Mauve and Pink cover with a painting of a large brown lace up boot. The book title is depicted on a wrought iron sign. non-fictionBerlin, 2010: A deathbed promise launches Kathy Giuliano on a quest for the truth about her family during World War II. Alone, she travels to Berlin in search of an enigmatic octogenarian who holds the keys to the past. The only clues to his identity and whereabouts and are a black-and-white photograph and an outdated address in Reinickendorf. England, 1938: After fleeing Nazi Germany for the safety of England, a teenage boy is captured when Churchill gives the order to 'collar the lot'. One of 2,000 prisoners on the hell-ship Dunera, he is sent to Australia. At the 'family camp', he makes footwear and forms life-long friendships. Eight years later, what does he find when he returns to Berlin? Victoria, 1943: With the Japanese at Australia's doorstep, a mother and daughter are arrested at their cane farm in far north Queensland and sent 'down south'. Their crime? Teaching the Italian language to school-children. The internment camp at Tatura changes everything. The secrets they share must be kept for the rest of their lives.ww2 italians, internment, tatura, queensland, debbie terranova, berlin

Normandy to Berlin, Into the Heart of the Third Reich. 60th Anniversary Special Edition.Soft cardboard cover. Black / white / yellow print on front & spine, white print on back. Background is dark blue, front sepia photo of 4 soldiers in a battle scene with aircraft overhead. 144 pages, cut, plain, white. Illustrated, black & white photos & diagrams. Handwritten in black on front fly leaf. "Donated by Len Burkes family. RSL stamp"book, normandy, berlin

Carl Wieland's brothers Frederick John, Harry, and Johann (John) left Berlin after him fleeing from religious persecution . Their story is told in part in the Wieland's of Heathmont book by Don and Pat Talbot.Hand written family tree of Carl Wieland's brothers who left Berlin after him. Buff coloured plain paper with pencil writing.

The needlepoint technique of Berlin work received its name from the German worsted wool that is an essential component in producing these pieces. Also referred to as canvas work, this form of pictorial embroidery became a craze during the mid-nineteenth century. Practiced by women of all ages, it consists of carefully arranged compositions with biblical, pastoral, or romantic scenes, floral arrangements, animals, and other pattern variations, which were largely distributed by German publishers. The tent stitch and cross-stitch were fundamental to these designs as canvas work patterns required the majority of the ground fabric to be covered with embroidery thread. https://raynhamhallmuseum.org/thehomeneedle/the-berlin-wool-work-craze/ Apart from framed pictures, Berlin work was seen as a way to adorn everyday objects and can be found in sewing tools, upholstered furniture and articles of dress, represented here by a pair of men’s slippers. Moreover, the practice of beadwork could be adapted to canvas work patterns by using one bead for every painted square, augmenting the ornamental quality of this type of craft.Berlin work (wool) picture of a bouquet of flowers in soft pinks, creams, fawns etc. on a background of dark cream felt or suede-like fabric.embroidery, picture, berlin work, wool

From Title page. "BERLIN DIARY/ THE JOURNAL OF A / FOREIGN CORRESPONDENT/ 1934-1941"Hardcover book Cover - cardboard with black colour buckram. Very faded gold colour print on spine. Written in diary form. 491 pages - cut, plain, off white paper - no illustrations. Front endpaper - book sellers adhesive label.Adhesive label details - silver print "MARGARETA WEBBER/ Bookseller/ Melbourne".publication, book, diary, ww2, berlin, germany

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of man in red trousers, white hat and apronJake Pesclitte from Berlingraytown pow camp, georg rosenkranz, illustrations, watercolour

Report - A4 - titled "Application for Access - Berlin 3007". .1 - providing details of the tramcar, wheel profile, colour photograph, elevation and floor plan. .2 - Elevation drawings with trailer and two motor and trailer set. .3 - Photograph of the tram at Sydney Tramway Museum c 2002 .4 - Photograph of the tram in Swanston St along side C1 3014 - 11/3/2002 printed on Kodak paper. .5 - Photograph of the tram on traverser at Preston Workshops - has date 6.3.2 on the back of the photograph in ink.trams, tramways, reports, berlin, swanston st, tram 3007

Brought to Australia by ancestors of donor, Captain David H Warington. Donor unsure who stitched the sampler. Maternal grandfather was German and maternal grandmother was born in Australia (lived near Rapid Bay, South Australia)Berlin work sampler with alphabet, numbers, a parrot, squirrel, person, two fruit trees and a crown.alphabet, numbers, squirrel, parrot, fruit trees

Mary Jackschowsky wrote to Cissie (Francesca) from Berlin during WW1 and mentions William having joined the AIF.non-fictionMary Jackschowsky wrote to Cissie (Francesca) from Berlin during WW1 and mentions William having joined the AIF.jacschowsky mary, schwerkolt william, schwerkolt francesca

Fragments of a 1945 newspaperberlin, nazis, world war 2

This case may have once attached to the belt of a soldier as a carry case for an artillery sight.Dark leather case constructed of two elongated semi-circle shapes, hand or machine stitched with a gusset. Edges trimmed in leather binding and rectangular lid held in place on one side by stitched leather hinge and fastened with metal buckle on other side. Reverse of the case has a leather loop held in place with stitching and 6 metal studs or rivets; a metal rectangular loop is stitched in place with fine wire twisted and attached to loop. Interior of case appears to be felted wool or fibre, cream in colour with small leather loop on right side, perhaps to hold a small accessory. Front of case is stamped with manufacturer's name; lid has remnants of a circular adhesive label.Manufacturer's stamp reads "FRANZ COBAL/BERLIN/1916"carry case, bag, accessory, acoutrement, world war one, military, uniform, world war i, first world war, the great war, germany, german, berlin, franz cobal, franz cobalt, artillery sight

Actiergesellschaft fur Anilinfabrikation was founded as a dye company in 1867 at Rummelsburger See near Berlin and evolved to become the AGFA film company.Thick dark brown glass rectangular shaped bottle with text in German and trademark embossed onto the glassTrade mark consists of a bear 'rampant' over a shield. 'ACTIERGESELLSCHAFT FUR ANILINFABRIKATION BERLIN S. O.' contained in a cartouche on the side of the bottle. Translation 'Corporation for Aniline Manufacture'.amber glass

60th Anniversary Special Edition from Normandy to BerlinBook introduces men and women from both sides - British, American and german soldiers and civilians - whose bravery and endurance made the final push through Europe, the defining drama of WW2.soft cover book with 144 pages

Pamphlet or report printed on A3 gloss paper, folded into A4, with a brown printed cover and a photograph of Z3 117, Melbourne, in Bourke St Melbourne, with the destination of City - Spring Rides and in the route number box "New Tram - Free Rides today". Inside pages and rear cover give details of the trams, its equipment specification, how a chopper control works, car control systems, rotary converter for 24V DC and 220V AC systems, drawings of the trams, and technical data, including a simplified wiring diagram. Produced by AEG - Telefunken of Berlin.trams, tramways, z3 class, aeta, specification, preston workshops, new trams, tram z3 117

non-fictionPhotocopy of part of a letter from Mary to Charlesjackschowsky mary, schwerkolt charles clarence victor, schwerkolt cottage

This is a vintage lighting mechanism probably dating from the 1920s. It would have been used in a household or business to provide lighting for a room. It is quite heavy so would have mostly rested on a table or ledge. It is a Petromax lantern, a brand name for a type of pressurised paraffin lamp that uses a mantle. The Petromax lantern was developed in 1910 by Max Graetz of the firm of Ehrich and Graetz of Berlin, Germany (petro= petroleum, max=Max Graetz).The Petromax lantern is still produced todayThis lantern is of antiquarian interest as an example of household lighting100 years ago.This is a lantern with a metal base, a wooden stem painted black, a metal body holding a piece of circular glass and a metal top with perforations acting as a chimney. The base has a hand pump and a removable screw cap to enable the base to be filled with paraffin. The main body has a screw holder to control the lighting and a pre-lighting mechanism and a mantle fitting inside the glass. The mantle is missing.PETROMAX No. 886 MADE IN GERMANYvintage lighting, petromax lanterns

This locality diagram shows the areas covered by various goldfield maps. The Berlin field encompassed Rheola and parts of the Moliagul and Kingower goldfields. The name 'Berlin' is a corruption of Byrr Lyn, birthplace of Alexander Clelland who made an important strike in 1868.Joan O'Shea Collection. Locality diagram and notes for goldfield maps. Dunolly map set. Wedderburn, Berlin, Dunolly, Maryborough, Avoca.mining, company exploration, dunolly map set., berlin, kingower, wedderburn, gold mining

Pistol holster usually issued to Officers and senior NCO's as part of uniform.Leather pistol holster with attached belt. leather is black on outside and brown on inside. Brass belt buckle with emblem of upraised sword over feathers and branches. Holster has fold over cover with brass studs to clip close. Holster includes built in ammunition compartment and is basically triangular shape.Inside stamped "Wunderlich, Berlin 1963" Inside cover stamped "PP12 or PPB.TL".passchendaele barracks trust, pistol holster

Glass bottle with screw top containing talcum powder by J.F.Schwarzlose Sohne Berlin, brass label on one side & paper label on other. Diamond pattern in glass.J.F.Schwarzlose Sohne Berlinpersonal effects, cosmetics, powder

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

Goff Richards was a prominent brass band arranger and composer from Cornwall22 Parts on A3 paper with full score for Brass BandThompson's Foundry Band inc. Stamp in Red on top Breezin' Down Broadway! arr Goff Richards - Another Opening Another Show There's No Business Like Show Business Get Me To Church On Time (from My Fair Lady) Oklahoma! That's Entertainment Seventy Six Trombones goff richards, broadway, irving berlin

Owned by Martin Balsarini, a resident of Chiltern Valley, for use in WW1. Service Number 1682. Martin Balsarini enlisted on the 21/7/1915 and served with the 4th Australian Lighthorse, AIF. He participated in what is known as the last great cavalry charge, the charge of the 4th Australian Lighthorse at Beersheba on the 31/10/1917. WW1 owned by Chiltern Valley Resident Soldier Martin Balsarini who was in the Charge of the Lighthorse at Beersheba with the 4th Australian Lighthorse on the 31/10/1917. Brown Leather Luger Revolver Case for attachment to belts webbing WW1. 1. Etched into the inside leather cover : J. A. Stanien... 1917 Berlin. 2. Stamped into the inside leather case black ink in Black Markings : B.A.X1 ww1, revolver case, balsarini, chiltern., martin balsarini

Hard cover, plain light grey, title in gold on spine, dust jacket illustration of seaman. Emblem (black eagle on yellow shield, subtitle in white on red. 465 pages some with photos and maps. Hand written on fly leaf "Donated by Bgo "y" mens club". books-military-history, cold war

Hardback with dust coverFrom the famous Granada TV Series By Brian Inglis & Bill Grundy Orbis Publishing Ltd. London: 1964 ISBN 0 85613 1784