Certified copy of the registration of the death and burial Thomas Moran, miner. District of Raywood, Colony of Victoria. Date of copy 19 February 1885. Signed by H.R.Hyde, Deputy Registrar, Raywood. On the rear: Noted in Lands Department, Chas A Roberts, 25/2/1885. Death of Thomas Moran - 6 February 1882 at Inglewood Hill, Raywood Borough, County of Bendigo. Male aged 61 years. Cause of death: bronchitis and asthma. Duration of last illness: 2 years. Medical attendant by whom certified: P.H. McGillivray M.R.C.S. Sandhurst. Last saw the deceased: 26 November 1881. Parents unknown. Informant: William English, son-in-law, Raywood . Deputy Registrar: H.R.Hyde. Date of registration: 7 February 1882. Buried Raywood Cemetery 7 February 1882. Undertaker: William English, Raywood. Minister/Witnesses: Dennis Fogarty, Daniel Ryan. Where born: Kilkenny Ireland, One year in NSW, 30 years in Victoria. Married Melbourne, age 34, to Mary Dundon. Issue: Mary 26 years and Catherine 25 yearsgenealogy, family, moran, thomas moran, raywood, inglewood hill, william english, h.r.hyde, daniel ryan, death certificate, raywood cemetery, denis fogarty, kilkenny ireland, p.h. mcgillivray

William Coleman stole a cash box from the Woolpack Hotel, Carlton, December 1910. He had a string of various other offences of larceny and stealing under a variety of aliasesPrison record for William Coleman, prisoner registered number 34372, giving details of the prisoner, his crimes and the dates and places of his trials.william coleman, english speaking prisoner, stealing, larceny

Established by Patrick Kavanagh and William English in Surry Hills, Sydney in 1922 as a subsidiary of Kande Kitchenware. They manufactured and sold kitchenware until the 1960's.Price List - July 1st 1934 KAVANAGH & ENGLISH LTD. Manufacturers of 'Kande' kitchenware Lacey street, Sydney. It consists of 10 pages printed in B&W ink. The last 4 pages have B&W illustrations of kitchenware. A small leaflet (measuring 12.5 x 9 cm) printed in red ink is glued to the front of the booklet. It mentions 'TERMS as from 1st July, 1934' There are two staples on the spine.abbott, kavangh & english, kitchenware

Brought to Australia by English Captain William Parsons during the 1830s.Donated by Robert Nissen in memory of Gaye Marie Nissen, daughter of Robert Nissen and Mary Wentworth, a descendant of William Charles Wentworth.Mahogany lap writing desk with roll top, ink wells, writing slope, drawer and other compartments.Copper plate on top panel is inscribed with "M.A."writing desks, william charles wentworth

Kande Kitchenware was established by Patrick Kavanagh and William English in 1922. The name Kande was formed from their initials, K and E. It had its Sydney factory in Little Collins Street, Surrey Hills. Kavanagh and English, a subsidiary of Kande Kitchenware, became a limited company in 1924, with both founders as directors. Another director was Test cricketer Jack Gregory, an all-rounder who slipped easily into the role of businessman. Gregory enjoyed success in business as on the cricket field, helping the company grow from a tiny operation to a major manufacturer and exporter that employed 80 people in 1931. They produced a wide range of utensils including cake tins, pastry cutters, pans and baking dishes. They managed to survive the difficulties of the Depression and were listed as a public company in 1949. Kande Kitchenware Ltd were taken over by Hackshalls Limited 6 July 1960.An appliance made by an early and successful Australian company which manufactured metal kitchen items during the first half of the 20th century. Th.ese utensils were widely used throughout AustraliaFlour sifter manufactured by KANDE Australia. The sifter / sieve is made of metal with a wire mesh and is decororated with images of other kitchen utensils and ingredients. It has a spring-loaded handle to which would be squeezed to operate the internal sifting mechanism.At botton of illustrations on one side "Kande AUSTRALIA"australian business, kande kitchenware, kitchen utensils, kitchenware early 20th century

Hispano Moresque pottery charger made in Spain in the first half of the twentieth century. Such lustre ware was the inspiration for the work of English potter William de Morgan whose work is also represented at Hymettus.Large platter or charger

The Gramophone Company Limited, based in the United Kingdom, was one of the early recording companies. It was founded in 1898. That same year Fred Gaisberg moved from the United States to London to set up the first disc recording tudio in Europe. In 1900 William Owen, an English man, gained the manufacturing rights for the Lambert Typewriter Company and the Gramophone Company and for a few years was renamed the Gramophone & Typewriter Ltd.Timber gramophone box with turntable, needle arm, clamp and horn. No winder. .2) - m14/57 - gramophone clamp for horn .3) - m14/45 - gramophone arm with needle .4) - m222 - gramophone horn Turntable pad very wornSticker on side of box "The Gramophone Company Ltd City Road, Finsbury Square, London (Great Britain, Germany, France, Belgium, Russia)"gramophone, recording company, united kingdom, typewriter, william owen, fred gaisberg, horn, needle arm, turntable, horn clamp, gramophone company

This book was awarded to William Kerr Paterson for English Subjects as first prize in the fifth form in 1894. William enrolled in Ballarat College in 1891 (D.O.B. 5/11/1876). In the original register it lists parent/guardian as John Paterson, contractor, residing at 12 Errard Street South. It also states that previous school was SS.33, [subsequently known as Dana Street P.S]. William's brother David McMurtrie enrolled in the college in 1886 at the age of 14.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown calf with college crest embossed on front cover. Six raised bands on spine with gilt lettering on all but second compartment. Second compartment contains green calf with gilt lettering. Marble end papers, red/gilt edges, slight foxing on pages, slight detached spine, 758 p.Book plate inside front cover: College crest/ English Subjects/ Fifth Form./ First Prize./ Awarded to/ William Paterson/ Christmas, 1894william-kerr-paterson, book-prize, 1894, john-paterson, 12-errard-street-south, ss.33, david-mcmurtrie-paterson.

The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection

History of The English Revolution of 1640 From the Accession of Charles 1 to his Death Author: F. Guizot, translated by William Hazitt Publisher: David Bogue Date: 1854non-fictionThis 1854 William Hazlitt translated edition is a later reissue, not the original first edition. The work is historically important because Guizot treats the English Civil War as a major turning point in the broader development of constitutional government and European political history. The subject 1854 copy records show the English translation appeared before 1854, with editions by D. Bogue in 1846 and 1848, and the 1854 David Bogue issue is another later edition. The 1854 title page in digitised copies also identifies it as a “new edition” in one-volume form, which further indicates it is a later printing rather than the first. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, mechanics’ institute library, victorian library board, warrnambool books and records, great ocean road, history of the english revolution of 1640, f. guizot, william hazitt

This item was used at the Ballarat School of Mines Physics department until the 1970s-1980s to demonstrate that electrons have a straight line. A sealed conical glass tube, equipped with two electrical connections. One, at the narrow end, terminated inside with a sic shape electrode and faces a cross-shapped aluminium steel target near wide end. Other electrode is side branch, which also provided means of mounting on a polished wood circular stand. A Crookes Tube is an early experimental electrical discharge tube, with partial vacuum, invented by English physicist William Crookes and others around 1869-1875, in which cathode rays, streams of electrons, were discovered. May also be called a Crookes–Hittorf tube or Maltese Cross Tubemaltese cross, crookes tube, physics, electron emission demonstration, cathode rays, vacuum tube, electrons, crookes–hittorf tube, maltese cross tube

André Levret (8 January 1703 in Paris – 22 January 1780) was a French obstetrician who practised medicine in Paris. He was a contemporary of famed English obstetrician William Smellie (1697–1763), and along with Jean-Louis Baudelocque (1745–1810), helped advance the science of obstetrics in 18th century France. Levret is considered by many to be the most influential figure in 18th century French obstetrics. He is known for his work involving breech maneuvers and Caesarean sections. He wrote a number of influential books in the field of obstetrics and attracted students from all over Europe, among them German obstetrician Johann Lukas Boër (1751–1835). He is credited with improving the birth forceps by adding a "pelvic curve" to the instrument. (Wikipedia) Surgical instrument. Instrument consists of two arms, loosely resembling a pair of scissors in shape. The arms are joined by a pin at centre, and each arm has a circular finger grip at top. The end of each arm curves upward and broadens into an elongated teardrop shape, with the end of each arm hollowed out so that only the edges remain. The inner edges of the end of each arm are corrugated for grip. Engraved text on one arm reads 'MAYER&MELTZER.LONDON'.'MAYER&MELTZER.LONDON'

Tait collection: item 27 of 62. This document contains details of the Will of William Stacey Spencer, formerly of Stanstead, Mount Fitchet but late of Birchanger, Essex, England. He was a corn merchant and malster and died in England in October 1897. He left an estate with a gross value of £4973, with the beneficiaries being his wife and children. Three codicils were added to the will, one being caused by the death of an executor, William Spencer’s brother. The English lawyers involved in drawing up this will were Richardson, Foxwell and Hart of Much Hadham, England. As this document is an Exemplification of the Will and was drawn up in the colony of Victoria it is presumed that one or more of the beneficiaries was a resident in Victoria and possibly in the Warrnambool district. The Warrnambool lawyers, Henry Parrington and Con O’Mahony have their names in the document. The document has been, with others, passed down to successive lawyers occupying legal premises in Kepler Street, Warrnambool and located in that building in 2014. Unless some local connection can be found to William Spencer, this document is of interest only in that it was drawn up by local Warrnambool lawyers in 1899.This is a cream-coloured document consisting of five double parchment pages bound together with green cord and including a folded-over inset piece of paper on the front page. Nine of the pages have ruled black lines on the edges and there is handwritten material in black ink on nine pages. The document gives details of the will and codicils of William Spencer of Essex, England who died in1897. The document has the seal of Her Majesty’s High Court of Justice, Probate Division, attached with white binding and a stamp for three pounds attached with a metal insert. The document is somewhat grubby but is legible.In Her Majesty's High Court of Justice (Probate Division), Principal Registry Exemplification of Will of Mr William Stacey Spencer deceased Dated 15 August 1899william spencer, con o'mahony, henry parrington, tait collection, william stacey spencer

The two hand-held, portable kerosene lamps each have green enamel caps over the glass. They were used from around the 1930s until 1993, and one is now located on the groundfloor level of the lighthouse and the other is in the assistant lightkeeper’s quarters. The brand name of the Point Hicks lamp, while not stated is probably Coleman, Tilley or Austramax, which were all similarly made, portable pressurised kerosene lamps. Coleman brand pressure lamps and lanterns were first made in about 1905 by American, William Coleman, and their English competitor was the firm, Tilley. The Australian company Austramax began manufacturing kerosene pressure lamps in Brunswick in 1946, making the bases and the workings by hand, turning out 1000s of lamps each week. Portable lamps were used worldwide where bright light was needed and they became essential as an emergency back-up source of light for the lightstation as well as the lantern room. Through the multiplication of light by the lighthouse lenses, they could provide a tower with a 26 nautical mile range. Lamps similar to the two Point Hicks examples can be found at Gabo Island, one of which is a green enamelled Austramax lamp; Cape Nelson (Austramax), and similar lamps are held at Cape Schanck and Cape Otway. The two Point Hicks lamps have first level contributory significance for their historic value and provenance, and as representative examples of lamps that were widely used in Australian lightstations between the 1930s and 1960s.PHLS0008.1 & PHLS0008.2 Pressurised kerosene lamp, cover over glass is made of green enamelled metal.

The well known sculpture of English playwright William Shakespeare takes an elaborate bow before the Civic Hall, a performance and community center for Ballarat. The unique abstract and elongated mannerist style used in this cast bronze sculpture hints at the art deco style of the Hall behind. The sculptor, Andor Mészáros, was from Budapest but created much of his work in Melbourne. He also created works for Canterbury Cathedral in the UK and several carved stone sculptures for Sydney Hospital. The artwork was commissioned in 1959 through a widely publicised competition and installed in 1960. In addition to making sculptures, Mészáros was also renown as a creator of medallions. In 1951 he received 'the highest award' at the International Medallion Exhibition, Madrid and in 1964 he won the 'purchase prize' at the International Medallion Competition, Arezzo, Italy. From 1970 Mészáros worked with his younger son Michael, also a sculptor. In 2002, the City of Ballarat granted permission for Michael Mészáros to make a cast of the Ballarat Shakespeare artwork to create replica installed in Budapest. The Budapest installation commemorates Shakespeare's connection to the City and the achievements of Andor Mészáros. The artwork was unveiled by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected.The artwork is of aesthetic significance to the people of BallaratLarge bronze statue of William Shakespeare mounted on a stone plinthWilliam Shakespeare 1564-1616. Erected by benefactions from Harry Pearson Stevens who settled here 1855 and other Citizens unveiled by Arthur W. Nicholson J.P. Mayor.17.11.1960shakespeare, andor mészáros, civic hall, ballarat

William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport

Hard cover book, Abandoned. Author: Jules Verne Publisher: Sampson Low Marston Searle and Rivington, St. Dunstans House, Fetter Lane Fleet Street, London. EC. Date: 1892 Light blue hardcover with the title on the spine having lettering to spine in black hand written text pen. fiction"Abandoned" is the second part of Jules Verne’s “The Mysterious Island trilogy”, continuing the story of a group of castaways testing their ingenuity and courage on a remote Pacific island. The 1892 Sampson Low, Marston, Searle & Rivington edition is an early English language reprint of this work.This novel is not among Verne’s absolute core masterpieces like “Twenty Thousand Leagues Under the Seas” or “Around the World in Eighty Days”. Abandoned (also known as its original French title, "L’Île mystérieuse: Deuxième partie L’Abandonné" picks up the narrative of five or six men (including the engineer Cyrus Harding and the sailor Pencroff) who have already survived a balloon crash and built a rudimentary civilisation on a seemingly uninhabited island. As they explore the island further, they discover signs of a mysterious benefactor and eventually meet the “abandoned” character Ayrton, a former convict who has lived in isolation while the island itself faces natural and human threats that test their survival and moral choices. The story blends adventure, technology, and social Utopian themes, showing how rational cooperation can triumph over hardship and moral degeneration.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, ralph eric pattison, jules verne, voyages extraordinaire series, l’école des robinson's

This article provides a biographical overview of William Northcott, an accomplished English-born cornetist. Born in Devonshire, England, in 1811.He began studying music at age nine under the renowned cornetist Norton. He demonstrated rapid progress, leading to early opportunities in military bands. He joined the British Navy as a young teenager, initially aiming to serve on the St.Jean d'Acre during the Crimean War. He played the cornet aboard the Princess Royal and later the St. Jean d'Acre, becoming popular among officers and crew. William participated in significant events such as the Crimean War and the fall of Sebastopol before returning to England in 1856. He Continued naval service on the "Conqueror" (Mediterranean cruise, 1856–1859) and then the "Nile," where he served as leading cornet player and soloist. Accompanied the Prince of Wales on a tour of Canada, earning high praise for his performances.International Musical Caree. rAfter ten years in the British Navy, traveled to Australia to join his family and founded the Northcott Sandhurst Brass Band, introducing popular "sacred concerts." Moved to New Zealand, briefly led a band in Christchurch, and attempted gold mining before returning to music with a successful concert tour. On route to America, organized a concert in Honolulu and was hired by the local government to form and lead a band, which he developed into a respected ensemble. William arrived in San Francisco in 1871, performed as a soloist in a major benefit concert for Chicago fire victims, and gained popularity on the West Coast. Later he moved to New York City, performing with prominent groups and artists, including Henry Tissington and Mme. Parepa Rosa, and joined Carneross' Minstrels. Early Engagements (1873–1875):Solo cornetist at Congress Hall, Cape May, under Simon Hassler (summers of 1873, 1874, 1875). Performed with the San Francisco Minstrels (fall/winter 1873–74) and at the Chestnut Street Theatre, Philadelphia (fall/winter 1874). Centennial Exhibition (1876):Specially engaged to perform for several exhibitors, attracting large crowds (20,000–30,000 people daily).Played for major companies (Hook & Hastings Organ Co., Knabe Piano Co., Stieff Piano, etc.) and with the Centennial Band. Demonstrated remarkable endurance by performing multiple daily sets throughout the event.Subsequent Engagements (1877–1879): Soloist for the Permanent Exhibition (1877–79). Performed with renowned violinist Ole Bull in 1879 and impressed critics with technical feats, such as playing "America" in four octaves on the cornet.Concert Company Leadership (1891–1893): Managed and performed with his own Concert Company, recognized as one of the finest musical organizations in the country. The company featured top vocalists and instrumentalists, giving over fifty concerts in Philadelphia alone. Introduced an original comic opera, "Henrietta; or, the Power of Music," to diversify the repertoire. Northcott's career is marked by international travel, military service, musical leadership, and a reputation for both performance excellence and band organization. Williams and his brother James Northcott served in the military together. James settled in Bendigo and worked for George Lansell as his general manager for 26 years. James lived in Lily St Golden Square; he continued with the Northcott Band until his death in 1904Fortuna Articles - The J.W. Pepper's Philadelphia Musical Times Band Journal - Sketch of William Northcott April 1884 This item contains two copies of the following documents from Wendy Ellis, a descendant of the Northcotts. James (George Lansell's General Manager) Northcott's name was famous for his involvement with his band. William was his brother who joind him in Bendigo for four years. 11217.68a Black and white etching of William Northcott, Cornet Virtuosu, from the article (sketch) on him - the Musical Times Journal. 11217.68b, c, and d Part of the article on William Northcott 11217.68e This document is a personal letter focused on family history and genealogical research. The writer's great-grandfather was Richard Williams.The writer's grandfather, Albert James, married Annie Edith Northcott, who was George Lansell's niece. Annie's father was not William Northcott, but his brother. The writer enclosed photocopies related to the family history, as promised. An additional photocopy from a magazine was included, with the original held by the writer's sister. The writer asks for the names, address, or phone number of the Lansell sisters to obtain a copy of the family tree. The book "Bendigo and Vicinity" is mentioned as a resource, with copies available at the State Library in Melbourne.non-fictionbendigo, fortuna, george lansell, william northcott, james northcott band, wnedy ellis

This book contains poems written by Richard Lawson and Emile Louis Meyrat when they were fellow teachers at the Warrnambool College/Academy early in the 20th century. Dr Richard Lawson (1875-1971) was born in Warrnambool, the fifth child of Thomas and Susan Lawson (shopkeepers in Timor Street). He attended primary schools in Warrnambool and Cobden and then went to Stanley’s Warrnambool Grammar School where he won a scholarship to attend Melbourne University. In 1899 he returned to Warrnambool and in partnership with William Oakley ran a school, the Warrnambool Academy. They were firstly established in Koroit Street and then at ‘Upton’ in Canterbury Road. They bought out the school formed by the amalgamation of Scott’s School and Stanley’s Grammar (Warrnambool College) and the school was then known as the Warrnambool College/Academy. This school closed in 1911 and Lawson became a teacher at the Warrnambool High School. He later became a lecturer at Melbourne Teachers’ College and gained a Doctorate with a thesis on literary translations. With James Elijah Lawson produced four volumes of ‘The National Grammar’ and two English Literature text books. In 1924 he became Professor of Education at the University of Otago, New Zealand. While in Warrnambool Lawson was an active sportsman, enjoying games of tennis and cricket. Emile Louis Meyrat, a South Australia born about 1880, was educated at Way College and was a teacher at Lawson’s school. He and his wife, Annie Hawkins, had a daughter, Pauline Marie Louise, born in Hawthorn in 1909, but the couple divorced in 1914. In 1912, Meyrat was in Switzerland and published a poem called ‘Eurydicean’. Meyrat dedicated his poems in ‘Poems By Two Friends’ to his father’s memory. The date of the book, ‘Poems By Two Friends’ is printed in the Preface of the book – ‘May 20, 1909, Warrnambool College’. This book is of great significance as it is an original copy of the poems produced by two people, Emile Louis Meyrat and Richard Lawson, teachers at the Warrnambool College/Academy in 1909. This school is important in the history of education in Warrnambool and Richard Lawson is a key figure in this history. He also later had a distinguished career in education in both Australia and New Zealand. This book is rare and one of the few early 20th century books surviving that was written by local Warrnambool people and produced in Warrnambool. It is also of literary interest as an example of the type of poems produced by well-educated people early in the 20th century – classical and florid in style. This is a soft cover book of 100 pages. The cover is dark green with the title of the book in green print inside an ornamental pattern of lines. There is a Latin quotation inside the front page and some of the poems have French or Latin sub-titles. The book has an Index listing the 61 poems and a Preface. The book is bound with staples, glue and some stitching using string. Front cover and inside first page: Stamp of Warrnambool & District Historical Societyemile louis meyrat, richard lawson, warnambool college/academy, history of warrnambool

These two important books are part of a series produced in the 1880s but they have widely-different content. One describes the natural history of the Parish of Selborne in the County of Hampshire in England. It was written by the British naturalist and ornithologist, Gilbert White and first published in 1789. Since that time it has been republished over 300 times right up to the present day. It is notable for its charm and simplicity and for its description of a pre-industrial England. The other is by the American author, Walt Whitman, first published in 1871. It is a major work of comparative politics and expounds on the influence of the Louisiana Purchase and the expansion of the American spirit and character. It also denounces the post-Civil War materialism that had spread at that time in America. These books are of interest because of their antiquarian nature but they are mostly of local Warrnambool interest because of their inscriptions. The books belonged to William Hugh McMahon (1862-1936). William McMahon commenced a legal practice in Warrnambool in 1894, firstly in Liebig Street and later in Kepler Street. He was a prominent lawyer in Warrnambool for 30 years and a staunch adherent of the Presbyterian Church. He and his family lived at ‘Glenrye’ at the corner of Ardlie Street and Botanic Road, a site where the St. John of God Hospital was later established. These two accompanying volumes are in the Camelot Series (1887 and 1888). They are hard cover books with red covers and two ornamental patterns on the front cover (stylized urn and fan shapes). The urn pattern is repeated on the spines. ‘The Natural History of Selborne’ has 366 pages (a Preface and Chapters on the Natural History of Selborne, a Naturalist’s Calendar and Observations on Various Branches of Natural History) and ‘Democratic Vistas’ has 175 pages (a Preface and 12 Chapters). The latter has the remains of a label stuck to the front cover. The handwriting on the inside first pages are in black ink.1277.1: ‘W.H.McMahon, June 24th 1889, Warrnambool’ 1277.2: ‘W.H.McMahon, Sept. 4th 1891, Warrnambool’ gilbert white, english natural history, walt whitman, american politics, william mcmahon, solicitor, warrnambool., warrnambool history

This letter book was used by George Barber to produce letters to send to clients and to retain a copy of this correspondence. Barber was a prominent Warrnambool lawyer in the 19th century. English-born George Barber (1814-1897) came to Warrnambool from Port Fairy in 1853, making him one of the earliest lawyers in the town. In 1867 he formed a partnership with William Ardlie, and this partnership continued until Barber retired in1879. Barber was active in community affairs, being involved with such institutions as the Warrnambool Cricket Club, the Warrnambool Hospital, the Warrnambool Gas Company and the local Horticultural Society. This letter has a connection to one of Warrnambool's important early lawyers and will be useful to researchers if the handwriting can be read.This is a letter book of 750 pages with a hard grey-coloured cover and black taping on the spine. The front cover has a paper label with a handwritten title on the outside and a signature on the inside cover The cover is partly detached from the spine. The pages contain an alphabetical index at the front and copies of handwritten letters. There are many pages unused and there are three loose paper items seemingly not connected to the contents of the letter book. The cover and some of the pages are stained and tattered and the contents are very difficult to read.George Barber Warrnamboolgeorge barber warrnambool lawyer, early copying devices

This is a soft cover book of 80 pages. It has a yellow cover with black print within a white background frame. The text contains many black and white images of tokens.non-fictionThis is a reprint of an 1883 catalogue of Australian tradesmen's tokens.tradesmen’s tokens in australia

This is a programme for a 1913 Clara Butt and Kennerley Rumford concert in the Warrnambool Town Hall. Clara Butt (1872-1936) was an English contralto recitalist and concert performer, well-known for her powerful and deep voice. Her three months’ tuition in Paris was sponsored by Queen Victoria. She was married to Kennerley Rumford in 1900 and they had three children. Robert Henry Kennerley Rumford (1870-1957) was an English baritone singer known initially for his performance of oratorio. Clara Butt and Kennerley Rumford were called ‘the greatest classical Valentines’. Other performers listed in this concert programme were Mowat Carter, a Melbourne-born violinist and William Murdoch, a pianist, composer and author, born in Bendigo.This programme is of considerable significance as it records the visit to Warrnambool of the famous English singer, Clara Butt. It is an original programme and it is probably a rare one. This is an eight-page programme, consisting of two sheets of cream paper folded in half. The programme was stapled but the staples have been removed. The front cover has blue printing and the back cover has an advertisement in blue print. The print on the inside pages is in black. Two inscriptions are handwritten in blue ink.‘1913’ ‘N.J.Absalom’clara butt, kennerley rumford, warrnambool town hall, history of warrnambool

Vida Evelyn Holmes born 1903, Byaduk, second daughter of Joseph and Agnes Holmes, Byaduk. Worked as a nurse and died in Warrnambool hospital in 1928. 7358 Pte William Thomas Harper, born 1896, Byaduk, 8th Battalion-24th Reinforcements, embarked in Melbourne on HMAT A 70 Ballarat, and killed 3rd May 1918, aged 22 years, buried in Outtersteene Communnal Cemetery Extension, Bailleul, France, Grave HMAT A70 Ballarat, a transport ship sunk by a submarine in the English Channel1809.1-1R envelope 14.5 x 9.00cm, opened along upper side 1809.2-4R letter 22.5 x 15.00cm, 3 pages of buff writing paper, handwritten blue on both sides 1809.5-.5R military pass 19,00 x 10.00cm, commercial pull out sheet, slight pertains on left hand side 1809.6-.9R postcards 14.00 x 9.00cm, sepia photographs/views, green ink, red 1d penny stamp and handwriting. 1809.1-1R envelope: light sepia, ink postage stamp and black ink address and sender details, reverse has lead pencil calculations 1809.2-4R letter: buff writing paper, blue ink handwriting on both sides 1809.5-.5R military pass: printed, blue stamped and handwritten information, red signature Wm T Harper; reverse - black printed instruction and chart 1809.6-.9R postcards: Souvenir of Salisbury/Views Only, partial postmark.Miss Vida Holmes/Byaduk/Hamilton/Victoria/Australia Reverse inside note signed 'Yours Sincerely/Cousin Bill/ One of the "Ballarat' heroes/...s the King calls you/ Wednesday May 9th 1917Love to all the children/and Mother and Fathervida holmes, bill harper, hmat a70 ballarat, ww 1, byaduk, letter, postcard, military pass, 7358

This is a book of 451 pages. It has a grey cover with black printing on the front and a grey baize cloth binding. The binding has a tear in the spine section. The pages contain printed text in French and English and five maps inserted into a folder at the back.non-fictionA record of the Treaty of Versaillesworld war one, treaty of versailles

This is a book of 85 pages. It has a blue cover with gold lettering on the front cover and the spine. It contains printed text, reproductions of artistic works - sketches, lithographs and jottings. non-fictionReproduction of an early Victorian artist's workvictorian colonial art, william strutt

These verses are handwritten and this suggests they originated locally but they were published in a Melbourne paper in 1874 and the writer is unknown.The verses refer to the cricket match in Warrnambool in January 1874 when a team of 22 players representing the Western District played the touring All-England Eleven captained by William Gilbert Grace, the famous English cricketer. The match in Warrnambool, one of 15 matches played in Australia, was won easily by the English team after one and a half days in a scheduled three day match but W.G.Grace did not star, making only 18 runs in the first innings and not required to bat in the second innings. Frank Allan of Allansford,who played for Victoria and Australia and was later called 'the bowler of the century.' took 6 for 28 in the first innings. Grace made a bad impression in Warrnambool with his brusque and insolent tone, refusing to attend the local Ball put on for the English team because the 'professional' players would be in attendance. The poem echoes the lack of goodwill and condescension shown in Warrnambool by Grace and refers to 'the greatest bat in all the world' making only 18 and sends a message to the English team - 'Don't quarrel and don't blow!'This poem is of considerable interest because it shows the ill-feeling in Warrnambool engendered by the attitude taken by W.G.Grace when his English Eleven was playing in Warrnambool in January in 1874. It is a reminder also of one of the 19th century highlights in Warrnambool's sporting history.These are two sheets of blue paper with 15 stanzas of poetry in black handwriting. The paper has ruled red lines and probably came from a ledger. It is torn at the edges in places where it has been folded.all england cricket team in warrnambool 1874, w.g.grace in warrnambool

This item comes from the estates of the Misses Ardlie of Warrnambool. It belonged to Agnes Ardlie (1915-1993) who was aged 11 when she received the album. Her sisters were Olive (1905-1912) and Dorothy (1910-1993). They were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnmbool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, early settlers in Warrnambool. The Misses Ardlie lived in their early years at Aroona in Princess Street in Warrnambool. The autograph album has handwritten contributions (verse and signatures) from family members and friends and twelve signatures of cricketers from the Australian Test series of 1928-1929. These are mostly English cricketers and include the signatures of Wally Hammond, Jack Hobbs, Harold Larwood and George Duckworth.This autograph book is of considerable interest, firstly as a memento of Agnes Ardlie, a member of a prominent family in Warrnambool in the 20th century and secondly, as an item of some significance in the cricket world with its signatures of some English cricketers on tour in Australia in 1928/29.This is an autograph album with a dark red leather cover and gold writing on the front cover. Inside the cover are pages in a green mottled pattern. The other pages are mostly white or cream with some coloured pages. Some pages have handwritten verse and signatures in black and blue ink. A blue shopkeeper’s label is on the inside back page. Album Agnes M. Ardlie ‘Aroona’ Warrnambool 3.11.26 ardlie family, history of warrnambool, autographs of australian cricketers, wally hammond, george duckworth, harold larwood, jack hobbs, australian cricket team 1928-1929

This bat was awarded to Thomas William Southcombe in 1876 for the best batting average during the 1875-6 season at Warrnambool Cricket Club. Thomas William Southcombe was the son of Thomas and Mary Southcombe of Port Fairy. With his parents, Thomas and Mary, he arrived in Port Fairy in 1854. Thomas Senior was a carpenter who established several businesses in Port Fairy and served on the local Council for many years as a Councillor and Mayor. Thomas Junior appears to have migrated to U.S.A. and died there in 1904. The cricket bat was manufactured by the British firm of James Lillywhite, Frowd & Co. James Lillywhite was an English cricketer whose uncle had originally established the sports store and manufacturing business which lasted under various names until the 21st century. A cricketer named Lillywhite played in Warrnambool in 1874 with an All England Team under the captaincy of W.G.Grace. It is not known whether this was James Lillywhite or another member of the Liilywhite family as several of them played first class cricket.. The impression of the signature of W.H.Ponsford on the bat is an intriguing one. W.H. (Bill) Ponsford was a famous Australian cricketer who retired in the late 1930s. The Southcombe cricket bat was given by Mary Southcombe (Thomas’ sister) to the old Warrnambool Museum in 1923 and it is surmised that Bill Ponsford visited Warrnambool in 1957 (tthis appears to be the date under the signature imprint) and was shown the bat. It is then surmised that he rested a piece of paper or an album page on the bat while he signed his name and the impression of the signature has come through onto the bat. The old Museum closed in the 1960s and the bat was then passed on to the Warrnambool and District Historical Society from the Warrnambool City Council collection of items from the Museum. This bat is of considerable importance because of its provenance and its connection with the Warrnambool Cricket Club, the Southcombe family of Port Fairy, the Lillywhite manufacturers, the old Warrnambool Museum and Bill Ponsford. It is also a good example of the type of cricket bat used in Australia in the 1870s. This is a wooden cricket bat (light colour wood, presumably willow) with a handle covered in oiled thread. It has an etched inscription on one side of the bat and the names of the manufacturer and distributor on the other side. There is also a faint impression of another signature. The blade of the bat is slightly curved. ‘W.C.C. Season 1875-6 Presented to T.W. Southcombe, for Best Batting Average’ ‘James Lillywhite Frowd & Co., Manufacturers, Borough, England’ ‘Made for George Marsh, Melbourne’ ‘W.H.Ponsford, -/1/1957’ warrnambool cricket club, thomas william southcombe, w.h.ponsford, warrnambool’s old museum