abstraction, non-objective, langford 120, five walls, stephen wickham, charles mcloughlan gallery, justin house art museum, annelies jahn, barbara halnan, donna comfort, emma beer, graziela guardino, pam aitken, caroline phillips, tania alexander, emma beer, magda cebokli, rox de luca, tina douglas, sheeley jardine, merryn trevethan, karen wells, karen wells, kubota fumikazu, leah teschendorff, magda cebokli, max lawrence white, merryn trevethan, nancy constandelia, patricia todarello, pj hickman, raymond carter, rebecca monaghan, rohan hartley mills, rox de luca, sally tape, shaun o'connor, shelley jardine, simon degroot, stephen wickham, tania alexander, tina douglas, troy innocent, wilma tabacco, painting, sculpture, printmaking, mixed mediaabstraction, non-objective, langford 120, five walls, stephen wickham, charles mcloughlan gallery, justin house art museum, annelies jahn, barbara halnan, donna comfort, emma beer, graziela guardino, pam aitken, caroline phillips, tania alexander, emma beer, magda cebokli, rox de luca, tina douglas, sheeley jardine, merryn trevethan, karen wells, karen wells, kubota fumikazu, leah teschendorff, magda cebokli, max lawrence white, merryn trevethan, nancy constandelia, patricia todarello, pj hickman, raymond carter, rebecca monaghan, rohan hartley mills, rox de luca, sally tape, shaun o'connor, shelley jardine, simon degroot, stephen wickham, tania alexander, tina douglas, troy innocent, wilma tabacco, painting, sculpture, printmaking, mixed media

abstraction, non-objective, langford 120, five walls, stephen wickham, charles mcloughlan gallery, justin house art museum, annelies jahn, barbara halnan, donna comfort, emma beer, graziela guardino, pam aitken, caroline phillips, tania alexander, emma beer, magda cebokli, rox de luca, tina douglas, sheeley jardine, merryn trevethan, karen wells, karen wells, kubota fumikazu, leah teschendorff, magda cebokli, max lawrence white, merryn trevethan, nancy constandelia, patricia todarello, pj hickman, raymond carter, rebecca monaghan, rohan hartley mills, rox de luca, sally tape, shaun o'connor, shelley jardine, simon degroot, stephen wickham, tania alexander, tina douglas, troy innocent, wilma tabacco, painting, sculpture, printmaking, mixed mediaabstraction, non-objective, langford 120, five walls, stephen wickham, charles mcloughlan gallery, justin house art museum, annelies jahn, barbara halnan, donna comfort, emma beer, graziela guardino, pam aitken, caroline phillips, tania alexander, emma beer, magda cebokli, rox de luca, tina douglas, sheeley jardine, merryn trevethan, karen wells, karen wells, kubota fumikazu, leah teschendorff, magda cebokli, max lawrence white, merryn trevethan, nancy constandelia, patricia todarello, pj hickman, raymond carter, rebecca monaghan, rohan hartley mills, rox de luca, sally tape, shaun o'connor, shelley jardine, simon degroot, stephen wickham, tania alexander, tina douglas, troy innocent, wilma tabacco, painting, sculpture, printmaking, mixed media

painting, sculpture, printmaking, mixed media, abstraction, non-objective, langford 120, five walls, stephen wickham, charles mcloughlan gallery, justin house art museum, annelies jahn, barbara halnan, donna comfort, emma beer, graziela guardino, pam aitken, caroline phillips, tania alexander, emma beer, magda cebokli, rox de luca, tina douglas, sheeley jardine, merryn trevethan, karen wells, karen wells, kubota fumikazu, leah teschendorff, magda cebokli, max lawrence white, merryn trevethan, nancy constandelia, patricia todarello, pj hickman, raymond carter, rebecca monaghan, rohan hartley mills, rox de luca, sally tape, shaun o'connor, shelley jardine, simon degroot, stephen wickham, tania alexander, tina douglas, troy innocent, wilma tabaccopainting, sculpture, printmaking, mixed media, abstraction, non-objective, langford 120, five walls, stephen wickham, charles mcloughlan gallery, justin house art museum, annelies jahn, barbara halnan, donna comfort, emma beer, graziela guardino, pam aitken, caroline phillips, tania alexander, emma beer, magda cebokli, rox de luca, tina douglas, sheeley jardine, merryn trevethan, karen wells, karen wells, kubota fumikazu, leah teschendorff, magda cebokli, max lawrence white, merryn trevethan, nancy constandelia, patricia todarello, pj hickman, raymond carter, rebecca monaghan, rohan hartley mills, rox de luca, sally tape, shaun o'connor, shelley jardine, simon degroot, stephen wickham, tania alexander, tina douglas, troy innocent, wilma tabacco

Copy of contract with sundry correspondence and covering typewritten summary. Property - Lot 7, Plan of Subdivision 9413, Part of Crown Allotment 130, Parish of Nunawading, Certificate of Title Volume 5495, Folio 1098994.AI Summary using CoPilot (16/9/2026): The documentation records a 1947 contract of sale between Josephine Crowther (vendor) and Keith Raymond Barrah (purchaser) for Lot 7 on Plan of Subdivision 9413, part of Crown Allotment 130 in the Parish of Nunawading, County of Bourke. The land is described in Certificate of Title Volume 5495 Folio 1098994. The agreed purchase price was £66/5/-, with a £7 deposit payable on signing and the balance due within 30 days of receiving Commonwealth Treasurer’s consent. The contract was prepared and executed through C.E. Carter & Son, Estate Agents, Ringwood. The purchaser is described as a “Cadet Artist”, and the vendor’s address is listed as “21 Linton Street, St Kilda.” The contract incorporates the 1946 Copyright Conditions of Sale, including provisions relating to land tax, default, instalments, auction rules, and wartime National Security Regulations requiring government consent for transfers. The accompanying correspondence shows the administrative steps surrounding the sale. Letters between Carter & Son, the purchaser’s solicitor J. Robertson Macmillan, and the vendor confirm the signing of the contract, submission of Form 7, and later receipt of the Treasurer’s consent. A valuation fee of £2/2/- was charged for the required government valuation, with the valuer’s fee shared between vendor and purchaser. A later account to Mrs Crowther explains an additional £1/1/- deduction relating to a separate valuation: “Although the sale fell through we still had to pay for the valuation. We recovered half from the purchaser and the other half was recovered from you.” The file concludes with receipts and account statements documenting the deposit, commission, and valuation charges.

Copy of contract and covering typewritten summary. Property - Lot 140, Plan of Subdivision 10506, Part of Crown Allotment 4, Parish of Ringwood, Certificate of Title Volume 5969 Folio 1193795.18669 Killingworth - Manzie AI Summary The document is a 1944 contract of sale between Fernie Herbert Killingsworth (vendor) and Norris Raymond Manzie (purchaser) for Lot 140 on Plan of Subdivision 10506, part of Crown Allotment 4 in the Parish of Ringwood. The land is described as “having a frontage of 90 feet to Whitehorse Road by a depth of 150 feet” and includes all buildings and erections on the property. The purchase price is £325, with a £10 deposit and the balance payable within 14 days of receiving government consent for the sale. The contract is subject to existing tenancies and uses the Real Estate and Stock Institute of Victoria’s 1936 copyright form. The vendor’s signature is not present, indicating the document remained incomplete. The special conditions reflect wartime regulatory requirements. The purchaser must sign an acknowledgment under the Farmers’ Debts Adjustment Act 1935, and must warrant compliance with the National Security (Land Transfer) Regulations, stating that the purchase “in no way infringes or contravenes the said Regulations.” Both parties must apply for Commonwealth Treasurer consent, and the contract becomes void if consent is refused or may proceed at a reduced price if required by the Treasurer. If consent is refused due to purchaser default, the vendor may retain the deposit. The valuer’s fee is to be shared equally. A covering letter from C.E. Carter to Miss G.F.A. Jones encloses the contract for review and notes that a valuation will be obtained and consent sought.