Index, ill, p.286.non-fictions Australia's largest veterans' organization, the R.S.L. has been the subject of bitter controversy. The League has often been attacked, and as frequently defended, but it has never been examined in depth by an impartial observer. This book is the first detailed and dispassionate examination. It is not an 'official', or even an authorized account of the R.S.L.'s pressure group activities - while the League provided unrestricted access to its files and records, the organization's leaders exercised no censorship or control over the final results. The author examines the R.S.L.'s attempts to influence the Commonwealth government against a background of continual internal conflict over tactics. He describes the constant approaches to the government on pensions, medical benefits, war service homes, soldier settlement, employment preference, and gratuities, as well as on such controversial subjects as defence and anti-communism, all of which serve to mark the R.S.L. as one of Australia’s most active pressure groups. The book also points to the danger implicit in the R.S.L.'s attempt to monopolize the virtues which it claims are uniquely Australian. In its rigid enforcement of the exclusiveness of Anzac Day, it is argued, lie both the League's peculiar strength and its greatest problems. australia - politics and government, pressure groups - australia

Dedication of the Vietnam Women's Memorial, November 10-12 1993.vietnam women's memorial (washington, d.c.), vietnam war, 1961-1975 - women

vi, 113 p.; 30 cmnon-fictionA compilation of stories of servicemen and their families with connections to the Pakenham Cemetery and the Great War. world war 1914-1918, pakenham (vic.), pakenham cemetery

p.188.non-fictionAn analytical study of the Hitlerite and the British orders of civilizationworld war 1939-1945 - political aspects, world war 1939-1945 - history

White paper with red and blue printed text asking people to make a pledge to abstain from alcohol. 'Patriotic pledge leaflet no. 1', circulated by the Independent Order of Rechabites during WWI, encouraging temperance as a form of patriotism. Text: ' THE WAR-TIME PLEDGE. 'abstinence, king george, world war i

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Five pages of typed notes titled 'Anzac Day Address Wakool 25 Apl 1950 Patriotism'.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. anzac day 1950.

Certificate of Appreciation from Shire of Lilydale to Mr Duncan Campbell, Wandin for patriotism for volunteering for the front during World War 1. White coloured Certificate of Appreciation from Shire of Lilydale, with red wax seal on bottom left."Shire of Lilllydale, Lilydale 13th November 1914 To lMr. Duncan Campbell, Wandin....." Plus a Red wax seal.certificates of appreciation, world war 1, world war one, first world war, lilydale history, lilydale military history, lilydale, shire of lilydale, certificates, campbell, duncan campbell, ww1, wwi

The book describes the siege and battles of “Ladysmith” during the South African campaign, with a full appreciation of the patriotism and pride of race which has made Australia a fighting unit in the British Empire.Hard cover, buckram, mid blue colour, gold print on front and spine, illustrated with red, white, blue flag on front and two flags on spine, end papers and fly leaf black coloured paper, 303 pages plain white , illustrated B &W illustrations and diagrams.Handwritten on front fly leaf in black ink, “ To Bev, wishing Reece a merry Christmas, happy new year,..............” words illegible.books, military, boer war, ladysmith

People on the home front provided art work on items to represent the era of the war and to show their patriotism. This item was originally found in an opportunity shop so its 'true date and origin is unknown.White cotton Doiley with year "1914"and Union Jack Flag embroidered into it. Edged with 94 small beads that are alternatively blue, red and white, (Union Jack colours). Beads about 4 mm in diameter and are threaded though loops on the four edges of Doiley.Embroidered in Union Jack Flag and year "1914". souvenir, doiley

Hardcover w/ Dust JacketSticker inside cover: "With compliments National Australia Bank"australia, history, patriotism, nationalism, walsh st library

Certificates were issued from the Wiliamstown Council to local men who had enlisted in the first world was. This one was issued to P.O J.Walford from No. 4 Company, NR New Guinea Expeditionary Forces. Large decorated and coloured certificate depicting English and Australian flags flanking a photograph of King of England, picture of men, horses and cannons directly below. At left, photo of Admiral Sir John, R, Jellicoe & Rgt. Hon Sir Edward Grey. At right, Field Marshall Sir John French & Lord Kitchener. Lower centre, Rt Hon. Sir Ronald Munro Ferguson, Governor General. Lower Middle, picture of HMAS Australia."For King and Country/A tribute from the Citizens of Williamstown/to/(handwritten) Private J Walford, No 4Coy, RANR New Guinea Exped Forces. Australian Infantry forces/In appreciation of his Patriotism in enlisting for the Service of Empire/1914-4-6/The Empire called us"world war 1

Documents. Mammoth Temperance & Social Reform Mission. Councillor Mrs. Helen Barton , Queen of Scottish Orators, will be talking at Temperance Hall on Monday Nov.28, 8 pm, ''Citizenship and Higher Patriotism, Tuesday Nov 29 8pm " The State's Duty to the Child''. Wednesday Nov 30 8pm, ''Democracy's Fight against Alcohol''. Thursday Dec1,8pm, ''My Work IN THE GLASGOW SLUMS''. Tickets 1s. each. Mrs. Barton will appear in Slum Costume. Mrs. Barton is a Parish Councillor of Glasgow, A great social reformer, A quaint humorist, An Eloquent Orator. Two articles.Drummond, Arcade Press.organisation, community, abstinence society

A classic of its kind, The Long Gray Line is the twenty-five-year saga of the West Point class of 1966. With a novelist's eye for detail, Rick Atkinson illuminates this powerful story through the lives of three classmates and the women they loved―from the boisterous cadet years, to the fires of Vietnam, to the hard peace and internal struggles that followed the war. The rich cast of characters also includes Douglas MacArthur, William C. Westmoreland, and a score of other memorable figures. The class of 1966 straddled a fault line in American history, and Atkinson's masterly book speaks for a generation of American men and women about innocence, patriotism, and the price we pay for our dreamsFollowing the lives of 3 graduates, from cadets through to post war and their integration back into a changes Americasoft cover non-fiction book with 592 pages with photos

The first Bendigo Easter Fair was held on 10th and 11th April, 1871 and remains one of Australia’s longest running annual community events taking place over the Easter long weekend. Its purpose was to raise funds in aid of two local charities; The Bendigo Hospital, and The Bendigo Benevolent Asylum. The fair features events throughout the City with celebrations culminating in a parade on Easter Sunday. The parade features a variety of commercial and community groups including a large processional dragon which has been an integral part of the annual parade since 1892. The three principal golden dragons featured over the past 130 years are Loong (1892–1970), Sun Loong (1970–2019) and Dai Gum Loong (2019–present) which are housed at the Golden Dragon Museum in Bendigo. The Bendigo Easter Fair Society is custodian of the Bendigo Easter Fair and continues to support the City of Greater Bendigo’s largest festival. Each year the City produces a poster to advertise the upcoming fair and this one from 1943 reflects the war time sentiment which existed by featuring service men and women as well as the Chinese dragon. Commercially printed colour poster advertising the Bendigo Easter Fair featuring a woman riding a chinese dragon on the left hand side of print with two smaller images, one of service man in uniform bottom left and woman factory worker top right. The title appears in red lettering at top with details of the events appearing in the centre and lower sections on the right.Bendigo Easter Fair / 1943 / Carries On / and again invites all to keep smiling in the Nation's testing time, as all unite to aid its Charities. / Easter Saturday / April 24th / Monster Spectacular Street Carnival / and Popular Girl Contest / Easter Sunday / April 25th / Attend the specially patriotic Band gathering / in the upper reserve / See the unique oriental awakening / of the dragon at the Chinese Quarters / Patriotism, Pageantry, Music, and / Special Features throughout the Fair city of greater bendigo easter fair, mayor michelsen, bendigo chinese dragon, city of greater bendigo tourism, making a nation exhibition, city of greater bendigo events

The Kooyong Military Hospital in Kooyong Road, Caulfield was established for the care and rehabilitation of soldiers injured in World War 1. Many events like carnivals were held by the Red Cross to raise funds for the war effort and entertain the patients.This badge is a reminder of the Community support for injured soldiers when they returned from WW1 conflict and were hospitalized at Kooyong Military Hospital Caulfield 1914 - 1948 This badge was displayed at the GECC 'Wounded Soldier WW1 1914-1918 Exhibition" 2016 at Glen Eira Town Hall Caulfield A small tin button, with pin attachment at the back. The button was produced and sold as a fund-raiser for the Kooyong Military Hospital during the World War1, 1914-18, at that organisation's Carnival held on March 18th 1916. The front of the button is white with a blue perimeter. A copy of the City of Caulfield's Coat-of- Arms and the words, City of Caulfield, is written on the front of the button, as is the date 18th March 1916. Both the above are written in red. Kooyong Military Hospital is written in blue. ww1, 1914-18, kooyong military hospital, war casualties, caulfield, moorabbin, bentleigh, carnivals, fundraising, patriotism, anzac, australian commonwealth military forces

Distributor's blurb: " The First World War (1914-1918) was supposed to be 'the war to end all wars'. For the young, eager and patriotic men who enlisted in their thousands to fight for King and Country, it was to be a marvellous adventure - an opportunity to march to Glory with the battalions of 'pals' and 'chums'. Nothing could have prepared them for the nightmare that beckoned. This video explains what it meant to live and fight on the Western front, from the innocent patriotism of 'Kitchener's Army' to the war weary anger of the war poets. This is the story of the horror of life in the trenches. Powerful contemporary film footage and photgraphic images are revealed in this DVD, featuring the latest computer graphics and dramatised accounts of those who were there, with comment and analysis by Dr. David Chandler and a special appearance by Brian Blessed.DVD: 1-16x Speed 55 Minutes 4.7 GB Picture Format 4:3 Colour PAL 0 Disc Format DVD 5 Audio Content 2.0 Stereo9 325425 026123dvd, life in the trenches, ww1

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. . Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day.Small circular pressed tinplate button featuring a white map of Australia on a dark blue ground with the stars of the Southern Cross surrounding, all within a gold border. The phrase ‘I Will Help Until the War is Won’ is printed in red across the mapI will Help until the war is won

A cream programme in the form of one sheet with coloured printing. On the front are the words, ' Parliamentary Patriotic Concert. Thursday 22nd February. 1900, Town Hall, commencing 8 o'clock. Repeated at the Royal Princess' Theatre, Bendigo, on Friday, 2nd March, 1900.' There is also extra information provided, regarding officials. Inside the programme the words to, 'The Bushman's Question,' by 'Oriel.' On the third page is the actual programme. On the back of the programme is a photo of ' Departure of 'Medic' with first contingent.' The photo is provided by Talma. Dated 1900.program, theatre, parliamentary patriotic concert, lydia chancellor, concert, entertainment, patriotism, celebration, program, programme, event, collection, war, event

Framed Certificate of Appreciation to Mr. August GilbertShire of Lillydale. Oct. 22nd. 1915.To Mr. August Gilbert. Dear Sir, On behalf of the citizens of the Shire of Lillydale we desire to present you with this small token of our appreciation of your Patriotism in volunteering for the Front. We feel that you will worthily maintain the Honour of the Empire and trust that your service will materially assist Great Britain and her Allies in the great struggle in which they are now engaged. We commend you to the care of Devine Providence and earnestly pray for your safe and speedy return. we are, Yours faithfully. (Signed by the President and Councillors of The Shire of Lillydale.

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the dayWorld War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blueFrench Red Cross

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The button forms part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration. The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Round metal button in red, white, blue and gold showing a sun setting over the sea with words printed in red around border and on lower outer rim.hospital day, patriotic buttons, first world war (1914-18)

A booklet produced by Hudson and Wardrop, Architects, who had won the contest for the design of the Shrine. This booklet shows their models of the Shrine in photos and diagrams of the site. It goes into detail of the plans for Rock of Remembrance, the eye of light, the porticos, the tympanums, the inner Shine, and materials it will use, etc. It says: 'The theme is Remembrance, and the doing is indicative of Remembrance. It is Australian in feeling, in that is stands for the highest of Australian ideals - ideals we fought for - Patriotism, Sacrifice, Justice and Freedom.' Messrs Hudson and Wardrop were also returned servicemen. This booklet could have been used to inform the public of the plans whilst fundraising for the building project. In 1928 the Governor asked for the public to contribute approx £100,000 towards the project, while the State Government had already guaranteed £80,000. (Actual budget ended up being £250,000). Item was in an envelope with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01211, 01649, 01650).A record of the planning for the Shrine of Remembrance with details from the architects who had won the design contest. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01211, 01649, 01650).Booklet x 20 pages, describing plans for the Shrine, buff paper in a dark grey brown cover with black and white photos and black print.memorial, shrine of remembrance

Tribute Certificate from the Citizens of the Shire Of Dandenong.A tribute from the Citizens of the Shire of Dandenong..."James Mathew McQuade".... No 7038 23 Reinforcements 7th Battalion....Australian Imperial Forces... In appreciation of his Patriotism in Enlisted for the Service of the Empire in the Great War which began on 4th August 1914,..... Signed by President/Councillor/Shire Secretary,,,, Seal of The President Councillors & Ratepayers of the Shire of Dandenong. The certificate is surrounded by---Various flags including Union Jack and Australian Red ensign/ photographs of His Majesty the King, Right Hon.Sir Edward Grey Bt MD Lord Kitchener/ Actual Photograph of the beach where the Australian and New Zealanders landed landed at Gaba Gallipoli. Taken by Sergeant Robt.Carnie Inset is small view of the men landing from the boats. THE CERTIFICATE IS ENCLOSED IN A WOODEN FRAME

A photo of a model produced by Hudson and Wardrop, Architects, who had won the contest for the design of the Shrine. This photo shows their model of the Shrine as seen from the North. It is with their Brochure on the First Premiated Design (see 01208) which goes into detail of the plans for Rock of Remembrance, the eye of light, the porticos, the tympanums, the inner Shine, and materials it will use, etc. It says: 'The theme is Remembrance, and the doing is indicative of Remembrance. It is Australian in feeling, in that is stands fo rate highest of Australian ideals - ideals we fought for - Patriotism, Sacrifice, Justice and Freedom.' Messrs Hudson and Wardrop were also returned servicemen. This photo could have been used to inform the public of the plans whilst fundraising for the building project. In 1928 the Governor asked for the public to contribute approx £100,000 towards the project, while the State Government had already guaranteed £80,000. Item was in an envelope with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01211).A record of the planning for the Shrine of Remembrance with details from the architects who had won the design contest. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01211).Black and white photo of the architects model of the Shrine of Remembrance.memorial, shrine of remembrance

The letter is Legatee Kemsley's response to an article published on 20 April 1946 discussing War Memorials. The article suggested that war memorials were better to be utilitarian, such as hospitals, parks and community centres. Legatee Kemsley's reply is that such necessary amenities should be provided but not as memorials of sacrifice. "The plain fact is that unless sacrifices and deeds of heroism and national patriotism are expressed in non-utilitarian memorials they lose then special significance they are designed to provide." "As a Trustee of the National War Memorial, I ask, what hospital or park could as fittingly provide a Mecca for for national solemnity, or rejoicing, or thanksgiving, as the Shrine of Remembrance in Melbourne?" After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal when the idea of the St Kilda Road site, which was favoured early on, was overturned and in 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in an envelope with the History of the Shrine (01181). The envelope says 'The Origin of the Shinre of Remembrance p/p Legatees Kemsley and Joynt'. And the initial 'JMBA'?. It was in a file with other documents concerning the Shrine and it's history.This is a record of the debate that was occurring in 1946 about the appropriate way to commemorate the war. There was an effort to record historical events for the "Archive Committee" which collected this an other documents relating to the Shrine together in a file (see items 01181 - 01190)File copy of a letter x 2 pages typed on white quarto paper. Dated 2 May 1946, it is from Legatee Kemsley to the Editor of the Australian Municipal Journal in response to an article they had printed. Plus a page from the journal.memorial, shrine of remembrance

A brochure issued by the National War Memorial Committee of Victoria to inform the public about the plans for the Shrine of Remembrance and how they could contribute towards its cost. The Governor of Victoria points out that the need to remember, as 'To forget is to be false to the men who fell, to the cause for which they fell, and to ourselves. Let the whole people join in creating such a Monument as will keep the Names and Memories of the men fresh in the minds of our children's children.' The brochure mentions that the cost of the Shrine was estimated to be £180,000. Of this £80,000 was guaranteed and the remaining £100,000 needed to be raised. It shows that each contribution will be recorded within the crypt as one of those who gave the Memorial to the Nation. It also states 'Each contribution honours our men, redeems our promise that they shall never be forgotten, and helps in presenting to the nation a durable foundation to traditions of patriotism and self-sacrifice, and in the immediate future assists hundreds of worthy returned soldiers who, as a result of the temporary trade depression, are in need of employment. Actually, seven-tenths of the total cost of the Memorial will be expended in wages...' A sample of the type of receipt given to record donations is on page 3. An actual receipt is at 01207. Item was in an envelope with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01210).A record of fundraising for the Shrine of Remembrance, this brochure asks Victorians to contribute approximately £100,000 to the building project. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01026 - 01210)Booklet x 4 pages, about fundraising for building the Shrine, on buff paper with black type and line drawing.memorial, shrine of remembrance

Over 4000 Bendigo residents enlisted to serve in W.W. 1. Much is known about their contributions to the war effort, but less is known about the contributions made by the medical staff who provided care at the front lines or otherwise supported care. People enlisted for many reasons - patriotism, duty and adventure being just a few. Over 416,000 persons enlisted to serve in World War One out of a population of 5 million. The Australian Government recorded 215,585 casualties during the war. Over 80% of those casualties occurred on the Western Front, in Belgium and France. The weapons used in trench warfare created horrendous injuries for both sides in the war. In the Australian Imperial Force (AIF), for example, most wounds were the result of flying metal. During their service, many of the 331,781 AIF troops and medical staff were injured more than once: over 50% were hit by shell fragments or shrapnel bullets from artillery fire 40% were hit by high-velocity bullets from rifles or machine guns 12% were affected by chlorine or mustard gas 2% were hit by bombs or grenades only 0.3% suffered bayonet wounds Many health risks also developed into large-scale problems on the front. Those who served lived and work in crowded spaces, which helped to spread bacterial, viral and parasitic infections. Unhealthy living conditions for soldiers (and sailors) included: poor diet lack of sleep exposure to cold contact with mice, rats, fleas, lice and other parasites. Soft cover. 41pp. Black and white image of nurses on front cover, along with red poppy. Tile written in white to bottom third of front cover on black background. Bendigo Health logo to bottom of front cover. Back cover has image of signage for the 'Old Mortuary' of Bendigo Hospital, with burgundy, black and white stipes above and below image. Contains black and white and color images. soldiers, world war one, british empire, doctors, nurses, bendigo hospital

Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac