Textiles. Black beaded handbag. Oval shaped with xylonite or celluloid frame with fanlike pattern and twist clasp. Diagonal beaded floral pattern on front and back of a stem with pink flowers and green leaves. Plastic chainlink carrying handle. Lined with black cotton fabric. Hand stitched.textiles, domestic, black beaded handbag

Used by Mrs. W. T. SebireBlack beaded handbag with beaded handle. Red floral design on bag. Has grey satin lining.handbags, beads

Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strap often decorated with pearls, sequins, beads and embroidery. A lady's black velvet, silk lined, evening bag with draw-string and hand made tassels. The bag is decorated with beads in a floral designmoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, dressmaking

The donation records indicate that this dress was worn by Georgiana Elizabeth Moore (1899-1974), who lived for most of her life in Brighton at 38 and later 40 Cochrane Street. Since the dress is of an earlier date, It is likely that it belonged to Georgiana's mother, Elizabeth Moore (1860-1950). Georgiana was born to Richard and Elizabeth Moore in Brighton in 1899. She was named after Richard's first wife, Georgiana Leake Moore (nee Paul), who had died in 1893 aged only 38. Georgiana is recorded as having been "tall with red hair". The family moved to Diamond Creek for several years, but returned to Brighton after Richard's death in 1922. Georgiana and her mother settled in Cochrane Street, where they lived for the rest of their lives. We know very little about Georgiana herself. Newspaper records indicate that she was a talented musician, graduating from the University of Melbourne with a diploma in music in 1927. BHS holds a small collection of items belonging to the Moore family. This dress was donated by Georgiana's niece, Jeannette Fraser, along with two nightgowns: a c. 1880 night dress believed to have been worn by Elizabeth and a c. 1910 night dress believed to have been worn by Georgiana's sister Amelia Henrietta Fraser (née Moore) while boarding at Merton Hall (this nightdress does also show a laundry mark of G.E. Moore and so may have been worn by both women). Georgiana herself donated a number of items to the Society in 1972, including a 1920s black and white geometric loom-beaded handbag.A good example of a princess line dress of this period in good condition and with provenance.A one-piece princess line dress, circa 1878-1882 of deep royal blue silk featuring Chinese-inspired self pattern. The neckline features a standing collar and is secured through the centre front from neck to floor with self covered buttons. At the front knee the fabric has been gathered and drawn to the back into a tiered fish-tail swag and trimmed with a matching blue knotted fringe. The swagging is created by interior tapes. The dress is backed with cream cotton.georgiana elizabeth moore, elizabeth moore, amelia henrietta fraser, brighton

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this dress as a vintage item.Light brown floor-length silk evening dress featuring a band of black and bronze beading around neckling. Circular beaded buckles at either side of waist. Zip at back.Label, pale blue on cream "Exclusively Yours / Hartnell REGD / MELBOURNE" Label, black on pale grey: "Exclusive Finest / IMPORTED FABRIC".di reidie, vintage clothing, melbourne designers, hartnell of melbourne, ralph samuel

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Hand-beaded evening purse, with silver frame and finger ring. While the note accompanying the item states that it was made and used in the 1880s, the label 'Made in France' would indicate that it was probably made in the first decade of the twentieth century.Label: "Made in France / Hand-made". A note which accompanies the item states: "Hand beaded evening purse, 1880s. Frequently used when formal dinner dances were held in the Kew mansions." [Editor - See correct date in Physical description]fashion accessories, clothing accessories, women's clothing -- accessories, bags -- handbags, bags -- purses

1930'sSmall black circular beaded bag with beaded red flowers. Has black loop as handle and red lining. Has press-stud to close. Black beaded loops edge the bag.1930's, handbag, beading

Bone fan with hand painted violets. One pair of black leather wrist length gloves. One pair of grey suede gloves (made expressly for Peter's Glove Specialist, Melbourne.) One beige beaded hand held handbag. Original Schonanek. Made in Czechoslovakia. Two lace doileys with dogs on them and pink embroidery around the edges. Two linen embroidered pillowslips with covered buttons.folding fans, fans, evening bags, pillowcases, gloves, baby clothing, doilies, detachable collars

This purse is an example of what is often described as the 1930s anachronistic meeting of industrial Art Deco and the arts and crafts movement, hand crocheted silk meeting geometric frames made of the 'modern' xylonite, an early version of bakelite. The Australian Arts and Crafts movement was at this time very focused on creating a notably 'Australian' design, utilising brown earthy tones and 'natural' shapes, such as this purse's spiral drawing on straw and taffeta purses of previous decades.Circular mount purse with xylonite chain interwoven with brown crocheted chain. Outside brown hand crocheted criss-cross stitch with scalloped edge. Xylonite mount with fleur-de-li patterning, edged with gold and black bead seed bead clusters. Opens with a push latch. Lined with a pink silk jacquard, opening embroidered with pink and green flowers. handicrafts, crochet, bags, handbags, purses, crocheting, wool, silk, cotton, 1930s, 30s, art deco, xylonite

This handbag is a prime example of the popular style of the 1930s. The flamboyance of the art deco period is clearly seen in its geometrical beading. The internal pocket and coin purse however demonstrate that despite its extravagant decorations this bag was made with practicality in mind. 1930's Black moire silk hand beaded evening bag with a click closure .Red/orange silk lining 1 internal pocket and a kiss clasp coin purse with leather lining.bag, 1930s, beading, art deco, beads, purse, 30s, nineteen thirties

Known as Karchob it is divided into 2 types of gold embroidery: 1. Key Aspects of Zardozi Embroidery: Origin and Meaning: The term "Zardozi" comes from the Persian words "zar" (gold) and "dozi" (embroidery), literally meaning "sewing with gold". Materials Used: Traditionally, threads were made of pure gold or silver, but modern zardozi typically uses copper wires with a gold or silver polish, often blended with silk threads, sequins, and crystals. The Process: Adda: The fabric is stretched tightly over a wooden frame, known as an adda, to facilitate precise, delicate work. Aari Needle: Artisans often use a hook-ended needle, similar to a crochet needle, called an aari, to make intricate stitches. Techniques: Specialized techniques include Dabka (coiled wire) and Kasab (twisted wire) to create raised, three-dimensional motifs. Common Motifs: Designs often feature intricate floral patterns, leaves, paisley, and geometric shapes inspired by nature and architecture. 2. Key details about Kamdani embroidery: Technique: It is often called a "lighter version" of Zardozi. It involves using a needle to insert flat metallic wires (badla) through the fabric, making tiny stitches that sparkle, often creating dots, paisleys, or floral patterns. Origin: The craft originated in the Indian subcontinent, specifically developing in Lucknow, India. Materials: Originally done with pure gold or silver threads, modern Kamdani often uses synthetic metallic threads or beads for affordability. Application: It is commonly featured on luxurious textiles, including georgette, chiffon, and cotton, frequently worn as formal wedding wear (sarees, dupattas, and kurtas). Types of Work: It is often referred to by related terms such as Mukaish, Badla, or Fardi work.Gold embroidery all over bag except under flap. Intricate design on flowers in very typical of the variety of metal threads. Velvet handles with black silk lining with press-studs in both corners of the flap. Decorative beaded tassel at base. Intricate design of flowers in typical design known as Karchob.embroidery, bags, 1900-20, india, goldwork