Railway pickup of Charcoal Fyans Creekcharcoal, charcoal burner, railway, transport

Two men in front of 1920's ute parked with Charcoal Bags for delivery to Rail. Man on right is Norman Manncharcoal, charcoal burner

It is not known where this photograph was taken. James(?) Scarf who lived at Madden's Flat was said to be a charcoal burner (Source - Bill Grigg Snr in interview with Max Standish - typescript in Grigg family file.)Black and white copy of original photograph which shows a more or less circular stack of timber. The stack appears to have been made from the thinner branches of trees. It is understood that the timber may have been stacked in this way prior to being burnt for charcoal, which was the main source of fuel used in blacksmith's forges.timber stack, burning pile, charcoal burning, wood

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. Bruce Smeaton (born 5 March 1938) is an Australian composer who is well known for a variety of Australian film and television scores in all genres, including features, shorts, television, documentaries and advertisements.[1] His scores include Picnic at Hanging Rock, Seven Little Australians, Roxanne, Iceman, and Circle of Iron. He has won the Australian Film Institute 'Best Original Music Score' Award for The Cars That Ate Paris (1974), The Great McCarthy (1975), The Chant of Jimmie Blacksmith (1978) and Street Hero (1984, shared with Garth Porter and others). (Wikipedia).1) Portrait of Bruce Smeaton in oil on an unframed stretcher. .2) Charcoal sketch of the head of Bruce Smeatonwes walters, portrait, artist, artwork, bruce smeaton, musician, sketch, walters, alumni, available

Charcoal Burning in Fyans Creek areastawell

Charcoal Burning in Fyans Creek areastawell

Charcoal Burning in Fyans Creek areastawell

Charcoal Burning in Fyans Creek areastawell

Charcoal Burning in Fyans Creek areastawell

Charcoal Burning in Fyans Creek areastawell

Mr Gerald Rowes Charcoal Burning Plant Pomonalstawell

Charcoal Burners Hut on Holden's Overdale Station Property Watta Wella.stawell rural industry

Charcoal Burning in Fyans Creek area. Shows part of kiln formation.stawell

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This drawing has a link to another of Wegner's work in the Collection, the lithograph 'Mandarin on a Kitchen Table'. This portrait is of Danny Moynihan, one time lecturer at Phillip Institute of Technology (now RMIT - Bundoora campus) who taught Wegner printmaking (lithography) when he was a student at the institute in the 80's. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. He is inspired by English artist Leon Kossoffs' drawings where the likeness of the subject is secondary and separate from the credibility of the drawing itself. Black and white charcoal portrait drawing on paper of artist/teacher Danny Moynihan.Hand written (signature) in charcoal - lower right - 'Peter Wegner'wegner, drawing, charcoal, black and white, moynihan, artist, teacher

Charcoal irons followed flat irons when the base was made into a hinged box into which charcoal could be placed, This would keep the iron hotter for a longer time.This item is an example of a domestic appliance in common usage before the advent of electricity.A large charcoal iron with chimney. It has a carved wooden handle.charcoal-iron domestic

Charcoal irons followed the use of flat irons when the base was made into a box in which to put charcoal which would keep the iron hotter for a longer time.This item is an example of a domestic appliance in common usage before the advent of electricity.Large black ornate charcoal iron with a chimney on the top. It has an ornate metal hand protector. It has a hollow base into which charcoal is placed. The small hole at the back has a sliding cover that was used to regulate the temperature of the iron. ir0n-charcoal domestic

Following the use of flat irons the base of the iron was made into a container to put glowing coals inside it and keep it hot a bit longer. This was called a charcoal iron. It had a hinged lid and air holes to allow the charcoal to keep smouldering. They are sometimes called ironing boxes, or charcoal box irons, and may come with their own stand.This item is an example of a domestic appliance in common usage before the advent of electricity.This is a charcoal iron which was heated by burning charcoal inside it. It is made of iron and has wooden handles, one on top for lifting it and one on the catch at the front that keeps the iron closed. Both of these handles were needed to load the iron with charcoal easily. As wood does not conduct heat well, these handles made the task of filling the iron much easier. The holes around the base of the iron are for letting the fumes out.Top- "M.G."iron-charcoal domestic

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, margaret impey, shearer, portrait, available

Dr Julie HERON Julie Heron lectured in Art Education at Federation University from 2006-2011. She was awarded a Doctor of Philosophy (PhD)Visual Arts in 2011. Her doctorate is a practice-based autoethnography entitled ‘Performing in the spaces between: an a/r/tographic inquiry into practice’. This research involved questioning and representing her practices, processes and positions as artist, researcher, teacher-educator and the outcomes of her research were made evident through an art installation and accompanying thesis. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed charcoal drawing.art, artwork, heron, julie heron, gippsland campus, drawing, charcoal, david pratt award

Norm Harris Collection charcoal sketch of Central Deborah Mine by R. Heddle. Poppet head and sheds are shown.R. Heddledrawing, charcoal, central deborah mine

Red chalk and charcoal drawing of a female nude torso. Signed (L.l) 'D. Laycock 1970'donald laycock, drawing, charcoal, red chalk, female nude, torso

Norm Harris Collection of a Charcoal Sketch of The old Bendigo Town Hall By R Heddle. Two trees in the foreground with shrubs.drawing, charcoal, bendigo town hall

'Box' irons were heated by red hot charcoal. These first irons were first patented in 1852.Metal 'Box' iron with wooden handle. Specimen of 'Bless' charcoal iron decorated with head of Hephaestos, the Greek God of metal workers.irons, laundry irons

Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225. Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.4/418 Genoese MS. M6 RE MG. in Burgundy P2 S7 1st stockweaving, carpet

Norm Harris Collection charcoal sketch of Rosalind Park by R. Heddle . Large tree in the foreground surrounded by many others.The sketch is quite effective showing light and shade well.R. Heddledrawing, charcoal, rosalind park bendigo

Charcoal burning was one of the earliest activities of the settlers in the Whitehorse area Large print in gold frame by Tom Roberts. Picture of three men doing charcoal burning with felled timber in a wooded area. Lightish green foreground grass with stacked timber and forest tress in background. Tom Roberts left side On back, Tom Roberts, the wood splitters (The charcoal burners) 1888. Ballarat Fine Art gallery, Victoria. Bequest of J. R .Hartley 1961 On back State of the Art Framing 510 Whitehorse Rd, Mitcham 3132 Ph 9873-5525 Tom Robertscharcoal burning, tom roberts, prints

Norm Harris Collection charcoal sketch of Bendigo Pall Mall, Fountain and Beehive by R. Heddle. The fountain is the central feature of the sketch .The only signs visible are the Beehive and Easywalkin. No traffic or pedestrians are shown .R. Heddledrawing, charcoal, pall mall fountain

Burning charcoal for the Ararat Gas Company. The location is unknown.The photo shows two men standing on a platform feeding wood into a large charcoal burner.To the right there is a wagon (from which they are getting the wood) with a horse hitched to it (only the rear part of the horse is visible). To the left are full sacks. There is bush in the background and a rutted clearing in the foreground.timber industries, charcoal burning