Two silver butter knives with mother-of-pearl handles. Etchings on handles are different with different maker's marks.Anchor Birmingham Lion - silver r = 1916 1. C.P. (Co) Charles Perry & Co. 2. (B) & Co - W.I. Broadway & Co. Etchings on blades - each one differentbutter knives, silver, mother-of-pearl

A Bendigo Advertiser newspaper article titled 'The Bendigo Fuse Factory by Amy Huxtable.' In 1860 Mr. Charles Perry set up as Proprietor of stamper grating works and was later joined by his nephew Mr. W. Hunter. During this time Mr. Perry worked on a model machine for constructing safer fuses. In 1876 Mr. Charles Perry built a fuse factory in Wattle Street. He refined his machines making them larger and very suitable for building safer fuses. In 1888 the English firm of fuse manufacturers Bickford, Smith & Co., purchased the factory and the secret of the manufacture. In 1912 the Wattle Street building was purchased by Tony Patterson and Huon Matear and was known as the Economic Manufacturing Co. (Bendigo White Works) making underwear. This was followed by Crestknit Industries which ceased operation in 1977. Photos in this article are of Perry's Fuse Factory. 05/02/1977.mining, equipment, fuses, lydia chancellor collection, collection, bendigo, mine, mining, mine safety, mining fuses, mr. charles perry, perry's fuse factory, amy huxtable, w. c. vahland, crestknit industries, manufacturing, perry safety fuse, male, industries

Document. Copy of Bendigo Advertiser article (undated) titled ''Caps off to our Cousin Jacks'': Provides brief history of Cornish influence on mining in Bendigo, church affiliation and musical tradition; mention of John Groyne, Charles Perry, Thomas Edwards, Abraham Roberts, J Hocking, William Whitehair, James Curnow with B&W reproduction of photo (1913) showing group of approx. 35 people (named) welcoming Sir George and Lady Smith to Bendigo.bendigo, mining, early history. miners, john ennor. cornish miners. j. hocking. charles perry. abraham roberts. h. m. leggo. bendigo cornish association.

Charles Perry was born in Cornwall in 1832 and came to Victoria when he was 25. He and John Hunter established a fuse factory in Wattle Street. Perry designed and patented a safety fuse that he was then able to put into production in 1875. In 1889 the business was sold to Bickford Smith and Co., English fuse manufacturers, who continued to manufacture fuses until 1912. Perry was active in community affairs and served as a councillor for the Sutton Ward in 1902. He died in 1912 and the funeral was conducted from his home "St Leonards" in Don Street. 10563.6 "St. Leonards" in Don Street, Bendigo. Former home of Charles Perry, Safety Fuse inventor. B&W photocopy of the original B&W photo.bendigo residence, don street, bendigo

The Langley family owned Morningside at this time and took in paying guestsPhotograph of frame with oval photos plus etching on original frame which appears to be wooden Photos show a man and woman 'Charles John Perry' and Alice Maude May langleyCharles John Perry, Alice Maud May Langleypeople, langley, people, perry

119 p.; 22 cmnon-fictionTells us of various Parish churches, Bishops of Melbourne, Deaconesses, Location of Churches and various clergywilliam grant broughton, charles perry, edwin john davidson, church of st peter leongatha, church of st mary morwell

Halls Gap's First Wedding between Maud Langley And Charles Perry which happened at Morningside.Slide of a young man with blonde hair, dressed in a winged tipped collar,cravat and suit coat.people, perry

Halls Gap 's first wedding at Morningside between the lessee's daughter, Maud Langley and Charles Perry.Slide of a woman dressed in a high necked dress,the lady has brown curly hair.people, langley

John McKenzie Sutherland was taught Electricity and Magnetism at the Ballarat School of Mines. He later went on to teach the subject himselfHard covered school register with charcoal green tape spine. Inside is a handwritten class and attendance list.henry sutton, john m sutherland, john mckenzie sutherland, leslie de grut, allan perry, charles smith, urn reid, urn john reid, w g taylor, walter sporn, eric williams, henry davies, henry h davies, harold kennedy

Programme booklet - Official Opening of The Ringwood Cultural Centre by His Excellency, The Honourable Sir Henry Winneke, K.C.M.G., K.C.V.O., O.B.E., Q.C. Governor of Victoria - Saturday 19th April 1980. Includes Ringwood Arts Festival week of entertainment to be presented in the Ringwood Cultural Centre Karralika Theatre, Saturday 19th April 1980 to Sunday 27th April 1980.Mayor's Welcome Message - Cr. P. Gotlib. Sculpture: "Cassini" - Created by sculptor Charles O. Perry of Norwalk, Connecticutt, U.S.A.rinx

St James Church, "Church of the Pioneers", was the first Church, first Anglican Church, and is the oldest building in Melbourne. The foundation stone was laid in 1839 by the Superintendent of the District of Bourke, Charles La Trobe, later Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop Charles Perry was installed in the Cathedral in 1848 when its status changed to that of Cathedral. Its status changed back to that of a Parish church after 1891 when St Paul's Cathedral in Swanston Street was opened. St James is known as the "Church of the Pioneers" as it served as the place of worship, marriage, baptism and burial of many of the first families in the District of Bourke and the Colony of Victoria. St James Old Cathedral is of the most important historic value to the community of Victoria and to the Australian nation as the first Anglican Church founded within 4 years of the settlement of Melbourne. It represents and conserves the very earliest history of white settlement in Victoria and preserves the church associated history of the Pioneer families of Victoria in its collection of original records and artefacts. Late Neo-Georgian style stone church building with bluestone footings. Octagonal upper one storey bell tower housing eight bells supported by two storey square towers. Body of church has sloping roof and 4 stained glass ornamental windows on each of west and east sides with decorative sanctuary window to the north. Decorative Portico with columns on the north outside elevation. National Trust Commemorative plate on outside wall to right of east entry door.

This homestead was built by Charles Griffith on a 55,000 acre Run. It replaced an earlier dwelling which was a slab hut with a bark roof. Charles Griffith, an Irish barrister, with his friend, James Moore, settled on Glenmore Station in the Parwan Valley in 1840. Their partnership lasted until 1848. In 1846, whilst in Ireland, Griffith married Miss Jane Catherine Magee, then returned to Glenmore and later took his nephew, Molesworth Richard Greene, into partnership, which arrangement proved to be long and prosperous. In 1857, they bought runs at Mount Hope and Mount Pyramid, which they kept until the days of free selection. Griffith led an active and successful public life.He was a member of the new Victorian Legislative Council in 1851, and was later an elected representative of the Legislative Assembly 1853-1859. He occupied many important public positions, including that of magistrate for Bacchus Marsh. Griffith was a devout Anglican and hosted Bishop Charles Perry at his station near Bacchus Marsh in 1849. He died in 1863 at his home in South Yarra.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photograph shows a view of an extensive single-storey homestead consisting of three adjoining buildings, with a further building on the left of the main property. The series of three buildings is built in an elevated position, with pathways leading through a garden. At the front there is a vegetable garden which seems to be still in a state of development. The main house, possibly of brick, is set at an angle to the other two in this complex. It has a hip roof with a concave verandah on two sides with arched barge boards and simple unadorned pillars. There appears to be a hammock slung between two pillars. Two chimneys can be seen on this dwelling.The adjoining building is of a simpler design, with a lower roof line and a verandah running along the front. Two chimneys can be seen, one emitting smoke. This middle building may be a kitchen and rooms for day-to-day use. The third building is also of a simpler design, with a gable above a verandah. The purpose of this building is less clear. The different styles of construction suggest that these buildings were built separately at different times for different purposes. To the left of the main group of buildings is another cottage, smaller and of a simpler design. A fence runs along the front, clearly separating this building from the others, suggesting it may have been the dwelling of an overseer.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farms bacchus marsh, charles james griffith 1808-1863, glenmore station

Collection of photographs of Bendigo homes with Cornish connections: a. ''Helston'' - home of Richard Jennsion at Long Gully (with separate Obit. Attached - faded (over-exposed?) photo of front/side of house; b. ''Reawla'' - front of wooden house with very prominent palm trees behind picket fence - annotation in writing: '' named after Cornish village (now gone)'' (meaning??); c. front/side photo of ''Fentongrove'' California Gully - former home of Richard Williams - has separate portrait of bearded gent - no name but presumably Richard Williams? D. front/side photo of former home of John Harvey, Golden Square on un-named street corner (accompanied by copy of head & shoulders portrait of Mr John Harvey (poor quality); e. ''Cambourne'', brick home of Ambrose Dunstan, Long Gully with heavily treed garden. Accompanied by a copy of poor quality (newspaper) photo of ''The late Mr A Dunstan (taken when he was Mayor)''; f. front of brick home ''St Leonards'', Don Street, home of Charles Perry; g. copy of photograph of David Lanyon and wife Augusta in front of their miners cottage, Ophir Street. Some printed detail re the couple attached to photo copy.bendigo, history, historical homes

Charles Griffith was born in Kildare, Ireland in 1808. He studied at Trinity College, Dublin acquiring a B.A. in 1829 and an M.A. in 1832 before being admitted to practice as barister. In 1840 he emigrated to Australia arriving in the Port Phillip District in November 1840. Soon after arriving he and his friend James Moore formed a business partnership and acquired land in the Parwan Valley near Bacchus Marsh. This land had been in the possession of a Mr. McKenzie who agreed to sell his land and sheep to Griffith and Moore. The property they acquired came to be known as Glenmore. The partnership with James Moore lasted until 1848. In 1846, whilst in Ireland, Griffith married Miss Jane Catherine Magee, then returned to Glenmore and later took his nephew, Molesworth Richard Greene, into partnership, which arrangement proved to be long and prosperous. In 1857, they bought runs at Mount Hope and Mount Pyramid, which they kept until the days of free selection. Griffith led an active and successful public life. He was a member of the new Victorian Legislative Council in 1851, and was later an elected representative of the Legislative Assembly 1853-1859. He occupied many important public positions, including that of magistrate for Bacchus Marsh. Griffith was a devout Anglican and hosted Bishop Charles Perry at his station near Bacchus Marsh in 1849. He died in 1863 at his home in South Yarra. The diary is a detailed account of Griffith's voyage from Ireland to Australia and of his early months in Melbourne. After this it covers his early months establishing himself on his property, Glenmore, near Bacchus Marsh. The timeline of the diary stretches across 1840 and 1841. Griffith was an educated gentleman who made detailed observations about the environment he found himself in. The diary is particularly notable for Griffith's commentary about his interactions with people from first nations, and reveals some of his thinking about Colonial policies directed at first nations people. The diary also includes some sketches of individual first nations people along with some sketches of flora and fauna. The final part of the diary includes a glossary of Aboriginal words Griffith was familiar with. Digital file. PDF format. Digitised by State Library Victoria from photocopied pages of a hand-written transcription of the original diaries written by Charles J. (James) Griffith in 1840 and 1841.charles james griffith 1808-1863, diaries bacchus marsh, glenmore station, wadawurrung people, aboriginal australians bacchus marsh region history

The Orbost Workers' Band was started in 1889 by Donald and Archie Munro. The band folded after the town was devastated by floods in 1893. Charles Spink reformed the group in 1905. It split in 1908 and the breakaway band was named the Orbost Workers Band. The two bands, The Orbost Workers and Orbost Town Band would often compete against each other. Eventually, in 1913, the two bands amalgamated to form the Orbost Municipal band. The old Orbost Municipal Band recorded its last meeting in 1941 -a lack of effort and membership. The new Orbost Municipal Band was restarted by Clem Heather (a previous member) on Wednesday 20th September, 1961 and continued into the late 1980s when lack of interest caused it to become defunct. Members of the 1910 Orbost Workers' Band in the photograph are from back and left to right : Bill Whillance; Vic Lawless, Tom Reeves, August Redenbach, Alex Stirling, Bert McCoy, Bill Stirling, Ray Napier, Ted Swan, Albert Hight; George Jackson, Jack Richardson, Bill Clark, Wally Swan, Arthur Redenbach, Brick Richardson, Jack Healey, Dave Williams; Ossie Wehner, Charles Black, Val Perry, Charlie O'Brien, Arch Lavell; Tom Swan and Harold NapierThis is a pictorial record of the Orbost Brass Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A black / white photograph of band members with their instruments. In the fron row are two,small boys sitting on either side of a drum. Behind them is a row of young boys, the one on far left holding a small dog. Another row is kneeling behind them and a row is standing at the back with one man centre back by himself. They are all dressed in suits or uniforms. The photograph has been glued onto cardboard.on back - "Flavel, 1910"orbost-municipal-band spink-charles heather-clem

The building was designed by Charles Maplestone of Heidelberg, son-in-law to Anthony Beale of St Helena. Maplestone was a prominent architect who came out to Australia with his family in 1852. The foundation stone was laid by Mrs Isabella Maplestone on 11th November 1867. The bricklayers for the church were George Stebbing, H Limmer, H Spicer and a Mr Timm while Thomas Day was the stonemason. Another three years were to pass before sufficient money could be raised for its completion. It was opened by Bishop Perry on 1st November, 1870. The church bell which hung under a tree for 50 years until it was incorporated in the parish hall was brought out from England and presented by Charles Orme. In 1916, the estate of George Martin Pizzey left sufficient money to build the red brick hall, which still stands today (2023) though in January 1969 the hall and bell tower were badly damaged by bushfire. Coincidentally the former home of benefactor, George Pizzey was destroyed in the same fire. Of particular significance are the interior and exterior of the church, the Sunday school and hall with emphasis on pre-World War I fabric (excluding the 1990s additions) and the three coloured glass windows currently suspended in the 1990s entry foyer. In 2011 further alterations were made to the front of the Church. The church is historically significant because it was the oldest public building in the former Diamond Valley Shire, is amongst the oldest buildings in the Shire of Nillumbik and is associated with the early settlement of the Diamond Creek district. The church is historically, socially and spiritually significant because it has been a place of worship for over 150 years and continues to be, an important meeting place in the Shire. The church is aesthetically significant for the three stained glass windows executed by the noted stained glass manufacturers, Ferguson & Urie, as well as the supporting coloured glass windows in the church. The Sunday school & parish hall is architecturally significant because the hall is a well executed and preserved example of the work of noted church architects, North & Williams. It is historically significant because it is connected with local parishioner and Melbourne industrialist, George Pizzey, who bequeathed funds for its construction. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Estate Ntionl Trust of Australia (Victoria) Local significance Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p85 References: St Johns Anglican Church complex, Sunday School and Parish Hall 61 Main Street DIAMOND CREEK, NILLUMBIK SHIRE. (2023, June 7). Retrieved from https://vhd.heritagecouncil.vic.gov.au/places/64023 Diamond Creek, VIC. – St John’s Anglican (2023, June 7). Retrieved from https://www.churchhistories.net.au/church-catalog/diamond-creek-vic-st-johns-anglican This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, st john's anglican church, diamond creek, parish hall

University of Ballarat is a predecessor of Federation University.Hardcovedered book with paper cover with greay background and image of Ballarat and blue writing. ISBN:0-957-70338-4. by degrees, an illustrated history of university of ballarat, paul haynes, australian print group, anne beggs sunter, warren perry, clare gervasoni, carole seymour, toni lea-howie, david james, weston bate, patrick previtt, mary egan, william frederick longstaff, graham beanland, john brittain, julia margaret guerin, james oddie, charles howard beanland, alfred mica smith, dick richards, edgar john tippett, william thomas henry corbould, harry elphingstone, matthew griffith beanland, e.j. barker, sir redmond barry, thelma rungkat, john sharpham, morgan john, harold trudinger, sr therese power, . bill gribble, ron wild, alfred johnston, john wotzko, henry sutton

These bottles were used at the pharmacies in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.Medicinal bottles are probably the largest and most diverse group of bottles. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost.Six large glass bottles - four clear and two green. All have narrow necks with glass stoppers and are clearly labelled with black print on a white background. Each of the the two coloured glass bottles have a fluted surface. These apothecary bottles were used to dispense medications and also for show or display purposes. The labels under glass bottles had a recessed section that the label was placed into. The label was then covered with a thin piece of glass to prevent the label from becoming damaged by the bottles contents. 3210.1 - "MIST ; OXYMELLIS : CONC : 1 TO 4" 3210.2 - " OL : CARBOL : 1 IN 10" 3210.3 - "SPT. CAMPHOR" 3210.4 - "MIST : CASCARA: CONC: 1 - 4" 3210.5 - "MIST : STRYCH: c. AC : PHOSPH CONC : 1 - 4" 3210.6 - "PIG : MANDL : ": bottles-pharmaceutical chemists-orbost medicine

These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.Medicinal bottles are probably the largest and most diverse group of bottles. The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost.Two clear glass bottles with stoppers. 3210.13 has a paper label taped on. 3210.14 has an under glass white label framed in black and with black print.3210.13 - on paper label - "Ephedrine HCL Solution 200 gm / 10 ml" 3210.14 - on label - "AQUA : ANIS I: CONC 1 IN 80"medicine zimmer-john pharmacies-orbost apothecary-bottles

These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. The tin was designed and used by the Colonial Sugar Refining Co. to store and sell golden syrup which is a by-product of cane sugar, molasses and treacle. The practices of early pharmacists are revealed through these items. The items have a clear association with Orbost.3210.15 is a rusty tin of CSR Golden Syrup. It is a yellow, red, brown, white tin with a black lid. used to sell and store golden syrup. The kilogram tin has the words 'golden syrup' printed in large red letters. There is a recipe for ANZAC BISCUITS on the back of the tin. Inside two concentric circles - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN" around a drawing of a sugar refinery. 3210.16 is a glass jar with a black metal lid. It contains small beakers, rubber tubing, stoppers and vials. on front in red print - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN ; CSR GOLDEN SYRUP ; GUARANTEED PREMIUM QUALITY ; NET 1KG ; SEE BACK FOR DELICIOUS RECIPE"pharmacies-orbost zimmer-john tin-golden-syrup medical-equipment