Fish were transported to the Melbourne market in wicker baskets with layers of bracken fern between the fish. The last known shipment of fish in baskets from Paynesville was around 1900, when wooden boxes were introduced.wicker, baskets, transport

Alf Crossthwaite, worker at Queensland Industrial Institute for the Blind, holds a tower of waste paper baskets outside the workshop.1 x B/W photograph of man holding cane basketsF37828, Blind Institute, 8.5.1961, Alf Crossthwaite makes WPB at Blind institute.queensland industrial institute for the blind, alf crossthwaite, employment

This handmade basket is typical of baskets used for domestic purposes for many years in the early to mid 20th century. It was produced in Australia by Graf's. Wicker baskets were popular at this time as they were light but durable. They were made in a wide range of shapes and sizes, including laundry baskets, storage items in the home, in shops and by travelling hawkers. Wicker was also a common material used for furniture. Vintage baskets by Graf's are still in demand by collectors. Franz and Anneliese Graf arrived in Australia about 1960 and spent time at the Bonegilla Migrant Camp where one of their sons Arnold was born. They moved to Melbourne and began Graf’s basket making business soon after. The basket in our Collection brings the Graf story full circle back to its Australian roots.This item is significant as it is representative of basketry items popular throughout Australia in the 1960s. This basket was hand-made in Australia and used by a resident of the Wodonga District.A woven cane shopping basket with a wooden base and single bamboo handle. The basket is made from mixed weaving of cane and light-blue strips. Underneath basket: Original GRAF'S Basket Hand made in AUSTRALIA On metal attached to handle: GRAF’S HANDLE BINDING, PAT.PEND vintage cane wear, vintage basket, graf baskets, basketware australia

The handmade basket has a variety of pieces of vintage sewing items as listed in the detailed Description. These would have been used in the home for repairs as well as pieces sewn. Mrs Pratt owned the sewing basket and it's contents - she lived in Beenak Road, Wandin, Victoria.An open rectangular shaped cane woven sewing basket with three bands of green and tan raffia woven around the sides. It had a lid which is missing but there is one twisted wire loop where the lid would have been attached. Inside are various pieces of vintage sewing items including; large and small cotton reels with cotton thread, very small cotton cardboard reels with thread, plastic container of pins, a handmade wooden darning mushroom, a brightly coloured tin of pins and needles, two short zips, a piece of embroidery material stamped with a pansy pattern to sew, a Birch brand packet of sewing needles, a Delyta brand "Nu-Bras" Brassiere Repair Set, two "Mendex" Cuff Savers for Men's Trousers, a Happy Home Needle Book with a few needles, and a paper pattern for Cross Stitch. See above for the brands and details of the sewing items included in the basket.containers, sewing, baskets, sewing equipment

Four people retrieving Braille from the shelves to pack into cane storage baskets for dispatch. A woman is taking a book off the shelf, another is annotating a piece of paper whilst a third woman looks at the spine of a book. A man in a dust coat is also handling a book. Book shelves line the walls and cane baskets are stacked upon the floor.1 B/W digital image of people sending braillebraille library of victoria, braille

Fish baskets being unloaded from the Gippsland Lakes steamer "JCD" at Sale after trans-shipment from Paynesville for the Sale train.

This basket forms part of a large collection reflecting the Irish heritage and collecting interests of the family. While this piece was purchased there are other Belleek pieces in both private and public collections across Ballarat once belonging to the same extended family. This piece is one of 100 examples from the Belleek factory that reflects the family's and Ballarat's Irish heritage. It forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, and social history themes.Large three strand lidded basket in a pearl finish with a single ribbon to the base impressed with makers mark Belleek Co Fermanagh over the basket weave base.Belleek Co Fermanagh on base of basket.belleek, irish, ballarat

Riverclay Craft Gallery, 573 Main Road, Eltham Riverclay was located along with Ansell and Muir's Chicken shop opposite Eltham Lower Park. The building has since been demolished as it lay within the 1934 flood plain limits Elizabeth Simkin 1988 Entrant No. 149 Ref: Series 34, Items 39, 111-113 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, elizabeth simkin, film - kodak ga 100 5095, riverclay craft gallery, scan - 35mm negative

“The sweet-smelling chocolate lily is a favourite of mine. It has a scent similar to that of chocolate and can be eaten raw and added to other foods as a decoration on top of cakes. I like it because it is a pretty little plant that you can’t walk by without noticing. The cabbage butterflies are ancestral spirits watching.” — Deanne Gilson In 'Karrap Karrap Beenyak — Flower Baskets of Knowledge', Deanne Gilson depicts dilly bags and baskets drawn from the South Eastern collection of artefacts held within the Melbourne Museum, and gifts from family and friends. They reclaim cultural knowledge, mixing tradition with the lived experiences of her ancestors and re-enriching her life with culture, Country and connection, through the creation of new art. The works highlight the use of Indigenous plants for healing and bush foods, and the Wadawurrung Creation Story and connection to Dja (Country). Artist Bio Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country. Painting

SEPIA PHOTOGRAPH INTERIOR ST. PAUL'S CHURCH, CLUNES DECORATED FOR HARVEST FESTIVAL. PHOTOGRAPH NAMED " A BASKET OF SUMMER FRUIT"A BASKET OF SUMMER FRUITlocal history, churches, st pauls anglican

Octagonal toy cardboard basket covered in a designs created by collage. The basket is covered in clear plastic.baskets, sewing baskets

Steel framed folding babies basket. The frame painted cream has four swivelled small roller wheels attached. The basket frame can be removed by unscrewing four round knobs and the frame can be folded flat. The basket has a canvas base and sides woven with cotton cord. The basket is fitted with a pink liner with broad lace edges. Ther are two pockets sown onto the inside of the liner. The liner is in poor condition.The Universal Folding Basket. H & C printed on canvas base.

Presented to Miss Quale by a few friends in the congregation Dec 1894 Lilydale on her retirement as organist.Ornate silver cake basket with plain base and handle.Presbyterian Church Lilydale - Presented to Miss Quale by a few friends in the congregation December 1894baskets, cake baskets

This handmade basket is typical of baskets used for domestic purposes for many years. The basket is strong and easily carried for shopping, food gathering and many other everyday purposes.The cane basket is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Wicker or cane basket, rounded rectangular shape with strong handle.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, basket, cane basket, shopping basket, wicker work

To give shape to a basket, this frame was used by the weaver to keep the wicker in shape. Basket weaving was an integral part of many blind workshops, and this frame comes from the RVIB workshop in St Kilda Road.1 metal frame for weaving basketsroyal victorian institute for the blind, employment

Regional fishermen supplied fish to the Melbourne market in these cane baskets. The basket had a flat lid (we are searching for a lid) and bracken fern was packed between the fish as ice was not available at the time. Photos show that fish boxes were introduced in 1900 and no post 1900 photos of baskets in use have been found. The baskets were mainly destroyed once boxes were introduced and only two baskets have been found. . Oval shaped large wicker work basket

The handmade basket has a variety of pieces of War Memorabilia as listed in the description.A large lidded firm natural, green and tan raffia woven basket with a looped handle on the lid which is attached to the base by rusted twisted pieces of wire. It closes with a brown strip of leather onto a metal clip at the side. Inside are pieces of War Memorabilia - an instruction card for Knitters Get Busy!, one tortoiseshell knitting needle, a pair of large olive green woollen mittens, two strips of paper with instructions and illustrations for sewing Red Cross Pyjamas for the Soldiers and a small grey folded card - 'The Grey Sock' which has directions for knitting good socks with finer wool and needles. This is incomplete.'Knitters Get Busy! War Chest Wants Socks Appeal for 150,000 Pairs'. There is an acrostic poem for the word KNITTERS, describing the word. 'The Grey Sock' - instructions for knitting fine and coarse wool. Suitable pyjama pattern with instructions.war, containers, knitting, sewing, baskets

Ceramic shard with white glazed finish and a purple pictorial design of a woman holding a basket on her head within a landscape. purple pictorial design of a woman holding a basket on her head within a landscape. pottery, ceramic, archaeology

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This laundry basket was reinforced with a solid heavy base that gave it both strength and the ability to remain upright as clothing items were placed inside. This cane laundry basket made in the basket shop of RVIB for use in the organisation possibly between 1930-1940, not for sale. Held with staff in the Enterprises section since the move to 201 High Street in the early 1990s.1 cane basket with lidroyal victorian institute for the blind, employment

Sewing baskets are used to contain needles and thread and other sewing requirements.Woven raffia sewing basket with lid attached by a cord. Basket is lined with gold satin and the lid is padded with pearl buttons.domestic items, sewing, sewing baskets

Containers like this handmade and varnished cane or wicker basket have been used in homes for decades for carrying wet or dry laundry items. The basket is an example of late 20th century cane ware. The craft has been used over the centuries to produce similar items for domestic use. This basket is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Cane or wicker laundry basket with one handle, handmade and varnished. Basket is oval shaped., flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, basket, cane basket, laundry, laundry basket, washing basket, domestic item

Strong large cane wicker baskets such as this one were used for storage and transportation. This basket could have been used for storing sails on a vessel, or sending luggage, parcels or goods by rail, ship, wagon or cart from one location to another. The basket would also be suitable for laundry in hospitals, factories such as woollen mills, and other organisations for storing and moving equipment and goods. The inscription " A A S" has not yet been researched. It could be the name of an Australian- Service, or a - - Ship or even the initials of a person. This basket is an example of a large, strong container used for storage or transportation during the 19th and 20th centuries.Basket, natural coloured woven cane or wicker, rectangular shape with lid. Two leather straps and buckles fasten the lid to the basket. The basket has a strong rope handle on each side, metal reinforcing straps that support three wood strengthening lengths on the top of the hinged lid. The lid is hinged to the basket at the back with metal hinges. The inside frame is reinforced with wood. There is a large inscription in black paint is stencilled onto the lid of the basket."A A S"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, basket, sail storage, maritime furniture, luggage, transport storage basket, wicker hamper, vintage wicker chest, wicker trunk, cane storage basket, dispatch basket, a a s

This large cane basket was made for secure storage of its contents. It has a throw bolt that can be locked with a padlock. The cane basket is an example of a storage container used in factories, travel and transportation in the 19th and 20th centuries.Basket, woven cane, with lid, lock, and throw bolt. The basket has canvas re-in forcing on the vertical sides.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, basket, cane basket, basket with lid, storage basket, personal effects, travel goods, secure storage

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This style of washing basket was commonly used by families until the introduction of cheap plastic baskets.1 cane basket with 2 side handlesemployment, royal victorian institute for the blind

Navigation baskets were used to guide boats in and out of Lakes Entrance Sepia photograph showing flagstaff with navigation baskets on dunes at entrance to Gippsland Lakes. Two smaller baskets above yardarm, two larger baskets below yardarm. Lakes Entrance Victoria. Also black and white copy 20 x 13.5 cmnavigation, boardwalk, boats and boating, ships and shipping

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. Generic style basket that would have been used for shopping or any household task requiring movement of multiple items. Cane baskets were the original green alternative to plastic shopping bags. Note that the handle is deliberately askew, for easier carrying against the hip.1 cane basket with askew handleemployment, royal victorian institute for the blind

Used as a dress basket. From the estate of Elsie Cook, long term librarian in Orbost. Daughter of John Cook, early settler at Brodribb.Rectangular shaped woven basket.basket cook container

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This cane basket was used for storage as well as transporting heavier items. The base has been reinforced with two thick boards that allow the basket to hold more weight than regular baskets, and this also allows it to sit higher and the contents slightly above ground level.1 deep cane basket with two side handlesemployment, royal victorian institute for the blind