Grace Elizabeth Jennings Carmichael (1867-1904), poet and nurse, was born on 24 February 1867 at Ballarat, Victoria, daughter of Archibald Carmichael, a miner from Perthshire, Scotland, and his wife Margaret Jennings, née Clark, from Cornwall, England. . She was educated at Melbourne and while still a child went to live on a station at Orbost, and grew up close to the bush she came to love so much. In 1888 she went to Melbourne to be trained as a nurse at the Royal Children's Hospital, Melbourne, and in 1891 published a small volume of prose sketches, Hospital Children. Having qualified she obtained a position on a station near Geelong, and subsequently married Francis Mullis. She contributed verse to the Australasian, and in 1895 Poems by Jennings Carmichael was published. She lived for a time in South Australia and then went to London, where she died in poor circumstances in 1904. Her husband, Henry Mullis, was last recorded in the workhouse in Woolrich, but then disappeared leaving the three children- Geoffrey 7 yrs, (Thomas) Clive 5 yrs & 4 year old (Archibald) Keith and one year old (Rupert) Wyatt, destitute & were sent to the Northampton workhouse, (Thomas ) Clive dying in 1906. In 1910, a group of Carmichael's admirers, discovered the whereabouts of her children, where a public fund was established to bring the children to Australia, the Victorian Government giving them free passage, arriving in Victoria in October of 1910. The children were placed in private homes and took on their mother's single name of Carmichael. In the late 1930s, plaques were unveiled in Orbost & Ballarat in honor of Grace Jennings Carmichael. The one in Orbost was part of the "Back To' celebrations. It hung in Mechanics' Institute in Orbost.This is significant to the Orbost region in that it is associated with a woman who is certainly our foremost female poet. A bronze cast memorial plaque set onto a wooden backing board. The plaque has an image of a woman, a candle and a book, and also some text (see below).Grace Jennings Carmichael, Australian poetess, 1868-1904, spent her childhood in this district, erected by Mrs G A Hunter & a few admirers.memorial-plaque grace-jennings-carmichael orbost-poet

A small black and white photograph of Tom Robinson. A relative of Elma Winslade Wells. He is standing resting on the back of a chair, he is wearing a coat, he has dark hair parted on the right he also has moustache. On the back in pen "from an admirer and one who thinks very highly of you" and the initials L.B.R. Also the logo of L. R. Goodman photographer 1&6 Fort Hill Margate, established 1858.person, individual, tom robinson

Australia in the War 1939-1945. Series 2 NAVY Volume 1Australia in the War of 1939-1945 - Royal Australian Navy 1939-1942 Maps, Photographs and IllustrationsInside front page has a handwritten letter on personal paper from George Herman Gill to Oscar Esther - June 1958. Inscription - Presented to Lara Sub Branch RSSAILA Lara, Vic by Squadron Leader O.A. Mendelssohn an old friend and admirer of the author, commander G.H. Gill OBE June 1958. Australian War Memorialnavy, ran ships overseas to june 1940, ran ships overseas june-december 1040, western desert campaign, greece, crete, the middle east, mediterranean to end of 1941, south-west pacific, abda and anzac

An annual tactile art exhibition held by the Royal Blind Society of New South Wales encouraged artists to create artworks that were meant to be touched by admirers. In 1999, more than 230 artists submitted entries, with then 66 finalists showcasing their work at Customs House. This program provides information on each of the 66 works selected for exhibition, as well as an information and advertising leaflets from Robert Mac G Design, who created the three prizes for the winning artists. Most works were available for purchase, as indicated on the 'Opening bid for silent auction' sheet, with all proceeds going towards providing services to the 15,000 clients of RBS.1 v. unpaged with list of opening bid prices and three leaftletsroyal blind society of new south wales, fundraising

Two newspaper cuttings pasted onto a sheet of paper. (1) "Floral beauty and a fair admirer at the Royal Horticultural Show - Miss Jean Scott of Burnley Horticultural School, with three choice specimens of gladioli, champions in their class. Left: Emilie Aubrun variety, grown by Mr G. Swensen, Ballarat. Centre and right: Charlemagne and Sunnyside varieties, grown by Mr R. Hayes, Ballarat." (2) Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." The caption is: "Autumn blooms - A student of the Horticultural College, Burnley, with a fine display of dahlias at the Royal Horticultural Society's show at St. Kilda."Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." royal horticultural show, jean scott, flowers, betty holmes, gladioli, dahlias, g swensen, charlemagne gladiolus, sunnyside gladiolus, emily aubrun gladiolus, r hayes, royal horticultural society

The famous Australian poet Adam Lindsay Gordon (1833-1870) lodged for seventeen months in this cottage, located at 10 Lewis Street, Brighton. He and his wife Margaret lived here from 1869 until Gordon took his life on the Brighton foreshore in June 1970. Adam Gordon Lindsay was the first Australian poet to gain considerable recognition overseas and has been credited for beginning a national school of Australian poetry. His poetry reflected his love of the bush, a sense of humour, but also his battle with depression. In addition to being a poet, Lindsay was also a skilled horseman, police officer and politician. In 1946, the cottage at 10 Lewis Street was demolished. Local poet Mr Cyril Good, an ardent admirer of Adam Lindsay Gordon, purchased the bricks from the cottage which he carefully numbered and stored for a number of decades, in the hope that it would one day be re-erected in Gordon’s honour. John C. Paul, Adam Lindsay Gordon cottage c. 1870 1973, watercolour, 27.8 x 42.3 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, historic house, adam lindsay gordon, poet, lewis street, politician

Newspaper clippings of 4 photos.Captions are: (1) "A dainty basket of dahlias arranged by a girl student at Burnley Horticultural School yesterday for the Royal Horticultural Society's display of autumn blooms in St. Kilda Town Hall." (2) "Miss Freda Lette arranging a basket of Madame Edouard Heriot roses for Mrs. J. S. Oliver at the National Rose Society's show in Melbourne Town Hall." (3) "Gardening girls (pupils at the Burley Horticultural School) taking in their dahlia exhibits at the Royal Horticultural Society Show at the St. Kilda Town Hall today." (4) " Floral Beauty and a fair admirer at the Royal Horticultural Show - Miss Jean Scott, of Burnley Horticultural School, with three choice specimens of gladioli, champions in their class. Left: Emile Aubrun variety, grown by Mr. G. Swensen, Ballarat. Also see B99.1046. (5, 6) Charlemagne and Sunnyside varieties, grown by Mr. R. Hayes, Ballarat."burnley horticultural college, students, female students, burnley horticultural gardens, freda lette, madame edouard heriot roses, mrs j.s. oliver, national rose society, flowers, dahlias, jean scott, royal horticultural society, royal horticultural show, g. swensen, r. hayes, national rose society show, gladioli

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

Premier 23rd January 1893 – 27th September 1894. Born in Alnwick, England, Sir James Patterson (1833-1895) migrated to Victoria in 1852 to try his luck on the goldfields. After little success he turned his hand to farming, and later operated a slaughter yard at Chewton. Patterson served on the Chewton local council, being elected mayor four times before moving with his wife Anna and family to Melbourne in 1870. Patterson established a real estate business, and after two unsuccessful attempts to enter parliament in 1866 and 1868, he won the by election for Castlemaine in the Legislative Assembly in December 1870. He would hold this seat until his death 25 years later. Patterson served in Sir Graham Berry’s brief August to October 1875 government as Commissioner of Public Works and Vice-President of Board and Land Works. He repeated these roles two years later in Berry’s second government and additionally served as Postmaster-General, and in Berry’s third government was Commissioner of Railways and again Vice-President of the Board of Land and Works. In April 1889 after a time in Opposition, Patterson became Commissioner for Trade and Customs in Duncan Gillies’ Government. The following year he returned to the familiar positions of Public Works, Board of Land and Words and Postmaster-General. By 1891 Patterson was leader of the opposition, and when William Shiels’ government succumbed to a motion of no confidence, led by Patterson, he became premier on the 23rd of January 1893. During his premiership, James Patterson was also Chief Secretary and Minister for Railways. His term as premier coincided with a period of severe economic depression, and his enforced economies earned Patterson few public admirers. In May 1893 his government attempted to prevent a run on bank withdrawals and stabilise the sector, by declaring a 5 day 'bank holiday'. Patterson was awarded a knighthood in May 1894, however this did not increase public confidence in his government who were not returned to power in the August 1894 election. Again leader of the opposition, James Patterson died suddenly of influenza on the 30 of October 1895.This portrait was presented to Sir James Patterson by 'grateful citizens of Victoria' in appreciation of his services during the land boom depression. In 1929 the painting was donated to the Victorian Parliamentary Library by H. Lavinia Patterson, the wife of Sir James Patterson's nephew Colonel George Patterson.Oil on canvas, framed. Frame: ornate wood, gesso mouldings, unglazed. Signed on bottom right corner "G. Coutts" Stamped inscription along inner edge of canvas: "WINSOR AND NEWTON". Inscription on canvas, handwritten in ink: "13 1 92" from reverse.patterson, james brown (1833-1895)

These letters were received by Henry James of Orbost. Henry James (1860-1932) was a well-known identity in the Orbost district. He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF. They concern a fund established to raise money to bring the three sons of Jennings Carmichael to Australia. A committee established by Henry Gyles Turner, a a notable Australian banker and historian, was formed to raise funds to bring the boys to Australia. Grace Elizabeth Jennings Carmichael (1867-1904), poet and nurse, was born on 24 February 1867 at Ballarat, Victoria, daughter of Archibald Carmichael, a miner from Perthshire, Scotland, and his wife Margaret Jennings, née Clark, from Cornwall, England. . She was educated at Melbourne and while still a child went to live on a station at Orbost, and grew up close to the bush she came to love so much. In 1888 she went to Melbourne to be trained as a nurse at the Royal Children's Hospital, Melbourne, and in 1891 published a small volume of prose sketches, Hospital Children. Having qualified she obtained a position on a station near Geelong, and subsequently married Francis Mullis. She contributed verse to the Australasian, and in 1895 Poems by Jennings Carmichael was published. She lived for a time in South Australia and then went to London, where she died in poor circumstances in 1904. Her husband, Henry Mullis, was last recorded in the workhouse in Woolrich, but then disappeared leaving the three children- Geoffrey 7 yrs, (Thomas) Clive 5 yrs & 4 year old (Archibald) Keith and one year old (Rupert) Wyatt, destitute & were sent to the Northampton workhouse, (Thomas ) Clive dying in 1906. In 1910, a group of Carmichael's admirers, discovered the whereabouts of her children, where a public fund was established to bring the children to Australia, the Victorian Government giving them free passage, arriving in Victoria in October of 1910. The children were placed in private homes and took on their mother's single name of Carmichael. In 1910 a small selection of her poems was published, in 1937 a plaque to her memory was unveiled at Orbost in the Mechanics Institute ( reg. 554), and a year later a replica was placed in the public library at Ballarat. Two of Jennings Carmichael's sons were present at the ceremony.Jennings Carmichael, a leading Australian poet spent much of her childhood in Orbost.Several letter written to H. James concerning the Jennings Carmichael Children's Fund. Stapled to one letter is a typed article about the Jennings Carmichael Children's Fund written by Frank a. Russell. The other letter is a three page stapled handwritten letter from St Oswald's, Ormond College, seeking information about Jennings Carmichael.james-henry jennings-carmichael correspondence