When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Piece of a china plate, white with the Black Ball Line insignia in black. Glazing is crazed. Recovered from the wreck of the Schomberg. Inscribed on front "LIVERPOOL BLACK BALL AUSTRALIAN PACKETS" and on back "DAVENPORT" Logo of a flag, Guidon shape, with a black ball on it.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, china, china fragment, black ball line motif

When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Piece of China bowl, white with knotted blue rope design around outer rim. . Recovered from the wreck of the Schomberg. Painted [blue knotted rope motif]warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, china bowl, bowl fragment, blue knotted rope motif

This fragment is a piece of a cup that came from the Criterion Hotel in Warrnambool. This hotel, on the western side of Kepler Street near Lava Street, Warrnambool, was opened in 1872 with John Tate as the first licensee. Two notable families associated with the Criterion Hotel were the Humm family, (late 19th and early 20th centuries) and the McGennan family ( from the late 1920s on) The name on the fragment is that of Theresa Lynch who was the licensee of the hotel from 1919 to 1926 and the owner for most of that time. The hotel was closed in 2008 and, following a fire, the building was demolished in 2013.This fragment is of interest as it is one of the few items we have that date from the time of Theresa Lynch and the Criterion Hotel.This is a curved piece, one half of a white china cup. The fragment has been broken and mended. The fragment has imprinted on it in a red circle the name of a Warrnambool hotel and its proprietor. ‘Lynch’s Criterion Hotel Warrnambool’ theresa lynch, warrnambool

This plate fragment came from the Hotel Mansions in Warrnambool. This building was opened in 1890 as the Grand Ozone Coffee Palace (a temperance hotel) and it was at the corner of Koroit and Kepler Streets in Warrnambool. It was built by a company of local businessmen and was leased out. In 1891 the Coffee Palace was granted a wine licence. In 1895 Thomas Randall was the proprietor and it was re-named the Ozone Hotel. The building was closed in 1915 and re-opened in 1920 as the Hotel Mansions. In 1923 the Hotel Mansions became a fully-licensed hotel. In 1929 it was destroyed by fire and the present day Hotel Warrnambool was built on the site. This plate fragment is significant as it came from the Hotel Mansions in Warrnambool and was probably recovered from the fire that destroyed the building. The Grand Ozone Coffee Palace/Ozone Hotel/Hotel Mansions was the grandest building ever erected in Warrnambool and its destruction by fire was a major loss to the town. This is a piece of a white china plate. On the side of the plate is embedded the name of the hotel in a circular pattern. The plate fragment is badly stained and crazed. ‘H D Hotel Mansions’ ‘Ironstone’ grand ozone coffee palace/ozone hotel/hotel mansions warrnambool

The Hotel Mansions was formerly the Grand Ozone Coffee Palace, erected in 1890 at a cost of around ten thousand pounds at the corner of Kepler and Koroit Streets by a group of local businessmen and leased out. Within 12 months of construction, it was granted a wine licence and was renamed the Ozone Hotel. Coffee Palaces were temperance hotels which were popular in the latter part of the 19th century. They offered recreation and superior accommodation. The Ozone Hotel operated until 1915 and was then closed before re-opening in 1920 as the Hotel Mansions. It had major renovations including a large theatre area. February 23rd 1929 saw the most spectacular fire in Warrnambool's history when the Hotel Mansions was burnt to the ground. Evelyn O'Brien was granted a temporary licence and in September 1930 she was given permission to rebuild. The new hotel, named Hotel Warrnambool was opened in March 1931. This piece of china is a relic from the fire.This piece of china is a small relic from the biggest fire ever to occur in Warrnambool and as such has strong historical significance.Fragment of burnt white, china plate from Hotel Mansions. There is a Hotel Mansions symbol etched inside an oval design on the front of the plate. The hotel side plate, heavily crazed and brown stained on both front and back.Stamp of "Ironstone Ch..." on back also an etched, sand blasted Hotel Mansions on front too faint to photograph effectively.warrnambool, ozone coffee palace warrnambool, grand ozone coffee palace, hotel mansions warrnambool, fire at the ozone, ozone hotel

Chinese rough stoneware dish, in two pieces that has been repaired. One fragment missing.. Terracotta colour.Chinese characters stamped on the bowl of the dish.dish, chinese, goldfields, stoneware

Brown stoneware jar. Has a lip opening,the lid is missing. Reconstructed from many large fragments. several small fragments missing. Four elongated attachments positioned below the lip of the jar.jar, chinese, stoneware, goldfields, buckland valley

On 6 December 2018, a recurring event was organised at the Mission. From the Multicultural website: "Meeting at the Seafarer’s bridge on the Yarra, you will be welcomed into a little-known site nearby, a sanctuary for seafarers for the last 100 years and a symbol of old-world generosity amidst the rapidly shifting landscape of the Docklands. A journey through the quirky spaces at Mission to Seafarer’s site through a compelling contemporary ritual performance. The Echoes Projects artists evoke fragments of stories embedded in this site through mesmerising live soundscapes, movement and imagery. Ria Soemardjo, Janette Hoe and Pongjit (Jon) Saphakhun collaborate to create an ongoing exploration of contemporary rituals in response to urban sites in Australia. Based in Melbourne, their contemporary performance work draws deeply from their personal connections to Thai, Chinese and Indonesian ceremonial traditions. Featuring Intricate rhythmic compositions inspired by the rich heritage of Indonesian and Middle Eastern musical traditions, performed by Ron Reeves and Matt Stonehouse – two of Australia’s foremost world music percussionists. Note: 7 PM and 8 PM sessions include delicious vegetarian Indonesian food. 9 PM session includes Indonesian and Thai cakes and sweets. You are invited to stay and eat after the performance, drinks available for purchase at the venue. Performers: Janette Hoe – dance artist Pongjit (Jon) Sekhukhune – actor Ria Soemardjo – musician Ron Reeves – musician Matt Stonehouse – musician /instrument maker Supported by the City of Melbourne Arts Grants Program Details: 6 Dec 2018 (Thursday) Sessions: 7 PM, 8 PM & 9 PM The Mission to Seafarers Audience Meeting point – next to the entrance of the Seafarer’s Bridge, Siddeley St, Docklands. Wheelchair accessible venue. Bookings essential. Tickets: $10 – $15 via Eventbrite. Ticket price is purely to pay for the food element. Companion Card ticketing available. Please contact Multicultural Arts Victoria for ticketing options. Companion ticket will allow admission only. The Seafarers Welcome is presented as part of Mapping Melbourne 2018."The Mission has always welcomed artistic events Colour programme of events with illustrationstop right corner: Multicultural Arts Victoria lower left corner: MAPPING MELBOURNE/1-15 DECEMBER 2018arts, events, multicultural arts victoria, the seafarer welcome, echoes project, 2018, cultural events, community

From the collection of the late Dr. Georgina Sweet, who was the first woman veterinarian in Victoria and who travelled extensively in Middle Europe in the Early 20th century.Green silk, embroidered silks in blues and golds. Dragon with some metal threads. Fragile.embroidery, surface stitchery, china, silk embroidery, oriental, fragment

Acquired by friends of the donor who were missionaries in China.Bound piece from Chinese Mandarin's robe. Silk and gold embroidery on green silk. It has a number of symbolic motifs and a major sized 4 fringed dragon which denotes a person of high rank. Piece is bound with black silk.embroidery, china, garments, silk embroidery, early 19th century, dragon

Slips were applied/stitched to Chinese garments.Six floral motifs and one butterfly. Embroidered in pekin knot, satin stitch and couched metal threads. The slips are glued to a rectangle of paper. embroidery, slips, china, fragments, silk embroidery

The piece was worked by a school child and sold to the Donor by the proud grandmother.A square of Black fabric with white cross stitch pattern. Cross worked disregarding fabric threads.embroidery, cross stitch, furnishings, 1980-2000, china

Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war. vietnam war, 1961-1975- personal narratives, australian army

Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war.vietnam war, 1961-1975- personal narratives, australian, australian army, indochina

Found at Wet Flat ("Chinaman's Flat") near Linton, an area once occupied by many Chinese miners. This object was once thought to have been the lid of a container (possibly one used for storing snuff) and it is sometimes referred to as the "Chinese tin lid".Small, flat, rectangular piece of metal on which Chinese characters have been inscribed. It is understood that the fragment may once have been part of a container used to store tea leaves or spices. Three characters are inscribed, the top one is indecipherable due to wear, the middle one denotes a place (Candong province in China), the third denotes a successful business.containers, chinese miners, wet flat

Historical lift out. Newspaper. Titled RECOLLECTIONS Pictorial Lift out 1990.1 looking down Mitchell St. from Railway Bridge. 2 Original railway station viewed from Mitchell St. bridge. 3 The great extended Hustlers mine. 4 1873 photo recently extended town hall with corn exchange at front left. 5 looking north westerly from city rec reserve at royal hustlers. 6 children play on mullock heap in front of a view of westerly quarter of Sandhurst. 7 Bank of Victoria, Mitchell St. left is Bendigo's original post office. 8 Looking down from what is now Rosalind Park. Shamrock Hotel can be seen on corner of Williamson St. and Pall Mall. This photo predates the construction of post office and law courts. 9 girl eating fairy floss. 10 4 kids on 1 horse in procession. 11 monkey and pedal car, a novelty attraction 1940's. 12 pony rides. 13 flying horses (ride). 14 processions past city hall. 15 Original ANZ bank corner Williamson St. & Pall Mall. 16 Chinese Dragons Bendigo Easter Fair 1940's. 17 City Hall viewed from Bull St. 18 City Hall original ceiling. 19 new town hall 1861. Mike Butcher, local historian. 21 Interior plan of city hall (ground floor) 22 circa 1920's 23 Tattered fragment original architect's drawing. 24 original assembly room. 25 Camp Hill PS Shamrock hotel without top story 27 shop with signage advertising Bushells, Bex and Swallow's Biscuits. 28 View from where fountain is now. 29 Hargreaves St. Looking south, now Hargreaves mall. Horse drawn water tank watering down road. 30 Central Deborah Gold mine poppet head. 31 Borough town hall, tram ways. 32 Original ANZ Bank corner Williamson St. and Pall Mall, demolished in mid 1960's. 33 Bush's store corner Williamson and Myer streets.34 Men on boat, don't know what or where. 35 Shearers. 36 men on a three wheeled bike. 37 4 Gold miners with shovels. 38 6pm closing, no trade Sundays, no women in main bar. 39 Peaceful scene Castlemaine 1940's Photographer Allan Doney. 40 Qantas Jet the City of Bendigo Tullamarine Airport. BCV-8 camera man & Advertiser photographer. 41 Ladies. 42 Tennis -> men and women (women in hats). 43 Sandhurst footy team. 44 Early school photos.bendigo, history, photographic history