The CD-Rom includes a range of electronic correspondence sent 'Big Cats Victoria and Simon Townsend and JohnTurner. Their website states: Big Cats Victoria Southern Australia, including south western West Australia, has a history of reports of ‘panther’ like predators dating back to the later half of the 19th century. The animals were usually described as being of black or tan colouration and with the proportions of a medium sized big-cat such as a Leopard or Puma. The records can be found in newspaper, radio and television archives, Government reports, a very few books and on the internet. The historical material is based on anecdotal reportage and has contributed to the mythification of the subject. Some Government agencies at both State and Local levels (in New South Wales), have collected records of sightings or investigated stock deaths purported to be associated with so called ‘panther’ kills. They remain understandably non committal due to the lack of a specimen of such a predator of undeniable authenticity. While other types of unknown predator have been reported in various parts of Australia they are not the concern of this website. For purposes of economy we, John Turner and Simon Townsend, confine our investigations to western Victoria and south eastern South Australia. (http://bigcatsvic.com.au/) A CD-ROM of multiple emails and image attachments relating to assorted sightings, footprints, killings, etc from big cats in the Otways of Victoria. The electronic mail was sent to 'Big Cats Victoria' Images include: This item is part of the Australian Animal Folklore Collectionaustralian animal folklore collection, ja sharp, simon townsend, neville bayley, st kilda, peter stefanis, toolangi, puma, tom daniel, footprint, pawprint, cryptozoology, rex gilroy, lancefield tiger, anglesea, berringa, matthew charles, jutin fitzclarence, harry carlin, patty smith, johannes beach, nerida, stirling ranges, daryl hardy, brook kelly, carl rose, ashley hall, jonathan smith, sally ballieu, lorraine balck, wayne bower, ian riordon, aleda turna, john turner, dave moyle, ben rayner, stewart leach, colin boord, sheryl mahoney, beech forest, otways, tooborac, geoff black, panther, brad blake, priscilla prescott, beau kapitiany, ramsay hosn, clare jones, darren guthrie, tallarook, josh fairway, linda wescon, lithgow, john turner, southern grampians

The Myths and Monsters conference was something of a landmark in Australian mystery animal research. It was the first cryptozoological conference held in Australia, and the first time Australia's leading researchers had been able to present their findings and meet with others working in the same field. 82 page proceedings of the Myths and Monsters Conference printed onto white paper. The following topics were presented: * A brief History of Australian Cryptozoology (Paul Cropper) * Would the Real Orang-Utan Please Stand Up and be Counted? In search of unidentified relic hominoids in Southeast Asia (Helmut Loofs-Wissowa) * Strange Creatures on the Antipodean UFO trail (Bill Chalker) * The Bunyip (Gary Opit) * Sightings of Some Anomolous Sea Creatures (Malcolm Smith) * Investigating Cryptic Hominids (Yowies) in the Blue Mountains of New South Wales (MIchael Hallett & David McBean) * "High Strangeness" in Yowie Reports (Tony Healy) * The Mystery of the Australian Big Cat: A Brief Summary (Peter Chapple) * Quest for the Thylacine (Peter Chapple) [Australian Animal Folklore Collection]Signed on cover "Simon Townsend"australian animal folklore collection, paul cropper, ruby lang, helmut loofs wissowa, bill chalker, gary opit, malcolm smith, michael hallett, david mcbean, tony healy, peter chapple, bunyip, blue montains, yowie, thylacine, big cat, puma, panther, ufo, goolma, woodenbong, narrabeen lakes, cecil mcgann, dorothy middleton, lee kelly, brown bittern, bay monster, simon moir, footprints, blue mountains cryptid, prehistoric bipedal primates, gigantopithecus, meganthropus, homo rudolfensis, homo habilis, homo erectus, homo ergaster, hominid, bigfoot, psychic phenomena, black panther, lake monster, blue labyrinth, australian rare fauna research association, marsupial lion, thylocoleo carnifex, australian big cat, tasmanian devil, sarcophilus harrisi, eric guiler, yellingbo, thylacinus cynocephalus, tantanoola tiger, rilla martin, mundrabilla, predatory animal, mythical, myth, folklore

Photocopy of a chapter from an unknown book titled Vietnam: Tun Tavern conflict, 2 June 1970army of the republic of north vietnam (arvn), tun tavern conflict, us troops, da krong valley, thua thien province, da krong river, 2nd battalion, 54th arvn regiment, hue, wo2 stuart allan birnie, 35646, royal regiment of australian artillery, australian army training team vietnam (aattv), capt william roger deane, 217209, austrralian intelligence corps, col dinh, black panther company

An ARVN Ranger scarf. Burgundy in colour with yellow writing on back of scarf. On the front there is an insignia in yellow background with a black panther with red & white details.scarf, south vietnam army, major tu

A fibre reinforced Slazenger 'Manuel Orantes Signature' wooden racquet, with Slazenger black panther emblem across the throat on both sides, and Slazenger-brand leather handle grip. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive tape, Paint, Plastic, Stringtennis

A wooden racquet with a white butt cap, featuring Slazenger logo and emblem. Black panther emblem also features across the throat, on both sides. Inscription, from head to stem, on both sides: SLAZENGER/PERSONAL/... Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastictennis

In a "LED HORSE" category, the horse is presented bridled and unsaddled. The handler leads the horse in clockwise direction on the circle. The horse is required to walk and trot and stand to be judged. The judge looks for correct conformation of the horse as well as ahorse that is neatly presented and in good condition. Straight movement, correctness and quality of paces and obedience of the horse are also taken into consideration. This trophy was sponsored by Manns of Wodonga. The Mann family operated a major business in Wodonga for 85 years, beginning with a produce store in February 1921. It expanded to become one of Australia’s largest regional shopping centres, with a Supermarket, Hardware Store, Steel Store, Plumbing and Industrial supplies store, at one stage employing well over 100 people. The Mann Family sold the business in 2006.This item has local significance as it records winners in equestrian events at the Wodonga Show. The award was also presented by a prominent citizen of Wodonga.A wooden shield with metal plaques engraved with names and year of competition winners for the Supreme Champion Led horse at the Wodonga Show.On gold toned banner at top: "Manns of Wodonga" On bottom plate: Supreme Champion/ Led Horse of / the Wodonga Show" On smaller shields: "1976/MISS M McINTYRE/ GREEN VALLEY/CALYPSO", "1977 /MISS M McINTYRE/BIRRAHLEE LONICERA" , "1978/J. VINGE/ HILLINVIEW/BLACK PANTHER" , "1979/MRS A. WILKINSON/SWEET SUE"equestrian events wodonga show, wodonga show, supreme champion led horse, mann wodonga

A wooden racquet, featuring a decal of the Slazenger black panther emblem, on both sides of throat. Inscription, from head to stem, on both sides: KEN ROSEWALL/FIBRE/ARMOURED/TOURNAMENT/SLAZENGER. Inscription along right side of stem: MADE IN ENGLAND. Materials: Wood, Adhesive tape, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastictennis

A wooden racquet painted from throat to handle, with brown leather handle grip, and white plastic butt cap. Decal inscription across base of head on obverse: SLAZENGER. Below on throat is a decal image of the Slazenger 'Black Panther' trademark. Along the left side of the stem is inscription: DEMON. Materials: Wood, Paint, Leather, Ink, Adhesive tape, Nylon, Ribbon, Metal, Glue, Lacquer, Plastictennis

A wooden racquet painted with a black and white design, from shoulders to handle, with black synthetic handle grip, and white plastic butt cap. Decal inscription across base of head on obverse: SLAZENGER. Below on throat is a decal image of the Slazenger 'Black Panther' trademark. Along the right side of the stem is inscription: DEMON. Materials: Wood, Paint, Adhesive tape, Nylon, Metal, Glue, Lacquer, Plastictennis

A wooden racquet, featuring a decal of the Slazenger black panther emblem, on both sides of throat. Inscription, from head to stem, on both sides: KEN ROSEWALL/FIBRE/ARMOURED/TOURNAMENT/SLAZENGER. Inscription along right side of stem: A SLAZENGER RACKET HAS WON/TEN OF THE LAST FIFTEEN/U.S. MENS SINGLES CHAMPIONSHIPS. Materials: Wood, Adhesive tape, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastictennis

A wooden racquet (.1), with Slazenger-brand handle grip, and black and silver butt cap, featuring Slazenger logo and black panther emblem. Emblem also features across throat and stem, on both sides. Inscription across the base of the head, on both sides: SLAZENGER. racquet is accompanied by a gold, black and white racquet head cover (.2). Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Synthetic material, Metal, Bambootennis

A wooden racquet (1), with a white throat, and fibreglass reinforcing. Slazenger logo and black panther emblem features across the stem, on both sides, and on the butt cover. Emblem also features across the throat. Inscription, from head to stem, on both sides: SLAZENGER/FIBRE/ARMOURED/TOURNAMENT. Racquet is accompanied by a red and white racquet head cover (2). Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Synthetic material, Metal, Clothtennis

A cream, orange, yellow and brown enamel painted wooden racquet with fibreglass strip around outside of head. Black panther emblem features across throat, on both sides, and butt cap. Inscription, from head to handle, on both sides: .../SLAZENGER CHALLENGE/FINEST QUALITY IMPORTED TIMBER/SMOOTH. Inscription along right side of stem: EXCLUSIVELY CHOSEN BY THE WINNERS OF THE WORLD'S MAJOR FOUR TITLES/* KEN ROSEWALL * JOHN NEWCOMBE * MARGARET COURT. Materials: Wood, Gut, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Plastic, Paint, Adhesive tape, Fibreglasstennis

This document explores the myths, legends, and mysterious phenomena of the Goldfields region in Australia, focusing on several recurring themes: Numerous reports of large, exotic cats (such as black panthers and pumas) have been recorded in Victoria, with over 4,500 sightings documented by the Australian Rare Fauna Research Association since 1984.Notable individuals, like John Higgins and Paul Clacher, have provided detailed accounts and physical evidence (e.g., large footprints) supporting the existence of these animals. Theories about their origins include escaped zoo or circus animals, mascots released by American servicemen after WWII, or even the survival of the supposedly extinct Thylacoleo (Marsupial Lion). The Goldfields are reputed to be home to many ghosts, with frequent reports from locations such as Camp Hill Primary School, Castlemaine's Theatre Royal, and especially the historic Fortuna Villa.Accounts from both military personnel and civilians describe unexplained voices, apparitions, and other paranormal events within these historic buildings. Specific stories include encounters with apparitions, mysterious voices, and doors opening on their own, often witnessed by credible sources like army sergeants and captains. The document also references other unexplained phenomena in the region, such as UFO sightings and missing people, contributing to the area's reputation for mystery and intrigue.Fortuna Article - "Steeped in Mystery" Dec 01 2007 by Sarah Harris This item contains the following: 11217.33a Colour Photo of Fortuna, once home to the Lansell family, Fortuna Villa is now occupied by the Department of Imagery and Geospatial Organistion mapping unit, and apparently, some apparitions 11217.33b Colour Photo of Russel Henthorn with his camera and gear he used for a UFO photo in 1983 11217.33c Part of Page 4 - Article "Steeped in Mystery" non-fictionbendigo, fortuna, george lansell, russell henthorn

Item/s in collection re B.J. Ruler VX40780 refer Cat No 5790 for his service details Christmas card- cream coloured cardboard with pink and green coloured flap. The outside has the Rising Sun emblem in black ink, a panther image in brown ink, embossed borders and rose in centre with cut outs. Inside greetings in black ink and a printed image of a shepherd with sheep. Also handwritten message in black ink.Front cover. “Rising Sun Badge” and inside “Christmas message”christmas 1941, card

Crow's Nest Queenscliff was a camp owned by the Government that the Ballarat Teachers' College utilised for camps.Black and white photograph of ladies from the Ballarat Teachers' College taken at Crow's Nest, Queenscliff List of names on the back of photograph. Photographers stamp Crow's Nest Queenscliff written in lead pencil.ballarat teachers' college, crow's nest, queenscliff, verna lees, margaret reynolds, s.j. read, p.j. malkin, margaret normoyle, dawn prowse, kath liston, betty maloney, a.m. panther, kitty o'shannessy, alma lloyd, shirley j. russell, mavis j. miller, k. miller, nancy lee, p.m. nield, p.v. ryan, photograph, women

Samantha Robertson 1988 Entrant No. 1 Ref: Series 34 Items 1, 2, 42-45 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, samantha robertson, series 35, film - ilford xp1 400, scan - 35mm negative, sundial, eltham trestle bridge, central park, panther place, graffiti, eltham senior citizens centre, eltham shire office, eucalyptus tree, main road, sign, arthur street, commercial place, eltham village, safeway carpark

Sculture in bronze of Alan Marshall by Marcus Skipper, 1995 Alan Marshall, AM., O.B.E., Hon.LL,D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940's he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime"; "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". Covered under National Trust of Australia (Victoria), State significance. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p159 Outside the Eltham Library a bronze figure of a short one-legged man with a crutch invites people to the world of literature. The bronze statue, by Marcus Skipper, is of author Alan Marshall, who is famed for his autobiography I Can Jump Puddles, about growing up and overcoming the effects of polio. That plucky little boy later lived in the Nillumbik district for more than 50 years, and on his death in 1984, was buried in the Nillumbik Cemetery at Diamond Creek. Although a hugely successful author, his grave is modest with only a tiny boulder and simple bronze plaque on a grassed plot. From 1955 to 1972 Marshall lived in a tiny fibro-cement bungalow at the rear of a house at Park West Road, Eltham, owned by his older sister, Elsie McConnell. It was there that he wrote most of his autobiographical trilogy and his history of the former Eltham Shire, Pioneers and Painters. His long association with Eltham Shire began in 1918 when his family moved to Diamond Creek. Then in 1920 he began work as a junior clerk at the Eltham Shire Offices on Main Road, Kangaroo Ground near the Yarra Glen Road, while boarding at the hotel next door. Marshall later bought a block of land in Research, which had three bark huts. In one of these he wrote his first book These Are My People. He later sold the land but lived in a caravan there and in 1955 wrote I Can Jump Puddles.1 Proud of its citizen, the Eltham Shire named a park after Marshall at the corner of Main Road and Leanne Drive, Eltham. In 1985 the Shire initiated the Alan Marshall Short Story Award. It was Marshall’s early life in the country that taught him to live courageously in spite of his crippling polio, and he inspired many. This informed his writing – full of courage, championing the battler and love of the bush. Alan Marshall was born in 1902 at Noorat in Western Victoria, as the only son of Billy a drover, horse breaker, hawker and then general store owner. At the age of six, Marshall contracted infantile paralysis and was later hospitalised in Colac for 18 months. With his father’s encouragement, Marshall learnt to swim, wrestle and box, ride a bicycle (downhill), ride a horse and drive a car. Marshall won a scholarship to Stott’s Correspondence College to study accountancy. To help him continue his studies and find employment, his family bought 12 acres (4.8ha), in Ryans Road, Diamond Creek, opposite Windmill Court. There they ran cows, some poultry and an orchard. But life with a disability and during the Depression was hard for Marshall, who for 20 years, endured long periods of unemployment and loneliness and was often exploited at work.2 However, life improved in the 1930s, when he published short stories and articles in newspapers and magazines, including a column of advice to the lovelorn, which he wrote for nearly 20 years. At age 42 Marshall published his first book and in the next 30 years he published more than 20. His most successful book was I Can Jump Puddles, which sold more than three million copies internationally. It was made into a film, released in 1971, by Czechoslovakian director Karel Kachyna. Marshall was one of the first Australians to write about Aborigines who called him Gurrawilla - teller of tales - when he lived with them in Arnhem Land for eight months.3 In 1941 Marshall married Olive Dixon, with whom he had two daughters, Catherine and Jennifer. Marshall and Olive divorced in 1957. In 1972 Marshall was awarded an OBE for his work with the handicapped. He was also awarded an Honorary Doctor of Laws by Melbourne University, an Order of Australia for services to literature and the Soviet Order of Friendship of Peoples.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alan marshall, art in public places, eltham, eltham library, marcus skipper, panther place, public art, sculpture

Rear view of Eltham Library showing loading dock and ramp to the front of the building. Designed by multi-award winning architect, Gregory Burgess, for which he won the 1995 Royal Australian Insitute of architects (Vic.) Merit Award in the New Institutional category. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p183 Award-winning Eltham Library, with its earthy tones blending into the nearby parklands, celebrates some of the best of Eltham’s spirit. Designed by multi-award winning architect, Gregory Burgess, the library at Panther Place, won him the 1995 Royal Australian Institute of Architects (Vic) Merit Award in the New Institutional category.1 The design is typical of Burgess’ work, emphasising natural materials and forms, and the integration of building and site.2 In its distinctive architectural character, Burgess celebrated the spirit of Eltham’s artist/architect Justus Jörgenson and mud-brick builder Alistair Knox. However this library, which opened in 1994, follows decades of efforts to acquire a suitable library for local residents. It was only in 1971 that Eltham acquired its first purpose-built library. In the 1930s books were borrowed from a mobile library run by Mr Foster of Bible Street. From the 1930s to the early 1950s, adults borrowed books from the newsagency and general store in Main Road (still a newsagency) near Arthur Street. As late as the 1950s, adults borrowed books in the shire office foyer, then in Main Road near the corner of Arthur Street.3 In the early 1950s the ratepayers voted for lower rates rather than a library, in a referendum to build a public library financed by higher rates. Children depended on volunteers for their library service until 1966. In 1946 the inaugural meeting of the Eltham War Memorial Trust’s Women’s Auxiliary, decided to support the Trust by raising funds to buy land and build a Children’s Library, Baby Health Centre and other facilities. The auxiliary formed the Children’s Library Committee, which included Mrs Morrison, Mrs Bow and Mrs Currie. They ran a library service in the stage area of the Eltham Hall, at the corner of Arthur Street and Main Road. In 1952 the books were relocated to a room in the newly opened Baby Health Centre on Main Road. Then in 1961, the Children’s Library received its own hall beside the Eltham Pre-School Centre on Main Road. From there, each month, volunteers delivered books to every school in the shire. In 1966 the Children’s Library closed after 17 years of service, following the transfer of the Trust land and buildings to the Shire of Eltham. The books were donated to nine schools in the shire and to Community Aid Abroad. An important boost to the library service came in 1965, when the Heidelberg Regional Library Service was formed by the City of Heidelberg with the Shires of Eltham and Diamond Valley. Its first library service for Eltham Shire was a bookmobile van. Books for children and adults were finally housed in one building in 1966, when the shire converted the Brinkkotter house in Dudley Street, into a library. At last in 1971, the Eltham Library moved to new premises attached to the shire offices near Panther Place. However these were demolished in 1996, by State Government appointed commissioners during council amalgamations. Meanwhile the Heidelberg Regional Library Service was disbanded in 1985 and the Yarra Plenty Regional Library Service was established. The burgeoning population brought pressure for a bigger library. Eltham was one of several municipalities in the 1970s and 1980s, battling with the State Government for adequate funding for public libraries. Funds were so tight, that in 1987 Eltham councillors threatened to close the library. However public petitions persuaded them to set aside funds to replace the cramped library facilities. In 1992 the Federal Government gave $887,496 towards the $3 million cost of the 1560 square metre library.4 The result is a light and spacious building with surrounding verandas, made of sustainable natural materials including earth and recycled and radially sawn timbers. It includes a gallery and function areas. In 2004 Mr Burgess won Australian architecture’s highest accolade: the Royal Australian Institute of Architects Gold Medal. He has received more than forty professional and community awards.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, eltham library, panther place

Displays set up on the Eltham Common in front of the relocated (1964) Shillinglaw Cottage, prior to the construction of the new Eltham Library in 1993. Eltham Town Park on the opposite side of Panther Place was renamed by Council in 1987 to Alistair Knox Park despite significant community objections. Many residents continued to refer to the park as Eltham Town Park for some years afterwards. The VW Transporter in foreground, was registered CLD-106 which was issued around Q1 1985.1990, eltham community festival, alistair knox park, cld-106 (vic), eltham festival, eltham town park, panther place, shillinglaw cottage, vw transporter, eltham common

Black and white photograph of Shillinglaw Cottage, after its re-location in 1964 to its present day location in Panther Place prior to the building of the new Eltham Library in 1994.eltham, shillinglaw cottage, buildings

Shillinglaw Cottage in Eltham Common and Panther Place can be seen through the bridge span.Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham common, eltham trestle bridge, panther place, red rattler, shillinglaw cottage, tait train

Eltham Central Park viewed through the bridgeDigital TIFF file Scan of 35mm Ilford FP4 black and white transparency435m, eltham central park, eltham trestle bridge, hurstbridge line, panther place, red rattler, tait train

Note Shillinglaw Cottage in foreground and Panther Place.Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham trestle bridge, hitachi electric train (1972-2014), hurstbridge line, panther place, shillinglaw cottage

Note Shillinglaw Cottage in foreground and Panther Place.Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham trestle bridge, hitachi electric train (1972-2014), hurstbridge line, panther place, shillinglaw cottage

Note Shillinglaw Cottage in foreground and Panther Place.Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham trestle bridge, hitachi electric train (1972-2014), hurstbridge line, panther place, shillinglaw cottage