English map sampler worked by a child of 10 years. Remounted.Oval map of Britain, excluding Scotland, naming all the counties. Silk material over linen and probably worked in silk.Margaret Hoethe? School? August 20thembroidery, samplers, 18th century, england, silk embroidery, european

Small sampler with alphabet letter and name of embroider.Victorian Sampler 1874 Ellen Ripper age 12handcrafts, embroidery

Sampler came in its original fram but was lter remounted and reframed. Made by Marion McIlwraith ( a relation of Mr Dunn's)Mat sampler of Scotland with outlines of the Scottish mainland and off-shore islands including Orkney and Shetland in insets in fine cross stitch.Marion McIlwraith, Air (Ayr) - 1913embroidery, cross stitch, samplers, early 19th century, scotland

12 needlework samplers framed in a wood frame.School work 1907. Hand sewn samplers by Dorrie Barnes, aged 10-12 years. Kardella State School No 3196.

McNamara collection - sampler of drawn thread work. - various patterns.- Sampler of drawn thread work. - Cotton, machine edged.Nilsampler, drawn thresd

School sampler worked by student of Trelowarren Public School (?NSW or Cornwall UK). Set of three samplers dating from 1893-4School sampler embroidery in pale pink, yellow and green on cream cotton fabric. Demonstrates various embroidery stitchesTrelowarren

Sampler worked by Mary Ann Sebire at age 11. Eldest child of Henry and Martha Sebire.Embroidered Sampler with letters of the Alphabet and words. Cream mount in a wooden frame.textile samplers

This is a Victorian mourning sampler.This handwork is an example of the needlework skills of women in early settler families.Sampler of needlework with "sweet rest in heaven" . Simple geometric design and flowers. Gold and green carved ornate frame with nails.handcraft needlework hobbies

School sampler worked by student of Trelowarren Public School, in 1894 (?NSW or Cornwall UK)School sampler embroidery in pale pink, yellow and green on cream cotton fabric. Demonstrates various embroidery stitchesFrances A(?) Sturgess Jan 19th 1894 Trelowarren Public School

Photograph donated by Sally Rowe and descendant of the West family.Colour photograph of Emily Rowe holding the neddlework sampler of Maria West, Emily's great, great grandmother.On back: This is Emily Rowe looking very solemn holding Maria's Sampler!. Emily is the great, great grandaughter of Maria West - later Burton. March 2012.emily rowe, sally rowe, maria west, maria burton, west family

Research underway on Mrs Fudges school and to link maker to donor.Unusual sampler with diamond band in solid satin stitch.English band sampler. Linen embroidered in satin stitch, eyelet, half cross stitches in dark green, brown and beige cotton, scrolling frame around inscription. Diamond band in solid satin stitch.Five alphabets, "Susanah Fennel her sampler worked at Mrs Fudges school 1808"alphabet

Victorian era cross stitch samplerFramed Victorian era sampler in cream and green silk threads on hand woven linen. Upper and lower case alphabets in two fonts and numbers 1-16 with religious inscription.Stitched inscription " 'Tis religion that can give sweetest pleasures whilst we live, 'Tis religion must supply, solid comfort when we die. J. R ?N E Moore 1854"alphabets, numbers

Brought to Australia by ancestors of donor, Captain David H Warington. Donor unsure who stitched the sampler. Maternal grandfather was German and maternal grandmother was born in Australia (lived near Rapid Bay, South Australia)Berlin work sampler with alphabet, numbers, a parrot, squirrel, person, two fruit trees and a crown.alphabet, numbers, squirrel, parrot, fruit trees

A colourful sampler worked in Scotland about 1820 by Ursula Blair, who was only 12 years old. Donated from the estate of Elsie Cooke. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. The Blair connection is from the Munro family -maternal side.This item shows the needlework skills which were being taught to young girls in preparation for their duties as wives.A colourful sampler showing numbers and letters, a house and garden in plain gold/brown frame. Sampler is in a wooden frame with glass front.sampler handcrafts needlework

This woolen sampler was of the type created by learners practicing their stitches, in this case Phoebe Lowell, a schoolgirl who made this in 1918 at St Michael's, St Kilda where she won the Form V Needlework Prize in that year. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although that would not have been the case for this sampler.This sampler is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.Piece of cream-colored woolen fabric hemmed with herringbone stitching. A circle and a square have been cut out and a larger circle and square have been sewn with herringbone stitches as a backing.On small cardboard piece sewn to sampler: 'Phoebe Lewell / Form 5 R / Age 16'female, lynne findlay collection, sampler, phoebe lowell, 1918, st michael's

English sampler worked by Sarah Tatlock. Possibly Sarah Ann Tatlock born 7 June 1794, Baptised 27 July 1794 at St Leonards, Shoreditch, London. Parents James and Martha Tatlock.Sampler worked by child depicting alphabet, numerals 1-13 with simple geometric bands, trees and flowers. Worked in green and brown silkSarah Tatlock 1800alphabets, numerals, flowers, trees

Brought to Australia by ancestors of donor, Captain David H Warington. Donor unsure who stitched the sampler. Maternal grandfather was German and maternal grandmother was born in Australia (lived near Rapid Bay, South Australia)Cross stitch sampler, cotton thread on linen. Inscription with house, trees and 2 crowns, one with initial K and the other with initial B (?)Lord of the lower world, Frail man was made, the creatures all to him. Their homage paid but when for sin Fod did him once condemn, He is neither master of himself or them. The path of virtue is the path of peacehouse, crown, tree

Sampler worked by Beverly Anne in 1988'Contentment is not the fulfilment of what you want but the realization of how much you already have. 1988handcrafts, embroidery

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history

A "Plain Sewing Sampler" or "Darning Sampler" was intended to showcase the wide range of sewing techniques and skills a girl or woman had. These skills might include hand sewing techniques such as darning, patching, hemming, mending, structural sewing (making pleats, inserting gussets, joining fabric with seams) making buttonholes and embroidery. Samplers could also be intended for practicing a particular technique. There were several articles printed in Australian newspapers around 1889 referring to the "Plain Sewing Movement". In 1889 a Melbourne branch of the "London Institute for the Advancement of Plain Needlework" was formed by a group of ladies led by Lady Loch and Lady Clarke with the purpose of teaching "plain needlework' to women and girls. "Plain Sewing" included fundamental stitches and techniques that were essential for practical clothing construction and maintenance. Several years later in 1891, another meeting was held at Clivedon (the residence of Lady Clarke) to look into the possibility of improving the teaching of sewing in the state schools. This meeting was attended by several school inspectors and the committee of "the Melbourne Institute for the Advancement of Plain Needlework". This "Plain Sewing Sampler" was donated from the estate of Susan Henry OAM nee Vedmore (1944 - 2021). Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. It has not been possible to identify the lady (with the initials L. L.) who made this item in 1897 but it was thought to possibly be a female relation in her maternal (or possibly, paternal) grandmother's family. It has many of the same elements and techniques that were taught by the "Plain Sewing Movement" that originated in England at the end of the nineteenth century.This item is a rare example of the handcraft skills learnt by women and girls in the late 1890's to construct and maintain practical clothing for their families.A cream cotton sampler made from three smaller rectangular shapes, displaying a wide variety of plain sewing techniques including hand stitched seams (french, bound and herringboned), inserted patch, buttonhole, button, gathering, a gusset, frills, pintucks, a placket, cross stitch initials and date (L L and 1897) and decorative embroidery.L L/1897flagstaff hill maritime museum and village, warrnambool, shipwreck coast, needlework, textiles, plain sewing sampler, darning sampler, handwork, sewing, great ocean road, susan henry oam, vedmore trust, hand sewing, sewing techniques

A "Plain Sewing Sampler" or "Darning Sampler" was intended to showcase the wide range of sewing techniques and skills a girl or woman had. These skills might include hand sewing techniques such as darning, patching, hemming, mending, structural sewing (making pleats, inserting gussets, joining fabric with seams) making buttonholes and embroidery. Samplers could also be intended for practicing a particular technique. There were several articles printed in Australian newspapers around 1889 referring to the "Plain Sewing Movement". In 1889 a Melbourne branch of the "London Institute for the Advancement of Plain Needlework" was formed by a group of ladies led by Lady Loch and Lady Clarke with the purpose of teaching "plain needlework' to women and girls. "Plain Sewing" included fundamental stitches and techniques that were essential for practical clothing construction and maintenance. Several years later in 1891, another meeting was held at Clivedon (the residence of Lady Clarke) to look into the possibility of improving the teaching of sewing in the state schools. This meeting was attended by several school inspectors and the committee of "the Melbourne Institute for the Advancement of Plain Needlework". This "Plain Sewing Sampler" was donated from the estate of Susan Henry nee Vedmore (1944 - 2021). Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. It has not been possible to identify the lady (with the initials L. L.) who made this item in 1897 but it was thought to possibly be a female relation in her maternal (or possibly, paternal) grandmother's family. It has many of the same elements and techniques that were taught by the "Plain Sewing Movement" that originated in England at the end of the nineteenth century.This item is a rare example of the handcraft skills needed by women and girls in the late 1890's to construct and maintain practical clothing for their families.A cream flannel sampler made from three smaller rectangular shapes, displaying a wide variety of plain sewing techniques including hand stitched seams (french, bound and herringboned), darned patches, inserted patches, pleats, buttonholes, buttons, a gusset, pintucks, a placket, cross stitch initials and date (L L and 1897) and decorative embroidery.L.L. / ?? Yr 1897flagstaff hill maritime museum and village, great ocean road, warrnambool, sewing, plain sewing, sewing sampler, plain sewing sampler, darning sampler, hand sewing, textiles, susan henry oam, vedmore foundation, sewing techniques

From Estate of Jenny LangSewing sampler. Beige background with blue and red embroidery with different stitches.handcrafts, embroidery

Made by Martha Sebire (nee Rihoy) in 1849 in Guernsey, and brought to Australia by her circa 1850's.Cross-stitch sampler, framed in gold and wooden frame with glass cover."Martha Rihoy aged 13 years april 4 1849 Guernsey"textile samplers

Unknown, possible early 1800'sCross stitch sampler of alphabets and numbers, worked on linen, mounted on linen in a wooden frameEllen Gibson Aged 8 years Just like an early rose I've seen an infant bloom but death perhaps before it blows may lay it in the tombalphabet

Originally framed by William Hayward, carver - gilder and picture frame manufacturer 54 Upper Richmond Road, Putney, EnglandFramed needlework sampler - five lines of alphabet and numbers worked in red cross stitch on a light brown material, followed by a verse, then a house, birds, boat, windmill, animals worked below. Cross stitch sampler. (See 'Other Information' for verse).Signed in cross stitch by the embroiderer, Sarah Moats, aged 10, 1836.handcrafts, embroidery

Embroidery and crochet work was an important pastime of Australian women of the late 19th to mid 20th century. Needlework was commonly taught to girls at school and at home.A small white linen sampler with examples of different stitches, buttonholes, buttons, loops, tapes and hemming.sampler linen handcraft