The photograph wqas taken at a Belle of the Ball which took place in Sunbury on 2 October 1953. The people in the photograph are from L-R: Ken Nevant, Flora Lloyd, who was the daughter of the local chemist, Norman Hoiles, Pat Barrow, Jean Hall and Lachlan Mason, who was Ken Nevant's half brother. The Belle of the Ball was a popular annual event, usually organized by the football club in Sunbury. The event took place in the Memorial Hall.A black and white photograph of three couples at a ball. The girls are dressed in ball gowns and their partners are in suits. The names of the six people along with the date of the ball have been written in black pen across the top of the photograph.dances, belle of belles, nevant, ken, lloyd, flora, hoiles, norman, barrow, pat, hall, jean, mason, lachlan, returned servicemens league, george evans collection

Photos belonged to Ada POLSON (nee BELLION), Margaret BRIDE's mother. Margaret says: It was taken in the back yard of my grandparents house in Rouse Street, Port Melbourne; next but one to St Joseph’s Church, one of the 2 blocks of land Peter LIBBIS’ house is built on. I think this was taken about 1917 when my mother would have been about 25. I have thought perhaps it was taken to send to my uncle Albert who was serving in France at that time. . Janet Adams was a friend of my grandparents and boarded with them in the years c.1900 to her death of influenza in 1919. From the booklet "Four immigrant families and some of their descendants" by Margaret Bride Four people posing for a photograph in the backyard of the Bellion family house in Rouse Street, next but one to St Joseph’s Church. L-R (standing) Janet Adams, Ada Florence Bellion; (seated) Albert Reginald Bellion, Letty Bellion.families, margaret bride nee polson, ada polson nee bellion, albert reginald bellion, janet adams, letitia bellion nee sinclair

Newspaper cuttingTyped above and below photograph: "Belle of Belles. Miss Elizabeth Dunn, 17, of Box Hill. One of the first to congratulate her was Miss Pat Yardley, of Ringwood, who was Belle at the Ringwood C.W.A. Ball. - Photo by J. Gallagher. 10/12/1953. Written below- Grand Military Ball held at Box Hill Town Hall by the Ringwood Unit of the 10th Ind. F.D. Sqn. (armed) Royal Australian Engineers."

Handwritten notes (typed copy) in table format on New Chum Production Statistics. Notes include name, depth of shaft, years, tons of ore, ounces of gold and remarks. Names are: Ellenborough, Durham & Cumberland, Belmont Co (Trib), North St Mungo, Saxby's Devonshire (Trib), Saxby Co, No 1 Trib (Saxby), La Belle Trib Co, La Belle Co, York & Durham Co, Nelson Trib, Belmont & Saxby, West Ellenborough, York & Durham Trib. Albert Richardson Collection.document, gold, new chum syncline mine, new chum syncline mine, new chum production statistics, ellenborough, durham & cumberland, belmont co (trib), north st mungo(about), saxby's devonshire (trib), saxby co, no 1 trib (saxby), la belle trib co, la belle co, york & durham co, nelson trib, belmont & saxby, west ellenborough, york & durham trib, new chum

Original Ships History: Aréthuse was a French frigate, launched in 1757 during the Seven Years War between England and France. She was captured by the Royal Navy in 1759 and became the fifth-rate HMS Arethusa. She remained in Royal Navy service for twenty years until she was wrecked after being badly damaged in battle. The ship was constructed at Le Havre for privateer warfare as ”Pélerine” and soon after her launch, she was purchased by King Louis XV (1710-1774) and commissioned as Aréthuse on 21 January 1758. In June, under captain Vauquelin, she sailed through the British blockade of Louisbourg helping to defend the site before departing, again forcing the blockade. On 18 May 1759, she was in transit from Rochefort to Brest, under the command of Louis-Philippe de Rigaud, Marquis of Vaudreuil, when she was intercepted near Audierne Bay (Baie d'Audierne) by three Royal Navy ships the Thames, Venus and Chatham. She attempted to escape but after two hours, lost her topmasts and was overtaken by her pursuers. Thames and Venus engaged her with heavy fire, causing 60 casualties before the vessel surrendered. She entered service with the Royal Navy for the rest of the war, and was in service in British home waters and became responsible for the capture of several French privateer cutters. In 1777, a Scotsman James Aitken, widely known as John the Painter, was hanged from her mizzenmast for burning the Rope House at Portsmouth Royal Dockyard on 7 December 1776, to aid the struggle of American independence. The mast was struck from the ship and re-erected at the dockyard entrance so as many people as possible could watch the execution. On 17 June 1778, she fought a famous duel against the French 36-gun frigate, Belle Poule. Belle Poule was on a reconnaissance mission, along with the 26-gun Licorne, the corvette Hirondelle and the smaller Coureur when she encountered a large British squadron that included Arethusa at a point 37 km south of The Lizard. Admiral Keppel, commanding the British fleet ordered that the French ships be pursued. The captain of Belle Poule refused the order to sail back to the British fleet. The British fired a warning shot across his ship's bow, to which he responded with a full broadside. This action began a furious, two-hour battle between the two ships that resulted in the deaths of the French second captain and 30 of the crew. However, Arethusa was crippled by the loss of a mast and withdrew, allowing Belle Poule to escape. This battle was the first between British and French naval forces during the American Revolutionary War and took place around three weeks before France had made a formal declaration of war. The battle was widely celebrated in France as a victory, even inspiring a hair-style in court circles that included a model of Belle Poule. It was also viewed as a victory in Britain and became the subject of a traditional Sea shanty, The Saucy Arethusa. On 18 March 1779, under captain Charles Holmes Everitt, Arethusa engaged the French Aigrette, under Lieutenant Mortemart, sustaining considerable damage in the fight. Arethusa was wrecked the next day off Ushant, It was the fame of this Arethusa which induced the Royal Navy, during the following two centuries, to bestow the name on a further seven consecutive individual ships and two consecutive classes of cruisers. (See Provenance Sec this document for information on the makers of this model). Model ship of the 3 masted frigate the “Arethusa”, model is painted black and white with varnished deck and masts. A British flag is flown at the stern. The ship is displayed in a glass case with timber frame and 4 legged stand.Label at bottom of glass case, printed in black script on a gold strip “Model of the “Arethusa" "A famous frigate, taken from the French by the British, on the 18th of May 1759 and lost on the French coast in 1779. – Made and presented by G. Lance & P. Diggins, October 1894” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, arethusa ship model, george lance, peter diggins, len asling, warrnambool art gallery, warrnambool exhibition, message in a bottle

Warrnambool’s first Palais was established in the Hotel Mansions on the corner of Koroit and Kepler Streets and destroyed by fire in 1929. The second Palais was established at the Liberty Theatre in Lava Street. The third Palais was established in the Oddfellows Hall building in Koroit Street in 1939. Dances were held weekly and sometimes more often and attracted musical talent from the Warrnambool district and even from Melbourne with band leaders such as Tommy Davidson and Vin Mills. In 1974 the Warrnambool City Council bought the building and it was used only intermittently for entertainment purposes. Today the building is in private hands and is used for commercial and business purposes. This advertisement is of considerable significance as it comes from the Palais de Danse dance theatre which was important as a social institution in Warrnambool for over 30 years. The advertisement also reminds us of the era (1940s, 50s, 60s) when beauty pageants and Belle of the Ball competitions were popular all over Australia. This is a document in a brown plastic frame with a gold-coloured metal inside edging. The frame has a glass front. The document is a 1954 advertisement for the Palais de Danse dance floor in the Oddfellows Hall in Koroit Street, Warrnambool. The advertisement has black and red printing on a buff-coloured background. The advertisement has an ornamental edge around the printing and a red-coloured photograph of the dance floor. ‘Palais de Danse, Warrnambool, proclaims The Belle of the Western District, The Largest Provincial Competition, Biggest Prizes Ever Offered, The Most Beautiful Girls in the Western District’ etc etcpalais de danse, warrnambool, beauty pageants, warrnambool

Tim Kennedy built 'La Belle' Guest House circa 1890 - 1920. It became 'The Grange' sometime after 1942. The guest house was on Belgrave/Gembrook Road between IGA and the Shell Petrol Station. Unfortunately the guest house was demolished around 1983.Guest houses of the DandenongsSepia postcard, Rose Series depicting early guest house in EmeraldFront: The Rose Series Postcard, 'La Belle' Guest House, Emerald Vic. Back:: (handwritten) Dear Miss Hartnell, Just to wish you a Happy Xmas and bright new year I hope and trust that your health is better it was just twelve months yesterday since I returned from Olinda how time flies Doesent it, with all good wishes yours sincerely B George'la belle', the grange, tim kennedy

Original owner of Belle Vue, Elthambelle vue, eltham, william williams

Original owner of Belle Vue, Elthambelle vue, eltham, mary ann williams

UNDERGROUND SURVEY OF MINES, BENDIGO GOLDFIELD 1901. Report on the Shamrock, Shenandoah, New Chum Railway, Eureka Extended, and South Belle Vue United Mines, New Chum Line of Reef. With plans and sections.H.S. Whitelawbendigo, hospital, gold mining, bendigo, goldfields, gold mining, shamrock, shenandoah, new chum railway, eureka extended, and south belle vue united mines, new chum line of reef.

6 page document, Gold Mining Lease 11166, plus map. Indenture between Crown (King George VI) and Ronald Alexander Rankin of Bendigo, dated 24th June, 1941. Map No. 11166 Bendigo, Mining District of Bendigo, Parish of Sandhurst, County of Bendigo. Map shows lease 11166 marked in yellow with shaft, ore bins and tramway marked. Belle Vue Road , Adam Street and Griston Street shown on map. ( Golden Gully area) Dams indicated on lease holdings. Other lease holdings: 1675 T.L.9858, 10990, 11013, 11062, 11165, 11063 (void) 1172 W.R. (dam thereon) 9882 (void). Some residential lots marked along Belle Vue Road, and Adam Street. On bottom of map 21.8.41 in pencil. On last page of document : North Deborah Mining Company now the proprietor of the within described estate by transfer registered on 11th November 1914.bendigo, mining, north deborah lease, belle vue road, adams street, griston street, golden gully, ronald alexander rankin, north deborah mine.

Photograph of Belle Franklin (wife of Ken) and Trice Franklin, taken in 1961.Digital copy of black and white photograph.franklin family, belle franklin, trice franklin

Collection of newspaper clippings from Scrap Book 1960 - 1973Article about Bev Forrest chosen as Belle of the Ball at the Phillip Island SYFC ball at Newhaven on Friday 17th September 1965.bev forrest, belle of the ball syfc, newhaven, jean jamieson, newspaper clipping

Belle Vue property in Livingstone Road, Eltham was once owned by Society member Jo McCormick. Jo was a valued member of our committee and dear friend of many of our members until her death in 2009. Belle Vue is the farmhouse of a property that is now a significant part of suburban Eltham, just a short distance north of the town centre. Originally purchased by pioneer Eltham farmer Henry Stooke, the present-day old farmhouse sits within an extensive suburban residential area. The history of the property is largely based on a heritage assessment prepared by consultant Lorraine Huddle for Nillumbik Shire Council. Additional information from our Society records reveals Belle Vue farm comprised about 56 ha (140 acres) extending northerly from the northern boundary of Holloway’s 1851 Little Eltham subdivision. On the present day map the southern boundary was just north of Elsa Court and Grove Street. The western boundary was the Diamond Creek and extended northerly to Main Road where it turns easterly towards Research. It was traversed by the main road to Kangaroo Ground and beyond and from 1912 by the railway to Hurstbridge. From 1895 the farm was owned by William Williams and his wife Mary Ann. In 1914 -15 they built a new house now known as Belle Vue. They sold the land in 1920 and residential subdivision began soon after that. Belle Vue remains today on a substantially subdivided and very much reduced size residential lot in Livingstone Road. The house and many old trees on the site were subject to a heritage overlay under the Nillumbik Planning Scheme. Despite that overlay, the development and subdivision of the original land resulted in most of the heritage listed trees being removed. belle vue, eltham, livingstone road

"Who would have thought that a boy born in 1889 from the Victorian Mallee would become a successful artist on New York’s Staten Island? This finely illustrated, exhaustively researched and beautifully written biography on Leason features the artist’s entire career as a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. Leason’s story is a poignant one tracing his beginnings as a cartoonist, to the bohemian Melbourne art scene in the early 20th century, to his involvement in the artists’ camps of Eltham, to his important series of portraits of Lake Tyers Indigenous Australians, and his eventual move to the US where he has been acknowledged as making an enormous contribution to the New York arts scene. This story, as yet untold, fills a gap in the history of art in Australia and offers a new perspective on Australian art in the first half of the 20th century." - Thames and Hudson website A NEW HOME IN ELTHAM Once they had settled back into Melbourne, Perry and Belle began to look for a place to make a permanent home. Having enjoyed the bush setting of Mosman, they decided to explore the rural fringes of Melbourne. Each weekend they packed a picnic and travelled to the towns in the nearby hills - such as Ferntree Gully, Sassafras, Lilydale and, of course, Cockatoo Creek. Eventually deciding these places might be a little too far from The Herald office, they searched closer to the city. The Heidelberg and Box Hill regions that had inspired his old teacher McCubbin, had become busy, urban areas but further east, towards Warrandyte and Templestowe, there were still large tracts of bush. Finally they settled on Eltham, an area Percy knew very well, having often painted there with Jock Frater. Perry's old friend Dick McCann and his wife Margery had also settled in Eltham. The township was fifteen miles from Melbourne and serviced by an electric train that went to the central Melbourne station of Flinders Street, near where The Herald offices were located. Eltham was a small village in 1925, separated from Melbourne by the Yarra River, and surrounded by orchards and large tracts of bush. Small farms dotted the landscape and the main businesses revolved around ironmongers, blacksmiths, and farming supplies. Of particular appeal to artists was Eltham Park, a large expanse of bushland bounded by the Yarra River on the south side and the Diamond Creek on the east. The park included a playing field that was busy on weekends with cricket or football matches, but for the rest of the week it was mostly empty and an ideal place to paint. The scenery there provided the inspiration for many paintings by Leason, Meldrum and other artists such as Colin Colahan and Peter (A.E.) Newburv. The Leasons found a rundown old farmhouse on four-and-a-half acres of land in New Street, now known as Lavender Park Road. The site was splendid, at the top of a gentle slope which gave panoramic views east to the Dandenong hills, south over the Templestowe orchards and north to Kinglake. The front lawn was taken over by onion grass (or wiregrass as Leason called it) and scattered about the property were many wattles and gum trees. Aloe cacti covered much to the front of the house, while old quince and lucerne hedges separated the house and out-buildings from a rundown apple orchard. Here they would build a new home. ·with financial assistance from The Herald, Leason bought the property and immediately commissioned an architectural firm to design a new house in the popular bungalow style of the time. The old farm house was demolished but Percy saved the siding boards, bricks and corrugated iron for the outbuildings of his new home. The new house was a two storey, triple brick with a large, gabled, terracotta tiled roof. It was situated at the very top of the slope. The paint and varnish were barely dry when the family moved in during the summer of 1925-26 and the fumes were overpowering in the heat. Despite the house being wired for electricity, power poles had not yet reached the area and initially the family had to rely on kerosene lamps and candles. When electricity did arrive, Leason reflected on the community's reception of electricity at the expense of the old growth gum tree corridors in his cartoon, Electricity comes to Wiregrass. The family had now grown to seven. Jack was nearly nine, Jean was seven, Marjory was four, Nancy was two and the baby Patricia was seven months old. Jack and Jean were enrolled in the local primary school down the hill. A retired farmer, Jock McMillan, came to live on the property and help out with the general maintenance. Jock built himself a shack and Belle provided him with meals. He was kept occupied building structures around the property·, such as the garage, the outside toilet, garden beds, trellis arbours and a number of ponds. The elderly, bearded Scotsman with his old hat and baggy pants also provided the inspiration for one of the characters Leason regularly included in his cartoons. Like Leason, Jock smoked a straight stemmed pipe. A neighbour was employed to help Belle with domestic chores, and so the family settled down to live comfortably in their new Eltham house. Two dogs, Maginary and Wodger, completed the large and vibrant household. “Percy Leason; an artist’s life” by Margot Tasca, Thames & Hudson Australia Pty Ltd, Port Melbourne 2016, pp 63-64 Hardback Bookpercy leason, margot tasca, biography, artist, landscape

Photo taken at time of ownership by Eric Staff. Originally purchased by pioneer Eltham farmer Henry Stooke, Belle Vue farm comprised about 56 ha (140 acres) extending northerly from the northern boundary of Holloway’s 1851 Little Eltham subdivision. On the present day map the southern boundary was just north of Elsa Court and Grove Street. The western boundary was the Diamond Creek and extended northerly to Main Road where it turns easterly towards Research. It was traversed by the main road to Kangaroo Ground and beyond and from 1912 by the railway to Hurstbridge. From 1895 the farm was owned by William Williams and his wife Mary Ann. In 1914-1915 they built a new house now known as “Belle Vue”. They sold the land in 1920 and residential subdivision began soon after that. “Belle Vue” remains today on a large residential lot in Livingstone Road. The house and many old trees on the site have been subject to a heritage overlay under the Nillumbik Planning Scheme. Despite that overlay, most of the heritage trees were removed during sub-division and development of the property.Digital file only from scan of copy on loan to EDHSbelle vue, eltham, eric staff, houses, livingstone road, staff family

8 born digital images (Morrison Kleeman)gayle blackwood collection, houses, eltham, belle vue, livingstone road

BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, March 25, 2003. Belle of the ball: on July 11, 1946, these women took part in a debutante ball at the Inglewood town Hall. From left to right, they are: (back row) Jean Stagg, Phyllis Wodetzki, Theresa Daniel, Marie Bourke, Claire Wilson, Merle Ashworth, Betty Sanderson, Lily Smith, Mavis Johns. Front row: Jean Bradley, Dorothy Howard, Laura di Nuzzo (chaperone) the mayoress Mrs Rochester, Edna Wilson and Rita Mooney. Seated at the front are flower girls Joan and Val Scanlon. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from 2004. Belles of the ball: the CWSG miniature debutante ball was held in the White Hills Hall on Tuesday, July 22, 1952. Bishop Stewart was guest of honour. The young participants were: (back row) Pat Hughes, John Kane, Brian Keating, Michael Reidy, Peter Morrisey. Centre: chaperone Maureen Kane, Ann Roberts, Moya Reidy. Third row: Brenden O'Donoghue, Fay Hughes, Pauline Murphy, Nola Eddy, Maeree Murphy, Lorna Eddy, Zoe Hogan and front Michael Morrisey. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser '' The way we were'' from 2002. Belles of the ball: a debutante set of 1934. Pictured are flower girls Mary Tuohey and Elaine Ellerton; pageboys ? Heanen and V. Harney and (front row) : Gwen Rasmussen, ? Gallagher, Julie Frawley, Aileen McNamara. Back row: Carmel Dunne, Irene Tuohey, Miss English, ? Heanen, Mary O'Brien and Rita Walsh. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser '' The way we were'' from 2002. Belles of the ball: debutantes (from left) back row: Judith Bright, Elaine Goyne, Lorraine Roberts, Mrs Amer, Mrs Grainger, Esther Truthewey, Melva Petri and Ruth Mosman. Front row: Ann Goodman, Noreen Goodman, Caryl Hammill, Glenys Frainger, Dorothy Roberts, Jean Symes and Julie Nelson. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Wriiten to help preserve some history of the many one teacher schools scattered through out the Otways. Otway Schools in retrospect, 1890-1973. Souvenir booklet of the Back-to-School celebration. Belle Speight (ed.). Leigh Dow (ed.). Lavers Hill (Vic); Back-To Committee, Lavers Hill; 1973. 30 p.; Illus, map. Soft cover.otway; schools; belle speight; leigh dow; education; history;

Shop due for demolition was purchased by artist Helen ..... and restored keeping most of it intact. These pictures were taken at the time of sale by Russell POLSON, a descendant of the Bellions. They were brought in for copying in 1991 by the Bellion's granddaughter, Margaret BRIDE.24 photos taken by Russell POLSON in 1991 of Benjamin Henry BELLION (original builder) and Elzabeth Sarah WALKER's shop and shipping business at 175 Stokes Street.. 1870 to 1959. (.01) cash drawer. (.02) windows. (.03) stables (.04) backyard (.05) back house (.06) bathroom (.07) fireplace (.08) bedroom (.09) stairs (.10) cupboard (.11) shelves (.12) drawers (.13) bench (.14) bench 2 (.15) under windows (.16) bench and door (.17) under stairs (.18) windows 2 (.19) door (.20) stables and yard (.21) backwindow (.22) sideway (.23) kitchen (.24) upstairsbusiness and traders - grocers and supermarkets, built environment - commercial, benjamin bellion, william j bellion, helen leitch, a peterson

When owner who restored the old shop put it on the market David THOMPSON photographed the original stableFive photos taken 2009 by David THOMPSON of stables behind restored Bellion shop at 175 Stokes Street. (.01) Swallow and Ariel biscuit label (.02) Swallow and Ariel cake label (.03) Roofs (.04) Stables (.05) Stablesbusiness and traders - grocers and supermarkets, built environment - commercial, benjamin bellion, william j bellion, helen leitch, a peterson