Showing 319 items
matching 128
-
Ballarat Heritage Services
Photograph - Colour, 128 Albert Street, Sebastopol, 2020, 07/04/2020
Colour photograph of 128 Albert Street, Sebastopol. sebastopol, albert street -
Rutherglen Historical Society
Document, Sun Office, Australian Natives Association, Rutherglen Branch, No. 128, 13/05/1935
Invitation issued to W. Williamson on May 13th, 1935, to attend the half yearly meeting of the Rutherglen Branch of the Australian Natives Association, to be held on Tuesday, May 28th 1935.Paper invitation, issued to W. Williamson, to attend the Half Yearly meeting of the branch of the Australian Natives Associationw williamson, australian natives association, lodges -
Rutherglen Historical Society
Document, Sun Office, Australian Natives Association, Rutherglen Branch, No. 128, 16/06/1935
Paper document, issued to W. Williamson on 16th June 1935, reminding him that annual fees are due by 21st June 1935, and of the penalties for failure to pay on time.w williamson, australian natives association, lodges -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 128 Peel Street, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 128 Peel Street, Kew by Margaret Picken.128 PEEL ST., KEW / MARGARET PICKEN ~96 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 128 peel street - kew (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 128 Through Rd, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/128 Harp Road, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/128 Harp Road, Kew by Margaret Picken.1/128 HARP RD., KEW / MARGARET PICKEN ~95 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/128 harp road --kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 128 High Street, Glen Iris, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Flagstaff Hill Maritime Museum and Village
Book, The Victoria Government Gazette 1906 1 Vol 128
The Victoria Government Gazette 1906 1 Vol 128flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1906 1 vol 128, the victoria government gazette 1906, the victoria government gazette -
Greensborough Historical Society
Advertising Leaflet, 128 Nell Street Greensborough, 28/05/2018
128 Nell Street Greensborough. 3 bedroom unit. Sold May 2018 for $860,000. Previous sales: November 2005 for $298,000.Real Estate advertising leaflet,1 sheet folded into 4 pages, printed in colour both sides.nell street greensborough -
Ringwood and District Historical Society
Photograph, Bedford Road,Ringwood East, looking west from outside No.128. (House far left is No.126) - 1/9/74
Written on back of photograph, "Bedford Rd. looking west from outside No.128. (House far left is No.126 as in brochure. 1/9/74)" -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Former St Andrews State School No. 128 building, 23 January 2008
In 1858 the Caledonia Common School No.128 opened at Queenstown, about 1.6km upstream on Diamond Creek from the present site of the old St Andrews school. The school was renamed Queenstown Common School No. 128 in 1867. In 1882, due to declining numbers of pupils at Smiths Gully and increasing numbers in Queenstown the school was moved from a leased building, owned by Head Teacher Robert Harris, into a new larger building on the corner of School and Heidelberg-Kinglake roads which incorporated the original single room school building, which had been moved from Smiths Gully, and included a teacher’s three-roomed residence. In 1887 the school was replaced by the Queenstown State School No. 128. The school and town were renamed St Andrews in 1952. In 1983 a new school was built, 500 metres south of the old school and the old school became the St Andrews Community Centre. Of significance is the c1887 school building (including part of the c1876 Smith's Gully school moved to the site and incorporated into the c1887 school building), the c1911 new room, the c1929 cloakroom, the c1930 renovations, the c1956 new infant room; the c1961 office and storeroom, as well as the c1950 Himalayan Cedar tree and the entire site to the title boundaries. The school building is historically significant for its links with the early settlement of the area and because its use of materials from the former Smith's Gully State school illustrates the common 19th and early 20th century practice of relocating State school buildings based on need. The school building is historically and socially significant because it served the local community, as a school, from 1887 to the late 1970s/early 1980s and because since then it has been used for other community purposes. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p69This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, st andrews, queenstown state school no. 128, smiths gully state school -
Ballarat Heritage Services
Photograph, Entrance to the Former Reid's Guest House, Ballarat, 23/09/2016
Built in 1886, this Victorian classical building was once the site of Reid's New York Bakery. The verandah was added 10 years later. The building boast a grand facade, Edwardian balcony, hand-painted ceiling and grand entrance arch. It features hand painted murals, leadlight windows, and an outstanding timber staircase. The former coffee palace is part of the temperance movement of the 19th century and was one of the last in Victoria. In 2019 the former Reid's Coffee Palace went through restoration.A colour photograph of the entrance to Reid's Guest House, at 128 Lydiard Street South, Ballarat.reid's guest house, ballarat, new york bakery, lydiard street north -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.128, September 2019
A View From Rockingham / Robert Baker p1. Society News: Events, [Donations to] The Collection, Exhibition, History Week 2019 p3. Conserving Our Civic Heritage & History [Local History Grant] / Robert Baker p4. Victoria’s First Self-Service Supermarket / David White p5. Kew Historical Society 1900-2000 / Robert Baker p7. The Kew Spur Line: a key to the past / Robert Baker p9.A Pharmaceutical Collection / Robert Baker p10. [Notice of] Annual General Meeting / Desley Reid p10. Form for Appointment of Proxy p11. Nomination Form p11. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionA View From Rockingham / Robert Baker p1. Society News: Events, [Donations to] The Collection, Exhibition, History Week 2019 p3. Conserving Our Civic Heritage & History [Local History Grant] / Robert Baker p4. Victoria’s First Self-Service Supermarket / David White p5. Kew Historical Society 1900-2000 / Robert Baker p7. The Kew Spur Line: a key to the past / Robert Baker p9.A Pharmaceutical Collection / Robert Baker p10. [Notice of] Annual General Meeting / Desley Reid p10. Form for Appointment of Proxy p11. Nomination Form p11. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Inverloch Historical Society
000212 - Photograph - 1910 - Inverloch - Manawatu - Built 1873 - 183 ton - 18 feet 7 inches beam - 128 feet 8 inches long - 9 feet 5 inches depth - R Young
-
Eltham District Historical Society Inc
Newsletter, No. 128 September 1999
Contents: • Next meeting, Speaker Panel; Environmental and Conservation Groups • September Meeting • Spring Excursion – The Artists’ Trail • Acquisitions • President’s Notes • Nillumbik Planning Scheme – Heritage Planning Controls • Geoffrey Loftus-Hills • Other News Items The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Ararat Gallery TAMA
Mixed media, Joan Schultz, Haiku 128, 2002
-
Moorabbin Air Museum
Manual (collection) - RAAF Air Movement of Material Hercules Aircraft No.128
-
Greensborough Historical Society
Slide - Photograph, John Ramsdale, Plenty River near Apollo Parkways: Slide 128, 1990s
Photograph shows a river and trees - the Plenty River near Apollo Parkways.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river, apollo parkways -
Moorabbin Air Museum
Document (Item) - GAF Technical Office Test Note No 128 Jindivik Launching Trolley
-
Moorabbin Air Museum
Manual (Item) - Bristol Type 170 Aircraft Mk 21 Parts Manual Page 113 - 128 plus some illustrations
-
Ringwood and District Historical Society
Document, Certificate of Title and miscellaneous property records - Carter Real Estate, 122 and 124-128 Maroondah Highway, Ringwood, Victoria
Transfer of Land Act Title dated 24/4/2002 - Volume 10314 Folio 972 Crown Allotments 11H and 11J, Parish of Ringwood, Entitlement Grant to a depth of fifteen metres - 29/1/1997, City of Ringwood planning permit and diagram of office floor plan - 1973. -
Moorabbin Air Museum
Newspaper (Item) - Ansett News No.128 May 1992
-
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, lidded container, constructed through coil work, and using the different forms of coiling as a decorative element. The container has been glazed in yellow and green.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glazeSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lamp base, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade lamp base, irregularly ridged and with and with the use of green and yellow glazes. The lamp base has a hole for a cord above the foot.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), lamp bases, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade deep dish, glazed in green and maroon. The maroon ground includes a splash of green in the centre of the dish.Signature to base: "V. Ayling" and datedceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade dish, with a floral design etched into the glaze. The container has been glazed in brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded ewer, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, viola ayling -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Madonna and Child, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic sculpture of an abstracted Madonna and Child. The figures are fully covered in an olive green glaze.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, viola ayling