An insight into the life history and family of Arthur James Harrison (Jnr). Includes a descendancy chart of Arthur James Harrison (Snr) . Max Holt lived Leopold Crescent, Mont Albert.An insight into the life history and family of Arthur James Harrison (Jnr). Includes a descendancy chart of Arthur James Harrison (Snr)(mr) arthur harrison, (miss) alice lee, (mrs) matilda lee, (mrs) jessie lane, (miss) ruth isabel lee, (mr) harold lane, burwood cemetery, (miss) jean harrison, (miss) maida harrison, (miss) ruby harrison, (mr) ken harrison, (mr) harry smith, (mr) clarry o'shea, (mrs) ruth harrison, (miss) lois ruth harrison, (mr) ian harold harrison, camberwell road, surrey hills presbyterian football club, leopold crescent, (mr) garry hutchinson, (miss) dianne humphris, surrey hills bowling club, eastern suburbs churches football association, hartwell, mont albert, surrey hills state school, surrey hills methodist church, churches, box hill council, (miss) vivien kaskazian, canterbury bowling club, (mrs) maida mossop

The lathe-making business incorporated in 1902 as Drummond Bros Ltd originated in the fertile mind of Mr Arthur Drummond, said to have been living at that time at Pinks Hill, on the southern edge of Broad Street Common, west of Guildford. Mr Drummond, whose accomplishments included several pictures hung in the Royal Academy, was unable to find a lathe suitable for use in model engineering. In 1896 he designed for himself a ‘small centre lathe … which had a compound slide rest with feed-screws and adjustable slides’. He also designed and built ‘lathes of 4.5 inch and 5 inch centre height, which had beds of a special form whereby the use of a gap piece was eliminated but the advantages of a gap-bed lathe were retained’. Assisted by his brother, Mr Frank Drummond, who had served an apprenticeship to an engineering firm at Tunbridge Wells, the first lathes were made in a workshop adjoining Arthur Drummond’s house. The demand that speedily built up led to the decision to form a company and manufacture the lathes for sale commercially. Land was acquired nearby, at Rydes Hill, and the first factory built. The enterprise was a success, and the company quickly established ‘a high reputation in this country and abroad for multi-tool and copying lathes, and gear-cutting machines’. Other lathes were added to the range, including the first of the ’round bed’ machines for which the firm became widely known. A Drummond 3.5 inch lathe was among the equipment of Captain Scott’s 1912 expedition to the South Pole, and large numbers of 3.5 inch and 4 inch designs were exported to Australia, Canada and India. By the outbreak of war in 1914, 5 inch, 6 inch and 7 inch screw cutting lathes, arranged for power drive, were on sale. Large orders were received from the government for 3.5 inch lathes, for use in destroyers and submarines, and 5 inch lathes for the mechanised section of the Army Service Corps. The latter were used in mobile workshops. The factory worked night and day to supply the forces’ needs, until production was disrupted by a fire which destroyed a large part of the works in May 1915. As soon as rebuilding was complete work restarted. At the end of the war the entire production was being taken by the Government departments, a special feature being a precision screw lathe, bought by the Ministry of Munitions in 1918. Between the wars Drummond Bros Ltd introduced new machines for the motor vehicle, and later the aircraft industry, and the works were extended on many occasions to fulfill the increasing orders. The Maxicut multi-tool lathe (1925), designed for high-production turning operations, was one of the first machines of this type to be built in England. It was followed (1928) by an hydraulic version for turning gear blanks, and similar work. Further developments provided machines which, during the Second World War, turned all the crankshafts and propeller shafts for Bristol engines. Others, ordered by the Ministry of Supply were employed in turning shells, and many other specific needs of vehicle and aircraft manufacture were catered for by new types of Drummond lathes. Production of the small centre lathes ceased during the war when the company needed to concentrate on building multi-tool lathes and gear shapers. After the war a completely new Maxicut range was introduced, replacing the older versions, and fully automatic. The types were continually developed, and new versions manufactured until the end of the company’s life in 1980. The disappearance from the scene of Mr Arthur Drummond in 1946, and the end of the company’s autonomous existence in 1953 when the company was acquired by William Asquith Ltd, which was in turn bought by Staveley in 1966, meant that the factory at Rydes Hill became one – albeit very effective – part of a large national engineering company. Achievements at the Guildford works during its last years included the development of automated Maxicut gear-shapers in what was ‘probably the most fully automated gear shop in the country’, while a machine from Guildford was sent to the Osaka Fair in 1962. In 1963 an agreement was signed with Hindustan Machine Tools for the manufacture of Maxicut gear-shapers in state owned factories in Bangalore and Chandigarh. During 1963 the two largest multi-tool lathes ever made in the UK were installed in Ambrose Shardlow’s works in Sheffield for handling cranks up to 14 foot long. In 1976 Drummond lathes were included in Staveley’s £14,000,000 installation in Moscow of an automated production line for Zil motor cars. Up to the end invention continued at Guildford: a new Drummond Multi-turn memory-controlled machine was shown at the International Machine Tool Exhibition in 1977. This could not save the works from the pressures of the late 1970s, and Staveley Industries closed its Guildford site in 1980.An early example of a lathe that was designed primarily for the hobbyist model maker. It is in good condition and sought today by collectors as many of it's attributes were innovative at the time and lead to further development and incorporation of some of its features into more industrial models of production machinery. Lathe, round bed, treadle powered lathe, Drummond Type A, Serial number and maker's inscription. 1920-1923, Made by Drummond Brothers in Guildford, Surrey, England. Lathe is complete with Chuck, Tool post and Tail Stock in situ (30 extra parts)"MADE BY DRUMMOND BROTHERS LIMITED - PATENT TEES - RYDE'S HILL n GUILDFORD SURREY", "Serial Number 01470," "L44" or "L45 " flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lathe 1920-1923, round bed lathe, treadle lathe, drummond type a, guildford surrey, drummond brothers guildford surrey england, tread'e

The trees were possibly planted on Arbour Day. Trees in the grounds of Drummond State School.drummond, drummond state school, drummond war memorial, drummond avenue of honour, world war one

This is a lithograph titled 'The Hospital, Ballarat West from 1859', was created by François Cogne. A double storey hospital in Drummond Street Ballarat.ballarat hospital, ballarat district hospital, drummond street, ballarat base hospital, ballarat miners hospital, francois cogne

Colour photographs of the Drummond War Memorial and Avenue of Honourdrummond war memorial, drummond avenue of honour, world war one, drummond

Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a Coastal Scene by Arthur Lindsay.arthur lindsay, watercolour, painting, townscape

Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed landscape by Arthur Boydarthur lindsay, painting, landscape

Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.abstractUnframed abstract painting by Arthur Boydarthur lindsay, painting, abstract

Arthur was a SEC Employee who worked on the Ballarat Scrubber Tram. Details use of the tram, drivers, events, working conditions and stories.Three page printed transcript prepared by Alan Bradley from audio tape (Reg. Item 2145) of an oral history interview conducted by Alan with Arthur Reynolds on 14 June 2001. Arthur was a SEC Employee who worked on the Ballarat Scrubber Tram. Details use of the tram, drivers, events, working conditions and stories.trams, tramways, oral history, audio tape transcripts, ballarat, arthur reynolds

Yields information about the Drummond St line and the Mills St loop area and a special tram tour using No. 37.Colour slide, Kodak white cardboard mount, developed Mar 1969 of No. 34 and 37 crossing at the Duncan St loop in Drummond St North. No. 34 has destination of Gardens via Drummond North, while No. 37 running a special service. .2 - No. 37 in the loop by itself. See Reg Items 7675, 7678, 7681, 7684, 7686, 7705 and 7713."Duncan St Loop Drummond St" in red ink.ballarat, tramways, trams, drummond st nth, mill st loop, tram 34, tram 37

Black and white image of Port Arthur Penitentiary, Commandants Quarters and Powder Magazineport arthur, convicts, port arthur town hall, port arthur asylum

Reverend Arthur Preston (14/10/1912 - 19/03/1985) was born in Brisbane. Following ordination he served in Mareeba and Townsville, Superintendent of West End Methodist Mission in Brisbane, Associate Minister at Adelaide Central Mission, Associate Minister in the Glen Iris Circuit and was appointed Superintendent of the Central Methodist Mission in 1968. He received an Order of Australia award in 1982 for service to the community.B&W full-length photograph of Rev Arthur Preston standing at a microphone."Rev Arthur Preston"preston, arthur, adelaide central mission, west end methodist mission, methodist, minister

Black and white image of the Port Arthur..port arthur, convicts, powder magazine

Black and white image of the penitentiary at Port Arthur.port arthur, convicts, penitentiary

Black and white image of the Church at Port Arthur.port arthur, convicts, port arthur church

Reverend Arthur Preston (14/10/1912 - 19/03/1985) was born in Brisbane. Following ordination he served in Mareeba and Townsville, Superintendent of West End Methodist Mission in Brisbane, Associate Minister at Adelaide Central Mission, Associate Minister in the Glen Iris Circuit and was appointed Superintendent of the Central Methodist Mission in 1968. He received an Order of Australia award in 1982 for service to the community. Chandran Devanesen was the first professor at Madras Christian College. As the first Indian Principal of MCC, Chandran Devanesen is known for successfully transforming an institution influenced by Scots to one more Indian. B&W photograph of Rev. Arthur Preston and Dr Chandran Devanesen seated at a table."Devanasen Chandan Rev Arthur Preston"preston, arthur, dr chandran devanesen, central methodist mission

Black and white image of the Port Arthur Powder Magazine.port arthur, convicts, powder magazine

Black and white image of Port Arthur Model Prison.port arthur, convicts, model prison

Black and white image of Dead Island, Port Arthur, Tasmania..port arthur, convicts, dead island

John Wicking and Arthur Wilkins smile happily after their investiture at Government House.B/W photograph of John Wicking and Arthur Wilkins after their investiture on Australia Day.Sharing a joke. John Wickham [sic] (left) President of the Association (1973-1984) and Arthur Wilkins, Manager, Kooyong Centre (1968-1976).john wicking, arthur wilkins, association for the blind

Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a number of builidings, and a person in the foreground.arthur lindsay, watercolour, painting, townscape

Black and white image of Port Arthur Penitentiary, Commandants Quarters and Powder Magazineport arthur, convicts, model prison, port arthur penitentiary, commandant's quarters, powder magazine

Black and white image of Port Arthur Penitentiary, Commandants Quarters and Powder Magazineport arthur, convicts, port arthur hospital

Black and white image of a poster relating to the departure of Governor George Arthur from Tasmania.port arthur, convicts, poster, george arthur

Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Arthur Warren trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Lidded poecelain Potwarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery

Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Warren Arthur trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Four porcelain lace pieceswarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery

Arthur ROSSER Arthur and Carol Rosser have been based at the Eungella Pottery in Dalrymple Heights, QLD, since 1976. Specialists in woodfiring and the use local clays and ash, salt and shino glazes, as well as firing with oil and gas as well as wood. Salt glazed teapot with lid.arthur rosser, ceramics, jan feder memorial ceramics collection, gippsland, gippsland campus, woodfire

A light green hardcover Children's Bible arranged by Arthur Mee and illustrated from the art galleries of the world, contains the Christian story interpreted for the young. There is no dust jacket. The front cover is plain with lined patterns indented around the edges. The spine has the title and the words, arranged by Arthur Mee printed in black lettering on the spine. The green tinged frontispiece shows a picture titled - Jesus Passes By, where Jesus is standing near people outside their home. The title page has full publisher details. Inside Arthur Mee has written a type of preface to this presentation of the bible as a book to be read by or to a child, not as a reference book. A guide to the Contents is listed as well as a guide to the Pictures included. The Old Testament and the New Testament are separated. There are many pictures included - some are green tinged and others are brown or sepia toned. Pp. 474. Included is a red and yellow advertising leaflet for Norwich Union Life Australia Limited, Melbourne - 'For the Best News for Anyone over 50'. There is a large coloured photograph of a family of six having a birthday afternoon tea outdoors.fictionArthur Mee wrote a type of Preface to this presentation of the bible as a book to be read by or to a child, not as a reference book. A guide to the Contents is listed as well as a guide to the Pictures included. The Old Testament and the New Testament are separated.bibles, religious books, religious fiction, children's books