. 10053.2PGreat coat - khaki colour woollen fabric with attached half belt. Double breasted. Button down shoulder epaulettes. Inset pockets with cover flap. Back opening with buttons. Buttons - gold colour plastic with shank and metal ring. Raised emblem on buttons, Queen's Crown above crossed rifles, infantry. One missing. Brown colour plastic buttons. Lining - cotton twill fabric. Green colour - pockets and shoulders, brown colour sleeves. Manufacturers information - white colour cotton label - below collar. White colour cardboard label - right front opening lining.Manufacturer's details - black ink print. Cotton label "DAVID KLEIN PTY LTD/ VICTORIA/ 1966/ ^/ SIZE 5/ CLASS 8405/ 66.012.0493/ REGIMENTAL NO./ NAME" Handwritten - red ink pen - "3790932/ JONES. G.A." Cardboard label "OVERCOATS KHAKI O.R.'s/SIZE5/ HEIGHT 5'7" to 5'8"/ CHEST (Over Jacket)/ 37" - 39".g a jones, uniform, army, great coat

Students are photographed under the Tree of Knowledge, Mt Helen CamousPostcard size photograph attached to paper. Names of student around photo.management students, tree of knowledge, mt helen campus, pascal soderi, zoran dimovski, bruce mccallam, stuart king, tony souar, richard deans, andrew harker, stephan vranesic, deane ellwood, glen miller, russell mcbeach, andrew smith, martin doull, randal perry, gerard broad, tony preston, phill holloway, michael hilderbrand, jeff westmore, andrew charalambous, earl wallace, brian duncan, darren trigg, joe motta, michael nolan, matthew weblo, david beard, richard hulse, michael walsh, gabriele boehle, andrew gray, tony klein

Yields information the employees of the SEC from about the 1960's through to closure. Not known if completely accurate.List - typed A4 sheet titled "Ballarat Tramways Employees (60's - 71)", prepared by Wayne Kell. Lists employees in alphabetical order images: .1 - jpg scan of the sheet .2 - pdf of the list in a single vertical column .3 - word document in the image files Noel Aghan Noel Allen Max Anderson Brian Anwyl Adam Balloch Ray Barrow Ian Bentley James Billman Les Bird Mick Blackman Kevin Blake Dave Blaw Brett Boddington Kevin Brookman Gary Butler Kevin Butler Marty Cahill Bob Carter Daryl Chambers R oy Courtney Steve Crosby Ray Curnow Ron Davidson Bill Davies S. Davies W. Davies T Ed Davis L. Denmead Max Devlin Austin Domaschenz Des Domaschenz T. Dunstan Ted Edmunds Allen Edwards George Etheridge D. Everett John Everett Ted Fish Vic Gill Ian Grant George Gray Max Green Ray Hall Norm Hamilton Rory Herauville Bernie Hill Colin Hill Norm Hunt Danny Irvine Allan Jeffreys Bruce Jenkins David Jones Ron Jordan Wayne Kell Alan Kellett Alf Kellett Dave Kellett Noel Klein Hec Knight Ron Knight Mick Laidlaw Ed Lake Stan Lakey Herb Lee George Long Norm Lorensini Geoff McErvale Doug McGregor Leo McMahon Alec McWilliam Bill Maes George Magee Jim Maher Mick Mahoney Andre Malins B. Mannion Les Mark Jack Marone Jackie Mason Arthur Maxwell Harold May Allan Meaney Brian Melville Jim Menzies Alf Mercer Barry Morris Robert Morris Bruce Munn Tom Nancarrow Bill Newell Les North John O’Keefe Dan O’Leary Dick Oliver Joel Owen Eric Patterson Bert Peart Ivan Pellas D. Powell Lindsay Quick Arthur Reed Bill Retallick Rex Rewell Howard Reynolds Neil Robe Ned Romeo Vin Ryan Rick Rykers Bill Segrave John Schmidt Charles Scicluna David Skewes Harry Smerdon Brian Smith Roy Smith Bill Spicer Tony Stephens Max Stephens Tom Stevenson Neil Sutherland Doug Thompson Ian Tierney Ian Trenfield John Truscott Bill Trusler Bill Tuddenham A. Turnbull Dave van Oorschot E. van Rooy Harry van Oorschot Henk van Oorschot Bill van Oorschot Gerry van Rooy Harry van Rooy Ian Wallis Lou Walker Bill Ward Geoff Ward Vin Webb Bill Wellard L. Wellard R. Williams Terry Williams Doug Wiseman Edward Wrightlists, employees, personnel, ballarat, crews

Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape

Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

xv, 197 pages : illustrations, portraits, facsimiles ; 25 cm.non-fiction'My life in the ragtrade' is the story of the famous Australian brand names, many developed from humble beginnings yet made in clothing factories employing thousands of people, and the grand retail stores and clothing shops that stocked those brands. In 'My life in the ragtrade', author Fred Wilkinson takes us on a trip back in time to the days of Sidney Myer's beginnings in Bendigo, to Flinders Lane, Melbourne ('The Lane'), travelling salesmen and hawkers, and names and slogans which we've all but forgotten: Anthony Squires, Sutex, Keith Courtenay, Pelaco, Crestknit, Chesty Bond, Love Me in my Glo-Weave, Hard Yakka, He's so good he thinks he's King G, and more. Then there were the retailers - Winns, Farmer's, Anthony Hordern, Mark Foy and more. Shopping back then was an adventure, it was a pleasure to be served and customers were treated like royalty. There is a useful chronology of take-overs and closures of Australian department stores.clothing trade, fred wilkinson, clothing workers, ragtrade, sidney myer, sutex, keith courtenay clothing, flinders lane, robert reid & company, paterson laing & bruce, paterson reid & bruce, anthony squires, sax altman, myer emporium, ken fogarty, jon bentley's, maurie blackman, sidney sinclair, louis klein, don collier, stafford ellinson, levi strauss, levi jeans, amco, louis epstein, hiscocks saddlery, just jeans, jeans west, general pants, glo-weave, comfort shirt company, saul same, pelaco, pearson & law, james law, james pearson, david laidlaw, d k laidlaw & sons, yakka, chesty bond, george bond, bond industries, bob adcock, king gee, king gee clothing co, jack stahmer, d & w murray, commercial travellers, commercial travellers' association, james davies, fletcher jones

2019, heidelberg theatre company inc, directed by chris mclean, 430, artspace artist - liz gridley, arts space coordinator teresa schipano, eddie carbone played by mark tregonning, beatrice played by catherine christensen, catherine played by ruby duncan, alfieri played by ian mcmaster, marco played by nick wright, rodolpho played by jack kenny, mr lipari/tony played by laurie jezard, mrs lipari played by lynne mcgregor, mike played by luke styles, louis played by anthony edward, officer 1 played by david peters, officer 2 played by siobhan larkin, submarine played by harry gravell, production coordinator karen wakeham, lighting design michael rowe, set design chris mclean, sound design john rowe, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, costume design wendy drowley, costumes assistant catherine christensen, dance choreography christian del'olio, fight choreography robert shook, special props warren lane, props melanie belcher & chris mclean, scenic artists gaye billing and mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator john rowe, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein

2019, heidelberg theatre company inc, directed by terese maurici, 431, artspace exhibitor textile art community art space, artspace curator - teresa schipano, freddie filmore/henry f potter & others played by liam gillespie, jack laurents/george bailey played by mark yeates, sally applewhite/mary bailey played by llaaneath poor, mycroft fry/clarence the angel played by tim camilleri, lana sherwood/violet bick & others played by paula mcdonald, harry heywood/harry bailey & others played by gavin baker, bobby b sharpe /pianist played by jack stringer, wally watson/foley artist played by phil holmes, dolores birdwhistle/floey assistant & others played by kadey mcintosh, musical director jack stringer, production coordinator jim thomson, lighting design emma fox, set design phil holmes, sound engineer andrea cole, stage manager karen dowling, pianist/vocal coach jack stringer, costume design wendy drowley, choreography llaaneth poor, foley props phil holmes, props jim thomson & phil holmes & terese maurici, set painter mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator emma fox, rehearsal prompt ryan purdey, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein

2019, heidelberg theatre company inc, directed by karen wakeham, 432, artspace artist fred colla, artspace curator - teresa schipano, angus played by john cheshire, morgan played by andrew mcaliece, miles played by sam barson, production coordinator bruce akers, stage manager melanie belcher, lightening designer deryk hartwick, set designer lisa mcvilly, sound design john rowe, costume designer catherine christensen, composer david cheshire, props gaye billings & karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, furniture warren lane, set painter mal cother, sound & lighting operators john rowe & chloe connolly, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein

16 pages with black and white photographsnon-fictionHistorical overview of the Kelaston Day Centre.kelaston home (ballarat), rehabilitation, maureen davey, evelyn mcclure, lillian dethridge, red cross, jean tanto, don dunstan, may tweedie, mary johnson, thelma royal, harry davies, molly godbehear, edith borlase, geoff nott, barbara strachan, arthur wilkins, jim gower, lyne klein, laurel moseley, eileen hayward, mona dynon, laurie hay, daryl chester, robert hook, graeme barton, marj trahar, david baird, terry fraser, fiona carland, anne stapleton