Showing 244 items
matching mansion houses
-
Glen Eira Historical Society
Article - Webb Family
... Mansion Houses... Mansion Houses Sculpture Statues Article Webb Family ...There are six items in this file. A photocopy from 500 Victorians 1934 edition of Percy Barrett Webb, engineer, manufacturer, of Webb Brothers, City Road South Melbourne. Includes carton illustration and personal details. Handwritten biographical information about Charles Webb, architect. Includes list of properties designed and two pages of references. Handwritten lists of two properties associated with George Octavius Webb, 1871 and 1887. Handwritten list of one property associated with Walter E. Webb, 1891. Two original photographs and one photocopy of statue of Isabella Webb, daughter of Justice Webb d.1891 located in Glen Eira City Hall as of 2000. One photograph taken in 1981 includes Mrs. Marie Langton, left, and Mrs. Margaret Moscham. Verso is handwritten description of photographs and photocopy. These were donated by Mrs. Langton March 2000. Two pages torn from Melbourne Weekly Bayside, April 14, 2010 entitled A Manor of Magnificence from Windsor Hotel to Winston Manor Charles Webb’s legacy remains unmatched by Kay Keighery on buildings designed by Charles Webb. The record page comprises description of 2 Manor Street, Brighton, designed by Webb, for sale at five million dollars.webb percy barrett, webb charles, webb george octavius, webb isabella, webb justice, langton mrs. marie, moscham margaret, glen eira city hall, orrong road, caulfield, st. mary’s caulfield, glenhuntly road, glenhuntly, duffy f.g., hopetoun street, korang street, glen tana, glentana, bambra road, currall road, ballantyne k., architetcts, architectural features, architectural styles, architecture, churches, mansion houses, sculpture, statues -
Glen Eira Historical Society
Document - Robertson, Alexander William
... Mansion Houses... Robertson Hannah Elizabeth Goldsburgh Caulfield Mansion Houses ...Two items. Photocopied typed pages from the National Trust of Australia, includes forty-two poor copies of family photographs and a summary of information about Alexander William Robertson and LABASSA. 2 Manor Grove, Caulfield, by C. Kelloway, dated 03/02/1981. One handwritten page of references relating to Alexander William Robertson, life and business connections, undated, author unknownrobertson a.w., ontario, labassa, billing richard annersley, orrong road, cobb and co., coaches, house names, judge, carriers, robertson emily davidson, pastoralists, robertson hannah elizabeth goldsburgh, caulfield, mansion houses, goldsbrough and co., wool industry, koch j.a.b., architects -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: EXPANSIVE
... . Expansive: Burnewang mansion, coach house and stables, 1905... Inc. History House 11 Mackenzie Street Bendigo goldfields ...Bendigo Advertiser ''The way we were'' from 2000. Expansive: Burnewang mansion, coach house and stables, 1905. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Armytage House, Geelong, 2019, 24/03/2019
... 'Armytage House' formerly 'The Hermitage' a two storey... mansion houses in Victoria. The Ionic portico and exquisitely ...'Armytage House' formerly 'The Hermitage' a two storey Barrabool freestone ashlar and basalt rubble mansion was upon completion in 1860 one the finest colonial regency style mansion houses in Victoria. The Ionic portico and exquisitely proportioned, encircling wrought iron verandah is the most distinctive feature of this mansion, which is undoubtedly Edward Prowse's most impressive work. The mansion has considerable and important historical associations, firstly with the Armytage family, and finally with the Geelong C.E.G.G.S (1905-1973) (https://vhd.heritagecouncil.vic.gov.au/places/21747/download-report, accessed 25/03/2019) 03 May 1858 - Tender Notice in Geelong Advertiser 27 April 1860 - tender for iron gates 15 October 1860 - tender for stone wall and iron railing.armytage, armytage house, geelong, edward prowse, barrabook freestone, the hermitage -
Bendigo Historical Society Inc.
Document - NORTHERN DISTRICT SCHOOL OF NURSING: TRIBUTE, 8/6/1989
... Examinations.The old mansion,LISTER HOUSE, belonged to Bendigo's golden... Inc. History House 11 Mackenzie Street Bendigo goldfields ...Document, Northern District School of Nursing, farewell to Lister House. It is with Pride and sadness that we say farewell to LISTER HOUSE.This will end 39 years of Nurse Training unique in Australia. The final farewell to student nurses in the present Certificate Course at the Northern District School of Nursing will take place on June 8th,1989 when School 108 completes Examinations.The old mansion,LISTER HOUSE, belonged to Bendigo's golden years of the 19th Century. By courtesy of Ron Webb and Jenny Reid. The front cover depicts a drawing of Lister House by G.Samson '81.Ron Webb and Jenny Reiddocument, lister house -
Federation University Historical Collection
Photograph, Ballarat photographs by Geoff Biddington, 1967
... the property in 1919, the mansion was renamed Manifold House. Manifold... in 1919, the mansion was renamed Manifold House. Manifold House ....6) Australian Catholic University Ballarat Campus (Aquinas) is set in the historic gardens of Carn Brea, formerly the property of Cornish miner Cyrus Retallack. The property includes a two-storey mansion, which he built as his family home in 1881. Carn Brea, a castle in Cornwall, was built in the 1500s. After the Queen's Church of England Girls' Grammar School acquired the property in 1919, the mansion was renamed Manifold House. Manifold House now accommodates administrative facilities of the campus and staff offices. (http://www.acu.edu.au/about_acu/campuses/ballarat/history_of_ballarat_campus, accesses 21 August 2014)Nine black and white images by Geoff Biddington. .1) Burke and Wills Monument, corner Sturt Street and Lydiard Street, with the MLS Building and Allan Brothers in the background. .2) Former Ballarat Post Office (later Federation University Post Office Gallery) .3) Tram in Sturt Street .4) Geelong ? shopping centre .5) Geelong Waterworks and Sewerage Trust .6) Carn Brae / Retallacks / Queen's / Australian Catholic University, 1200 Mair Street .7) Former Ballarat Post OFfice, Lydiard Street .8) Perseus Statue, Camp Street (removed for conservation in 2008) .9 McDonald Printer, 48 Lydiard Stgeoff biddington, ballarat, ballarat post office, geelong waterworks, perseus, mcdonald, acu, carn brae, australian catholic university ballarat, burk and wills monument, mlc building ballarat, allan brothers ballarat, lydiard street, sturt street -
Bacchus Marsh & District Historical Society
Map, Plan of the property of Messers Aitkins and Clarke to be sold at the Mansion, Bacchus Marsh 19th April 1856
... and was in and around their Manor House (Mansion) property in Bacchus... and was in and around their Manor House (Mansion) property in Bacchus ...This plan of land allotments for sale indicates the property once owned by the Bacchus family in and around the township area of Bacchus Marsh. The Bacchus family sold their property in Bacchus Marsh to John Aitkins and Robert Nalder Clarke in March 1851. Aitkins and Clarke kept the property for a number of years until April 1856 when these allotments were put up for sale.This is a very early land sales plan for the township of Bacchus Marsh and it therefore provides some clues as to how the early urban development of the township took place. Upon seeing the map in 1911 Bacchus Marsh Express newspaper editor Christopher Crisp wrote "The sale appears to have created the present township, which had a nucleus in earlier times further east", Express, 30 September, 1911, page 3.A single page paper plan showing allotments of land for sale. The subdivided shown was owned by John Aitkins and Robert Nalder Clarke, but previously owned by the Bacchus Family and was in and around their Manor House (Mansion) property in Bacchus Marsh.There are 5 portions of land further divided into numerous small portions. The land for sale is bounded by the present day streets of Main Street, Young Street, McFarland Street, Morton Streets, Crook Street, and part of the eastern section extends to the Lerderderg River. The plan is pasted into a bound volume containing 76 maps or plans in total. BMDHS Loc: AR/B12/S4 Bacchus Marsh Township and Nearby Districts Maps Volume In-house Digital copies: BMDHS, Computer Network: Maps\Bacchus Marsh Township and Nearby Districts Maps VolumeHeading: Plan of the first portion of land. The property of Messers Atkins and Clarke situate at Bacchus Marsh. To be sold by W.M. Tennent & Co. at the Mansion on the Ground on Saturday the 19th April 1856. Below heading: Jas Ferguson, Lithographer On upper right side: Subdivided by R.C. Bagot London and Liverpool Chambers, Melbourne.bacchus marsh victoria maps, bacchus family, land sales, manor house bacchus marsh -
Glen Eira Historical Society
Album - Album page, Labassa, 4 Manor Grove, Circa 1972
... roomed mansion. The existing house was extended and altered... roomed mansion. The existing house was extended and altered ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass. From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 128 of Photograph Album with four photographs (two portrait and two landscape) of Labassa.Handwritten: "Labassa" 4 Manor Grove [top right] / Neg 232 8 Oct 1966 [under bottom right photo] / 128 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, victorian, cast iron work, john koch, richard billing, architects, electrification, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture -
Glen Eira Historical Society
Album - Album page, Labassa, 4 Manor Grove, Circa 1972
... roomed mansion. The existing house was extended and altered... roomed mansion. The existing house was extended and altered ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass.From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 129 of Photograph Album with three landscape photographs of Labassa. One of the photographs is of Labassa's drive and gates.Handwritten: 4 JUNE 1910 / SALE JUNE 28 1910 "LA BASSA' / "AUSTRALASIAN" FORMERLY "ONTARIO"/ RES OF JOHN B WATSON / 15 ACRES 3 ROADS [under bottom left photo] / 4 JUNE 1910 [under bottom right photo] / 129 [bottom left]trevor hart, bracketed eaves, intricate lacework, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, gates, cast iron work, richard billing, architects, john koch, electrification, victorian style, drives, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Art Gallery at Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Doorway of Clifton Pugh's former house at Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, c.1995
Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 14 May 2016
Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry -
Glen Eira Historical Society
Article - Glen Eira
Six items about the Glen Eira Mansion. Letter dated 2/06/2012 from the St Kilda Historical Society to Glen Eira Historical Society asking for further information as well as providing some items on Glen Eira’s history Attachment to above letter of information about Glen Eira printed from Melbourne Mansions Database on 30/05/2012 about Glen Eira House referencing the Argus newspaper for 10/03/1865 and 25/07/1881, ‘Sand, Swamp and Heath’, ‘Caulfield’s Building Heritage and Pioneer Families’. Entry is dated 27/06/1997. Second attachment to above letter of a memo detailing information about Glen Eira mansion form History and Heritage Officer at City of Glen Eira together with an image extract of birth notices from the Argus 22/5/1863 re the birth of a daughter to W.Lamborn Esq on 20/05/1863 at Glenalry house Caulfield Third attachment to above letter of questions and parish plan image re properties including area occupied by Glen Eira from Heritage Officer St Kilda Historical Society Southern Scenarion quarterly newsletter of the Royal Southern Memorial Hospital Issue No. 7 Winter 1988. It contains a black and white photograph of Glen Eira with a brief history of the residence and owner on P 2 plus an article on P 3 about the bequest from the late Rudolph Ashley Ricketson for the Ashley Ricketson Centre in the hospital. Demolition of the mansion occurred in 1965. Newspaper article (source & date unknown) about the bequest from Ashley Ricketson of $10.5 million to the Southern Memorial Hospital in Caulfield. It is on the site of Glen Eira, demolished 4 years prior. A sketch and photo of the hospital.glen eira, glen eira house, ricketson henry, lamborn william, kooyong road, caulfield, alison road, seymour road, beemery park, elsternwick, watts thomas, mansions, sargood frederick, rippon lea, australian general military hospital no. 11, southern memorial hospital, architects, staniforth georgina, were edith alice mary, were jonathon binns, fulton thomas, caulfield district crown land, glen huntly road, glen eira road, hawthorn road, military hospitals, ricketson rudolph ashley, towers, jacka albert captain vc, the white house, soldiers, hospitals, caulfield geriatric hospital, glenalry, caulfield roads board, foot henry boorn, surveyors, southern scenario, ashley ricketson centre, royal southern memorial hospital, best joan mrs, caulfield grammar school, the white house, barrata, house names -
Glen Eira Historical Society
Article - Billing, Richard Annesley
... residence. Mansion Sylliott Hill House names Balaclava Road Orrong ...Two documents regarding Sylliot Hill, home of judge Richard Billings. 1. Three photocopies of the notice for sale/lease of Sylliot Hill, Judge Billing’s house, in The Argus of 02/09/1882 2. Handwritten research notes by Peta Darke, dated 24/05/2011, concerning the history of Judge Billing’s residence.mansion, sylliott hill, house names, balaclava road, orrong road, labassa, st kilda east, billing judge, judges, stables, coach houses, stained glass, ferguson and urie, crouch and wilson, towers, pearson william, paddocks, robertson alexander, cobb and co, ontario, verandahs -
Glen Eira Historical Society
Document - Christian Family
Six documents on the Christian Family. Nine typed pages by Robert Trumble dated 08/02/1974. Extracts taken from two books written by him about the Christian family in Australia. Three pages about Thomas Christian and Myoora from Caulfield Historical Society Newsletter April/June 1974. Handwritten notes on Thomas and Violet Christian from 1886-1891, possibly taken from Rate Books, unsigned and undated. Handwritten information from the Public Record Office Victoria giving extract of register of Wills, Vol.W1, page 39 Christian, Thomas. Unsigned and undated. Photocopied UK incoming passenger list dated 28/04/1899 showing Mrs. Christian, eight children and maid on the ship Wakool, from Ancestry.com.au Newspaper item dated 26/01/2013 from the Saturday Age mentioning Coolart Homestead, late Victorian mansion, owned at one stage by Tom Luxton who was married to Gertrude Christian.christian thomas, christian violet mary, christian dorothy, christian emily, barclay frank, baker blanch miss, christian florence, trumble hugh, christian arthur james, christian may, player charles dr., llaneast, house names, player janet, player alison, player dorothy, myoora, christian gertrude, christian grace, richards henry caselli, richards harry, trumble robert, trumble kathleen, christian dorothy, dandenong road, caulfield, luxton thomas j., trumble ken, christian edgar john, emery irene, the golden age of cricket, the trumble family in australia, dunstan john r., o’donnell j., caulfield historical society, alma road, hawthorn road, dandenong road, craigellachie, orrong road, p.c. day dawn, p.c. gold mining company ltd., charters towers, mines and mining, gold mining, balconies, verandahs, cast iron work, towers, stained glass, mansions, ievers william, pfeiffer frederick, newmann violet mary, lloyd john charles, architects, menderson anketell, brooke family, servants, stairs, teacher work, cellars, flats, slate tiles, roofs, chimneys, fireplaces, land subdivision, coach houses, reed henderson and smart (architects), wills, ships, wakool -
Glen Eira Historical Society
Article - Ricketson Family
... Henry ‘Glen Eira’ House names Mansion Kooyong Rd Southern ...Four items on Ricketson Family. 1.7 photocopied pages (2 copies) on family of Henry Ricketson, his pastoral enterprises and other business areas. The article from Henderson's 'Early Pioneer Families of Victoria and The Riverina' also gives his family tree line and historical lineage. Includes 13 photocopied photographs. Third copy of 8 pages (with title page) from bound copy of this excerpt. 2.Handwritten page of Caulfield Rate book details from 1866 to 1892. 3.Poor photocopied articles about fundraising for the Southern Memorial Hospital from the Australian Womens Weekly dated 04/04/1973. Includes photograph of ‘Glen Eira’. 4.Photocopied article on Staniforth Ricketson, from the Weekend Australian dated May 14 to 15, 1988, detailed article on his business, J.B. Were and son, his military life, his firms expanding into overseas and interstate branches and political areas of his life.ricketson henry, pioneer, athletes, horseriders, ricketson joseph, staniforth georgina, glen eira, caulfield, ricketson henry william, ricketson henry joseph, military hospitals, ricketson frederick william, ricketson charles nightingale, ricketson amy alice georgina, staniforth, were edith alice mary, ricketson rudolph ashley, ricketson esther edith, ricketson henry lancelot, cumloden, ricketson sophia henrietta, ricketson henry clifton keith, ricketson earle, ricketson leonie lyell, ricketson lois, ricketson staniford, ricketson mary gwendolyn, ricketson john staniford, ricketson peter, ricketson antony, ricketson michael staniford, ricketsongwendolyn elizabeth, ricketson anne staniford, ricketson georgina sherbourne, ricketson olive elarie, ricketson jean staniford, ramsey harry doughty, ramsey jean staniford, ramsey hugh staniford, ramsey joan winifred, ramsey doris valdene, ricketson kenneth, menzies kenneth, menzies william alexander, george dorothy mary, ricketson barrie were ashley, quakers, ricketson margaret, ricketson james henry, ‘glen eira’, house names, mansion, kooyong rd, southern memorial hospital, j.b. were and son -
Glen Eira Historical Society
Document - Shoobra Road, 41, Elsternwick
... Shoobra House Mansion Architectural styles Biggin and Scott Real ...Two items about this property. 1) Three unattributed newspaper articles on 41 Shoobra Road Elsternwick, dated 03/11/2004 and 27/01/2001 and 2011. Includes seven coloured photographs showing façade and interior rooms for upcoming sale. 2) Researched notes by Claire Barton, dated 22/06/2012, on residents/owners at 41 Shoobra Road, from Sands and McDougall editions 1910, 1913, 1923, 1942, 194 and 1960.shoobra road, elsternwick, shoobra house, mansion, architectural styles, biggin and scott, real estate agents, stefanis angelos, stavrakis bill, buxtoms, ione, house names, neville jas f, neville e i miss, ackland h l, neville james, cast iron work, glen huntly road -
Glen Eira Historical Society
Article - Shoobra Road, 47, Elsternwick
Two items about this property. A newspaper article from Melbourne Weekly dated 09/05/2012. Article gives brief history on home owners and interior design features. Includes seven colour photographs of mansion. Handwritten notes taken from Sands and MacDougall on 47 Shoobra Road from editions 1910, 1913,1923,1942,1948 and 1960, gives occupiers name changes over the years. No mention of any Chinese owners despite claim in Melbourne Weekly Bayside of 09/05/2012. Researched by Claire Barton, 22/05/2012.chinese community, market gardens, victorian style, deeside, house names, architectural features, gardens, mantle pieces, towers, ceiling rises, shoobra road, elsternwick, biggin and scott, marble, balconies, fireplaces, real estate agents, clerehan neil, keighery kay, cast iron work, richard fred w., graydon n.e., graydon alice mrs., graydon c.w. -
Glen Eira Historical Society
Document - Nithsdale
One document about this property: 1/Photocopy of Caulfield Conservation Study by Andrew Ward dated August 1994 - gives architectural features of 133 Kambrook Road, and notes that original 1858 house is still visible. The article also mentions that further additions to the house from 1860 to 1925 eventually upgraded the home to mansion status. The history lists all owner/tenants from 1858 to 1925. Includes two poortly reproduced photos.kambrook road, 'nithsdale', house names, mansions, italianate style, architectural styles, crouch thomas, caulfield north, chambers j., glen eira road, stables, ironmongers, maxwell charles, ogilby james, bambra road, hobbys william, smith dudley, grazier, ward andrew, millers, brockhoff adolph -
Glen Eira Historical Society
Article - Elizabeth Street, 30, Elsternwick, formerly Trengrove
A one page article from the Southern Cross newspaper, dated 09/12/1998, on page 12, for the auction of the mansion at 30 Elizabeth Street. The article includes a brief history of the existence of a 1908 property called "Trengrove", occupancy of the current house built for Mrs SJ Hannon after the demolition of "Trengrove" in 1937, mention of the Edna Walling-designed garden, a description of the property and the interior plan and three colour photographs (168mm x 121mm; 59mm x 78mm; 58mm x 73mm) taken by Maurice Grant-Drew.rippon lea estate, elizabeth street, elsternwick, sargood fredericl sir, bent thomas, hannon s j mrs, georgian revival style, gardens, architectural features, walling edna, flats, house names, talbot birner morley, trengrove, architectural styles, grant-drew maurice -
Eltham District Historical Society Inc
Photograph, Ian Jelbart (right) and Robert Marshall (centre) at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.8 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, kinloch gardens, robert marshall, woodridge estate -
Eltham District Historical Society Inc
Photograph, Architect Graeme Gunn with unknown guests at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, kinloch gardens, robert marshall, woodridge estate -
Eltham District Historical Society Inc
Photograph, Nillumbik Shire President Robert Marshall on left with Architects Ian Jelbart (centre) and Graeme Gunn at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.4 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, kinloch gardens, robert marshall, woodridge estate -
Eltham District Historical Society Inc
Photograph, L-R: Architect Ian Jelbart, Nillumbik Shire President Robert Marshall, Nillumbik Cr. John Graves and Architect Graeme Gunn at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.3 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, ian jelbart, jelbart property, john graves, kinloch gardens, robert marshall, woodridge estate -
Eltham District Historical Society Inc
Photograph, L-R: Christine and Ian Jelbart, Robert Marshall, John Graves and Graeme Gunn at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.8 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, christine jelbart, eltham, graeme gunn, houses, ian jelbart, jelbart property, john graves, kinloch gardens, robert marshall, woodridge estate -
Eltham District Historical Society Inc
Photograph, Christine Jelbart (left) with two unknown women at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, christine jelbart, eltham, houses, jelbart property, kinloch gardens, woodridge estate -
Eltham District Historical Society Inc
Photograph, Nillumbik Shire President Robert Marshall (left), Planning Minister Rob Maclellan (centre back to camera) and Cr. John Graves (right) at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, houses, jelbart property, john graves, kinloch gardens, rob maclellan, robert marshall, woodridge estate -
Eltham District Historical Society Inc
Photograph, Tom Higginbottom (left) at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.15 images; digital file only; created from scan undertaken by EDHS of a set of 29 colour 10 x 15 cm prints arthur street, eltham, houses, jelbart property, john graves, kinloch gardens, woodridge estate -
Eltham District Historical Society Inc
Photograph, In front of the Barn at the launch of the Kinloch Gardens development, 93 Arthur Street, Eltham, April 1998, Cr. John Graves at rear, April 1998
Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 29 colour 10 x 15 cm prints arthur street, eltham, houses, jelbart property, john graves, kinloch gardens, the barn, woodridge estate