Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Keith Wingrove bookplate featuring a koala carrying a book.norman lindsay, bookplate, lyttlewood press, koala

Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Etched bookplate for Francis Crossle showing a nude male angel and a nude woman above a crestOn plate "Credo et amo Francis Crossle"bookplate, lyttlewood press, norman lindsay, francis crossle, etching, printmaking, crest, nude

Hard cover book. My Mask Author: Norman Lindsay Publisher: Angus & Robertson Date: 1970 Further Information: Hardcover with dust jacket lettering and patterning to spine. The spine has a Library label with an inscription.non-fictionMy Mask is Norman Lindsay's autobiography, an account written by Lindsay of himself, running to 245 pages with numerous photographic illustrations, published in boards with a dust jacket by Angus & Robertson in Sydney in 1970. Notably, it was actually written in 1957 but wasn't published until after Lindsay's death, and one source specifies it was released by his widow the year after he died. It covers ten pages of front matter plus 205 pages of text and 28 pages of illustrations, bound in blue cloth. It was the last of three autobiographical works Lindsay produced, and his final book overall. The work capped a 56-year writing career that began with his first novel in 1913. As a genre piece, it's a memoir/reflection on his own life and creative persona; the title itself, My Mask, signals that it's presented as a curated self-portrait rather than a full confessional.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, my mask, norman lindsay

Cloth bound in black with a Norman Lindsay nymph gilt stamped centre front cover.fictionNorman Lindsay's narrative outlining his artistic philosophy.norman lindsay, fanfrolico, philosophy, art, private press

Australia became a Federation on January 1st, 1901, uniting Australia's six British colonies - New South Wales, Victoria, Queensland, South Australia, Western Australia and Tasmania – into States of the Commonwealth of Australia. The Government of Victoria invited 12,000 guests to attend the official celebrations for the Opening of the Federal Parliament by His Royal Highness, the Duke of Cornwall and York (later King George V). The historic occasion was held at noon on May 9th, 1901, at Melbourne's Royal Exhibition Building, the only building large enough for that number of guests. The guests represented all six states of Australia with varied connections and interests, including politics, business and industry, the arts, religion, education, and public service. In Melbourne, the occasion was followed by two weeks of celebrations. The decorative, elaborate design of the certificate-size invitation represents Australia’s colonial history and its transition to the Federated Commonwealth of Australia. The National Gallery of Australia attributes the artwork of this invitation to Australian artists Norman Lindsay (1879–1969) and John Longstaff (1861–1941) and its printing to Sands & McDougall Limited, Melbourne. The invitation has no date or location details. This invitation has the label “Mr. C Swinburne” added over an original, handwritten name. Perhaps it was a spelling correction, or a late change, with Swinburne attending in the place of another citizen. The book “Our Invited Guests An Official Directory, Melbourne, Victoria, 1901” lists all the guests, but not one has the surname SWINBURNE. There are five Warrnambool listings, eight people in all: - - MoCOBMICK, G. D., Esq., P.M., Warrnambool. - O’DOWD, The Ven. Monsignor, Warrnambool. - OPIE, C. N. T., Esq. (and Lady), Warrnambool. - OSBORNE, Hy. Wm., Esq., Shire Secretary (and Lady), Town Hall, Warrnambool. - STEVENS, Mrs. F. P., Mia Mia, Warrnambool. CHARLES GRANT SWINBURNE (1864-1934): - Charles Grant Swinburne, known as Chas.., was a prominent Warrnambool figure: a member of Toc H., the Progress Association and several other local clubs and societies. He purchased Warrnambool’s Tattersall’s Hotel in 1911 and had a booth at the 1914 Warrnambool Show. In 1891, he married Susan Jane Granter (1867-19 June 1935), daughter of Joseph Granter (1832-1879) and Ann (born Holley). Joseph had arrived in Melbourne on the famous tall ship Marco Polo in February 1856. In 1868, he was a shareholder of the Warrnambool Steam Packet Co., trading along the coast of Victoria. His portrait is among those recognised on the historic Warrnambool Pioneers Board. The invitation is nationally significant for its connection with the first Federal Parliament in May 1901, where the first federal parliamentarians were sworn in, and where the Duke and Duchess of Cornwall and York attended, representing the continued link with Britain. The invitation also unites a local Warrnambool businessman, Mr C Swinburne, with the 12,000 guests representing their towns and states that in 1901 became the Commonwealth of Australia. Swinburn was also married to the daughter of Joseph Granter, an early pioneer recognised on Warrnambool’s Pioneer Board. Invitation: certificate size, colour lithograph on cream card with gilt highlights. The Victorian Government invited Mr C Swinburne to celebrate the Opening of Federal Parliament by HRH the Duke of Cornwall and York, held in Melbourne. The invitation has printed drawings of figures, decorations, heraldic symbols, and gilt accents behind the central figure, on the capital letters of the message, and the Advance Australia Arms. Inscribed with a handwritten label that covers handwritten text. [The event was held at Noon, 9th May 1901, Royal Exhibition Building, Melbourne.] Inscription, handwritten on a label: "Mr. C. Swinburne" Left image: [figure of Britannia holding a blue shield with three crossing red bands, standing below an oak tree] Central image, in front of a gilt circle : [symbolic female royal future with Orbe and Sceptre seated on throne, four stars around her] Right image: [young female figure representing Australia holding a scroll, standing below a flowering gum] "THE CONSTITUTION OF THE COMMONWEALTH OF AUSTRALIA" Bottom left: Combined Arms: "[Duke of Cornwall and York, Prince George Frederick Ernest Albert, Princess Alexandra, his Duchess]" Bottom centre: [six symbols representing the Coat of Arms for each state of Australia] Bottom right: Advance Australia Arms "[Shield with six symbols, between Kangaroo and Emu, and below Rising Sun'] ADVANCE AUSTRALIA"flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, invitation, certificate, mr c swinburne, government of victoria, opening of federal parliament, hrh the duke of cornwall and york, c swinburne, susan jane granter, susan jane swinburne, federal parliament, 1901, australian federation, ceremonies, politics, royal exhibition building, invited guest, britannia, orb, sceptre, advance australia arms, constitution of the commonwealth of australia, norman lindsay, john longstaff, sands & mcdougall, federation, british colonies, commonwealth of australia, charles grant swinburne, chas swinburne, c g swinburne, opening of the federal parliament, duke of cornwall and york, may 9th, tattersall’s hotel, marco polo, warrnambool steam packet co, warrnambool pioneers board, joseph granter, ann granter

Australian First World War recruitment poster. This poster was part of the First World War Australian Government Recruiting Kit. Recruitment posters were prolific in Australia throughout the First World War. Australia relied solely on voluntary recruits to serve in the AIF. Compulsory military service, or conscription, for eligible men was in force in Australia from 1911, however, these forces were for home defence and could not be used to serve in a war overseas. Following the initial rush of men to recruit in 1914, enrolments dropped, leaving federal and state governments to devise sophisticated campaigns to boost numbers.Norman Lindsay (1879-1969) was a painter, draughtsman, illustrator, cartoonist, printmaker, writer and sculptor. He joined the Sydney 'Bulletin' magazine as a staff artist, 1901-09, 1910-23 and 1932-58. During the First World War he produced jingoistic cartoons and pro-conscription posters. The is one of the series of six posters by Lindsay constituting the last nation-wide Australian recruiting campaign. A coloured poster of soldier sounding his bugle for assistance on the front line while civilians listen in the background.recruitment poster, norman lindsay, ww1

Hardcover w/ Dust Jacketwalsh st library

Early self portrait of famous painter Lionel Lindsay. Lionel was one of the famous family of artists, which included Norman Lindsay, Percy Lindsay, Daryl Lindsay and Ruby Lindsay.A rare early self portrait by Lionel Lindsay, showing himself in a "Spanish style", before he followed his dream and went to Spain. Lionel became a famous artist in Australia and Europe, especially noted for his Spanish etchings.Watercolour painting on paper of self portrait by Lionel Lindsay.Signed "Lionel Lindsay 1899"lionel lindsay, creswick, etching, watercolour, spain, norman lindsay

SoftcoverNewspaper article inserted: 'Captain Swanston and Victoria's Settlement' by W E Crowther, The Age, 11.11.61walsh st library

Diggers & Mining: The Diggers. Calling citizens to join army. Caption: The Sacred Name of Liberty. Anti conscriptionist: '' What, not enough men! Well, get back into the trenches yourselves! We can't interfere with the liberty of these people.'' - From Sydney Bulletin. Sketch by: Norman Lindsay. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 9. Slide used as a teaching aid.Visaireducation, norman lindsay, ww1, conscription

Book. ALEC H CHISHOLM COLLECTION. 197 page paper back book of Australian verse by W. T. Goodge with drawings by Norman Lindsay. Famous Australian Poetry Classics (series) Printed in 1972 in Singapore for Pollard Publishing Co., Wollstonecraft, NSW. Catalogue sticker ''2037 GOO'' on spine. Standard Book Number 0 909950 21 0.W.T.Goodgebooks, collections, poetry, alec h chisholm collection, w.t.goodge, norman lindsay, poetry

Bernard O'Dowd was an Australian poet and anarchist. He was born in Beaufort in 1866 and worked at different times as a teacher, librarian and parliamentary draftsman. He was dismissed from his position at St Alipius' school in Ballarat for heresy. He had a particular interest in the Federation of Australia and formation of the Constitution, which features in his poem "Australia". O'Dowd co-edited Tocsin with Jack Andrews. Tocsin was a labor newspaper in Melbourne. Others involved with the newspaper include Edward Findley and, for a short time, Norman Lindsay. Tocsin's platform is available in PDF format online http://www.reasoninrevolt.net.au/objects/pdf/a000808.pdf Areas of interest included the constitution, federation and workers' industrial rights (e.g. eight hour day, pensions and arbitration for labour disputes).Biographical interest. Literary interest. Pertinent to Ballarat. Pertinent to constitutional history and industrial relations. Pertinent to labor publications, history and literature.Hardcover - book. Cover dust jacket: black and white photograph of Bernard O'Dowd on front, yellow and white lettering; back is yellow. Cover without dust jacket: green cloth; gold lettering.Cover without dust jacket: authors' names and title on the spine. Cover with dust jacket: authors' names and title on front cover and spine. Inside page: Inscribed in ink, "Happy Birthday Dad from Lorna and John (Sept 17 1960).btlc, ballarat trades and labour council, ballarat trades hall, o'dowd, bernard, writers - poets, newspaper, tocsin, lindsay, norman, andrews, jack, findley, edward, anarchists, biography, palmer, nettie, st alipius school, ballarat, o'dowd, bernard, 1866-1953, industrial relations

White paper poster with black text and drawing of a woman in front of some gruesome looking people. The the poster was for a State College Victoria (formerly Ballarat Teachers' College) production held at the college hall in Gillies Street, Ballarat.Front: "S.C.V. Ballarat, formerly - Teachers Collge, Lysistrata, in the College Hall, Friday and Saturday, 12th and 13th, and Wednesday to Saturday, 17th to 20th July, 1974, at 8 pm, Admission - $1.00 Students, $1.50 non students, Bookings - Phone 341 202" Back: "Lysistrata, by Aristophanes, CAST LIST, Lysistrata: Liz Stubbs, Kalonike: Joy Dunstan, Lampito: Jenny Tait, Myrrhine: Denise Maroney, Stratyllis: Ann Bilston, Interviewer: Tina Conroy, Kinesias: Michael Russo, Police Commisioner: Tony Ryan, Spartan Ambassador: Terrence Dorian, Spartan Herald; Shane Quick. WOMEN'S CHORUS, Sue Richards, Tina Conroy, Ann Bilston, Anne Giles, Glenda Hamilton, Janette Marshall, Gillian Hogan, Janine Grieg, Robyn Stanesby, Stephanie Buchanan, Janeen McCullough, Wendy Gray, Elizabeth Evans, Jenny Tait (Leader of Spartans), Mary Staindl, Barbara Price. MEN'S CHORUS, John Rowe, Stephen Schneider, Chris Slater, Peter Hassell, Errol Elbourne, Peter Orford, Kieth McDougall,Terrence Dorian, Robbie Eastcott, Shane Quick, Gary Oliver. MUSIC, Piano: Robbie Eastcott. Drums: Alex Traianou. Congas: David Murphy. Rhythm Guitar: Kim Hatcher. Bass Guitar: Shane Quick. Clarinet: Steve Albon. Flute: Tina Conroy. Acoustic Guitar: Tony Ryan. TECHNICAL CREW, Lighting: Austin Rickell, Sound: Stuart Tolliday, Keith McIvor, Design: Bruce Miller, Terrence Dorian, Set Construction: Bruce Miller, Terrence Dorian, Ken Jones, Choreograph: Cheryl Brown, Costumes: Gillian Hogan, Mary Staindl, Props: Denise Maroney, Jenny Tait, Publicity and Front of House: Ruth Newall. ACKNOWLEDGEMENTS, Meena Bazaar for the Jug, Turner Audio Systems. DIRECTED BY, Miichael D. Edwards. DIRECTOR'S NOTE, The sexual power of women is all persuasive. If, as Germaine Greer says, they stopped loving the victors, there would be genuine revolution. The idea of a sex strike to stop a war seems preposterous.... What else is left to the aware but politically emasculated woman? Aristophanes, like us, had been appalled by a pointless and hopeless war. Outrageous indignation had failed to stop it - so he resorted to comic absurdity; perhaps to shame the warmakers. Our version of the play is colloquial and probably ' in vogue'. It is colorful, musical, flippant, and not a little risque. It is, however, based on an awareness of the power of sex roles and the arrogance of a male-dominated society and a profound sense of frustration at the apparently immovable forces that make our wars and enact repression in all its forms."ballarat teachers' college, production, state college of victoria, ballarat, gillies street, liz stubbs, joy dunstan, jenny tait, denise maroney, ann bilston, tina conroy, michael russo, tony ryan, terrence doran, shane quick, sue richards, anne gillies, glenda hamilton, janette marshall, gillian hogan, janine grieg, robyn stanseby, stephanie buchanan, janeen mccillough, wendy gray, elizabeth evans, mary staindl, barbara price, john rowe, jeff moore, stephen schneider, chris slater, peter hassell, errol elbourne, peter orford, keith mcdougall, terrance doran, robbie eastcott, gary oliver, david murphy, alex traianou, kim hatcher, steve albon, austin rickell, stuart tolliday, keith mcivor, bruce miller, ken jones, cheryl brown, ruth newall, michael d. edwards, norman lindsay

Invitation from the Government of Victoria for the Secretary, Shire of McIvor and Lady (Mr H. D. Thomas) to attend the opening of the Commonwealth Parliament by His Royal Highness, the Duke of Cornwall and York on 9th May, 1901. Colour printed souvenir invitation cover design by artists Norman Lindsay and John Longstaff.Document. Illuminated request. Opening of the Parliament of the Commonwealth by his Royal Highness, the Duke of Cornwall and York. the government of Victoria requests the honour of the presence of The Secretary, Shire of McIvor and Lady (Mr H. D. Thomas) at the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia.hrh duke of cornwall & york, d. h. thomas

fictionFestival Preludes by Gordon Bottomley, published by Jack Lindsay at Fanfrolico Press London.private press, lindsay family, art, rainbow studio, stephensen

This 1991 group photograph of Grade 4 students and their teacher at Jacana Primary School offers a valuable window into the everyday experiences of school life in Melbourne’s northern suburbs during the late 20th century. Established in 1959, Jacana Primary served the local community for over four decades before its closure in the early 2000s. More than just a place of learning, the school was a cornerstone of community life—bringing together children, families, and educators in a shared environment of growth and connection. The photograph reflects the school’s emphasis on inclusivity, friendship, and a strong sense of belonging. It also provides insight into the demographic and cultural diversity of Jacana at the time, a period marked by suburban development and shifting social dynamics. As part of the school’s visual archive, this image helps document the role of public education in shaping local identity and fostering intergenerational community ties.This 1991 group photograph of Grade 4 students and their teacher at Jacana Primary School is a culturally and historically significant artifact that reflects the role of public education in shaping community identity in Melbourne’s northern suburbs. Established in 1959, Jacana Primary operated for over four decades, serving as a vital hub for learning, social connection, and community engagement until its closure in the early 2000s. The image captures more than a moment in time—it embodies the school’s enduring values of inclusivity, camaraderie, and belonging. It also offers insight into the demographic and social landscape of Jacana during a period of suburban expansion and cultural change. As part of the school’s visual legacy, this photograph contributes to a deeper understanding of how educational institutions foster intergenerational ties and strengthen the social fabric of their communities.Colour Photograph on Satin Finish PaperBack; See attached for list of Names (White label): PH-5006 (Blue Label): PH-5593jacana primary school, education, photograph, group photograph, kelly kenna, belinda cilia, brigitte paco, lindsay norman, peter massari, kristopher andree-jansz, omar houssein, reece lee, my nguyen, yavuz cavyarli, william warke, darryl king, candice blaney, said el halabi, jade goudge, bridie hogan, belinda hutchinson, tuba sahan, tracey phillips, bradley hooke, janine so, mark bamfield, mr. b. o'dea, sue bourchier, yvonne mcbain

The Dunolly World War One Memorial Pillar, located in front of the Town Hall on Broadway Street, and was unveiled on November 18th 1921. The pillar is topped by an urn and rests on a square concrete plinth, which lists the names ninety-four locals who died serving during the First World War. On Friday afternoon the Premier, accompanied by Messrs. Pennington and Groves, M's.L.A., visited Dunolly, and unveiled a soldiers' memorial — a polished granite column on a square base, erected by the residents at a cost of £300. It bears the names of 94 district soldiers who were killed in action. The Premier, who is a native of Dunolly, referred to his early associations with the town and district. Speaking of the valiant service rendered by the Australian soldiers in the great war, he paid a tribute to those who enlisted from the country districts. He was not one of those who would withhold national memorials to the fallen because provision had not been made for all who had returned. It was right and proper to have these memorials as silent reminders of the great sacrifice made by the many as a lasting tribute to their memory. Messrs. Groves and Pennington and local clergymen also spoke. The school children sang O God, Our Help in Ages Past, and a bugler sounded the Last Post after the unveiling. The shire president entertained the visitors and committee at dinner. The Age (Melbourne), 19 November 1921. Colour photograph of the Dunolly War Memorial. Front Inscription "Erected by the Shire of Bet Bet and Dunolly Borough To the memory of the brave and noble men who fought and died for the Empire and our freedom in the Great War 1914 - 1918. Pass not this stone in sorrow but in pride, and may you live as nobly as they died." "Private L. Polinelli has written several letters to his mother at Dunolly, dated from from Tel el Kebir from January 13th till the 22nd. He had written every day or two, and this example, is a very fine one. He explains why there was an interval some weeks during which he sent no letters. This was just before the evacuation of Gallipoli, and no-one was permitted to send letters at such a critical time, as there were fears that carefully arranged plans might leak out in some way. Gallipoli had been evacuated on the 19th December, which happened to be Private Polinelli's 24th birthday, and he has cause, he says, to remember that birthday particularly, when this important movement, in which he participated, was so success-fully carried out. He was in the best of health. They had been on Lemnos Island for two weeks after leaving Galilipoli, and while there they got billeted and numerous gifts from Australia, which gave great delight. He (Private Polinelli) had got a big mail - 35 letters and a number of parcels. Both Norman Watson and himself were feeling well, although they had a pretty rough time at the front, but they were feeling better every day. Further letters speak of the arrival in Egypt and the Australian being encamped at Tel el Kebir, 40 miles from Cairo. He states that W. Lyndon had returned from England and was with them. He (W. Lyndon) looks splendid and had had a splendid time in England and Scotland. He saw Jack Lewis in England, and thinks he was to return to Australia. Reference is made to the Rev. Father Goidanich who was with their brigade, and who had been wounded at the front, but was all right again. Father Goidanich is well-known in this district. The letters were written in good spirits and many references were made to friends in Dunolly and district. A friend in Dunolly has received a letter from Private L. Polinelli, which is dated February 3rd, and written 'from the Arabian Desert.' This covers a vast extent of country, so that there is no use in speculating as to the locality, and portions of the letter which possibly would have given some indication have bean 'censored.' Private Polinelli wrote that Norman Watson and Himself were in the best of health and have stook the life well. They are right out of civilisation at time of writing. He referred to their Dtsojourns at Lemoos Island, where Christmas was spent, and where the billies and puddings assisted much in their enjoyment. But they were glad to leave Lemnos Island. After being in camp at Tel el E-bir for two weeks they were sent to where they were at the time of writing, all being in good xxxx and the open country suiting them well. He speaks with admiration of the desert work done by the camels so very largely used. The censoring was very strict so that he could not give much news. After alluding to the return to splendid health of W. Lyndon from England, he says he saw a lot of others from round Dunolly on returning to Egypt, including Tom Fishlock, R. Johnson, and J. Taylor, and some others from Betley, and all looked well. He had also seen Erie Williamson a few times, and he looked splendid. He concludes with remembrances to friends, and from himself and Norman Watson to the Loyal Prince Alfred Lodge." (Dunolly and Betbetshire Express and County of Gladstone Advertiser, Tue 14 Mar 1916) "SOLDIER'S LETTERS PRIVATE L. POLINELLI A friend in Dunolly has received another interesting letter from Private L Polinelli, son of Mrs J Davis, South Dunolly. It is from "Somewhere in France," and is dated July 23rd. He remarks with regret that a good deal of the soldiers' mail from Australia went down in the Arabia, and then goes on to say:- "Norman is back here with us again now and looking well. He had a splendid time over in England after he was able to get out of bed. It was two years on the 18th of this month (January) since Norman and I enlisted, and we celebrated the occasion by having a bit of an evening out. I am very pleased that he is back; we spend most of our time together. We are at present out of the line having a spell in a village, so we are not having a bad time just now but we will soon be going into the trenches again. I met Wally Bell a few days ago; they were going into the line to relieve our brigade. We did not have time to have a long talk. He looks rather thin, but he was always that way. He is feeling well, and wishes to be remembered to his friends in Dunolly. I also met C. Game the same day; he looked well but, as he was also going into the line, we could not have much of a talk J. Hughes and C. Atherton are also over here now; I often see them. W. Lyndon and T. Miles are well ; I was speaking to them yesterday. We are having very bad weather over here now ; it is either raining or snowing every day. The snow was about a fool deep a few days ago. When the rain comes after it, it makes things muddy, The mud is very bad over here; it takes us all our time to struggle through it in places. We will all be very glad when the winter is over. I was over in England on furlough last month, and had a splendid time. The people over there do all they can to give us a good time. I had several invitations to visit different people, and those that we did visit gave us a splendid time. At the place where I was staying they always had a guide waiting of a morning to show us any place of interest that we wanted to see. There was also always a supply of free tickets to the different theatres if we wanted them ; so you see that they go to some expense to give ns a good time. When they know yon are from France you are sure of a hearty welcome. was up in Scotland, and spent five days in Edinburgh. It is a very pretty place, especially when it is seen from Edinburgh Castle, which is on a high bill overlooking the place. We veil through the Castle; also Holyrood Palace. There are a lot of interesting things to be seen in the two places connected with the history of Scotland. It was snowing very heavily while v« were in Scotland, and we bad some fine snowballing with the Scotch people. I greatly enjoyed the trip to Scotland. It would take a very long time to see all round London. I saw a lot of the old historical places there, which were very interesting. The fogs are very bad in London. I had an experience of a London fog one day; it was the heaviest they experienced for a number of years. We could only see a few yards ahead of us. Nearly everyone carried torches; it looked very funny. . . . There are nearly always as many women drinking in the bars as men; it struck me as being very strange, a bit different to what we are used to in Australia, a trip through some parts of London is a real eye-opener to us. It is interesting to watch the traffic in some of the business parts of London it moves along in one big mass. It is a wonder that a lot more accidents do not happen. I saw Australia House, where the High Commissioner has his office, in the Strand. It is not yet finished. It looks a very fine place, and when completed will be 'some' place. Both Norman and I are well, and send remembrances to friends." (Since this letter was written we have had the sad news of the death from wounds of Privates Atherton and Hughes, and that Sergeant Miles and Corporal Norman Watson have been wounded.) (Dunolly and Betbetshire Express and County of Gladstone Advertiser , Friday 13 April 1917, page 2) "Private L Polinelli, from some of whose previous letters we have published interesting extracts, has written to a friend in Dunolly, the letter being from France, and dated April 28th. Private Polinelli says among other things, "I am pleased to say that, Norman (Watson), Les (Anderson) and myself are in the best of health. We now have been in France some time. It is a terrible place for rain ; It has been raining all the time we have been here. It has also been very cold, snowing at times, but it is starting to "fine up" now, and the last few days have been splendid. I hope it keeps like that for a while, as it makes things very miserable in the trenches when it is so wet. We get a few days spell out of the trenches every now and again; so things are not as bad here as they were at Gallipoli. It is not so lively here so far as it was over there either. I am sorry to say that Jack Sanderson, who had been Will Lyndon's mate since they joined the forces, got killed during a bombardment last night. He was terribly knocked about with a shell. I saw W. Lyndon to-day and he was telling me all about it. He seemed terribly cut up over it, and so am I, as I was with Jack a lot over at Gallipoli after Will got sent away sick. He was always bright and cheerful, always had a smile up whenever I met him. I feel very sad about it. We will do all we can to make the Germans pay for it. You will most likely know him, as be used to live in Dunolly before going to Bendigo. Will Lyndon had a narrow escape also, as he was not very far from where the shell burst. He escaped with a bit of a shock, otherwise he is in the best of health. We have a good time among the French people when we are out of the trenches. They do all they can to make us feel at home. I am getting quite expert at speaking French. They smile at us a treat trying to speak French, but we generally make ourselves understood and have a good time among them. It is very rarely we see a young Frenchman, they being all away fighting. The women do all the work on the farms themselves, and deserve every credit for it. . . . I was sorry to hear about the death of Nurse M'Mahon; she was a grand old nurse. I heard that her daughter Nelly was nurse in a hospital on Lemnos Island, and when we were there I went to two of the hospitals to try to see her, but she did not happen to be at either, and I had no time to visit any of the others, so I did not see her. I was also sorry to hear about Mrs Rokahr, as she has left so many little ones behind. (Reference is made to other happenings in Dunolly.) So far I am pleased to say Norman and I have had the luck not to have had a day's illness; I think we are very fortunate, as such a lot get sent to the hospital ill. We are also lucky to have escaped the bullets and shells so far. I hope that luck sticks to us. I am sorry that, owing to the censorship, I cannot give you any interesting news of our trip over to France and the places we have seen. I will have to keep that till I get back to Dunolly again. . . . I have just heard that the battalion that Teddy Game is in has arrived, so I am going to look him up first chance I get." (The letter concludes with remembrances to members of the Lodge and other friends.) (Dunolly and Betbetshire Express and County of Gladstone Advertiser, Tuesday 13 June 1916, page 3) "PRIVATE L POLINELLI Another very interesting letter has been received by a friend in Dunolly from Private L. Polinelli, from France dated May 4th, 1916- Private Polinelli says-" I was glad that you got the letter I wrote from the Arabian Desert. The Censor must have crossed a good deal of it out. They seem to cross out a lot more than is really necessary. We left out there all of a sudden, and in a very short while found ourselves over here. It does not take them very long to make a move. I was saying in the last letter that I was going to try and find " Teddy " Game. I met him a few days ago and had a good yarn with him; he looks real well. I also met S. Prew, and "Ted" Smyth and his son Ernie. They all looked splendid, and are in the same battalion. "Ted" Smyth sticks to it well, and looks better than he ever looked. They will be under fire for the first time in a few days. S. Prew was hit in the landing at Gallipoli, but be is quite well now. W. Smythe, who is in our brigade is well ; I see him very often. " Les " Peart is not with us now; he has joined a Pioneer battalion, and I have not seen him since he joined it. I gave all the Dunolly boys your best wishes and they all wish to be remembered to you— also the same remembrance from Dave Millar, who used to play football for Dunolly from Moliagul. He is in our battalion, having come over with reinforcements. I see him every day and he wished to be remembered to you. A brother of Mr A. J. Williamson, manager of the Bank of Victoria, Dunolly, is also in this battalion. He is a great friend of mine ; we often have a talk about Dunolly. He was not well a little while ago, having to go into a hospital, but is all right again and is back with me. Eric Williamson, son of Mr A. J. Williamson is over here ; Norman (Watson) saw him a few days ago and said he looked well. Norman has been a corporal for some time. I was also offered stripes lately, but preferred to remain a private. There is a lot of worry and running about when you are an N.C.O., so I think I will remain as I am. ... So football is about done this season. I don't think they should cut it right out. I suppose some of them have to stay at home, so they ought to have some amusement. I would very much like to have a game, but I think I would just about forget how to play now. It is very amusing for us to read some of the soldiers letters in the Australian papers. . . l told you in the last letter about xxx young "Jack "Sanderson ; I was terribly sorry about him." Private Polinelli mentions in a letter to his sister in Dunolly that he happened to be beach at Gallipoli where the late Lord Kitchener was xxxxx addressed the' soldiers and' xxxxxx to them the message from the King. Private Polinelli states that he was very proud to have been one of those addressed by the great man. He and Norman Watson have never been a day out of the lines since arriving first in Egypt. It is intended to grant special leave to all those who have been kept so close to their posts xxx three months, and they are looking forward to this relaxation with keen anticipation, hoping to visit England and Scotland. (Dunolly and Betbetshire Express and County of Gladstone Advertiser, Tue 27 Jun 1916) "SOLDIER'S LETTERS. CORPORAL L. POLINELLI. Two letters have been received by Mrs J. Davis, South Dunolly, from her son, Corporal L. Polinelli, both written subsequent to the time when he was wounded, as reported when word was received at the time. Corporal Polinelli writes from No. 12 General Hospital, Rouen, France, and his first letter is dated 7th May. He stated that he was in hospital, he having been wounded in the arm and shoulder on 3rd May. He continued— " It is not a bad wound, and will not take long to heal up, as it is a clean wound. I was very lucky to get out of the fight alive, as I was buried by a shell explosion about an hour before I was wounded. It was very rough, and the noise of all the shells was terrible. Four men were killed by the same shell that wounded me, so I was fortunate. I am feeling a bit " shook up," and my head is aching from the concussion of the shells, but after a few days' spell in bed here I will be feeling just the thing again. So you need not worry about me ; a week or two will see me quite right again. We are having very nice warm weather just now-pleasant change after all the bad weather we have had." The second letter is dated May 12, Corporal Polinelli saying— "I am getting along splendidly ; the wound is healing up fast, so it will not be very long before I am quite right. The doc-tor, the other day said it would be better not to take the piece of shell out of my shoulder yet, and that it would not interfere with me in any way ; so perhaps l will always carry it about with me. He feared lest taking it out at that time would interfere with an artery. Rouen, where the hospital is, is a very pretty city. They give us leave to visit all the places when we are well enough. It is a nice spell here, away from the firing line. We have nothing to trouble us at all, so I will soon be just the thing again. When I got buried by a shell it shook me up a good deal. I felt it far more than the wound I got after; but it has not done me any harm, as I feel hardly any effects now. My good luck sticks to me in getting out of it so lightly. I hope you are not worrying at all about me, as I am all right. We are having beautiful weather over here— sunny days just like the Australian spring. . . . The sisters in the hospital are very nice, and treat us well. They have a lot of work to do, as a good few men have been wounded lately. I would have liked to have been sent over to England, but they are not sending many over there now. They treat as many as they can in France on account of attacks on hospital ships. I would have been able to have a good time with Norman (Watson) had l got over. He was just about all right when I heard from him last." Corporal Polinelli sends kind remembrances to friends." (Dunolly and Betbetshire Express and County of Gladstone Advertiser, Friday 6 July 1917, page 2) "SOLDIERS' LETTERS. CORPORAL L. POLINELLI. The following letter, dated from London on December 27; has been received by a friend in Dunolly from Corporal L. Polinelli (son of Mrs J. Davis, South Donolly), who, at the time of writing, after long and hard service at the front, was on furlough in England. After an introduction he says:— I am having a very good time. I went over to Ireland for five days, spending the most of the time in Dublin. I like the place very much. War appearances are not so conspicuous in Ireland as in England. The hotels are open all day, and a good meal can be obtained anywhere, which is more than can be got in England. The war seems to be making things very bad in England. It is very hard to get a good meal in London ; everything is so restricted. The only way to get a good meal is to go into two places. The people have to line up outside the shops for hours to get sugar, tea, and butter, and then they sometimes fail to get any. So many of our boats getting sunk is the cause of it. If things continue to go on in this way I am afraid that there is a very hard time in store for the people in England. Several people that I have spoken to say that they are just beginning to feel the pinch now. I was in London while an air raid was on a few days ago; it caused a lot of excitement among the people. Ten were killed and 70 wounded in the raid. I was about half a mile from where the bombs fell, so I was pretty right. I thought I had left the war behind in France, but it seems to be on over here at times also. I spent Christmas day with a family at Grantham, a town between London and Newcastle; they were very nice people. I had a very enjoyable time with them. I went to a dance in the evening and enjoyed it very much. It was a bit strange for a start, as it is the first dance I have been to since Norman and I had the send off at Dunolly in January, 1915. They do the dances a bit different over here to what they are done in Australia, and that made it worse still. I went through Guinness's Brewery while I was in Dublin. It is a wonderful place, and covers 55 acres of ground. I got a great surprise when I was starting on my leave in France. We were taken to the station we had to start from in a motor lorry, and who should the driver of the lorry be but Syd. Richards (son of Mr W. Richards, South Dunolly), who used to work at the Post Office in Dunolly. I rode on the front with him, so we had a good yarn. I did not know that be had joined, so was surprised to see him. He has grown a lot since I saw him last, and is looking well. Norman and Bill Lyndon were both well when I left France. We had been having a good spell near Messines, in Flanders, but they will be in the trenches by now. We have been round about Ypres for this last four months, and had some pretty rough times there. dunolly, dunolly war memorial, l. polinelli, bet bet, world war one, world war two, j. deledio, b. battilana, c. fitzgerald, f.s. kendall, j.h. hogan, p. zampatti, louisa davis, louisa gervasoni, bill lyndon, norman lyndon, sydney lindsay

Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape. Signed lower right "Pemberthy '93"art, artwork, pemberthy, wesley pemberthy, available, landscape

Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales (1938-1941). After service during World War Two Wes Pemberthy became the first Rehabilitation student at the National Gallery School, Victoria, undertaking research into the techniques of the Old Masters. He was the winner of the Sulman Award in 1955. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.Framed painting showing a number of brightly dressed people in a treed landscape. artists, artwork, wes pemberthy, wesley pemberthy, aborigines, aboriginal

This is the Weekly Times Annual of 1929. The Weekly Times newspaper was established in 1869 and was taken over by the Herald Newspaper group in 1892. It is a paper dedicated to rural affairs and is now the oldest rural newspaper in Australia. It has long been known as the ‘Bible of the Bush’. This annual contains many advertisements and photographs and sketches of places in rural Australia. It also has many articles, short stories and illustrations. Notable people that have contributed to this annual include Will Dyson (sketches), C.J.Dennis (poem), Vance Palmer (short story) and Norman Lindsay (reproduction of an art work). It also has a short story by Gertrude Hart, a novelist and short story writer. Her parents lived in Warrnambool in the 1850s (her father was the local Wesleyan minister) and her father retired to a place near to Warrnambool – Kirkstall. This attractive booklet is retained as an excellent example of Weekly Times Annuals in the past. It is also important because it has a short story by Gertrude Hart, a writer with connections to Warrnambool. This is a newspaper annual booklet of 68 pages. The cover has a buff-coloured background with a colour illustration of a stately building on the front with red printing and five colour photographs on the back page with black printing. The booklet has many advertisements, articles, short stories and photographs. Some pages are missing and a couple of pages are torn. the weekly times, gertrude hart, history of warrnambool

Back Cover: At a time when black and white art was flourishing in Australia- with artists like Norman Lindsay, Will Dyson and Stan Cross at work - Percy Leason's creation of Wiregrass ranked him as an illustrator of surpassing genius. His early successes as a book illustrator and as a cartoonist for the Bulletin and Melbourne Punch, presaged a full flowering of his work with his creation of the mythical town and his endowment of it with a host of characters and comic situations. His inspiration came from his childhood town in Kaniva, Western Victoria but Wiregrass was every country town, with its general store, pub and church hall, its swimming hole, football ground and racecourse, its leading citizens, its battlers and mischievous children. Wiregrass flourished in Table Talk Magazine from 1926 to 1937 when Leason, seeking to escape his comic reputation and pursue "serious" art, went to live in America." Percy Leason lived in Eltham Softcover, 80 p. : ill., 1 port. ; 30 cm.ISBN 0850912490australian wit and humour, drawing, caricatures and cartoons, country life

This certificate is an invitation to the opening of the first Parliament of Australia on January 1st 1901 in Melbourne. On this date the six Australian self-governing colonies were federated to become the six states of Australia. The designers of the certificate were Norman Lindsay and John Longstaff. This particular invitation was sent to George Rolfe and his wife and two of his stepdaughters, Annie and Florence. George Rolfe (1836-1919), a tea merchant from Melbourne, began buying blocks of land near the mouth of the Hopkins River in Warrnambool in the 1870s. By the early 1880s Rolfe owned 50 acres in the town, including farming properties and used the buildings near the mouth of the Hopkins as holiday accommodation. He called his property Lyndoch which he improved with the addition of stables, chaff and bone sheds, jetty, boathouse, reservoir, water well and windmill and extensive gardens and he spent most of his later life in this Warrnambool area. Lyndoch today is the site of an aged care facility. This certificate is of considerable importance for two reasons: 1. It is an important memento of a signal event in Australia’s history - the Federation of the States in 1901. 2. The certificate was an invitation to the family of a prominent Warrnambool person – George Rolfe of Lyndoch.This is a piece of thick paper with illustrations and decorations in brown, red, blue, yellow and green tonings. The lettering is in white with coloured capital letters. The images include the shields of the six Australian States, the Coat of Arms of Britain and Australia, outlines of two trees (gum tree and oak tree) and three symbolic female figures representing Justice, Britannia and Australia. The top border decoration represents the waratah flower. The names of the invitees on this certificate have been handwritten in black ink. ‘Opening of the Parliament of the Commonwealth by His Royal Highness The Duke of Cornwall and York’ ‘Mr G and Mrs Rolfe and the Misses Rolfe (2)’ george rolfe of lyndoch, federation of australia, history of warrnambool, george rolfe, opening of first parliament of australia

The Correspondent for The Argus on 10 May 1901 described the opening on 9 May as: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.A colour lithograph mounted on card which is an invitation to the Opening of the First Commonwealth Parliament of Australia, 9 May 1901. The invitation was sent to Mr J.M. & Mrs Campbell. John Longstaff and Norman Lindsay’s design for the invitation includes symbolic female figures and coats of arms of the British and Australian Commonwealth. The central figure represents Justice. At her feet a crown and sceptre are laid, ‘to denote that the monarch will always acquiesce in laws passed by Parliament, provided they are just.’ On the left appears a figure of Britannia, above the royal coat of arms and in front of the white cliffs of England; on the right is a female figure representing Australia, with one hand out-stretched and above the Australian Coat of Arms. Behind her is a pastoral scene; she stands beneath a gum tree. At the top is a border of waratahs; on the left is a border of oak. The six states are represented in shields at the bottom of the card.Front, printed. gold ink: "Opening of the Parliament of the Commonwealth By his Royal Highness The Duke of Cornwall and York / The Government of Victoria requests the honour of the presence of / Mr. J . M. and Mrs. Campbell (handwritten / At the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia."parliament of australia -- 1901, royal exhibition building -- melbourne (vic), james maitland campbell

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It shows some of the staff employed at Koki Lodge in 1967. An explanation of "Australia's First Alpine Art Show" to be held at Koki is also included. The Art Show exhibited a collection of Australian painters including John Glover (1826), Louis Buvelot (1886) Hans Heyson (1902), Grace Cossington-Smith (1918), and William Dobell, Norman Lindsay, Donald Friend, Sali Herman, Sidney Nolan, John Olson, Charles Blackman, Arthur Boyd, and Pro Hart. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because shows early activities at Koko Lodge and Australia's First Alpine Art Show.A black and white photograph of George Shirling with staff at Koki Lodge 1967. The photo is accompanied with a sign explaining special activities held at Koki and tariffs for the winter season of 1967.On sign: ITEM No 50 Staff at Koki Alpine Lodge Queens Birthday Opening weekend, June 1967 (Includes, Nolene Mewton, Baldy Blackwell, Coonie, George Shirling and Pam Blackwell.george shirling, falls creek, australia's first alpine art show

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It is a souvenir from the First Alpine Art Show held at Koki Lodge in June 1967. The Art Show exhibited a collection of Australian painters including John Glover (1826), Louis Buvelot (1886) Hans Heyson (1902), Grace Cossington-Smith (1918), and William Dobell, Norman Lindsay, Donald Friend, Sali Herman, Sidney Nolan, John Olson, Charles Blackman, Arthur Boyd, and Pro Hart. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because shows early activities at Koko Lodge and Australia's First Alpine Art Show.A red souvenir matchbook with black text.AUSTRALIA'S FIRST ALPINE ART SHOW AT KOKI FALLS CREEKgeorge shirling, falls creek, australia's first alpine art show

Walter Withers once lived at the corner of Bolton and Brougham Streets, Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p105 Walter Withers, one of Australia’s most famous artists, once lived in Southernwood, the weatherboard house at the corner of Bolton and Brougham Streets, Eltham. Withers, one of the first prominent artists to live in Eltham, was known for his lyrical paintings of the Australian bush and is associated with the Heidelberg School of artists. Withers was born in 1854 at Handsworth, Warwickshire, England, the grandson of an artist. He studied art at the Royal Academy of Arts, London. But in 1882 his father, opposing an artistic career for Withers, ordered him to go to Australia. However, after working as a jackaroo on several country properties for 18 months, Withers resumed painting in Melbourne, where he enrolled in evening art classes at the Melbourne National Gallery school of painting under G F Folingsby. Employed as a draughtsman by William Inglis & Co, then by Ferguson & Mitchell, lithographic printers, Withers produced portraits in black-and-white for several periodicals. His work was exhibited in the Old Academy, Melbourne. At this time he met and became life-long friends with artists Frederick McCubbin, Tom Roberts and Louis Abrahams. In 1887 Withers went to England and married Fanny Finn. They lived in Paris for awhile, where Withers studied at the Academie Julian. After his return to Melbourne in 1889, Withers lived at the artist camp at Eaglemont, then moved close to the Charterisville mansion, where he established a studio and sub-let cottages to other artists. Around 1892 Withers opened a Collins Street studio, had his first exhibition, and started giving painting classes. One of his pupils was Norman Lindsay, also to become a prominent artist. Withers had long been attracted to Eltham, but had to wait until 1903 to live there, after the railway line was extended to Eltham in 1902. He could then commute to the painting classes he gave in Melbourne. Withers lived on the two and a half acres (1.0ha) Bolton Street property with his wife and five children. They were joined for a short time by prominent painter Sir Hans Heyson who took lessons from Withers. Withers added a studio to the Queen Anne/Edwardian style seven-bedroom home, which had been built in 1891. Each bedroom included a fireplace and most rooms had 12 foot high (3.6m) ceilings. The house retains several fine leadlight windows. Withers painted his largest canvas The Return from the Harvest in 1905, at his Eltham studio. He is represented in national, state and regional galleries, and in many private collections in Australia and abroad. In 1904-05 Withers was president of the Victorian Artists’ Society. Withers at times stayed during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham. Withers lived in Eltham until his death in 1914, aged 60 years. He had been plagued by rheumatism and in later life by heart and lung disease. It is said he died of a stroke peacefully in a rocking chair in front of the lounge-room fire. He is buried at St Helena in the St Katherine’s Anglican Church cemetery. In 1983, the auction of the house sparked fears that it would be pulled down, or substantially altered. Fortunately the new owners decided to retain the house. Some security was given to the house’s future when it was later included in the Heritage Overlay to the Nillumbik Planning Scheme. The property is also important because it is one of only a few left in the district, which were once owned by noted artists. These include three in Warrandyte: one formerly owned by Penleigh Boyd, another by Frank Crozier, and the other by Danila Vassilieff; and two in Eltham: Percy Leason’s in Lavender Park Road and Justus Jörgensen’s Montsalvat. A small park at the corner of Bible and Arthur Streets, Eltham is named in Walter Withers’ honour.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, bolton steet, brougham steet, eltham, southernwood, walter withers house