Showing 83 items
matching alice towns
-
Flagstaff Hill Maritime Museum and Village
Clothing - Child's dress, Eliza Towns, Late 19th century
... Alice Towns... Alice Towns Child's white dress made of cotton and lawn ...This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns -
Federation University Historical Collection
Photograph, Photographs from a film set/s
... and black and white. possibly Town like Alice and Mad Max... coloured and black and white. possibly Town like Alice and Mad Max ...Collection of photographs from a film set/s coloured and black and white. possibly Town like Alice and Mad Maxphotographs, bryan brown, helen morse, coloured photographs, movie sets, cars -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Containers, tin 'Rexona' ointment, c1985
Rexona was developed in 1908 by an Australian pharmacist and his wife - Mrs Alice Sheffer, the wife of SF Sheffer, the founder of the Sheldon Drug Company. A talented physician, she wanted to give people new kinds of personal care products, with effective ingredients that also smelled good. Rexona’s first advertising campaign launched in the 1920s. Personal hygiene billboards began to spring up all over Australia touting the company name, with contests held for each town’s Rexona Baby and Miss Rexona. Some would proudly state: ‘Welcome to our town, a good Rexona Town.’ 1930s Rexona was bought by British soap maker Lever Bros, who would soon join Dutch Margarine Unie to form Unilever.In the 1960s the world met Rexona antiperspirant, later to become Sure in the UK. It was then introduced in Finland and quickly rolled out to the rest of the world. 1980s Rexona continued to expand, bringing superior sweat protection to people all over the globe. Since the 1990s Rexona products are available in varying forms including as aerosols, pumps, roll-ons, sticks and creams. Rexona is a deodorant brand manufactured by British-Dutch company Unilever.Rexona entered the world of professional sports, backing some of the world’s best sports men and women:A small, heart-shaped tin with a lift off lid containing a small amount of ‘Rexona’ OintmentLid: THE/ RAPID/ HEALER/ For eruptions, irritations, / piles,eczema, pimples, sores, / chilblains, cuts, burns and bruises. / Rexona / OINTMENT / REXONA PROPRIETARY LIMITED / SYDNEY. N.S.W. Base:GENERAL / DIRECTIONS / .............. CONTENTS 22 GRAMMESpharmacy, medicines, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, rexona pty ltd, ointments, sydney, melbourne -
Federation University Historical Collection
Equipment - Object, Artist's Box, c 1940
Edith (Alice) Watson (1914–2010) studied at the Ballarat Technical Art School, at the School of Mines Ballarat, from 1930 until 1933. Watson was warmly regarded in her home town, Murtoa, easily winning local fundraiser, ‘Most Popular Girl’ in 1936. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths 1972 and 1988. Watson was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio. Alice's comprehensive folio of Ballarat Technical Art School work is held by the University's Geoffrey Blainey Research Centre.A cardboard box containing items used by Alice Watson to produce paintings. The items included are: tubes of oil colour; two paint palettes; paint brushes; imperial measure tape measure; pencils; an erasure; two pencil sharpeners; a roll of brown, gummed tape; small, round container of various pins; a State Savings Bank Victoria ruler; and a collection of scraps of artists paper held together with a metal clip which includes a list of paint colour names and a design tracing of a fuschia. There is a small, plywood, stretching board. alice watson, edith alice watson, ballarat school of mines, artists workbook, ballarat technical art school, paint, oil paint -
Kew Historical Society Inc
Archive (series) - Subject File, Artists I (Kew), 1958-present
Various PartiesReference, Research, InformationKHS OrderInformation file including a collection, largely compiled of newspaper articles/cuttings, relating to artists born or practising in Kew. In addition to the cuttings, there is a catalogue of an exhibition at the Town Hall Gallery - Louis Kahan: Art, theatre and fashion (curated by Laura Jokic, 2016), and biographical entries from various publications including the ADB. There is also an invitation (undated) from the Mayor of Kew, Cr. Kaye Cole, to an exhibition of paintings by Gwen Walker and Donald Cameron in the Mayor’s Room. Alice Marion Ellen Bale (1875-1955), Arthur Loureiro (1860-1932), Frances Derham, Eugenia Meldrum, Max Meldrum, Louis Buvelot, Kitchen Dimensions High Street Kew, Ron Walker, Melissa Peacock, Isobel Davies 6 A'Beckett Street, Hertha Kluge-Pott, Debra Luccio, Elise Martinson, Carole Milton, Louise Minahan, Miranda Millane, Sonja Kan, Holly Walton, Q Art Gallery, Archibald Colquhoun, Amalie Colquhoun, John Perry, Pamela Pretty, Christopher Shelton, Amanda Tuohy, Margot Westhorpe, Ian Wood, James O’Brien, Gaby Jung, Rupert Gray, Ray Gee - 3 Fernhurst Grove, Louis Foletta, Thomas King (Tim) Fitchett, Wendy Fantasia, Marion Cravino, Brett Coelho, Eileen Cambell, Helen Carnage, Erin Carnage, John Bates, Nina Bennett, Donald Cameron, Gwen Walker -
Vision Australia
Text, 1998 TDK Australian Audio Book Award, 1998
To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. In 1998 the winner of the Unabridged Non-Fiction Category was "Dreamtime Alice" by Louis Braille Books.1 x A3 sheetIllustration of seaside town by an unknown artist between header and recipient louis braille audio -
Kew Historical Society Inc
Photograph - Artists of Kew Exhibition, 1950-1960
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of a group of adults attending an exhibition entitled Artists of Kew. Two people have been identified in the photograph - Cr WHS Dickinson and Alma Figuerola at centre. The location of the exhibition is at the old Kew Town Hall in Walpole Street. Both Miss Figuerola and Cr Dickinson were foundation members of the Kew Historical Society.Reverse: "Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figrierola [sic] to his left". "KH-97" kew historical society - members, alma figuerola, cr whs dickinson, exhibitions - kew (vic), southesk - cotham road - kew (vic), kew town hall - walpole street -
Kew Historical Society Inc
Photograph, Historical Exhibition, Kew, 1964-1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5. It has been suggested that the exhibition at the Kew Town Hall in Walpole Street.Later hand: "Mayor of Kew opens exhibition of paintings (Miss Alma Figuerola left in doorway). arists - kew (vic), exhibitions -- kew (vic.) -
Victorian Aboriginal Corporation for Languages
DVD, Hidden Valley Town Camp et al, Us mob real lives, real stories. How it ends it up to you, 2005
Interactive multi-ending Indigenous drama series set in Hidden Valley; inspired by requests from elders and youth of the Arrernte community in Mbarnte Alice Springs.DVDarrernte, central desert, mbarntwe, alice springs, drama -
Brighton Historical Society
Bag, Evening purse, circa 1930
This bag belonged to by Mrs Alice "May" Moss CBE (1869-1948), Australian suffragist, social welfare campaigner and longtime resident of 59 North Road, Brighton. Born Alice Frances Mabel Wilson in Ballarat, in 1887 May married Isidore Moss, the son of Norwood's builder Mark Moss. While her children were young, she began to campaign for the rights of women and served as vice-president of the Australian Women's National League in 1906-14, during which time she actively campaigned in Victoria for women's suffrage. She was an Australian delegate at the League of Nations Assembly at Geneva in 1927, where she was the first woman to sit on a finance committee. She attended the International Council of Women in Geneva in the same year and in 1928 was elected as vice president of the ICW, a position she held until her death. She was the first president of the National Council of Women of Australia, serving from 1931 to 1936. May was active in many other community organisations and causes, including the Royal Women's Hospital, the Collingwood Crèche and the Free Kindergarten movement. She served on the board of management of the City Newsboys' Society in 1906-48 and was the first woman lay-member of the National Health and Medical Research Council in 1936-45. She was also member of the International and Lyceum clubs, with an interest in the theatre, painting and woodcarving.French petit point tapestry bag featuring seven people in a bucolic scene, with trees and buildings in the background. Black border. Gold metal hinged opening with ornamental clasp and gold chain.may moss, petit point, 1930s -
Uniting Church Archives - Synod of Victoria
Photograph, St Philip's College Alice Springs - Principal Chris Tudor & Deputy Principal Chris Eldridge, 09/1986
In 1945 the Reverend Harry Griffiths, who worked for the Methodist Inland Mission in Alice Springs, saw the need for a boarding facility for children of families living in remote areas in Central Australia who needed access to schools. He and his wife established Griffiths House, on a site in the town centre, and for many years it became home for students from all over the Outback, including many young Aboriginal people. In the late 1950's the Rev Fred McKay, successor to the Rev John Flynn as Superintendent of the Australian Inland Mission, lobbied the United Church in the Northern Territory to build and expand on this important start. Together the Presbyterian, Methodist and Congregational churches embarked on a missionary venture to develop St Philip's College - a new, larger residential hostel which would one day become a full boarding school. An ideal site - 22 acres of bush at the junction of the Charles and Todd Rivers and backing on to the Telegraph Station National Park - was secured and after six years of planning, construction began in 1964. Fred McKay led the legendary work parties comprised of volunteers from all over Australia who travelled to Alice Springs, paying their own way and volunteering their expertise, time and labour, to turn a dream into a reality. This fantastic tradition continues today, with work parties arriving each mid-year holiday. On 13 February 1965 the first boarders moved in to St Philip's College. For the first 24 years, therefore, St Philip's College operated as a residential hostel only. The College’s ninth Headmaster, Mr Christopher Tudor, arrived in 1986. He and the Council Chairman, Mrs Jan Heaslip, judged that the time was right to complete the original plan to turn St Philip’s College into a fully fledged independent boarding/day school, serving not only “bush” families, but also the growing population of Alice Springs. The then College Council embraced the idea and three years of frantic, determined preparation and planning commenced, culminating in an extensive $2 million building program in 1988. To this day there continues to be further development with the new landscaping underway near The Minnamurra Hall, Reception and Rivergum Cafe, plus the recent completion of the Science & Food Technology building and the new Rivergum Cafe.Head & Shoulders of Chris Eldridgest. philip's college, tudor, chris, eldridge, chris -
Uniting Church Archives - Synod of Victoria
Photograph, St Philip's College Alice Springs - Principal Chris Tudor & Deputy Principal Chris Eldridge, 09/1986
In 1945 the Reverend Harry Griffiths, who worked for the Methodist Inland Mission in Alice Springs, saw the need for a boarding facility for children of families living in remote areas in Central Australia who needed access to schools. He and his wife established Griffiths House, on a site in the town centre, and for many years it became home for students from all over the Outback, including many young Aboriginal people. In the late 1950's the Rev Fred McKay, successor to the Rev John Flynn as Superintendent of the Australian Inland Mission, lobbied the United Church in the Northern Territory to build and expand on this important start. Together the Presbyterian, Methodist and Congregational churches embarked on a missionary venture to develop St Philip's College - a new, larger residential hostel which would one day become a full boarding school. An ideal site - 22 acres of bush at the junction of the Charles and Todd Rivers and backing on to the Telegraph Station National Park - was secured and after six years of planning, construction began in 1964. Fred McKay led the legendary work parties comprised of volunteers from all over Australia who travelled to Alice Springs, paying their own way and volunteering their expertise, time and labour, to turn a dream into a reality. This fantastic tradition continues today, with work parties arriving each mid-year holiday. On 13 February 1965 the first boarders moved in to St Philip's College. For the first 24 years, therefore, St Philip's College operated as a residential hostel only. The College’s ninth Headmaster, Mr Christopher Tudor, arrived in 1986. He and the Council Chairman, Mrs Jan Heaslip, judged that the time was right to complete the original plan to turn St Philip’s College into a fully fledged independent boarding/day school, serving not only “bush” families, but also the growing population of Alice Springs. The then College Council embraced the idea and three years of frantic, determined preparation and planning commenced, culminating in an extensive $2 million building program in 1988. To this day there continues to be further development with the new landscaping underway near The Minnamurra Hall, Reception and Rivergum Cafe, plus the recent completion of the Science & Food Technology building and the new Rivergum Cafe.Head & Shoulders of Chris Tudor.st. philip's college, tudor, chris, eldridge, chris -
Uniting Church Archives - Synod of Victoria
Photograph, St Philip's College Alice Springs - Principal Chris Tudor & Deputy Principal Chris Eldridge, 09/1986
In 1945 the Reverend Harry Griffiths, who worked for the Methodist Inland Mission in Alice Springs, saw the need for a boarding facility for children of families living in remote areas in Central Australia who needed access to schools. He and his wife established Griffiths House, on a site in the town centre, and for many years it became home for students from all over the Outback, including many young Aboriginal people. In the late 1950's the Rev Fred McKay, successor to the Rev John Flynn as Superintendent of the Australian Inland Mission, lobbied the United Church in the Northern Territory to build and expand on this important start. Together the Presbyterian, Methodist and Congregational churches embarked on a missionary venture to develop St Philip's College - a new, larger residential hostel which would one day become a full boarding school. An ideal site - 22 acres of bush at the junction of the Charles and Todd Rivers and backing on to the Telegraph Station National Park - was secured and after six years of planning, construction began in 1964. Fred McKay led the legendary work parties comprised of volunteers from all over Australia who travelled to Alice Springs, paying their own way and volunteering their expertise, time and labour, to turn a dream into a reality. This fantastic tradition continues today, with work parties arriving each mid-year holiday. On 13 February 1965 the first boarders moved in to St Philip's College. For the first 24 years, therefore, St Philip's College operated as a residential hostel only. The College’s ninth Headmaster, Mr Christopher Tudor, arrived in 1986. He and the Council Chairman, Mrs Jan Heaslip, judged that the time was right to complete the original plan to turn St Philip’s College into a fully fledged independent boarding/day school, serving not only “bush” families, but also the growing population of Alice Springs. The then College Council embraced the idea and three years of frantic, determined preparation and planning commenced, culminating in an extensive $2 million building program in 1988. To this day there continues to be further development with the new landscaping underway near The Minnamurra Hall, Reception and Rivergum Cafe, plus the recent completion of the Science & Food Technology building and the new Rivergum Cafe.Tudor and Eldridge in conversation with the College in the background.st. philip's college, tudor, chris, eldridge, chris -
Kew Historical Society Inc
Book, Stories They Tell : A history of Kew through objects, 2022
... Anderson Young Workers patriotic guild Roll of honor -- town of kew ...'Stories They Tell : A history of Kew through objects' explores diverse narratives from European settlement to the first decades of the twenty-first century. These stories use as their starting point artworks, texts and artefacts from the nationally significant collection of the Kew Historical Society. Limited to 100 copies.117 pp : illustrated : Appendices Chapters: Preface / Robert Baker p4. The collection / Robert Baker p5. Cartwheel penny / Robert Baker p6. Creek and old watering stage / David White p10. John Carson: Mayor 1863–4 1 / Julie King p4. Wedding dress / Suzanne McWha p18. Back to Kew 1875 / Judith Scurfield p22. Barnard’s clock / Margaret Robinson p26. Denbigh quilt / Suzanne McWha p28. Fragments of art decoration / Robert Baker p32. Mr Richardson’s sock / Felicity Renowden p36. Kew Volunteer Fire Brigade / David White p38. Kew Where We Live / Judith Scurfield p42. [MMBW} Detail Plan No. 1580 / Judith Scurfield p46. Adeney Avenue / Suzanne McWha p50. Young Workers’ Patriotic Guild / Margaret Robinson p54. Roll of Honor [Thomas Rand] / Robert Baker p56. Alice Anderson in her tourer / Felicity Renowden p60. Kew War Memorial / David White p62. Beaded dance dress / Suzanne McWha p 66. The great flood of 1934 / Desley Reid p68. Depression-era toolbox / Robert Baker p72. War Savings Street / Julie King p74. Kew Public L.ibrary / Suzanne McWha p78. Signature supper cloth / Desley Reid p82. View from the garden of Rockingham / Desley Reid p86. Cr Marie Dalley / Felicity Renowden p90. Centenary of Kew / Robert Baker p94. Doris Dickinson’s gown / Julie King p98. [Model Dairy] Milk bottles / Robert Baker p100. Kew Civic Centre / David White p102. Bicentennial tapestries / Margaret Robinson p106. Crest of the City of Kew / Desley Reid p110. Town Crier [outfit] / Desley Reid p112. Acknowledgements p114. List of works p115.non-fiction'Stories They Tell : A history of Kew through objects' explores diverse narratives from European settlement to the first decades of the twenty-first century. These stories use as their starting point artworks, texts and artefacts from the nationally significant collection of the Kew Historical Society. Limited to 100 copies.collection -- kew historical society, museum catalogues, henty family, cartwheel pennies, kew lunatic asylum, patchwork quilts, john carson, george bouchier richardson, gb richardson, coombs family, james dannock, back to kew 1875, francis barnard, denbigh family, cullis hill & co, ordsall, southesk, kew volunteer fire brigade, jfc farquhar, henry kellett, mmbw detail plan 1580, william nicholls anderson, young workers patriotic guild, roll of honor -- town of kew, alice anderson, kew war memorial, flapper dresses, fairfield bridge, chandler highway bridge, warren trestrail, furniture -- 1930s, war savings streets, kew library, children's libraries, voluntary aid detachments - kew (vic.), rockingham, james govett, centenary of kew, mayoresses -- kew (vic.), model dairy -- kew (vic.), doris dickinson, crests -- city of kew (vic.), town criers -- kew (vic.), joy stewart, australian bicentennial -- kew (vic.), kew civic centre, ak lines mcfarlane marshall, adeney avenue -- kew, wwi -
Phillip Island and District Historical Society Inc.
Scarf, Scarf with Map, flowers and animals of Phillip Island, c 1950's
Scarf possibly owned by Alice Robinson (nee Clark)Nylon scarf with map, flowers and animals of Phillip Island.Phillip Island and names of towns and places of interest.souvenir scarf, alice robinson -
Warrnambool and District Historical Society Inc.
Souvenir, Exhibition Glass, 1987
This is a glass cup which has been painted and etched at the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition lasted three months and was staged at the Liebig/Timor Streets intersection at the Warrnambool Town Hall and Council buildings with some temporary buildings added for the occasion. It was reported that 70,000 people visited the displays, attended the concerts and entered the competitions. John Villiers, a Warrnambool painter and decorator with a glassware and chinaware shop in Liebig Street, had a stall at the Exhibition. He brought from Melbourne a glass etcher who etched glass souvenirs such as this one for patrons of the Exhibition. It was the first time that glass etching had been done in Warrnambool. Alice McConnell was born in 1885 in Warrnambool to Robert McConnell and Matilda Russell so she was about 11 or 12 at the time of the Exhibition. She died at the age of 17 in Warrnambool. Her father was possibly the proprietor of the R. and J. McConnell livery stables which later became a transport company in Warrnambool.This glass is most significant because it is one of the few surviving souvenirs of the important Warrnambool Industrial and Art Exhibition of 1896-7. It is also a memento of Alice McConnell, the owner of the glass, who died at the young age of 17. The item comes from the estate of Ken Wooles who was a descendant of the Wooles family prominent in Warrnambool as monumental masons. He was also related to the McConnell family on his mother’s side of the familyThis is a glass cup with a handle. It has a curved shape and has a painting of a young girl with brown hair in a white decorative setting. The glass is etched with the name of Alice McConnell and this was done in 1897 at the Warrnambool Industrial and Art Exhibition of 1896-7. There is a crack near the handle.‘Warrnambool Exhibition, Alice McConnell, 1897’warrnambool industrial and art exhibition 1896-7, alice mcconnell -
Eltham District Historical Society Inc
Document - Property Binder, 1572 Main Road, Research
Typed sheets (2 pages): History of Research State School No. 2959, Principal F P Sheehan, historian M Allwood,main road, property, houses, shops, businesses, research (vic.), research state school no. 2959, caledonian gold field, swiper's gully, wallaby town, research gully, discovery gold plenty ranges, fountain of friendship hotel, ray morris, alice russell, norma family, bettison family, reynolds family, william west, joseph m makey, henry james cole, mary jane rodda, florissa milton, f p sheehan, m allwood, research hotel -
Port Melbourne Historical & Preservation Society
Photograph - Debutantes, St Joseph's, Port Melbourne, 1950s
St Joseph's Deb Photo. 17 Girls mid 1950sreligion - roman catholic church (st josephs), celebrations fetes and exhibitions, alice rowlands nee burke, hilda purchase -
Port Melbourne Historical & Preservation Society
Photograph - Debutantes, St Joseph's, Port Melbourne, 1950s
St Joseph's deb photo mid-late 1950s. religion - roman catholic church (st josephs), celebrations fetes and exhibitions, les hetherton, pat o'reilly, arthur seeley, george mallett, chris watson, graham taylor, alice rowlands nee burke, judy ferris -
Port Melbourne Historical & Preservation Society
Photograph - Debutantes, St Joseph's, Port Melbourne, 1950s
St Joseph's deb photo early 1950sJames Bartletteducation - primary schools, brian doyle, brian dillon, hilda purchase, religion - roman catholic church (st josephs), st josephs catholic primary school, alice rowlands nee burke -
Port Melbourne Historical & Preservation Society
Photograph - Debutantes, St Joseph's, James Bartlett, 1950s
From St Josephs School. Back row: Kevin IRETON 4th from left; Margaret LECLERQ 2nd from right 2nd back row: Alice ROWLANDS 4th from left 2nd front row: Brian McBROOM 1st on left Front row: Julie DALTON on left; Peter PERAZZO centre; Kathleen WOODRUFF on right.St Josephs debutant photo. Early to mid 1950sreligion - roman catholic church (st josephs), kevin ireton, margaret leclerq, brian mcbroom, julie dalton, peter perazzo, kathleen woodruff, st josephs catholic primary school, alice rowlands nee burke -
Port Melbourne Historical & Preservation Society
Audio - Recollections of Port Melbourne, Alan and Hilda Matters, 30 Sep 2011
Alan and Hilda Matters discussing their recollections of Port Melbourne on the day of their 70th wedding anniversary. Interviewed by Alicia Hooper and Alice TurnbullDuration 00:45:39built environment, families, alan matters, hilda matters -
Port Melbourne Historical & Preservation Society
Photograph - Debutantes, St Joseph's past pupils, 1950s - 1960s
Deb photo of St Joseph's past pupils. Late 1950s/early 1960seducation - primary schools, les hetherton, pat o'reilly, arthur seeley, graham taylor, chris watson, george mellett, alice rowlands nee burke, religion - roman catholic church (st josephs), st josephs catholic primary school -
Port Melbourne Historical & Preservation Society
Photograph - Debutantes, St Joseph's past pupils, James Bartlett, 1950s
Deb photo. St Joseph's mid 1950s. There are some names with the photoeducation - primary schools, brian mcbroom, peter perazzo, kathleen woodruff, julie dalton, margaret leclerq, st josephs catholic primary school, alice rowlands nee burke -
Port Melbourne Historical & Preservation Society
Book, "My Story", 2010
"My Story" Alice Ware 1918-2010families, alice ware, robert ware, lois daley -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress, Alice Mott Hegarty, 1958
Worn by Barbara GARDINER (nee HEGARTY) at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Wedding dress of ivory brocaded satin, long sleeves with pointed ends, piped at waist and hem, short train with loop for wristcelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress, Barbara GARDINER, Alice Mott Hegarty, 1958
Worn by Barbara GARDINER (nee HEGARTY) at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Half petticoat ivory brocade satin waist section, plain satin underskirt and net overskirt with ribbon roses decoration, and blue ribbon bow. Petticoat is a full circlecelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress (section of train), Barbara GARDINER, Alice Mott Hegarty, 1958
Worn by Barbara GARDINER (nee HEGARTY) at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Section of original long train.celebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress (roses, bows, etc), Barbara GARDINER, Alice Mott Hegarty, 1958
Worn by Barbara GARDINER nee HEGARTY at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Several roses, bow and pieces made of the ivory brocaded satincelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Port Melbourne Historical & Preservation Society
Document - Wedding dress pattern, Barbara GARDINER, Butterick Pattern Service, 1958
Worn by Barbara GARDINER nee HEGARTY at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Butterick paper dress pattern from which the wedding dress was madecelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner