On 8th August 2002, 19 large banners each 18 metres long, each made from hundreds of square pieces of fabric with images and messages, were attached to the side of McKillops Bridge at Deddick, Victoria. This bridge spans the Snowy River and is a significant crossing point in an isolated location. This ceremony was the culmination of a large multi-community project titled 'Banners of Hope', initiated as a focus on the 'year of the outback'. Many people, community groups, and schools contributed to this project, each coming from different locations associated with East Gippsland and with the Snowy River in particular. This video compilation is significant because it is a record of a significant community project called 'Banners of Hope' staged at McKillops Bridge during the Year of the Outback, 2002.A video inside a plastic case. The front cover of the case has a compiled image of a large bridge and also a large multi-coloured banner of many squares beside it. The words Unveiling Hope are printed in gold/cream above the image. Unveiling Hope on McKillops Bridge Year of the Outback 2002banners of hope, year of the outback, snowy river, mckillops bridge, orbost, deddick

Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.Marble statue of Hopegreenwich, stone, museum, chapel, statue, hope

This book has been compiled by the East Gippsland Community Leadership Program 2021 on behalf of East Gippsland Communities. It contains many individual stories of personal experiences from people and workers who lived through the huge conflagrations during late 2019 and early 2020. These fires were enormous, with huge impact for much of Victoria and nearly all of East Gippsland. Survival, recovery and hope are amongst the many themes. It is a book with many authors who contributed their stories and recollections. This book is significant because it records many personal memories of those who lived through the destructive 2019/20 Black Summer Fires in East Gippsland.A large format book titled Heartbreak to Hope. The front cover has a all-over coloured photograph of a sky, grassland paddock, and fence in the foreground. The back cover has an all-over photograph of green leaves overlaid with printing. Heartbreak to Hope Community reflections from the drought and 19/20 Black Summer Fires of East Gippsland.bushfire, drought, east gippsland, 2019/20 black summer fires

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Colour photograph of Reverend William J. Keane and Denise Keane at the baptism of their daughter Amanda Hope Keane. Grandfather Len Jackson also present."C&N 14/11/86 Amanda Hope Keane daughter of minister and his wife Wonthaggi"keane, william j., denise keane, amanda hope keane, len jackson, wonthaggi, uniting church minister

This window, in memory of Alice Sibthorpe Tracy, was unveiled on 31 October 1933 by the Right Reverend R. Stephen D.D. along with the brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (AR 1933). "A scheme has been set in operation to raise funds so that a memorial may be erected to Miss A. Sibthorpe Tracy, who has done so much for the Victoria Missions to Seamen. It has been decided that a companion window to that of "The Light of the World" will be placed in St. Peter's Chapel, the design being that of a figure of Hope with her hand on a ship's anchor. The window will show a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. Mrs J. W. Begg, of Stonehaven Avenue, East Malvern, S.E.5, is the honorary treasurer of the fund." (Article published in the Herald, 29 August 1933)Arched windows depicting the female figure of Hope with her hand on a ship's anchor in a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, alice sibthorpe tracy

This photo contains three children, George, Hope and Joyce Barnes, who were the children of George Charles Barnes and Ada May nee Butterworth. Taken circa 1920 in the Melbourne, Victoria. They are the grand-children of Thomas Crockley Barnes and Frances Henrietta Douglas of Learmonth, Victoria.It is one of the many precious photos held by the Learmonth and District Historical Society Inc.An oblong shaped small photo showing George, Hope and Joyce Barnes which is of sepia coloring,Nil

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. W. E. R. Hope, Mayor of Kew in 1952-3 and 1967-8. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.E.R. Hope / Mayor 1952-3, 1967-8 Stuart Tompkinsmayors of kew (vic), cr. w. e. r. hope, australian photographers - stuart tompkins, kew (vic.) — municipal collection

As part of the Crelebration of the Year of the Outback, McKillop's Bridge in the Deddick Valley was hung with nineteen banners made by individuals and groups of East Gippsland. Banners containing thousands of messages of hope and optimism for the future of rural communities were suspended from he bridge in the Snowy River National Park, in front of a three hundred strong crowd that had assembled. Sister Helen Barnes from the Sisters of St Joseph Order, founded by Mary McKillop, initiated the project. This event was a significant event in local history and this item is a contemporary recording of it.A D.V.D. titled, Unveiling Hope. On the front is a coloured photograph of McKillop's Bridge in the Deddick Valley.mckillop's-bridge banners-of-hope

This photograph was taken on the occasion of the appointment of Steve Bracks to the University of Ballarat Council. Three men are seated on a bench outside a building at the University of Ballarat Mt Helen Campus. From left to right they are Professor David James (Vice-Chancellor). Steve Bracks (Parliamentary representative of University of Ballarat Council), Professor Patrick Hope (Pro Vice-Chancellor / Administration)university of ballarat, bracks, james, hope, council

The photograph was taken at the wedding of Spiroa and Yiannoula Fatouros which took place on 8 August 1924 at the Evangelismos Greek Orthodox Church in East Melbourne. They had four children: Peter Fatouros, Rita (Aphrodite) Paxinos, Helen Vlass (past treasurer of the Ithacan Philanthropic Society and Honorary Life Member) and Sia (Anastasia) Beasley. A sepia studio wedding photograph of a bride and groom. The groom is dressed in a dark suit and is seated on a Vienna chair. His bride is standing next to him. The photograph is backed on cream board.The Hope Studiothe hope studio, fatouros wedding

Family history of the Arnott Family Page 127 - Chapter 8 Move to StawellCard cover with five photographs 1 large B/W photograph of people on a Sailing ships deck. Below four Photographs 3 b/w and one colour photo. the colour photo is on the right shows a man in military uniform Red jacke with Gold raised collar and Epaulettes. then three b/w Portraits and teh thord show two people one of whom is in the army.Hope and Fulfilment A journey through time Geoff Arnottstawell, family history

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Single sheet of of white paper with printed header and a typed letter of reference signed by S Hope the editor of 'British Bandsman', a weekly paper.A pen signature - S. Copefrank wright, s cope, british bandsman, reference

Laminated newspaper poster for The Examiner, Tasmania. Saturday, June 4, 1994. 'Lease for fresh operator', 'Mt Lyell Mine - New Hope.

A soft purple covered book with an illustration of a woman in front of her housenon-fictionPersonal stories of women living in the western suburbs of Melbournewomen, diverse cultural backgrounds, 20th century western suburbs, social history

Photographs and Memories of the Grampians and Mt Lubra Fires 2005/06.Card cover of smoke from the 2005/06 fires in the Grampains.Beyond the Smoke Fires, destruction and images of hope Inside: Dedicated to all those touched by wildfirestawell

Black and white image of H.R.H. The Duke of Edinburgh and and his brother, in Mining Costume after descending the Band of Hope Gold Mine, Ballarat. R.M. Serjeant stands to the left. ballarat, band and albion gold mine, mining, duke of edinburgh, royal visit, princes, robert malachi serjeant, r.m. serjeant, royalty

Seven coloured photographs of Trieu Duong Tuong: Tuong playing with a pot and drum, a still from the Channel 9 news with Peter Hitchener and Feelix ambassador Sigrid Thornton, Tuong on a swing with an adult, Tuong with a ukele, a close up of Tuong's eyes, Tuong eating and Tuong in Vietname costume walking along St Kilda Road with the aid worker who helped bring him to Australia for the operation to relieve pressure caused by his undiagnosed glaucoma, Kim Thien Truong. Digital Image of framed collage of photographsThis plaque was presented to Vision Australia on October 2, 2011 by Kim's Foundation of Hope Inc. and its supporters for their outstanding dedication in improving the life of Trieu Duong Tuong. Many thanks. Kim's Foundation of Hope Inc. - Vong Tay Nhan Ai.vision australia foundation, children

Stapled booklet, marbled grey cover with dark blue print. Title and author within a rectangular double line border. Two pairs of parallel lines exted above and below this rectangle. WITH/TEACHING/NOTES printed and uderlined at lower right. non-fictionVintage booklet:A guide for children about eleven to fourteen years of age regarding hygeine, teperence and elementary first aid. Also includes techers notespublic health education, hygeine, first aid

Embroidered by Katherine Hope-Jones probably in the 1930's in Malvern, Victoria. Believed to have been a gift to her children's nanny. See letter in media. Bag for string. White cotton fabric with a circular floral pattern in variegated blue soft cotton. The background is entirely filled in with blue and white French knots.embroidery, surface stitchery, bags, 1920-40, australia

The land, the settlers, and the social institutions which found or altered the character of the small settlement of Colac, Victoria, and its district.Year of hope: 1857 in the Colac district. Dawn Peel. 1st ed. Colac (Vic); Dawn Peel; 2006. x, 212 p.; illus, bibliography. Soft cover. ISBN 0 646 46270 9For Irene - a fellow historian. Dawn Peel. 6/10/06.1857; dawn peel; land; politics; aborigines; religion; history; social institutions;

MEDIUM: Oil on kiln dried red gum (wood block) DESCRIPTION: Black figure och blue and white background, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky. The crane set in the lower centre of the canvas almost becomes secondary to the sky and cloud which dominate the wood block. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green, the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives it a strong focal point. Signed and titled on reverse of imageoil, de, hope, clario, industrial, photograp