In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

wner could not obtain the necessary licence and it became a coaching House for Cobb & Co. The building was demolished in 1971.John C. Paul, Prince Albert Hotel c.1851 1973, watercolour, 28 x 40.9 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, prince albert hotel, historic building, john c paul, cobb & co.

Commemorating Prince Albert's death, while also showing technological advances of thinner glass and the spring activated retractor rewinding the tape. Tools made to commemorate events such as the Prince's death are valuable for providing the date and social events of the time. Tools with known dates are important for marking the history of the tool, its technology and the times.Circular brass tape measure cover commemorating 1861 death of Prince Albert. Portrait on front, Inscription on back. Both front and back glass covered. Spring rewind mechanism. Narrow cotton tape, End pull and first 1/4 missing.In memory of His Royal Highness Albert, Prince Consort, Duke of Saxony, Etc Etc. Within outer circle band "Born August 26, 1819. Died December 14, 1861.' On side next to opening: :"3 ft Patent' prince albert, tape measure

Queen Victoria was the Queen of England. Victoria was born on 24 May 1819 at Kensington Palace, London, England. She died on 22 January 1901, Osborne, near Cowes, Isle of Wight. She was the queen of the United Kingdom of Great Britain and Ireland (1837–1901) and Empress of India (1876–1901). Queen Victoria and Prince Albert.queen victoria, prince albert, royalty

In 1870 the Earl de Grey was Grand Master of England, but his rule was short lived. After being converted to Roman Catholicism, he felt it was essential that he resign from Freemasonry as his church at the time was opposed to Freemasonry. Albert Edward Prince of Wales, later King Edward VII, readily accepted nomination as Grand Master of England and continued in office until his Accession in 1901.This portrait the Prince of Wales was painted by Thomas Flintoff. It is held within a very elaborate gilded frame which comes apart in 3 sections and is one of only two known types existing.Portrait oil painting of Prince Albert on canvas stretched over stretcher/strainer. Framed in a very elaborate qilded wood and rosen frame. Heavy ornamentation on top and bottom of the frame. Signed: 'T. Flintoff 1880', Placque: 'Grand Master U.G.L. of England 1874-1901 H.R.H. Albert Edward Prince of Wales by T. Flintoff'. portrait, painting, his royal highness albert edward prince of wales, freemasonry, freemasons, freemasons victoria

Ill, charts, maps, plans, p.675.non-fictionA description of a world cruise taken by Prince Albert Victor and Prince George of Wales.australia - description and travel, voyages around the world

Ill, charts, maps, plans, p.803.non-fictionA description of a world cruise taken by Prince Albert Victor and Prince George of Wales.australia - description and travel, voyages around the world

Blue cloth covered spine and cardboard covers. Text and graphics in gold. Vol. I.history, travel, hms bacchante, ship, naval, prince george, prince albert

This book was originally written for private circulation among the Royal Family. It was written by Lieutenant-General Charles Grey (1804-1870) and was first published in 1867. It was commissioned by Queen Victoria. Grey had been secretary to both Albert and herself. Contents were sourced from letters and memoranda.This book was a significant contemporary record of the royal family. Originally Queen Victoria had attempted to record "an exact account" of hers and Albert's happy marriage but was unable to complete the project on her own. She commissioned Grey to compile it under her supervision, firstly for the royal family and then for public release. It was an outstanding sucess with many editions being necessary.A 469 page book which has green cloth board covers with gilt lettering on the spine and decorative gilt motifs on the front and rear boards. Compiled by Lieutenant - General Charles Grey, it details Prince Albert's life from his birth through to his wedding to Queen Victoria and the first year of their married life. on 4th page in - handwritten - "T. Faluey, Sydney, 1934"prince-albert queen-victoria royalty

Photocopies of documents. Two photocopies of Council Meeting extracts. (a) Typed up extract from council minutes dated 1st and 2nd July 1881describing procedures for the opening of the Alexandra Fountain by Prince's Albert and George. (b) Town Clerk's report of Council Meeting minutes dated 4 May 1981, the centenary of the fountain opening. Includes a section on the history of the construction of the fountain.Bendigo Councildocument, official celebrations, alexandra fountain, construction, opening, prince albert & george, centenary

This building is the second of the Manchester Unity Independent Order of Oddfellows rooms the first built in 1862 and opened in that year on the fifteenth anniversary of the foundation of the Lodge in Belfast/Port Fairy. In 1872 a 35foot addition was added to the back and in 1873 the grand porch was added. The hall was destroyed by fire in 1875 and the only item saved was the cedar Dispensation frame of the past Grand Masters made by John Gallin that now resides in the Historical Society Rooms. The Trustees bought another building which occupied the land now occupied by the National Australia Bank on the corner of Sackville and Cox Streets but it was not suitable so they decided to re-instate the building whose ruins in the meantime had been used by Cobb and Co. This new building was designed by Charles Neylon an architect and built by Robert Ireland. The completed building was re-opened in December 1888 with four front rooms, a mezzanine floor and a hall measuring 32' by 26' and capable of holding 200. The Trustees of the Loyal Prince Albert Lodge sold the building in 1978 and is now a private home.Coloured photograph of Imposing M.U.i.O.O.F. Society building with a faux columned portico, double door entry two large windows either sideinstitution, loyal prince albert lodge, m.u.i.o.o.f., manchester unity independent order of oddfellows, society, muioof hall pt fairy

In 1791 Prague organized the first World's Fair, Bohemia (modern-day Czech Republic). The first industrial exhibition was on the occasion of the coronation of Leopold II as a king of Bohemia, which took place in Clementinum, and celebrated the considerable sophistication of manufacturing methods in the Czech lands during that time period. The French tradition of national exhibitions culminated with the French Industrial Exposition of 1844 held in Paris. This fair was followed by other national exhibitions in Europe. In 1851, under the title "Great Exhibition of the Works of Industry of All Nations", the World Expo was held in The Crystal Palace in Hyde Park, London, the United Kingdom. The Great Exhibition, as it is often called, was an idea of Prince Albert, Queen Victoria's husband, and is usually considered to be the first international exhibition of manufactured products. It influenced the development of several aspects of society, including art-and-design education, international trade and relations, and tourism. This expo was the precedent for the many international exhibitions, later called World Expos, that have continued to be held to the present time. (source; Wikipedia) Commemorative medal. Featuring the bust of Edward, Prince of Wales by G. Morgan with the Welsh plume behind and a scene from within the City of London.Front; Draped bust of the Prince of Wales left, plumes to right. ALBERT . EDWARD . PRINCE . OF . WALES . PRESIDENT . Verso; View of the Horticultural Society's arcades and the Albert Hall. MDCCCLXXIII below, LONDON . ANNUAL . INTERNATIONAL . EXHIBITION . OF . ALL . FINE . ARTS . INDUSTRIES AND INVENTIONSworld fairs, international exhibition, prince albert, expo

Cap badge - Leicestershire Prince Albert's Own Yeomen. South Africa 1900badge/buttons, army

Copy of a newspaper article titled Centenary Memories, Cornish Emigrants in Bendigo, More Cornish spoken than at St. Just. Written on the side is - This was published in a West Cornwell Newspaper & sent back to Aust in a clipping George Ellis has original. Approx circa 1951. Items mentioned are: More Cornish spoken than at St Just, Best Cornsih Style, Singing Gullies particularly where Cornishmen and Welshmen were as they were fond of singing, Royal visits, St Just point and Open House for Cornish.bendigo, history, long gully history group, the long gully history group - centenary memories - cornsih emigrants in bendigo, bendigo advertiser, mrs kennedy, duke of edinburgh 1867, prince albert victor of wales, prince george (later king george v), edward prince of wales, the duke and duchess of york, french's corner long gully, old cornwall society, mr john ellis, bendigo hospital, mr harry perak malaya, mr and mrs charles harry, mrs boyns, hon mrs j keppel, lord st levan, mr keppel, victorian railways, bendigo railway station, mr herbert thomas

Typed notes about the trees in Bendigo. In the early days trees were planted to provide shade for the horses while they waited for their owners to return from shopping. Also mentioned are trees planted to commerate visits by Princes and Madam Melba.document, the forgotten monuments - trees, abraham harkness, mr eddy, mr rayment, jajowerong, origin of one tree hill, jerry ryan, prince albert victor, prince george, of wales, king george v, harney's bridge, prince edward of wales, madam malba, miss nellie stewart

This is a copy of the original painting by John Jackson, RA, 1778-1831.Small oil portrait of John Wesley painted on board. There is a manufacturer's label on the back of the board. The board has the corners cut in order to fit the portrait into a frame."PREPARED MILL-BOARD WINSOR & NEWTON ARTISTS' COLOURMEN To Her Majesty AND TO HIS ROYAL HIGHNESS PRINCE ALBERT 38 Rathbone Place, LONDON"

This is a copy of the original painting by John Jackson, RA, 1778-1831.Small oil portrait of Charles Wesley painted on board. There is a manufacturer's label on the back of the board. The board has the corners cut in order to fit the portrait into a frame."PREPARED MILL-BOARD WINSOR & NEWTON ARTISTS' COLOURMEN To Her Majesty AND TO HIS ROYAL HIGHNESS PRINCE ALBERT 38 Rathbone Place, LONDON"

The life of His Royal Highness the Prince Consort, Prince Albert.Brown leather-bound hardcover book. Wear and tear to corners of front & back covers. Title in gold on spine. Some spots on front pages otherwise clean and intact. Evidence of spine detachment to rear cover. Some insect damage to front & rear pages. 435 pp. Index. Good condition.Facing front cover '90' (crossed out), '60'. Kilmore Mechanics' Institute stamps to front & back pages.kilmore mechanics institute library.

A tape measure which marks the death of Prince Albert in 1861 and its spring activated retractor was an important new development replacing spindles or handles to rewind the tapeA souvenir of the Prince Consort's death. Its construct demonstrates new technologies of photography, thinner glass and a the spring activated retractorWooden cylindrical tape measure holder in the form of a fishing reel. Brass winding handle. Cotton tape measured in inches 0-36in. Brass pull ring.tape measure, prince albert's death

This brooch with its floral design is typical of the jewellery worn during the Romantic Period of the Victorian Era, when Queen Victoria's husband, Prince Albert, was alive 1837-1861. During this period flower motifs and brooches and pins were popular.This brooch is representative of jewellery worn during the Romantic Period of Queen Victoria's rule, 1837-1861.Brooch, light weight, rose coloured gold metal with red- brown onyx stone. Flower shaped brooch with six petals, stone attached, with rose design stem which is flanged on back. Backing plate is also rose coloured metal. A small ring is attached to the top of the brooch where the safety chain is attached. There are two small holes on back of brooch. A chain is attached to the horizontal pin on the back, and has a pin on its end. There is an Inscription engraved on the back. Engraved in script, "Coco" [Italian word for gold]flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies jewellery, victorian era jewellery, jewellery inscribed 'coco', brooch, jewellery, ladies' jewellery, victorian era, romantic period

This mug was produced to commemorate the coronation of George VI and his wife, Elizabeth, as king and queen of the United Kingdom and the Dominions of the British Commonwealth took place at Westminster Abbey, London, on Wednesday 12 May 1937. On 26th April 1923 (as Duke of York) Prince Albert married in Westminster Abbey to Lady Elizabeth Bowes-Lyon (later to become The Queen Mother). Prince Albert, Duke of York, was the second son of King George V and Queen Mary and was born on 14th December 1895 on the Sandringham estate. On the abdication of his brother Edward VIII in December 1936 he was proclaimed King and took one of his middle name, George, on succeeding to the throne. Born 14th December 1895 King George died on the 6th February, 1937. Cream coloured ceramic mug with printed text and images. Outside of mug; Coronation of King George VI & Queen Elizabeth / May 1937 base; Burleigh / Made / in / England / Official design / Made in Englandmaking a nation exhibition

Made for, and worn by Sarah Gibb, Birchip, Victoria in 1882, on a picnic arranged to celebrate the arrival in Victoria of the two Princes Albert and George, Dukes of Clarence and York. They were serving in the Royal Navy, on the ship Baccaute. Sarah would have been about 18 years old, and lived to 99. Prince George became King George V.White cotton trimmed with four frills of pin tucks and lace. Two frills are missing. There is a 16 cm. neck frill, and wide ties.lace, heirloom, white work, bonnets, australia, 1880-1900

Jet became popular in the Victorian era for mourning jewellery, which became fashionable after the death of Queen Victoria's husband Prince Albert in 1861. Jet is a dense black fossilized wood, almost like coal, and very light in weight. It is easy to cut, so carved well. It became popular in the Victorian era for mourning jewellery, which became fashionable.This jet necklace is typical of the mourning jewellery worn by early settler women in Moorabbin Shire c1900A continuous circular, long, black necklace with small jet beads.Nonejewellery, mourning wear, jet stone, queen victoria fashion, early settlers, pioneers, black clothing, moorabbin mirror, bader fran, rietman august, rennick stefanie, resin jewellery,

Bendigo Advertiser ''The way we were'' from 2000. Charing cross: circa 1914. The Alexandra Fountain was built with proceeds from the Bendigo Juvenile Industrial Exhibition in March 1879. The architect was W.C. Vahland. The fountain was officially opened by Prince Albert Edward Victor of Wales in 1881. During the years, Charing Cross has been an important landmark and meeting place for visitors and residents of the town. The clip is in a building.newspaper, bendigo advertiser, the way we were

The booklet was produced to record the names of the early white settlers to the colony of Victoria who presented a loyal address to the visiting Prince Alfred, Duke of Edinburgh in 1867. Prince Alfred was the second son of Queen Victoria and Prince Albert and joined the Royal Navy where he served for many years. He married Grand Duchess Maria Alexandrovna of Russia. He later succeeded his uncle as Duke of Saxe-Coburg and Gotha.Booklet with cream coloured cardboard cover with black printing. Pages are cream coloured with black printing and several black and white photographs in the publication. Edited and arranged by D.J. Mickle and Genealogical Society of Victoria. Copyright D. J. Mickle and Genealogical Society of Victoria 1970. Printed by Pax Printers & Publishers Pty. Ltd., Dandenong, Victoria.prince alfred duke of edinburgh, australian visit, navy

NeoclassicalOil on board of a Neapolitan fisherman his dog. A label inside the frame states that the painting is mounted on "Prepared Mill Board / Windsor & Newton / Artists' Colourmen / to Her Majesty / and / His Royal Highness Prince Albert / 38, Rahbone Place, London." This would indicate that the artist was British and working between 1841-61. Handwritten on the label is the name W.O. Harland. Modern frame. The painting may have been donated by Rosemary Vaughan-Smith who was a neighbour of Mrs Dorman (sic). artwork, neapolitan fisherman