This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Caulfield Heritage Management Plan 1996 by Andrew Ward In 1889, Thomas B Jackson, an architect in Shoobra Road, owned lots 61-63 at the north­ west intersection with Clarence Street. He built the two red brick houses, each of 10 rooms, known as "Kenly" and "Nulmore" (later "Brampton") in that year. By 1894, P. Langwill had purchased the property, leasing it to Fred Henriques, an accountant. Alfred Pearson a government chemist, was occupying tenant by 1899. The property was known as ''Kenly''. In 1910, the house was vacant, however, in 1920, James Edmends was living there and continued to do so in 1930. By 1941, Edmends had moved to No. 32, and Alfred Williamson was in residence. "Kenly'' is important as an unusually imposing Elizabethan influenced villa in Caulfield, comparing with nos. 25 and 36 Gladstone Parade. Its importance is enhanced by its substantially intact state whilst its link with local architect Thomas B Jackson is of interest.Page 53 of Photograph Album with two exterior photographs (one portrait and one landscape) of a double storey brick mansion.Hand written: 34 Gladstone Parade [top left] / 53 [bottom left] trevor hart, 1880's, 1890's, gladstone parade, eversley, victorian, double storey, clarence street, architectural features, nulmore, brampton, kooyong park estate, architect, shoobra road, elsternwick, kenly, elizabethan influence, thomas b jackson, p langwill, fred henriques, alfred pearson, james edmends, alfred wiliamson, house names

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Double-fronted polychrome brick villa in Gladstone Street, Kew. The Historian Dorothy Rogers identified this as Gladstone's house on the back of the photograph. The street had in fact been named after the Prime Minster of England so the naming of the house requires investigation.Gladstone's Housegladstone street, kew, dorothy rogers

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property now known as Eversley, formerly Nulmore then Brampton. From Caulfield Heritage Management Plan 1996 by Andrew Ward In 1888, C. Hume owned lots 61, 62 and 63 in the Kooyong Park Estate, on the northwest corner of Gladstone Parade and Clarence Street. In 1889 Thomas B. Jackson, architect, of Shoobra Road, purchased the land and in the same year built a ten roomed brick house on lot 63 and part lot 62. Jackson leased the property to William Dalrymple in 1890. By 1894, the property was owned by P. Langwill and leased to James Ainslie, an accountant. By 1899, Frederick Henriques had moved into the house, which was known as ''Nulmore". In 1910, the house was vacant. In 1920, it was leased to Augustine Barbeta who continued to live there in 1930. By 1934, the house was renamed ''Brampton". ''Nulmore" is locally important as an unusually imposing Elizabethan influenced villa in Caulfield, comparing with nos. 34 and 25 Gladstone Parade. Its link with local architect Thomas B Jackson is of interest. Page 52 of Photograph Album with two exterior photographs (one landscape and one portrait) of Eversley , a double storey mansion.Hand written: (36 )[top right] / "Eversley" N.W. cnr Gladstone Parade & Clarence Street [top right] / 8 Oct 1966 [under top left photo] / 52 [bottom right] trevor hart, 1880's, 1890's, gladstone parade, eversley, victorian, clarence street, architectural features, nulmore, brampton, kooyong park estate, architect, shoobra road, hume, elsternwick, double storey mansions, thomas b jackson, william dalrymple, p langwill, james ainslie, frederick henriques, augustine barbeta, elizabethan style, house names

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Gladstone Street, Kew by Margaret Picken.3 GLADSTONE ST., KEW / MARGARET PICKEN '94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 gladstone street -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 23 Gladstone Street, Kew by Margaret Picken.23 GLADSTONE ST., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 23 gladstone street -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 35 Gladstone Street, Kew by Margaret Picken.35 GLADSTONE ST., KEW / MARGARET PICKEN '91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 35 gladstone street -- kew (vic.)

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. House is commonly spelt as "Payneswicke".From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates "Payneswicke" is locally significant as a prominent and substantially intact villa of its period, distinguished by its cast cement enrichment, unpainted stuccoed surfaces and commanding aspect to the south-west. Its role for a period as home for local builder, Patrick Millane (compare no. 11 Gladstone Parade) is of interest. In 1889, a nine roomed brick house was in the course of erection on the site. The house was completed in 1890 and Millane took up residence. Millane continued as owner/ occupant in 1894. However, in 1899, although Millane still occupied the house, ownership had been taken over by the Land Mortgage Bank. By 1910, Andrew Brown was occupant. Occupancy passed to Edward Brown by 1920 and to Miss A.N. Brown by 1930. Miss Brown continued to live there in 1941.Page 50 of Photograph Album with three exterior photographs (2 landscape and 1 portrait) of Paynswicke, a double storey house.Hand written: No 13 [top right] / "Paynswicke" N.E. cnr Gladstone Pd & Hartington St [top right] / 8 Oct 1966 [under top left photo] / 50 [bottom right] trevor hart, 1880's, 1890's, payneswicke, patrick millane, gladstone parade, unpainted stuccoed surfaces, cast cement enrichment, hartington street, villa residence, italianate, elsternwick, victorian, mansion, cast iron verandahs, return verandahs, curved windows, full length windows, land mortgage bank, andrew brown, edward brown, a n brown, paynswicke

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.The house in Gladstone Street, Kew, rented by the family of Josiah Barnes until his death in 1921. J.E. Barnes, also known as the embarkation photographer, was Kew's most significant photographer."Home of Mr. Barnes photographer. He took many school photos. Gladstone St., Kew. Morwell Hodges mentions him in book. One of his daughters was the well known Sister Gertrude of St Georges"josiah 'earl' barnes, j.e. barnes, gladstone street (kew), dorothy rogers

Bell from Gladstone, 1943

Black and white photograph of Councillor R.G. (Roy Gladstone) Wilkins c.1929 +Additional Keywords: Wilkins, Roy Gladstone, Cr.

World War I record of Leowyn Ewart Gladstone Gamble who was a local resident.World War I record of Leowyn Ewart Gladstone Gamble who was a local resident.gamble, leofwy ewart gladstone, world war 1914 -1918, city of whitehorse

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of a double-fronted weatherboard house in Gladstone Street, Kew."Gladstonville. Built 1904 / 7 / Photo 1960 / I was born there 1905"gladstonville, houses - gladstone street -- kew (vic.)

This bag is one of a number of objects gifted to the Kew Historical Society in 2015. A number of the items relate to F.C.M. McArdle, the donors' father. Others belonged to his relatives. Some of the items testify to the family's close connection with the Sacred Heart Church in Cotham Road, Kew.Brown leather gladstone bag with intact metal fittings. The bag is embossed in gilt with the initials of the owner - J.M.Embossed initials: "J.M."gladstone bag, mcardle family, bags

Frances Gertrude Gladstone was born on the 18th of September 1919 to Arthur George Ladson and Gertrude Hunrick Irving. France's grandfather, Alfred Ladson, came Beechworth from Norfolk, England, during the gold rush. Alfred had a grocery business, and was well known for writing letters for the miners to send to their families. Alfred also travelled to Beechworth with his sister, who was a trained nurse and helped establish a hospital for the goldfields. Frances remembers her father saying the Chinese miners were not allowed to bring their families to the goldfields, hence there were no Chinese children in schools around Beechworth. Frances was an avid botanist, and wrote a book called 'The Little Huntsman', which she wrote while watching her husband gold mining. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Frances Gladstone's story is significant, as she remembered important information about Chinese miners in the gold rush, explained the role of women in the 20th century in Beechworth, and the history of the hospitals in the region. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, burke museum, botanist, chinese miners, goldmining, gladstone

Information and photograph about the railway bridge at Para Road and Gladstone Road Greensborough.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.railway bridge greensborough, gladstone road briar hill, para road greensborough

Digital images of houses at corner of Gladstone and Sherbourne Roads Briar Hill in 2021. This site was previously Crystal Car Wash.Part of a collection of miscellaneous historical images with a connection to the local area.Digital photographs. sherbourne road briar hill, gladstone road briar hill

This view of Bicton Street Greensborough, taken from Gladstone Road Briar Hill circa 1950 shows the rural nature of the suburb at this time.Digital copy of black and white photo.bicton street greensborough, gladstone road briar hill

Murray Comrie Collection. The building depicted was previously used for Barnes' Store at Waanyarra, later relocated to Tarnagulla. William Barnes was a tailor at Tarnagulla and Waanyarra in the 1860s. By the late 1870s the family was living at Grassy Flat. The building was located on the south-eastern corner of the Gladstone-Victoria Street intersection, and for many years housed the chaff-cutting operations of the Calder family. The building gradually fell into disrepair, and was completely dismantled in the 1990s. Monochrome photograph depicting part of a building, known as Calder's Shed in Gladstone St, Tarnagulla This dark, poor quality photograph was probably taken in the late 1960s. tarnagulla, waanyarra, buildings, calder, barnes, shed, stores

Black and white photo of the "The Gang", in Gladstone Street, Montague, C. 1920sdomestic life, societies clubs unions and other organisations

Map: Parish of Bealiba, County of Gladstone. Parish plan.By Authority H.J. Green, Government Printer. Photo Lithographed at the Government of Lands and Survey Melbourne. 15.9.31map, gladstone, parish plan, bealiba, gladstone

Map: Parish of Archdale, County of Gladstone. Parish plan. The Allotments have been coloured in with pencil.By Authority H.J. Green, Government Printer Melbourne. Drawn and Reproduced at the Dept, of Lands and Survey, Melbourne, Victoria. 15/01/36map, gladstone, parish plan, archdale , gladstone

JANE GLADSTONE WAS THE MOTHER OF ALEX GLADSTONE.DAVIDSON. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX.SEPIA COPY OF PHOTOGRAPH OF JANE GLADSTONE NEE THOMSONlocal history, photography, photographs, costumes - female

Map: County of Gladstone, map sheet showing the whole of the County and the Parishes within. Scale 2 Miles to 1 inch.Engraved at the Department of Lands and Survey Melbourne. 1958. By Authority of W.M. Houston, Government Printermap, gladstone, parish plan, gladstone

35mm colour positive transparency Mount - Kodak Kodachrome Cardbriar hill, briar hill timber & trading, erie's pottery, gladstone road, infrastructure, sherbourne road