The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, york street

People - "Ashwell, Hanorah" Associated with - Photographic Studio

People - "Lipp, Charles Ah"

CEO office to right lunch room below bef 1987Roll of 35mm colour negative film, 4 strips Fuji 100-Seltham shire office, municipal offices, shire of eltham, shire offices, construction

2 Bendigo Easter Fair medals 1904, gold coloured with letters BEF above a red cross and a scroll worded Bendigo 1904, suspended on a green and white ribbon, one with a pinned bar with wording In Charitys Cause.event, easter fair, bendigo easter fair

This object was donated to the collection by a Trooper Russell Wells 8/13th Victorian Mounted Rifles. It was brought home by his father who was serving in the BEF. He later migrated to Australia.Leather Luger pistol holster with strap securing flap was manufactured by Leder-ZweeisungsAmt-Abteilung (LZA), or leather supply office to the German war department at a factory in Cologne. It was brought to Australia as a souvenir by a British soldier who migrated after the war."LZA J Coln" inscribed on back of holster; "1917" stamped om inside of flap.lza, holster

Bendigo Easter Fair medal 1903, gold coloured oval shaped with letters BEF in centre and surrounded by wording Bendigo Easter Fair, topped with Australian coat of arms and suspended by a red ribbon from a scroll pinned bar reading Bendigo 1903.event, easter fair, bendigo easter fair

3 Bendigo Easter Fair medals 1922, oval shaped blue enamelled ring with wording Bendigo Easter Fair around letters BEF in gold topped with Australian coat of arms, suspended from a blue enamelled pin bar with Bendigo 1922 on front.Stokes & Sons Melbevent, easter fair, bendigo easter fair

2 Bendigo Easter Fair medals 1907, 1 gold coloured, 1 stg silver, letters BEF on central shield flanked by date 1907 & Bendigo on top, silver one suspended on a pinned bar with words In Charitys Cause & marked on back Stg Silver Stokes & Sons.Stokes & Sonsevent, easter fair, bendigo easter fair

2 Bendigo Easter Fair medals 1908, oval shaped with white enamel outer ring worded In Charitys Cause, blue enamelled centre with letters BEF above a coat of arms (undecipherable) topped with gold wings and a red Maltese cross, at base a Navy blue banner reading 1908.Stokes & Sons Melbevent, easter fair, bendigo easter fair

Official AMF publication dated 1934, probably prepared for the training of officers in tactics.Soft covered book, 250 pages and numerous maps causing it to bulge. Stapled along left edge. Is a study of the actions and movements of the British Expeditionary Forces during the first two months of the First World War.world war one, wwi, bef, france, belgium

Brothers from Bendigo .1) Arthur John Knight No 318 enlisted 16.3.1916 in A Coy 38th Bn age 23 years 10 months, embarked for England 20.6.1916, embark for France to join the 58th BN 9.9.1916, hospital 26.1.1917 with Trench Feet, RTA 18.10.1917 loss of all toes, discharged from the AIF 15.6.1918. .2) Oliver Leslie Knight No 3891 enlisted on 16.8.1915 in 12th reinforcements 5th BN age 21 years 3 months, embark for Eygpt 23.11.1915, hospital Cairo 8.2.1916 with Influenza, embark for France with BEF 25.3.1916, WIA 25.7.1916 GSW Ear & Back, rejoin unit 16.11.1916, hospital 21.12.1916 with Trench Feet, rejoin unit 28.6.1917, L/Cpl 18.8.1917, WIA 2nd occasion 22.9.1917 GSW Back, rejoin unit 3.5.1918, Cpl 1.10.1918, RTA 1915 draft 25.1.1919, Discharged 6.7.1919 from the AIF.Photos B & W rectangular shape, soldiers in uniform, brothers, studio background. .1) Soldier standing with hands behind back. .2) Portrait photo merged into the background.photographs, 5th bn, 38thbn, 58thbn

Betty Jeffery and Beryl Woodbridge were among the war nurses who marched in the 1952 Anzac march. The two nurses were both Japanese POWs for three years. Kath McMillan and Betty Pump who served with them in the 2/10 Australian General Hospital (AGH) also marched. Matron-in-Chief Sage let the procession that also included Miss Edna Shaw, Lady Superintendent of the Alfred Hospital. An English ex-pat, Kathleen Carpenter, who served in the Queen Alexandra Imperial Nursing Service Reserve, having settled in Australia after being demobilised, also marched. A newspaper clipping from a larger sheet consisting of a title above a large black and white photo of a large group of women in uniform marching together down a street. The story has been cut off.'[down arrow] MRS (JOHNS) SHIPPEN' [blue ink, upper left hand side] '(Black Armbands respect for late King.) George. VI)' [blue ink upper left hand side] 'Miss HANNAH / Alford Hosp.' [graphite, lower left hand side] 'Miss E [R] SHAW / Alford Hosp.' [graphite, lower left hand side]annie moriah sage, british army, italy, west africa, north nigeria, willaura district hospital, peggy wall, foncie smith, egypt, palestine, greece, aip, british expeditionary force, bef

The kerosene lamp was one of the most common oil lamps used and was manufactured until the 1980s. This particular lamp has the design of the early kerosene lamps. Its gimbal bracket and counterweight heavy base allow it to swing with a vessel's movement and still stay horizontal. The lamp is significant for its design which is an example of a 19th and early 20th-century kerosene lamp with a wall-mounted gimbal bracket and counterweight base. These features were important to vessels at sea, allowing the lamp to swing with the vessel's movement and stay vertical on rough seas.Kerosene lamp; round electroplated metal top and base, both shaped inward to join together. The base is a solid counterweight to work with the gimbal wall attachment bracket. There is no glass cover.shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, warrnambool, flagstaff hill, kerosene lamp, lighting, marine lamp, kerosene lantern, lamp, lantern, marine equipment, wall gimbal, wall mounted lamp, ship lamp

The gold cross was discovered by Victorian scuba diver Julie Wilkins, who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The small decorative cross dates back to on or before 1878, when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ or a ‘blessing’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The cross is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its scratched, pitted and worn condition, and the damage near the loop, is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. Three edges of the cross have slightly raised narrow ridges of gold which could have been cause by the gold being cast liquid gold into a mould.This gold cross pendant is significant as a symbol of Christianity, a sign of hope and safety, and a sample of the religious following on board the Loch Ard, although not everyone wears a cross for this reason. This cross is a sample of jewellery owned by people migrating to Australia in the late 19th century. The cross and the guinea recovered together from the wreck of the Loch Ard are made of gold and help interpret the financial status of some of those on board.Gold cross; yellow gold with decorative hand engraved foliage design on the front, fitted loop and ring on top. The simple Latin or Roman variation of the cross, with an elongated vertical arm, has no figure on it and the reverse has no decoration. The right, left and base edges have sections of narrow, long slightly raised ridges. The top edge has remnants of red-black colour. Victorian era cross, ca. 1878. The cross was recovered from the wreck of the ship Loch Ard.Engraved foliage design. Slightly raised long ridges on sides and base edges. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, gold cross, religious cross, religious trinket, religious jewellery, engraved cross, cross pendant, cross with ring, victorian era, 1878, antique cross, crucifix, religious symbol, christian symbol, christian jewellery, contamination phenomena, gold corrosion, good luck, lucky charm, blessing, pendant, loch ard, wreck of the loch ard, mutton bird island, peterborough, scuba diver, 1980s, shipwreck artefact, relic, latin cross, roman cross, pectoral cross, julie wilkins

The clock parts were discovered in 1980 by Julie Wilkins, a Victorian scuba diver who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands and then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. This group of brass clockwork parts is incomplete. The pieces were in the ocean for over 100 years before Julie recovered them from the Loch Ard wreck. Their size would suit the works of a carriage clock, with a mainspring and weight to power the clock movement, a pendulum to measure the clock's speed, arbours, posts, pillars and at least one other plate. They would have been mounted inside a protective case with a small door to easily access the clock face for setting the time and accessing the key's winding hole. The clock cases were usually made from decorative gilt brass with a glass front and a carrying handle. The parts include a weighted second hand with a decorative four-pronged finish at one end, a rounded weight at the other, and a hole for attaching it to the clock face. The gear teeth profiles are ‘cycloidal’, an arch shape with vertical sides, which is common for antique clocks. Modern clockworks have ‘involute’ teeth with sloping sides and a squared-off top. The brass carriage clock parts are an example of a mechanical clock produced in the 1870s. The clock's design is a part of the chain of technological improvements in methods for timekeeping. Its cycloidal gear teeth were the forerunner of the more modern involute gears. The group of clock parts includes a weighted hand or arm for signifying the seconds. This feature was uncommon in portable Victorian-era clocks. The clock parts are also significant for their association with the ill-fated sailing ship Loch Ard, wrecked in 1878. The travelling clock or officer’s clock may have been part of the cargo destined for the 1880 Melbourne Exhibition, or the personal possession of one of the people on board the vessel. Brass clockwork parts from a mechanical clock, sixteen pieces. Parts comprise a plate, large gears or wheels, small pinions or wheels with fine teeth, wheels with cogs, and a weighted second hand. The parts were from a carriage clock ca. 1878. They were recovered from the wreck of the sailing ship Loch Ard.flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, loch ard, wreck of the loch ard, 1878, mutton bird island, peterborough, scuba diver, 1980s, shipwreck artefact, relic, clock, mechanical, clock parts, time, timekeeper, horology, chronometry, cogs, time keeping device, scientific instrument, chronometer, john harrison, longitude, carriage clock, coach clock, portable clock, travelling clock, travel clock, traveller’s clock, officer’s clock, weighted second hand, victorian era, cycloidal gear teeth, brass clock, julie wilkins

This Bible is kindly on loan from Parks Victoria. It was presented to Tom (Thomas) Pearce in August 1878 by a friend of the Loyal Orange Institution of Victoria, in recognition of invaluable service rendered in saving the life of Eva (Evelyn) Carmichael when the Loch Ard was wrecked off the coast of Victoria, near Port Campbell. Tom’s granddaughter, Angela Elizabeth Pearce, has written her name inside the front cover. She was born in England in 1925 and died at Woollahra, NSW, in 1944; she was only 19 years old. A BRIEF HISTORY OF THE ‘LOCH ARD’ (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display at the Melbourne International Exhibition of 1880, the most famous of which was the life-size Minton Majolica peacock. After three months at sea, the Loch Ard was close to its destination. On June 1, 1878, Captain Gibbs couldn’t see any signs of land or the Cape Otway lighthouse due to poor visibility. When the fog lifted at 4 am, the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He failed to manage the vessel, and the ship struck a reef at the base of what is now named Mutton Bird Island, near Port Campbell. The passengers and crew were thrown overboard on impact. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung to its overturned hull and sheltered under it as it drifted out to sea. The tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck and was confronted by towering cliffs above the ship. A huge wave swept her off into the cold sea. She saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help. He came across two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. Sadly, Tom and Eva were the only survivors of the 54 people on board the Loch Ard. In Melbourne, Tom Pearce received a hero's welcome. His rewards for his bravery included the Gold Medal of the Royal Humane Society, a gold watch and £1000 from the Victorian Government, a set of nautical instruments, including binoculars, from the people of Sydney and £60 from the people of Warrnambool. In August 1878, he was also presented with a Bible by a friend of the Loyal Orange Institution of Victoria, also known as the Orange Order. The Bible is significant for its connection with Tom (Thomas) Pearce, as it was awarded to him for his rescue of the shipwrecked Eva Carmichael when the Loch Ard was wrecked. It has kindly been loaned to Flagstaff Hill, which holds one of the largest collections of items from the Loch Ard in Victoria. The Loch Ard is now a historic shipwreck. It was one of the worst disasters and is the most well-known wreck on the Victorian Heritage Register. Together, the artefacts have a high potential to help interpret the story of the Loch Ard. The vessel is archaeologically significant as it is the remains of a large international passenger and cargo ship. The Loch Ard collection is important to Victoria’s history. It includes uncommon, rare or endangered aspects of Victoria’s cultural history. Book: The Holy Bible. A black leather-bound book with red edges on the pages, and a metal clasp at the middle front of the book. Brown paper pages are pasted inside the covers, and gold detailing is around the edges of the inside covers. Coloured lithograph pictures are on separate pages throughout the book. A child-like, handwritten pencil script inscription is on the left front endpaper. The facing right endpaper has lines of italic, black pen and ink script, with some lines underlined in red, and ruled red borders on three sides. The Bible was presented to Thomas Pearce in 1878 for saving life at the Loch Ard wreck in 1878. The Bible is kindly on loan from Parks, Victoria. Pencil: “This bible belongs to / Angela E. Pearce.” Ink: “Presented to / Mr Thomas Pearce / In recognition of invaluable / service rendered in saving / life when the Loch Ard / was wrecked of the coast / of Australia. / by / A friend of the Loyal / Orange Institution of Victoria / Protestant Hall / Melbourne / August 1878” flagstaff hill maritime museum and village, great ocean road, shipwreck coast, flagstaff hill, maritime museum, maritime village, warrnambool, 1878, tom pearce, thomas pearce, evelyn carmichael, eva carmichael, eva townsend, angela pearce, thomas townsend, shipwreck rescue, hero, shipwreck survivor, port campbell, loch ard, loch ard gorge, mutton bird island, glenample homestead, glenample station, bible, religious book, award, loyal orange institution victoria, orange order, august 1878, royal humane society

This notebook (author undetermined), records much information concerning maritime and naval activities and history. A notebook, black cover with red canvas spine, originally with blank pages. There is a white sticker on the outside cover with the writing 'Sailing Ships in larger writing, and ''Dictionary & Info' in smaller writing underneath. On the outside back cover is a small white sticker with the number 59 on it. The notebook contains writing in a small and very neat hand with the following headings: General Index Glossary - Sailing Ship Terms Flags - for Naval Vessels Glossary - Ship Terms Watches (aboard ship) Wind Scale -Beaufort Ship Model Societies Rigging Info Books Guns Modelling Info Modelling Tools Working Model Sailing Ships Sails Historical Info Rates in Naval Bases R.N. Naval Bases (UK etc.)There is a white sticker on the outside cover with the writing 'Sailing Ships in larger writing, and ''Dictionary & Info' in smaller writing underneath. On the outside back cover is a small white sticker with the number 59 on it.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, royal navy, naval terms, ship modelling, wind scales, notebook, sailing ships, dictionary

This item appears to be a 20th-century lamp, modelled after an earlier version of a wall-mounted kerosene lamp. Authentic kerosene lamps were typically crafted from copper or brass, renowned for their durability and traditional aesthetic. In contrast, contemporary reproductions are often manufactured using alternative materials and processes, reflecting changes in production methods and cost considerations.The lamp is modelled after marine kerosene navigation lamps that were widely used throughout the 19th and early 20th centuries. These lamps played a significant role in maritime history, providing essential lighting for navigation on vessels during this era. As a representation of this period’s maritime lighting technology, the lamp serves as an example of the type of equipment that would have been commonplace aboard ships of the time. Marine lamp: navigation lamp, portside. Metal Kerosene lamp with two flat sides and a curved, rippled red glass front window. The name "port" is inscribed on a fixed brass plaque. A round chimney is on top of the lid opens with a catch. The fuel tank and wick can be removed through the base. The metal appears to be electroplated.Inscribed on the plaque; "PORT"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ship's lamp, kerosene lamp, navigation lamp, ship's equipment, safety equipment, port lamp

The bearer of this ticket was George Thomas Henry Phillpot, who was only 17 years old when he sailed on the S.S. Ballarat (II), built in 1921. (The first S.S. Ballarat was built in 1911 and sunk after being hit by a torpedo in 1917 while serving during WWI). George relates his trip from England to Australia, summarised as follows: He caught a bus from Bolton to Manchester, in the north west U.K., then the train from Manchester to London and the boat train to Tilbury Docks (near Gravesend). On the morning of June 7th 1929, the ship S.S. Ballarat sailed down the Thames estuary and into the English Channel. The next port of call was Southampton, UK, to take on board some technical equipment. The S.S. Ballarat then sailed through the Bay of Biscay. Instead of taking the customary route around the Cape of Good Hope, this trip, on her maiden voyage, was through the Suez Canal. She sailed through the Straits of Gibraltar, into the Mediterranean Sea and on to Malta, where George and others paid a local boat owner to take them ashore for a short time. They then sailed to Port Said, stopping to load cargo, then at night through the Suez Canal. They woke up early the next morning to watch the locals working on the banks of the canal. The excessive heat on board the ship caused much illness. As they travelled through the Red Sea, the heat and the smell of oil also caused sickness. On they went through the Arabian Sea to Colombo, the capital of Sri Lanka (which at that time was called Ceylon). A Navigation Slip, donated together with this ticket, shows the coordinates for a location 16 miles from Colombo. They again went ashore for a meal at four-pence a head and a bottle of lemonade for a penny. George and another passenger walked to the slums area and were shocked at the state of it compared to Britain’s slums. They then sailed via the Indian Ocean to Fremantle, stopping again for goods to be unloaded. While ashore, they played a game of soccer against the ship’s crew. Then on to Port Adelaide via the Great Australian Bight. Here they shopped for suitable clothing under the advice of some Australian passengers. They then arrived at Port of Melbourne on July 20th 1929, and two days later (on George’s mother’s birthday). George left for Warrnambool. He received his Citizenship Award in 1971. He conducted an electrical retail business in Liebig Street for many years. His son William became principal of the accounting business Sinclair and Wilson, on the retirement of Bill Sinclair, and was actively involved in support of many community organisations. His daughter-in-law, Glenys Phillpot, is actively involved in the Warrnambool community and local government. George was one of 3 orphans on the S.S. Ballarat. (The daughter and son-in-law of one of the other orphans also live in Warrnambool.) Herbert B.G. Larkin, whose rubber-stamped name appears on the ticket, later migrated to Australia and passed away in NSW in 1944. Of Historical Significance, this ticket is for the ship’s maiden voyage via the Suez Canal route (previously the ship travelled via the Cape of Good Hope). It is also the only existing ticket for the "S.S. Ballarat"(3rd) in our collection. Socially, it shows the fare, luggage restrictions, conditions and weekly provisions for a third-class passenger’s voyage from London to Melbourne, which has research potential. This ticket is also of significance to the Local Community, giving the background of the ancestor of a local family. It was also of Personal Significance to the bearer as he kept and preserved it in his possession for at least 46 years before donating it to our museum, together with a Navigation Slip, a map and a summary of his journey to Australia.Third Class steerage Passenger’s Contract Ticket, accompanied by the Navigation Slip, for passage on board the P & O line’s steamer, S.S. Ballarat, to Australia via the Cape Service, from Port of London to Port of Melbourne. The ticket contract is printed on both sides of a thin paper page. The documents have been completed by hand, and the pages have creases as though they have been folded. Details include the date of sailing, amount paid, and the signature of the P & O Branch Service’s representative. The contract ticket lists weekly provisions for the voyage, a disclaimer of the shipping company, a list of dangerous goods not to be carried on board, and fines. The page has straight edges, top and bottom, and perforated edges on the sides; some perforation holes are complete. A small fleur de lies is printed along the inside of each perforation, forming a decorative left and right border. Stamps and inscriptions are on the contract ticket and navigation slip, which also has a black and white photo of a steam ship.The ticket has been stamped in black, No. ‘1040’. Handwritten details are in black pen and ink. Date of departure: ‘Seventh June [192]9’ for the cost of,’33’ [poind], and the sum of ‘33’ pounds is acknowledged as received. ‘Mr George T.H. PHILLPOT’, the age is written as ‘17’, equal to the status of ‘1’ adult, the total number of persons is ‘One’. The fare is handwritten in pen £’33’ and the total £’33’. It has a purple stamp ‘HERBT. B G LARKIN’ and a crossed out stamp ‘FREDERICK WHITE, A handwritten signature ‘_Seymore’. Under the signature, the date is stamped ‘3 JUNE 1929’.warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, s.s.ballarat, phillpot, 7 june 1929, george phillpot, george t.h. phillpot, third class passenger, steerage passenger, herbert b g larkin, ticket, voyage, p & o, australia via the cape, cape of good hope, suez canal, passengers’ contract ticket, navigation slip, s.s. ballarat, steamship, 1929, 3-6-1929, 7-6-1929, third-class, steerage, port of london, port of melboune, 33 pounds, george thomas henry phillpot, herbt. b g larkin, _seymore, bolton, manchester, english channel, southampton, bay of biscay, straits of gibraltar, maritia, port said, arabian sea, colombo, sri lanka, ceylon, indian ocean, fremantle, port adelaide, citizenship, 1971, herbert b.g. larkin, s.s. ballarat ii,

The kerosene lamp was one of the most common oil lamps used and was manufactured until the 1980s. An anchor lamp like the lamps in this pair would be raised on the highest ship mast at night to signal other seafarers that the ship was at anchor or sailing at night. The metal loops on opposing sides of the lamp could hold a pair of rods or ropes. and be used to raise the lamp.The lamp is made to the design of a 19th and early 20th-century kerosene anchor lamp carried as essential marine equipment and used as a signal lamp on sailing ships. Lamps; a pair of cylindrical kerosene anchor lamps. Each has a flat back, a hinged door, a metal handle and two metal loops or guides fixed on each side. The glass window is convex and inside the lamp is a wick in an enamel wick holder.brass lamp, lamp, anchor kerosene lamp, kerosene lamp, marine equipment, marine lamp, navigation, light, ship light, ship lamp, lantern, maritime, nautical, safety lamp

This is an Invitation to attend the Inaugural Celebrations of the Commonwealth of Australia, to celebrate the Federation of Australia's united Colonies. It was created on behalf of the Government of New South Wales. January 1st, 1901, is the official date of Australia's Federation. There is no recipient's name on the invitation. The illustrations on the invitation represent the Federation of Australian States, with their historic symbols carried on the sailing ship, representing the colonisation of Australia. The 'rising sun' possibly represents the rising of the young Australia. The Sough Australian symbol appears to be the historic seal of South Australia, depicting Britania meeting an Australian Aboriginal seated on the beach. The symbol was replaced in 1904. The Victorian symbol of a crown above the Southern Cross appears on the flag at the back of the ship, with a crown and the Southern Cross beside each other. The invitation was originally framed by G.U. Petterd, a picture framer and plush worker in Warrnambool, Victoria.The invitation holds great significance, representing a point in Australia's history when the British Colony became an independent nation, with the states uniting under a Federal government. The symbols on the invitation represent those used by each state at the time, many of which have evolved and changed since that time. The decorative and careful creation of the certificate represents the importance placed on the celebrations.Invitation; rectangular page printed in colour with text and illustrations, and attached to cardboard. The document has a floral border with a symbol in each corner. The illustration includes a wooden sailing ship with six figures with long fair hair wearing white robes, and holding six flags or symbols. The mast holds a swallow-tailed banner showing a flag and text. The invitation is from the Government of New South Wales, for the recipient to attend the inaugural celebrations in Sydney on 1st January 1901, for the official date of the Federation of Australia. There is a purple oval stamp on the revers with inscriptions. The picture was originally framed by G.U. Petterd, WarrnamboolSTAMP: "G.U. PETTERD, WARRNAMBOOL / PICTURE FRAMER & PLUSH / WORKER" TEST: - "Commonwealth of Australia. / INAUGURAL CELEBRATIONS / AT SYDNEY / COMMENCING on the 1st JANUARY 1901" "The GOVERNMENT of NEW SOUTH WALES / requests the honour of / (blank line) / presence at the Celebrations to take place / in connection with the inauguration of the Commonwealth of Australia" Symbols: - [white flag, blue cross, Union Jack] (Australian Federation Flag) [blue Maltese cross with crown in centre] (Queensland symbol) [red St George cross with a lion in the centre] (New South Wales symbol) [white with a symbol on one side (crown?) with a blue flag with Southern Cross on the other] (Victoria's symbols of Crown above Southern Cross) [red lion on white] (Tasmanian symbol) [black swan on yellow] (Western Australia badge) [two figures, one standing and one seated] (South Australian seal) and image of (rising sun on the horizon)flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, invitation, commonwealth of australia, inaugural celebrations, sydney, 1st january 1901, 01-01-1901, federation of australia, australian states, government of new south wales, symbols, flags, australian colony, certificate, g.u. petturd, picture framer and plush worker, picture framer, plush worker, 1901

This ship model is a representation of the wooden barque Hygeia, which is also the name of the Greek goddess of health, cleanliness and hygiene. The model flies the Italian flag, which was adopted in 1946 but originated in 1797. The colours stand for freedom, solidarity and equality. The three-masted, wooden barque Hygeia was built in 1863 in the UK by J.M. Reed to carry cargo. It was first registered on July 30th, 1863, at Sunderland, UK, by owners Matthew Cay Jr. & Joseph Crisp. In August 1877, the ship was dispatched from Alexandria, Egypt, destined for Fairmouth with a cargo of beans, but mysteriously went missing. The ship diorama exemplifies the popular, centuries-old hobby of ship model making, with the setting of sea and sky giving it depth and context. The model also shows the configuration of a three-masted, fully rigged sailing ship, of the type that carried immigrants to Australia. Ship model; diorama with a model of the sailing ship HYGEIA at sea in full sail, in a setting of sky and sea. It displays a tricolour flag with three vertical stripes of equal width, which from the hoist side are coloured green, white and red. An inscription has the ship's name, Hygeia."HYGEIA"flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, ship model, ship model hygeia, hobby, craft, maritime model, model making, hygeia, sailing ship, 1863, 1877, cargo ship, italian flag, square-rigged, barque, three-masted

This book was a gift from Mrs. Cornish to her husband Nefiea, given to him on September 8th, 1884. It became part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria, and was used in services held there. The Church was operated by the Mission to Seamen organisation. The book is now part of Flagstaff Hill's St Nicholas Seamen’s Church collection. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This hymn book is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this book to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. The brown leather-covered bound book has an embossed inscription on the spine and an impressed cross symbol on the front cover. It has red leaf pages (681 pages). The music and words were compiled and arranged by editor William Henry Monk, and published in London. This Revised and Enlarged edition was printed in London by William Clowes & Sons Ltd. The book's title is "Hymns Ancient and Modern". The inscription shows it was given as a gift in 1884. It has since been added to our St Nicholas Seamen's Church Collection. Spine: "HYMNS AND TUNES" Front cover: symbol [cross] Fly Page: "HYMNS ANCIENT AND MODERN FOR USE IN THE SERVICES OF THE CHURCH WITH ACCOMPANYING TUNES COMPILED AND ARRANGED UNDER THE MUSICAL EDITORSHIP OF WILLIAM HENRY MONK, PROFESSOR OF VOCAL MUSIC IN KING'S COLLEGE, LONDON." , "Revised and Enlarged Edition", "Young men and maidens, old men and children, praise the Name of the LORD" Inside cover in handwriting: "Nefrea (?d) Cornish from his wife, September 8th 1884"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, worship service, worship music, hymn book, music book, william clowes and sons, st nicholas seamen's church, london, hymns ancient and modern, revised and enlarged edition, 1884

Sandhurst Trustees Bendigo Easter Festival. The aim of The Bendigo Easter Festival is to increase awareness of, and attendance at the Bendigo Easter Festival amongst regional, intrastate, and interstate audiences by 2006. Bendigo Easter Festival - Australia's oldest festival ... .... .. Gold, gold, gold. The year of 1871 was a great year for Bendigo. Parks were laid out, trees lined the streets. Although acknowledged as starting in 1869 the Easter Festival was considered an annual event by 1871. Under brilliant illumination the whole of the Camp Reserve (now Rosalind Park) was filled with a bewildering variety of groups, exhibits and individuals all eager to be involved in such a worthwhile cause. There were sports meetings, theatricals, bazaars and instrumental items as well as dancing and carnival rides. On Easter Monday, as it is today, there was a grand procession that included a variety of bands. 1871 also marked the first year that the Chinese joined in the festivities. Originally the Chinese participated in the procession by dressing in richly embroidered costumes, and carrying colourful banners in all shapes and sizes, which were specially made for them in China. In 1889, the Chinese were given their traditional place in the Parade, the end. They created a wonderful spectacle with their colourful costumes, banners and flags, and in 1892, Loong, the dragon appeared. The Bendigo Easter Festival had been fortunate in that it bad such a lively Chinese community in its midst. At the time of course, Bendigo was known as Sandhurst, and it was not until twenty years after the first Easter Festival that the town was known as Bendigo. These days with sponsorship from the Sandburst Trustees, the Festival is known as the Sandhurst Trustees Bendigo Easter Festival. 132 years later, the Sandburst Trustees Bendigo Easter Festival has had many changes. But loyal followers have never been disappointed. This year people saw the traditions upheld with family entertainments and not Loong, but Sun Loong, meaning new dragon, a 100m long Imperial Dragon who was created to take the place of the aging Loong. Sandhurst Trustees Bendigo Easter Festival Administration Documents - Legal and Insurance This Item includes the following Documents: 11213.7a Sandhurst Trustees Bendigo Easter Festival - Logo 2003 11213.7b Sub Lease Agreement between the Bendigo Easter Fair Inc and The Rotary club of Bendigo - Town Hall 2005-2006 - Contact the BHS for Details 11213.7c Certificate of Currency Jan 2003 - McCormick Harris and Associates PTY LTD - Contact the BHS for Details 11213.7d Schedule of Insurances Feb 2003 - McCormick Harris and Associates PTY LTD - Contact the BHS for Details 11213.7e This document from Russell Kennedy Solicitors addresses the legal liability, insurance, and risk management considerations for the Bendigo Easter Fair Committee (BEF) and its members. Contact the BHS for details. 11213.7f This letter from McCormick Harris Associates to Bendigo Easter Fair Inc. outlines several key points regarding the organization's insurance arrangements. Recommendation to Transition Insurance coverage to the City of Greater Bendigo March 2003 - Contact the BHS for details 11213.7g This document is a confirmation of insurance coverage provided by the Victorian Managed Insurance Authority (VMIA) for the Crown in right of the State of Victoria and associated entities; 30 June 2002 - Contact the BHS for Details 11213.7h Assorted tax invoices and statements - Contact the BHS for Details 11213.7i Insurance Documents May and June 2003 - Contact the BHS for Detailsbendigo easter festival, bendigo easter fair

p.394.fictionWhen war was declared on 3 September 1939, No. 1 Squadron was posted to France to help the BEF halt the German advance. The Squadron is hardy, intensely loyal, and at the beginning of the campaign, hugely successful in shooting down German planes when they are often outnumbered. Then the offensive begins in earnest, the losses mount and the horror of the retreat to Dunkirk gives a whole new meaning to the concept of total war.Told through the experiences of an English pilot, Kit Curtis, who dreams of gallant deeds and personal glory, and a more battle hardened American, Ossie Wolf, this is 'Band of Brothers' for the RAF, a no-holds-barred, action packed war thriller.world war 1939-1945 - britain - aerial operations - fiction, fighter pilots - fiction