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matching design in australia
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Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 8. Conclusions, 1964
... University of the Air. Design in Australia 8. Conclusions... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 8, Boyd concludes his lecture with an overview of the state of Australian design. Boyd points to the uniqueness of Australia's natural landscapes and asks a series of pointed questions, implying that Australian design does not reflect or match up to its context. In Boyd's view, Australia now produces world-class designers, but lacks a world-class design culture, leading the best professionals to leave for the US or UK. Boyd concludes by arguing that Australian design culture can be developed into something both connected to the rest of the world and still uniquely Australian.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 12 pagesInscription in pencil on p.8 - "good ideas (Kings + fountain)"university of the air, design in australia, robin boyd, henry lawson, d.h. lawrence, kangaroo novel, canberra, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 1. The International Blender, 1964
... University of the Air. Design in Australia 1. The... Design in Australia... programmes, as author and presenter. 'Design in Australia... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several television programmes, as author and presenter. 'Design in Australia' was an eight part series for the ABC television series 'University of the Air'. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force reinforced by technology and mass production is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D191 is the revised version.Typewritten (c copy), foolscap, 12 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 4. Architecture, 1964
... University of the Air. Design in Australia 4. Architecture... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 4, despite various directions in the search of an Australian architecture, Boyd believes that a genuine national style should be grasped in the sculptural and spatial qualities of the buildings rather than iconography or climate-driven designs since Australia has diverse geological condition.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), pencil edits, foolscap, 14 pagesRobin Boyd's handwriting, on top right.university of the air, design in australia, robin boyd, australian style, john sulman, hardy wilson, leslie wilkinson, local idiom, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 1. The International blender. Working Script, 06.11.1964
... University of the Air. Design in Australia 1. The... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force, reinforced by technology and mass production, is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values. (Same content as item D184, differing Video cues of LHS of page.)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D184 is the draft version.Typewritten (c copy), foolscap, 9 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript, ohm2022, ohm2022_30 -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 2. The home, 1964
... University of the Air. Design in Australia 2. The home... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 2, through a brief discussion of the history of Australian houses, both urban and rural, Boyd points out distinct Australian qualities that differentiate the domestic houses from their European and American origins. Boyd believes that the Australian suburban villa is authentically vernacular in the sense of social phenomenon.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 16 pagesuniversity of the air, design in australia, robin boyd, private home, homesteads, australian home, suburban villa, vernacular, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 3. Industry, 1964
... University of the Air. Design in Australia 3. Industry... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as D192, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 16 pages (compared to D192, 11 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia. 3. Industry. Working Script, 10.11.1964
... University of the Air. Design in Australia. 3. Industry... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 3, seeing successful and original industrial designs from other countries, Boyd reflects on the standard and production capacity of the Australian manufacturing industry. He urges the industry to take up the responsibility of invention and to design in a stronger and more permanent Australian artistic style, in contrary to mere imitation and importation. (Same content as item D186, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D186 is the draft version.Typewritten, foolscap, 11 pages, (compared to D186, 16 pages)university of the air, design in australia, robin boyd, industrial design, australian manufacture, colin barrie, the industrial design council of australia, manuscript, ohm2022, ohm2022_30 -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 7. Cities, 1964
... University of the Air. Design in Australia 7. Cities... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 7, Boyd begins by discussing the difference in cities, including age, population density and colours across Australia, Europe and America. Boyd discusses individual streets compared to the whole city and how the two are ultimately different and unique. He remarks that in Australia, the word 'city' is used to mean the whole 'complex' of city and suburbs, "a pattern reflecting free personal spending and yet a tight public purse". Boyd references Canberra as the Australian domestic dream come true. "Canberra is genuine Australian". He notes that the making of cities is not just a question of money. It's a question of priorities.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 13 pagesuniversity of the air, design in australia, robin boyd, town planning, zoning, canberra, brasilia, punjab, cities, suburbs, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 5. Architecture, 1964
... University of the Air. Design in Australia 5. Architecture... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia. 5. Interiors. Working Script, 24.11.1964
... University of the Air. Design in Australia. 5. Interiors... Design in Australia... for the ABC University of the Air. 'Design in Australia' was an eight... melbourne Script Document University of the Air. Design in Australia ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30 -
Moorabbin Air Museum
Document (Item) - Royal Aeronautical Society Hawker De Havilland 28th Sir Charles Kingsford-Smith Memorial Lecture Post War Aeronautical Design and Development in Australia by Stanley S Schaetzel
... Design and Development in Australia by Stanley S Schaetzel... Design and Development in Australia by Stanley S Schaetzel... Design and Development in Australia by Stanley S Schaetzel ... -
Moorabbin Air Museum
Work on paper (Item) - Royal Aeronautical Society Melbourne Branch reports, Aircraft Project Design in Australia
... Aircraft Project Design in Australia... on paper Aircraft Project Design in Australia Royal Aeronautical ...Royal Aeronautical Society -
Greensborough Historical Society
Banner, Australian flag, 2017c
... Banner with Australian flag design plus word "Australia...Banner with Australian flag design plus word "Australia... design plus word "Australia", printed in red, white and blue ...Banner with Australian flag design plus word "Australia", printed in red, white and blueBanner with Australian flag design plus word "Australia", printed in red, white and blueaustralian culture, flags -
Wangaratta High School
Electric Typewriter
... designed for Australia... generation computer system DICK SMITH designed for Australia ...DICK SMITH System 80 computer system Cream body with brown sides. Black user interface section and cream keyboard. Ventilation slits in back. SYSTEM 80 third generation computer system DICK SMITH designed for Australia -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Tea Towel - Nelson, Victoria, n.d
... Front: 'DESIGNED IN AUSTRALIA BY SOUVENIRS AUSTRALIA' 'HAND... border. Front: 'DESIGNED IN AUSTRALIA BY SOUVENIRS AUSTRALIA ...Tea-towel, 54% linen, 46% cotton, white back, yellow front, beer coaster design border and central image 'beer builds better bodies'. 'Greetings from NELSON VIC' printed in black beneath central image. Red, green, black striped border.Front: 'DESIGNED IN AUSTRALIA BY SOUVENIRS AUSTRALIA' 'HAND PRINTED' printed in black, lower border.souvenir, nelson, victoria -
Glenelg Shire Council Cultural Collection
Souvenir - Spoon, n.d
... Back: 'OPAL DESIGN AUSTRALIA' - impressed..., 'tree with sky behind'. Back: 'OPAL DESIGN AUSTRALIA ...Spoon, boxed, plain metal, silver coloured, round enamelled badge, 'tree with sky behind'.Back: 'OPAL DESIGN AUSTRALIA' - impressed -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Spoon, n.d
... Back: 'OPAL DESIGN AUSTRALIA' - impressed... DESIGN AUSTRALIA' - impressed souvenir of Portland Cape ...Spoon, plain, metal, silver coloured, round enamelled badge, coloured, showing headland, Cape Bridgewater, Vic.Back: 'OPAL DESIGN AUSTRALIA' - impressedsouvenir of portland, cape bridgewater, teaspoon -
National Wool Museum
Catalogue, Golden Lister Handpiece
... Catalogue for Golden Lister Handpiece "designed...Catalogue for Golden Lister Handpiece "designed... for Golden Lister Handpiece "designed by the shearers of Australia ...Catalogue for Golden Lister Handpiece "designed by the shearers of Australia".Catalogue for Golden Lister Handpiece "designed by the shearers of Australia".shearing, r.a. lister & co. ltd. -
Wodonga & District Historical Society Inc
Memorabilia - Australian Antarctic Research Expedition Cloth Badge, Betty L. Barberis, 1982
... A framed montage of 2 cloth badges designed...On sign above badges:' THESE BADGES WERE DESIGNED... of 2 cloth badges designed for the Australian Antarctic ...This item was donated to Wodonga Historical Society by the artist, Betty L. Barberis. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work including these badges for the Australian Antarctic Research Expedition in 1982. Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013.This item represents an important research organisation in Australia and was created by an highly recognised artist from Northeast Victoria.A framed montage of 2 cloth badges designed for the Australian Antarctic Research Expedition in 1983, a pin featuring a penguin, a business card and a note written by the artist and donor Betty Barberis nee Barton.On sign above badges:' THESE BADGES WERE DESIGNED FOR THE -/ AUSTRALIAN ANTARCTIC / RESEARCH EXPEDITION 1982/ By BETTY L. BARBERIS In the top left corner: "It is with very great pleasure I give these treasures to Wodonga Museum/ Betty Lorraine Barberis (Barton) 1927 / 2 -1-2011"betty barberis, anare, australian antarctic research expedition -
Port Melbourne Historical & Preservation Society
Document - Blueprint, portable stonebreaker, Austral Oitis Engineering Company, 1913
... Blueprint of portable stonebreaker designed 1913... Document Blueprint of portable stonebreaker designed 1913 ...Blueprint of portable stonebreaker designed 1913 by Australia Otis Engineering of South Melbourneengineering - roads streets lanes and footpaths, business and traders, austral otis engineering co pty ltd, stonebreaker -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Commemorative Pendant from the Sarah Coventry Jewellery Range c.1970s-1980s
... , with a central design of the Australian continent ... Coventry commemorative pendant, with a central design ...Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pendant has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery. A silver toned Sarah Coventry commemorative pendant, with a central design of the Australian continent sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pendant, necklace, necklaces -
Glenelg Shire Council Cultural Collection
Souvenir - Tea Towel - Australian Bicentennial, c. 1988
... blend, designed in Australia. Made in Poland; images of landing.... Cotton/linen blend, designed in Australia. Made in Poland; images ...Australian Bicentennial calendar tea towel. Cotton/linen blend, designed in Australia. Made in Poland; images of landing of first fleet, the gold rush, a city scene, Federation, Sydney harbour bridge and new Parliament House.tea towel, souvenir, tall ships, bicentenary -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir - Tea Towel Portland, Maretimo, 1977
... designed in Australia, made in Hong Kong..... Care label states designed in Australia, made in Hong Kong. ...Pure linen printed souvenir tea towel (black and green on ecru); Showing two views of Maretimo (Portland) and a map of its location in relatio to Portland Bay. Care label states designed in Australia, made in Hong Kong. -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Women's Official Occasions Floral Print Gilet Shirt, Wendy Powitt, c. 1992
... is an appliqued floral design of Australian flowers and leaves inspired... the front of the shoulders is an appliqued floral design ...About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing, where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The shirt is sleeveless and in majority cream coloured. Around the hem, buttons and across the front of the shoulders is an appliqued floral design of Australian flowers and leaves inspired by the designs of artist Margaret Preston. The appliqued pattern continues around the bottom hem but not over the shoulders of the shirt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
RMIT Design Archives
Work on paper - Newsletters, Fashion-Able, 1984
... of the Fashion Design Council of Australia Newsletter describes the role...The Fashion Design Council of Australia Newsletter...-Able The Fashion Design Council of Australia Newsletter ...The Fashion Design Council (FDC) was founded by Robert Buckingham, Kate Durham and Robert Pearce in 1983. This issue of the Fashion Design Council of Australia Newsletter describes the role, purpose and motivation of the FDC. It also lists the programme of events for November 1984 - September 1985 and includes minutes of the General Meeting held 16th June 1984. The newsletter was designed by graphic designer, Robert Pearce. The FDC ceased operation in 1983, and its archive of some 1,500 artefacts is held at the RMIT Design Archives.The Fashion Design Council of Australia Newsletter. It describes the role, purpose and motivation of the Fashion Design Council. It also lists the programme of events for November 1984 - September 1985 and incudes minutes of the General Meeting held 16th June 1984.fashion design, australian fashion, graphic design -
Ballarat Heritage Services
Photograph, Ceramic Bottle by Maldon Pottery
... design depicting an Australian landscape in the 'continuous trees... of a hand thrown ceramic bottle, with glaze design depicting ...Maldon Pottery was established in 1973 by Neville Wilson (1946-1996), Tom Metcalf (1948- ) and Graham Masters (1950- ) on Barringhup Road, Maldon, Victoria. Tom Metcalf and Graham Masters Masters graduated from Bendigo College of Advanced Education all Bendigo graduates. Wilson ) He was a skilled drawer and did all the brushwork. Metcalf (1948- ) graduated in 1968, did two years' work experience at Non-porite in Melbourne, then worked as a thrower and decorator at Bendigo Pottery from 1971-73. He is T.M. on Epsom ware. Masters (1950- ) graduated in 1973 and established the Enterprise Pottery at Myers Flat with Morris Hesse in 1974, so must have joined the partnership later than the others. He left in 1984 to set up his own Sweenies Creek Pottery. Metcalf left in the late 1980s, leaving Wilson to operate the pottery by himself until his death in 1996. As well as using the Maldon Pottery stamp, Wilson signed some of his work with his name or an impressed 'N'. Photograph of a hand thrown ceramic bottle, with glaze design depicting an Australian landscape in the 'continuous trees' pattern.maldon pottery, ceramics, australian studio pottery -
Glenelg Shire Council Cultural Collection
Souvenir - Tea Towel - Casterton, Victoria, c. 2011
... '; 'CASTERTON Birthplace of the kelpie'. 'Designed in Australia ©... AUSTRALIA'; 'CASTERTON Birthplace of the kelpie'. 'Designed ...Cotton souvenir tea towel. Back white, front yellow, green border, images of kelpies and sheep and a man on horseback rounding up sheep with a dog. Windmill and tanks, shed, trees and mountains in background. Black print: 'MUSTER TIME AUSTRALIA'; 'CASTERTON Birthplace of the kelpie'. 'Designed in Australia ©' in bottom bordersouvenir of casterton, kelpie, kelpie muster -
Trafalgar Holden Museum
Vehicle - Chevrolet Comaro, 2010
... Vehicle designed in Australia...Vehicle designed in Australia Designed in Australia Built ...Vehicle designed in AustraliaDesigned in Australia Built in the U.S by ChevroletYellow bodied with black stripes, 2 door CoupeOn front and rear boot cover Chevrolet Logo SS Grille RHS SS Right hand boot lid, Comaro both front mudguards vehicle, comaro -
Kew Historical Society Inc
Footwear - Pair of Two-Tone Leather & Suede Shoes, Paragon Footwear, 1970s
... The extensive fashion and design collection of the Kew... designed and made in Australia by Paragon. The label identifies... of this collection is shoes, designed and manufactured for Australian women ...The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Paragon Shoes Pty Ltd was one of the most significant 20th century Australian shoe retailers, and at one time was the largest manufacturer of high quality of women's shoes in Australia. Its factory was located in Melbourne, and its shoes were sold throughout Australia and New Zealand. (Museum Victoria)Pair of two toned brown leather and suede women’s shoes designed and made in Australia by Paragon. The label identifies the Paragon range as Belle Chasseur - Jessica. Genuine leather 7 1/2 Bwomen's shoes, pargon shoes, footwear, shoes -
Yarra Ranges Regional Museum
Pamphlet - Pattern, Crochet, Mary Cards Victorian Centenary Chart, 1934
... cloth design, featuring Australian animals, ships, buildings... of Mary Cards Victorian Centenary cloth design, featuring ...This crochet chart was designed by the twentieth century crochet pattern designer, Mary Card, for the Victorian Centenary in 1934. It was published in the Australian Home Beautiful magazine on November 1934. The chart was published in four sections, with instructions for working it as a complete piece. Mary Card lived in Olinda and published books of her patterns and individual patterns in Australia, American and English magazines from 1909 until the 1930s.Giant paper crochet chart of Mary Cards Victorian Centenary cloth design, featuring Australian animals, ships, buildings and horseman. Chart has FLORENCE / MCNABB 1944 written in pen ar thje bottom. Over the orignial pattern which was printed with VICTORIAN / CENTENARY 1934. Chart is in 4 pieces, each attached to Cardboard. Written on with ink: 12-4-44 On back : No 1, No 2 , No 3, No 4 mary card, centenaries, crochet patterns