Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.Collection of music books that were available for purchase at Sutton's Musicmusic books, suttons music, calvary, henry vaughan, paul rodney, enoch and sons, herzelied, gustav lange, j.t. trekell, hanover edition, the desert song, one alone, kathryn grayson, gordon mcrae, otto harbach, oscar hammerstein, frank mandel, sigmund romberg, the link divine, alfred h. hyatt, piccolomini, one fine day, aria, madame butterfly opera, r.h elkin, giacomo puccini, garden of happiness, edward lockton, daniel wood, there never was a pal like you, jack o'hagan, the bridge, vocal duet, miss m lindsay, mrs j worthington bliss, songs my mother taught me, anton dvorak, blue danube, suttons brass band journal, johann strauss, macushla, josephine v rowe, dermot macmurrough, boosey and co, allans music, candle in the wind, elton john, bernie taupin, treasure chest of stephen foster songs, eddie fisher song folio, cindy oh cindy, oh my pa-pa, anytime, i need you now, then i'll be happy, sweet heartaches, dungaree doll, im in the mood for love, what a wonderful world it would be, hermann lohr, i heard you singing, royden barrie, eric coates, when you come home, fred e weatherly, w.h squire, lay down your arms, anne shelton, leon land, ake gerhard, john m williams and shaylor turners vey first piano book, i went to your wedding, jessie may robinson, patti page, mercury records, he's got the whole world in his hands, geoff love, sway, quien sera, pablo beltran ruiz, paul lombard, norman gimbel, just because the violets, kennedy russell, edwin ashdown ltd, friends of my youth, mr w burton, christy's minstrels, george barker, ideal music books, poet and peasant, melody in f, spring song, love and devotion, the storm, nachtstuck, rondoletto, blue danube waltzes, over the waves waltzes, nearer my god to thee, mignon gavotte, warum, miss clara butt, idle words, stephen adams, menuetin no. 2, the mill, liebestraum, tarantelle, la matinee, menuet, la paloma, the dove, gipsy rondo, crescendo, chanson triste, romance, tocatta in a, thora, john mccormack, john harrison, ivor foster, preclude c# minor, beautiful star of heaven, sirens song, marche militaire, fifth nocturne, sweet bye and bye, turkish patrol, valse des fleurs, melody of love, traumerei, a fragment, just for to-day, sybil f partridge, blanche ebert seaver, australian music examinations board, pianoforte-grade iii, the chappell wonder album of music, slave song, the lass with the delicate air, the bandolero, chorus gentlemen, i'll sing thee songs of araby, jest her way, venetian song, gray days, god's garden, folie bergere, weymouth chimes, un peu d'amour, you'll love me yet, s. coleridge taylor, george sutton, happy-go-lucky pete a very happy foxtrot, i know the rose, fred hall, the prisoners child, waltz ballad, russ johnston, pilgrim's cross, h.l d'arcy jaxone, frederic n. lohr, harper kearton, marie vagnolini, suttons manuscript music book, pianoforte studies, public examinations in music, light cavalry, marche hongroise, rondo alla turca, moonlight sonata, witches flight, home sweet home, narcissus, wedding march, sehnsucht, joyful peasant, les adieux, love the pedlar, caryl battersby, edward german, where will the dimple be, rosemary clooney, bob merrill, al hoffman, buttons and bows, jay livingstone, ray evans, bob hope, glen williams, british songs, cyril scott, cherry ripe, the minstrel boy, blythe and merry she was, by yon bonnie banks, all through the night, coming thro the rye, i'll bid my heart be still, classical fragments, beethoven's adieu, w. millward, wake up, a calendar of song, harold simpson, montague f. phillips, ain't misbehavin', andy razaf, thomas waller, harry brooks, robert a nelson, the ideal manuscript book, the riff song, it, one flower grows alone in your garden, ebb tide, carl sigman, robert maxwell, i'm in the mood for love, jimmy mchugh, dorothy fields, muskat ramble, edward ory, night of stars and night of love, tales of hoffmann, offenbach, the great pretender, jimmy parkinson, jerry duanne, barry frank, stan freberg, the platters, bert visser, love is a golden ring, rich dehr, frank miller, terry gilkyson, ernie sigley, d. trickey, four musical cameos, gavotte, lullaby, goblins, when children play, frank hutchens, just a closer walk with thee, jimie rodgers, west of the wall, wayne shanklin, toni fisher

Zonophone was a record label founded in 1899 in Camden, New Jersey, by Frank Seaman. The Zonophone name was not that of the company, but was applied to the records and machines sold by Seaman from 1899–1900 to 1903. In the United Kingdom and the Commonwealth, the Gramophone Company continued to use the Zonophone label until 1931. 'Zonophone' indicates the British label rather than Zon - O- Phone, the earlier American label. Madame Deering was Eleanor Jones-Hudson. Eleanor Jones-Hudson (1874-1946) was a Welsh soprano and wife of the flautist Eli Hudson. She recorded extensively for the Gramophone Company, in excerpts from opera, operetta, oratorio, ballads and songs. She was sometimes credited as Alvena Yarrow and as Madame Deering. The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record—with which it had co-existed from the late 1880's through to the 1920's. Records retained the largest market share even when new formats such as compact cassette were mass-marketed.. (ref Wikipedia) This item is an example of an item once commonly found in homes. By the late 1980s until 1991, digital media, in the form of the compact disc, gradually replaced the vinyl record.A black gramophone record with a blue and gold label - Zonophone. One side is Ave Maria sung in English by Madame Deering, a soprano, with orchestra and chorus. On the other side is Ora Pro Nobis (Pray For Us). It has the serial no. 472.Pressed onto the Ave Maris side is 7793-e.zonophone gramophone-record madame-deering-eleanor-jones-hudson ave-maria

To make a piano roll, when the recording artist depresses a key on a specially wired-up piano, a signal is sent to a recording machine, which punches holes in a moving roll of paper. Originally, editing was done by punching extra holes by hand or patching unwanted holes with sticky tape but eventually the process was done by computer.• The music is A Lone Girl Flyer with the words and music by Jack O'Hagan. It was published in Melbourne by Allan's, c1930 and was dedicated to Miss Amy Johnson, a pioneering English aviator, the first female pilot to fly alone from Britain to Australia. It is an example of musical recreation of the 1930's. Brown paper roll of pianola paper (.1) in black box (.2) with lid. Broadway hard roll 1694 - A lone Girl Flyer ( march song O'Hagan). It has a duty stamp attached - Allan & Co Music Co Ltd MelbourneBroadwaypianola lone-girl-flyer johnson-amy music

This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.Contents Joyce Lambert Memorial - - 4 Editorial - Tol. E. Goldfinch- 5 Foreword - Capt. Peter Richardson - 7 The Challenge of Change - Late Joyce M.B. Lambert - 8 Tall Ships Australia. 1988. - - 21 Why Do We Love Ships? - Pamela Eriksson - 23 Iron Pacific -- Australia's Flagship - - 26 Square Rigger -- Chip Barge - W.P. Shemmeld - 33 Diary of a Ship's Surgeon Part 1 -- Outward Bound - H.M. Lightroller M.R.C.S. -37 My Coal Burning Warship - Rev. H.W. Coffey, MBE. MA. - 49 Sage of H.M.A.V. Bounty -- New Zealand to Tahiti 1984 - Tony Crowder - 55 The Heldia Song - K. Shewan-58 The Everchanging Inside Passage -- British Columbia - B.D. Weston - 61 Longitude -- Zero - S.J.Buckland - 66 The Lost Anchor - - 73 Origin of the Sea Shanty - P.R. Swensen - 78 Port of London Recollections - - 80 Redoubtable Capt. Schutt - Late Captain F. Klebingat - 82 Capt. Frederick Klebingat Remembered - - 84 Grounding of M.V. Kanimbla - F.B. Finch - 86 "Through the Hawsepipe" - Late Capt. H.R. Watson - 91 Caribbean Capsize - Lloyd Barber - 95 Dogwatch Miscellany - - 102 Shipping Advertisements - - 105 Future Beacons - K. Shewan - 107 Williamstown -- The Destination of Many Early Arrivals - 109 Book Reviews - - 113sailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch, p.r.swensen, sea shanty

Small book with black cover; 195 pagesnon-fictionanne rennie collection, wal harbord, merchant navy, seamen, seafarers, ww2, battle of the atlantic, walter harbord, navigation, prayers, army, navy, soldiers, balikpapan, borneo, indonesia, battle of balikpapan, lt d. bacon

Index, bib, ill, p.144.non-fictionWar songs - War games - Armistice - Conscription - War propaganda.great britain - social conditions - 1914-1918, world war 1914-1918 - social conditions

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much-loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Songs from Books Author: Rudyard Kipling Publisher: Macmillian & Co Date: 1914 Edition: First edition October 1913 Reprinted October (twice), November 1913, 1914 (twice) This Edition is intended for circulation only in India and the British Dominions over the Seas The label on spine cover with typed text PAT 821 KIP Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Serviceflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, songs from books, rudyard kipling

A very detailed book of songs issued to students in the early years of Watsonia High School during the 1960's. Songs were grouped by sections, one of which was National Songs that contained clear allegiance to "Mother Britain". Refer to the 'Statement of Significance' section below.National Songs Section - God Save The Queen, There'll Always Be An England, Rule Britannia, Land Of Hope And Glory, I Vow To Thee My Country, Advance Australia Fair. All these songs make reference to Britain (the 3rd verse of Advance Australia Fair contains "Her sons in fair Australia's lands, still keep a British soul'.A collection of 113 songs sung by students at Watsonia High School. 38 Pages, Blue cover, Title in Red ink.watsonia high school, songbook

The celebration of Queen Victoria's birthday on May 24 was renamed Empire Day in 1903 after her death in 1901. It was celebrated throughout the British Empire culminating in fireworks and bonfires in the evening. Empire Day was first introduced in 1905 to promote loyalty among the dominion countries of the British Empire. (from https://dictionaryofsydney.org/event/empire_day) Celebrated on 24 May, Queen Victoria's birthday, it was directed especially at school children. Teachers were encouraged to promote special steps to develop a feeling of pride in the British Empire and the achievements of the British race. Often a morning of short addresses, recitations and patriotic songs such as 'Rule Britannia' and 'Advance Australia' was followed by a half-day holiday to mark the celebration of Australia's strong ties to the British Empire. (from MuseumsVictoria)Empire Day was a celebration of the British Empire that was held for many years in the United Kingdom, Australia, Canada, and other countries. It took place every year on May 24, the date of Queen Victoria's birthday. Queen Victoria ruled England for 63 years. this item reflects the loyalty to and recognition of the British royal family in the first half of the 20th century.A black / white photograph of a large group of people , men in suits, women in long dresses. They are in a large fenced clearing.on back -" EMPIRE DAY ORBOST before 1909"empire-day celebrations gatherings public-events

This program was produced by the Snowy River Mail for a community singalong held in Orbost on Tuesday June 2 1953 to celebrate the coronation of Queen Elizabeth 11. In June 1953 , Elizabeth II was crowned Queen of the United Kingdom, Canada, Australia, New Zealand, South Africa, Ceylon (now Sri Lanka), and Pakistan, and became the Head of the Commonwealth. The coronation of Queen Elizabeth II as monarch took place on 2 June 1953. Elizabeth ascended the throne at the age of 25, upon the death of her father, King George VI, on 6 February 1952, and was proclaimed queen by her various privy and executive councils shortly afterwards. The coronation took place more than a year later because of the tradition that holding such a festival is inappropriate during the period of mourning that follows the death of a monarch. This community event was typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family. This item reflects the significance of monarchy for Australia and the constitutional history of Australia.The item reflects the interest in the royal family to Australians at this time as well as the general feeling of respect and admiration felt by the rural communities towards the British Royal Family.A white paper program with the words of songs printed in black. There is a rust mark from a metal staple in the top left corner. It is titled "Your Coronation Community Songs".queen-elizabeth-11 royalty community-event-orbost souvenir-program

This photograph was found in the Orbost Historical Society's cupboard. School is unknown. A copy of this photograph has been donated by Gil and Heather Richardson via the Mary Gilbert Collection. It is probably of students of Jarrahmond school where Miss Cope was the head teacher C 1916. This photograph could be associated with a celebration of Empire Day. The celebration of Queen Victoria's birthday on May 24 was renamed Empire Day in 1903 after her death in 1901. It was celebrated throughout the British Empire culminating in fireworks and bonfires in the evening. Empire Day was first introduced in 1905 to promote loyalty among the dominion countries of the British Empire. (from https://dictionaryofsydney.org/event/empire_day) Celebrated on 24 May, Queen Victoria's birthday, it was directed especially at school children. Teachers were encouraged to promote special steps to develop a feeling of pride in the British Empire and the achievements of the British race. Often a morning of short addresses, recitations and patriotic songs such as 'Rule Britannia' and 'Advance Australia' was followed by a half-day holiday to mark the celebration of Australia's strong ties to the British Empire. (from MuseumsVictoria) Some identified are; Top row -E- Eva Trewin; N-Rita Mundy; G-Elva Trewin; N- Jack Mundy D-Jack Trewin Middle row - Miss Cope, teacher. I Daisy or Katie McLeod Front row - L -Jack Stephenson; A Lindsay Trewin ; N-Frank Richardson Helena Warren was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. The photographer, was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught. Although not clearly dentified the photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker, It is associated with education in Orbost.A very old and damaged photograph of students an a teacher under a tree. The students are holding up cards that read "England, Ireland, Scotland". The photo is on a black card frame. a woman is standing on the left. Children are posed into three rows. There is also a copy of this photograph.photograph-helena-warren education-jarrahmond

Bernhard Gerstle & his family (parents & siblings) were German nationals working in Tehran, Iran upon the outbreak of World War II. In 1941, after the installation of a pro-British ruler to the Persian throne, all German nationals were targeted as threats to national security. The women and children evacuated to Stuttgart, Germany via Turkey, while the men were handed over to British forces. Bernhard was taken by ship (the SS Rona) to Bombay & then to Australia (on the SS Rangitiki). He was then marched in to Loveday internment camp 10, South Australia. In January 1945 the German & Italian internees at Loveday were transferred to Tatura Camp 1. Bernhard remained there until after the war & his eventual release, on 29th August 1946. Bernhard chose & was granted permission to remain in Australia post-war, as did many civilian internees, after their examination by a Committee of Inquiry which investigated their political leanings & other criteria for their supposed suitability as Australian residents. The biography also recounts his employment post-war, marriage in 1952 & his later naturalisation as an Australian citizen. Other material includes Gerstle family history from the perspective of Bernhard's sister & family, who remained in Stuttgart; background on the Gerstle family's Russian origins; and a biography of Oskar Speck, famous kayaker, amongst other things, who was interned along with Bernhard & who became good friends with the family; a brief historical background of the Allied forces/Persia invasion; and extracts of Tatura Camp 3 internee Helga Griffin's book, "Sing Me That Lovely Song Again". Black plastic A4 display folder. CD soft case with CD. Folder contains printed biographical information regarding Bernhard Hermann Gerstle. CD contains copies of same documents and also copies of photographs of Bernhard & the Gerstle family. Folder: Bernhard Hermann Gerstle/ Gerstle Family/ Loveday and Tatura Internment Camps 1941-1946/ Sydney 1946-1978/ Compiled by Mary Henderson 2013 CD: BH Gerstle; 1941 - Interned by British/ 1941-1946 - Internee at Loveday SA, Tatura VIC/ Sydney 1946-1978. camp 1, tatura, loveday, world-war-two, internment-camps

Words and music of popular song written in 1915 regarding the First World War. Proceeds of sale of this song given to Australian Red Cross.Black and white copy of music and words. Australian and British flags on front. Two names written on front indistinguishable. Four pages."One Hundred Thousand/More!/Patriotic Song..."1910s, red cross, music, world war 1, george evans collection

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Richard Strauss: Seven Songs; Mozart: Four Concert Arias. LP 33RPM vinyl, Catalogue Number: ASD 2493, Cardboard Cover, Paper sleeve, 1 Vinyl disc, lyric sheet inside with translations by William Mann (c) 1969, made in Great Britain. Singer: Elisabeth Schwarzkopf (British Soprano); Conductor: George Szell; Music: London Symphony Orchestra, Edith Peniemann (Violin), Alfred Brendel (piano).lp, sound recording

The sisters were born in New Zealand. They travelled not only around Australia and New Zealand but around Europe, the British Isles and Canada in a caravan performing songs, dances and tales they collected. Often there was little scenery. They established a Theatre of Youth (T.O.Y.) near Circular Quay in Sydney and later founded the Australian Children's Theatre. Mavis Thorpe Clark (1909-1999) began her writing career as a schoolgirl. She was educated at Methodist Ladies College in Hawthorn. Her first story for children was published as a serial in The Australasian newspaper when she was 14 years old. Her first book was written when she was 18 and published in 1930. She was a prolific writer. She wrote mainly for children and teenagers, but also authored several biographies, a number of non-fiction titles, and many articles, short stories and scripts for newspaper, magazine and radio. During the 1960s, 1970s and 1980s she travelled extensively in South Australia and Western Australia gathering material for her stories. In 1967 she won the Children's Book Council of the Year award for The Min-Min which was set in outback South Australia.164p illus. This history details the careers of the New Zealand born sisters, Joan and Betty Rayner.(ms) joan rayner, (ms) betty rayner, australian children's theatre, children's play, (ms) mavis thorpe clark, theatre of youth (t.o.y.)

Kites created by Helen Bushell, Kew resident for many years, and a pioneer of kite-flying world-wide. Kites are hand-made, mainly by Helen, and many were flown in local parks of Kew. Documents provide some background to the collection, and a set of photographs, which was used in an exhibition at Hawthorn Arts Centre, help to identify the kites and where they were flown. Individual items include: 2019.0047.01 - Make Mine Fly, Vol. 1 - book of instructions for making kites fly 2019.0047.02 - School Kites - book of 14 kite designs 2019.0047.03 - Helen Bushell Reaching for the sky (exhibition catalogue, 2017) 2019.0047.04 - Hansard (Victoria) Documents - statement by Natalie Hutchins, Minister for Local Government 2019.0047.06 - "Evolution" Trefoils - collection of advertisements for kites for sale 2019.0047.05 - Kite event badges on blue cotton sash (20 badges and name-tags) 2019.0047.07- Kite honours and B.A. Deakin plus Original Patents (Australian, British and U.S.) 2019.0047.08 - Helen Bushell, 1922- A Life in Kiting (28 panels mounted on board, showing photographs of Helen Bushell's kites, for exhibition in Hawthorn Arts Centre, 2017) 2019.0047.09 - 1986 Year of Peace Dove - paper pattern (15 copies + dowel rod) 2019.0047.010 - "Peace Dove" pattern August 1995 2019.0047.011 - Collection of drawings, patterns, poem, newsletters, etc. 2019.0047.012 - "Small birds" paper patterns 2019.0047.013 - Remake of old head "Fluted Sled" 2017 HB: nylon kite in heavy cotton bag 2019.0047.014 - Long yellow tail suitable for Rainbow Serpent 1992 2019.0047.015 - Long blue tail for Rainbow Serpent 1992 2019.0047.016 - Moth c. 1975 2019.0047.017 - Hand-held peace dove (used for Helen Bushell's memorial 2017) 2019.0047.018 - "Song for Bill" kite 2019.0047.019 - 7-point clown kite Kites and associated documents belonging to Helen Bushell have local significance for Kew, as many were flown in the area. They have artistic significance in their representation of Australian indigenous, Chinese, New Guinea and other cultural symbols. Among the documents are poems, books on kite-flying written by Helen Bushell, badges and cards from international conferences, and Australian, British and American patents for kite design. One kite shows an aerodynamically-designed keel which helped to improve safety for hang-gliders.Australian Kite Society, Helen Bushell collection of kite-related material, including kites, photographs, documents, badges, etc.australian kite society, helen bushell

Empire Day was an annual celebration in Australia, held on Queen Victoria's birthday on 24th May, to promote loyalty to the British Empire. Celebrations included patriotic songs and recitations for schoolchildren, often followed by a half-day holiday, bonfires, and fireworks. The observance began in 1905 and was eventually renamed Commonwealth Day in 1958. Our Collection includes several photographs signed BONSEMA WODONGA or sometimes simply TBW. Thomas Peter John Bonsema was born in Wodonga in 1876 to Peter John Bonsema and Mary Ann nee Nash. His name first appears on the Electoral Roll for Wodonga in 1909 and on the Electoral Roll in 1912 he is listed as a photographer. His photographs capture many scenes and events around Wodonga and surrounding areas. Thomas Bonsema married Minna Louisa Jones in 1912. By 1914 he had moved to Chiltern, Victoria where he established Bonsema’s Photographic Studio. From this time onward many of his works bore the signature “BONSEMA CHILTERN”. As well as continuing to photograph landscapes and important buildings, Mr Bonsema was often the official photographer at school and community celebrations. He also sold many framed photographs and postcards from his premises at 68 -70 Conness Street, Chiltern. By 1943 Thomas John Bonsema had relocated to New South Wales and died in Beecroft, NSW on 14th July 1944. Some of his photographs are held in the Victorian State Library and Mitchell Library Sydney Collections.This image is significant because it documents an important celebration in Wodonga and was taken by a recognised photographer born in Wodonga.A black and white image of people celebrating in the centre of Wodonga, 1910. A title and the photographer's name are written on the image.EMPIRE DAY WODONGA GENERAL VIEW OF PICNIC BONSEMA WODONGAempire day celebrations, empire day wodonga, bonsema photography, thomas peter john bonsema

Rippon Lea mansion and garden was created for Sir Frederick Sargood, a wealthy Melbourne businessman, politician and philanthropist. This is why the program notes that the event was 'By kind permission of Liert. -Col. Sir Fred. Sargood, K.C.M.G.' The event was in support of the Boer War and the program sets out the names of performers, dignitaries, sponsors and organisers and gives details of activities including songs, recitations, a display of pictures of the war, illuminations etcWhite coloured paper, folded and printed both sides in blue and red (being the program for the event) plus a smaller page printed in pink (being words of choruses sung)Front of program shows emblem of Empire Patriotic Fund and iconic images of the British Empire, and a photograph of Rippon Lea estate. The back page has an etching of a cannon. The Words of Choruses include words to A Prayer for Our Soldier, Comrades Song of Hope, and A Prayer - Lest We Forget.rippon lea, boer war, empire patriotic fund, 1900

Sheet music printed on folded B2 sized sheet to give an approx. B4 sheet, off white paper, titled "The National Anthems of the Four allies", with Music and English Words for: Britain - God Save the King France - The Marseillaise Belgium - The Brabanconne Russia - Gold the All-Terrible Published by Frances Collas - 14th Edition - part of a series of national songs - see rear sheet, but none mention the USA, Canada or Australia!trams, tramways, music, world war 1

A thick burgundy hardcover book with the title printed in gold lettering at the top of the front cover - Sacred Songs & Solos: and New Hymns and Solos. It was compiled and sung by Ira D. Sankey. The spine has the title in gold lettering at the top. The front cover is detached from the spine. The 750 pieces of music and words were compiled and sung by Ira D. Sankey. There is a an Index to Titles, Contents, Index to Subjects and a Metrical Index at the back of the first section. p. At the back of the New Hymns and Solos there is an Index for the 138 hymns and solos. non-fictionThe 750 pieces of Sacred Songs and Solos at the front of the collection were compiled and sung by Ira D. Sankey who was an American gospel singer and composer, known for his involvement in a series of religious campaigns in America and Britain during the closing decades of the 19th century. His style influenced church services and evangelical campaigns for generations and the hymns he wrote or popularised continued to be sung well into the 21st century. A collection of 138 pieces of New hymns and Solos compiled by Ira D. Sankey and written by various authors is at the back of the book.hymns, religious books, religious songs

Ill, p.123.non-fictionA book of songs and poems by Rudyard Kiplingmilitary music - great britain, poems - great britain

Photographer notations on slide: Footscray State School Boys Band 1933 B5 Published: JUNIOR BAND CHAMPIONS--BEFORE THE HOLIDAYS--BELGIAN CARNIVAL--A ROYAL YACHTSMAN. (1933, September 1). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Published caption: “Proud Champions.- The drum-major of the band of the Hyde-street State School, Footscray, leads his players in a march past for visitors during Music Week. Under Mr. Frank Johnston’s conductorship this band has held the championship for two years.” Trove article identifier: http://nla.gov.au/nla.news-article205116143 Scope and Content: Footscray’s Hyde Street State School Band, led by their drum major, prepare to march past a group of mothers while playing their instruments. The band held the record for winning the most Victorian State Schools Association Championships between 1931 and 1966. Research by project volunteer, Fiona Collyer: Description: A large group of boys, most of whom are dressed in long trousers and peaked band hats, led by their drum major, prepare to march past a group of women dressed in overcoats and hats and an infant in a pram. In the background is a school shelter shed, a railway line, houses and a netball ring on a wooden stand. The Hyde Street State School Band was formed in 1928 as the school band for Hyde Street State School No. 1912 at 10 Hyde Street Footscray (now Footscray City Primary School). Their bandmaster, Francis Charles Johnston,(1880-1953) nicknamed “Massa” as a boy for his love and admiration of southern American jazz music, also conducted the Victorian Police Band, Collingwood Citizens Band, and the Melbourne Metropolitan Fire Brigade Band, amongst others, leading to scores of wins in brass band competitions. Even into his sixties, “Massa” ran three laps around the South Melbourne Oval every morning in order to maintain fitness for his busy conducting schedule. He was a cornetist and horn player, and performed in and lead brass bands for more than fifty years including bands that farewelled Australian troops from the Boer War to the Second World War. The Argus 13 December 1947, described “Massa” - “Bandsmen say he is a genius in brass band music, and the best conductor in the Southern Hemisphere. He still retains the romance and Bohemianism of the old German bandsmen he played with in the streets of Melbourne 50 years ago.” In 1925, a bequest of £10,000 from the estate of the late writer, William Gillies was made to the Education Department of Victoria. It was devoted to three purposes - “1) The encouragement of instrumental music (school bands or orchestras) in the State schools of Victoria, leading, it is hoped, to an increase in the number of village bands and orchestras, and, most important of all, family orchestras; (2) The encouragement of the art of reading aloud, leading, it is hoped, to an increase of the admirable pastime of reading aloud in the family circle; and (3) The encouragement of any branch of nature study, the aim of all three being to make home life, especially in the country, more attractive.” The Director of Education, Mr. M.P. Hansen wrote in his book “Thoughts That Breathe” published in 1932, that, as a result of the Gillies Bequest- “£3,030 has already been made available for the purchase of band instruments, and thanks largely to the encouragement given by this fine bequest, there are now in State schools in Victoria, each under expert tuition, 31 brass bands, 9 orchestras, 13 fife bands and 23 violin classes. That the effect of such work has a significant bearing on the right use of leisure, is undeniable.” By 1937, at least 50 State school bands had been set up in Victoria and the Victorian State Schools Association Championships were hotly contested. Frank quickly and skilfully brought the inexperienced boys of the Hyde Street Brass Band to A grade level, winning their first Victorian State Schools Association Championships in 1931. The band went on to win multiple times, holding the record for winning the most Victorian State Schools Association Championships between 1931 and 1966. The band soon became an integral part of community events. Whenever the Footscray Football Team played a home game at the perpetually blustery Western Oval, (Whitten Oval since 1995) the band performed at half time, marching around the boundary line, belting out the Footscray Football Team theme song- “Sons of the ’Scray” played to the tune of “Sons of the Sea” by British music hall songwriter Felix McGlennon. Volunteers walked behind the band carrying a large tarpaulin to catch the shower of coins thrown by fans from both teams, which helped pay for new instruments, repairs and uniforms. The old footy joke goes- Q. Who played on the wing at the Western Oval for 20 years, but never kicked a goal? A. The Hyde Street Band. Now called the Hyde Street Youth Band Inc, it is a not-for-profit organisation, supported by the City of Maribyrnong. Their aim is to make brass music accessible to young people aged from 5-25 years, by supplying the instruments and lessons for a modest annual membership fee. The traditional British brass band comprises of three musical ensembles according to ability. The Hyde Street Youth Band Inc. play at community events including the AFL Grand Final Parade, ANZAC Day March at the Shrine of Remembrance, Moomba Parade and Yarraville Carols by Candlelight. Their repertoire includes classical, marches, hymns, contemporary music and movie themes. https://bandblastsfromthepast.blog/2018/04/08/victorian-state-school-brass-bands-their-legacy-lives-on/ Massa" and His Musical Firemen (1947, December 13). The Argus (Melbourne, Vic. : 1848 - 1957), p. 2 (The Argus Week-end Magazine). Retrieved May 5, 2025, from http://nla.gov.au/nla.news-article22532344 http://www.hydestreethistory.8m.net/photo2.html MUSIC AND MUSICIANS (1932, March 9). The Mercury (Hobart, Tas. : 1860 - 1954), p. 2. Retrieved May 8, 2025, from http://nla.gov.au/nla.news-article29946674 https://hsyb.org.au/about/history-2/ https://hsyb.org.au/about/ MUSIC AND READING ALOUD. (1925, June 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 10. Retrieved May 5, 2025, from http://nla.gov.au/nla.news-article2122525 Shake! Narrow Escape From Shark The Birdcage Walk Champion Schoolboy's Band (1931, December 24). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14-15. Retrieved April 8, 2025, from http://nla.gov.au/nla.news-article276259073 AROUND THE SCHOOLS: THE ARGUS JUNIOR (1947, September 23). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6 (The Argus Super Comic). Retrieved April 20, 2025, from http://nla.gov.au/nla.news-article22509356 https://bandblastsfromthepast.blog/tag/hyde-street-youth-band/ THE GILLIES BEQUEST (1933, September 2). The Argus (Melbourne, Vic. : 1848 - 1957), p. 22. Retrieved May 5, 2025, from http://nla.gov.au/nla.news-article11688410 https://adb.anu.edu.au/biography/johnston-francis-charles-massa-13009 Hyde Street, Footscray, State School Children (1930, March 8). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 40. Retrieved May 8, 2025, from http://nla.gov.au/nla.news-article223899955Photographer notations on slide: Footscray State School Boys Band 1933 B5bands, 1930-1939, musical instruments, schools, state schools, uniforms, footscray