CHINESE TEMPLES IN AUSTRALIA VOLUME 1 MISSING7.7.2022Dr Kok Hu Jinchinese, temples, chinese temples, history, chinese in bendigo.

Photocopies of Chinese temples, the first one showing ceremonies at the Chinese temple South Melbourne and the second the Chinese temple at Ironbark, Bendigo. The two copies are on the same page and are of poor quality.chinese

Small book with chinese temple photograph tinted in orange hue.non-fictionAgnes Cleverley writes about her life with her parents in China where they settle as missionaries.reverend kerr johnston, 1812-1887, agnes cleverley, mary danne

Article on Chinese temple gong used in opening of 1967 Nunawading Arts Festival. Copy from Jessie Williams, Nunawading Gazette 4 October 1967.chinese temple gong, nunawading arts festival, williams, jessie, sutherland, leslie j, kathy

Black and white photograph of 4 shelves with ornamental cats of various sized and shapes including Chinese temple dog type. Two Staffordshire style. More likely dogs rather than cats. Inscriptions: on back - 'part collection of cats' Lydia Chancellor, Taraxville, Golden Square. History: part of Lydia Chancellor's collection of cats.topic, objects, collection of ornamental cats, lydia chancellor, cats, ceramics, pottery

During the first goldrush of the 1850s, Chinese miners referred to the Bendigo region (then Sandhurst) as Dai Gum San 大金山 - literally 'Big Gold Mountain'. The Golden Dragon Museum is situated in the city of Bendigo, Victoria, Australia. The museum is dedicated to the culture and history of Chinese Australians, particularly in the region. Built on the historical site of one of Bendigo's Chinatowns, the museum's precinct also includes Chinese Gardens and a temple to Kuan Yin. Through the museum accreditation program, it was the first accredited museum in Victoria and opened in 1991. These plans are the original plans before the the Golden Dragon Museum was built on its current site.Dai Gum San Concept Plans - Chinese Tourist Village Bendigo Victoria - 4 Sheets in colour by Stephenson and Turner Victoria Architects and Planners Sheet 1 Concept Plan and Developed Site Plan Sheet 2 Arts and Crafts Buildings Sheet 3 Restaurant, Historical Museum and Temple Complex Sheet 4 Motelhistory, bendigo, eaglehawk, chinese, chinese museum, dai gum san

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. Back panel is painted design of two men. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. Silk macrame fringe and tassels to central panel and padded lotus and bowl motif hanging tassel from side panels. Velvet lettering applied to front "CHINA" CHINA /beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.The banner has a narrow fuchsia embroidered top border, a wider embroidered panel depicting 2 dogs with embroidered Chinese text and a larger lower panel with the embroidered text “PRESENTED TO THE CHINESE OF BEECHWORTH BY THE COMMITEES OF THE PUBLIC INSTITUTIONS (missing) THAT TOWN IN COMMEMOR (missing) OF THE CARNIVAL 1873” The 2 lower panels have narrow decorative borders decorated with mirrors and extensive embroidery. There is an additional embroidered tab running along the right hand edge. The bottom edge has a wide knotted fringe. The back is lined with fabric decorated with a painted scene. Refer Attachment 1 quote ARTLAB AustPRESENTED TO THE CHINESE / OF BEECHWORTH BY THE / COMMITEES OF THE PUBLIC / INSTITUTIONS THAT / TOWN IN COMMEMOR / OF THE CARNIVAL 1873beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

Chinese society on Bendigo Goldfields Bendigo Joss HouseNational Trust Collection: Bendigo Joss House 3218 A - 01 June 1965 letter to Consul of the Republic of China concerning the 19th Century Joss House, seeking assistance to restore of the building 3218 B - 30/06/1968 notes from the NT Victoria to Central Victorian Branch regarding various aspects of the Bendigo Joss House 3218 C - 06/01/1965 five dot points from the NT Central Victorian Branch Exec mtg confirming the Branch does not consider it viable to move the Joss House to a new site involving new fencing and funding of this proposal. 3218 CA - 22/06/1965 letter between NT Victoria from NT Central Victorian Branch, supporting the preservation and restoration of the Bendigo Joss House 3218 D - undated NT Central Victorian Branch Teacher's guide to using the Bendigo Joss House Education Kit 3218 E -- undated, three page extract from Hemisphere - Asian Australian Monthly, August 1970 - The Birth of Sun Loong, by Keith Dunstan 3218 FA - Annals of Bendigo 1859 impost of a £10 tax for every Chinaman coming to the colony, in addition to a residency tax of £4 per annum. The residency tax was later abolished. 3218 FB - undated four page typed document entitled The Chinese on the Goldfields. 3218 FC - undated Building Citation for the Chinese Masonic Hall erected in 1960's, it was worshipped in by the Chinese Masonic Society. The sheet describes the building as The Main Temple is in the centre with a portico entry and is flanked by the Ancestral Temple on the right and a caretaker's residence. 3218 G - Bendigo Advertiser 19 May 1856 - three page document entitled Opening of a Chinese Temple, A Chinese god and The Chinese. 3218 H - Sunday 2 April 1972 at 5:15 PM, an official invitation (to Mr. F J Randell) from the National Trust of Australia (Victoria) and the City of Bendigo to the Opening of the Bendigo Joss House, to be opened the Hon. R. J. Hamer Deputy Premier and Chief Secretary of Victoria. 3218 IA - NT of Victoria cites an extract from the "Macau Gazette" 15 June 1972: of the dozen or so alters, one will be dedicated to A MA, the founder in a spiritual sense of Macau. Known popularly to the boat people as TIEN HOU, this Taoist deity ... and her temple was one of the last sights seen by hundreds of Cantonese who sailed to the new world from the old. 3218 IB - one page incomplete letter dated 4 June 1973, writer unknown; supplies for the Joss House 3218 IC - two page undated list of panels and hangings for the interiors of the Joss House and ten dot points on doing good painted in gold on a pair of large vertical panels. 3218 J - 15/03/1970 a single hand-written foolscap page, written by Albert Richardson; on the Chinese Joss House a description of the furnishing of the Joss House 3218K - a single page typed Building over two paragraphs for the Bendigo Joss House erected in the 1860s. 3218 L - 2/08/1985 four page notes for a talk on the Bendigo Joss House by Dr. Constant Wong 3218 M - four page from the NT of Australia (Victoria) research into the Bendigo Joss House, from the Crown Lands Department records, aerial photographs, local history and oral accounts. Presented by C. Kellaway 1/08/1954. 3218 N - undated three foolscap page typed notes (with comments in blue) from the NT of Australia (Victoria) covering the history of Chinese Religion, Hunan Gung( the god worshipped at the Bendigo Joss House) the Chinese on the Bendigo Gold fields and projected cost of restoration of $3,430.00. 3218 O - undated three page typed notes (with comments in ink) from NT (Victoria) on Chung Jung Cultural Society bendigo joss house, chinese on the bendigo gold fields

A number of rubbings of calligraphic carvings thought to be from the Ballarat East Joss House in Main Road. .1) Blue and brown crayon. Translation: Erected on an auspicious day in winter 1859. Think of his loyalty (Quan Yu, now can canonised as the god of war to whom this temple is dedicated) (AD1084) to his sworn lover their sworn botherhood pledged in the peach garden as has been praised for thousands of years. .2) Rubbing in blue crayon of Chinese calligraphy from pole on right hand side of Joss House Door. (Larger) his great graciousness spreads to other (us here in foreign lands) kingdoms, and his virtue guards our gold miners everywhere. (Smaller) Dedicated to his disciples the Chu Pei-Huo family .3) Rubbing on litho paper. translation - One who knows the nature of things (in the world) will thus understand human nature. .4) Rubbing on litho paper. Translation of middle calligraphy - We all behold the wisdom of the gods in the heavens, earth and man. .5) Rubbing on litho paper - translation - The grace of god flows to all corners of the earth. .6) Charcoal rubbing - translation - Temple of the god of war. .7) Crayon rubbing of calligraphy on litho paper. Translation - Dedicated by the Ma Chu-Feng family. Emperor's virtue spreads far and wide. Grace in Abundance. Erected in winter, 1859. .8) Crayon rubbing of calligraphy on litho paper. Translation: Respectfully dedicated by the Ts'Ai Chi-Yang family. Grace in abundance. Erected in winter of 1859. .9) Crayon rubbing .10) Outline of calligraphy on copy paper .11) Rubbings of calligraphy on copy paper. Translation: The Holy God of War. Exhibited in 1862. Your respectful disciples. .12) List of 11 disciples chinese, joss house, keith rash, chu pei-huo, quan yu, ma chu-feng, ts'ai chi-yang, lee chua-yeh, hwong tien-jyue, wa perg-nan, liu chin-chuson, an lee factory, lice hsue-chiere, lee mei-tzy, lee pas-chi, lui lih-nie, wir hon-fu, li hsi-yang

This photograph was taken during the late 1800s at the Chinese camp at Beechworth, Victoria. It was in camps such as these that many would-be gold miners made their home after arriving in Australia from across Asia. After arriving in South Australia where there was no poll-tax required of migrants as was the norm in Victoria and New South Wales, those looking to settle on the gold fields walked en mass overland for hundreds of kilometres before arriving in destinations such as Beechworth. Due to widespread prejudice against Chinese gold diggers they were forced to live separate from the town and developed enclaves much like the one depicted in the photograph. As the years progressed the Chinese camp began to construct more permanent structures and included temples of worship, shops and separate burial grounds. This photograph demonstrates the early multi-cultural aspects of Australia and Victoria during the late 1800s. It also showcases pressures and prejudices specific to the Chinese migrant community and the measures taken to separate them from the rest of the predominantly white community. It also reflects the gold-rush period and one of the first draws to Australia due to its mineral wealth. Black and white rectangular photograph developed on paperObverse: None Reverse: From the/Chinese Camp/84-80-1/1997-3221chinese camp, beechworth, houses, immigrants, gold mining, gold rush, late 1800s, chinese, asia

This set was given to Mr and Mrs Henry Powell by Herbert's Store when their account was finalised. Herbert's Snowy River Store was at the lower end of Nicholson Street in Orbost. Lancelot and Martha Herbert had purchased temple's Store and added to it. .I is a white vase decorated with a motif of a kookaburra sitting on a branch. the rim is gilded. .2 is a milk jug with a spout and handle and decorated in the same way. .3 Is a smaller cream jug with the same motif.Zeh Scherser with a crown above Bavaria On base of .1 is 15 ; on base of .2 is 45 0846 0846 pocelian china tableware teaset household-items snowy-river-stores powell-henry

White plate with gold painted design of temple flanked by two dragons with mountains underneath and clouds surrounding. "PMA 0290/1" Sticker on reverse side "Made in the People's Republic of China"

Metal medallion in Asian style box with red felt. Medallion features temple design on one side and goats on the other "Guang Zhou China" "PMA 0244/1" on box "PMA 0244/1" "WMA 78"

1/A photocopy of a typed document of notes, source and date unknown, describing a brief history of the former Methodist Church in Grange Road, GlenHuntly. 2/Two colour photographs dated November 1980 of the front and side view of the church, and two undated photographs of the foundation stones, laid 1922 for the church and 1932 for the brick hall. 3/Also a newspaper article by Andrew Molloy dated 25/02/1990 discussing development options for potential buyers, source unknown.glen huntly, smith a. w. f. mr, foundation stones, grange road, molloy andrew, land sales, glen huntly road, methodist church, auctions, wattle ave., uniting church, churches, king f. l mr., presbyterian church of eastern australia, monuments and memorials, temples, religious ceremonies, chinese community, real estate agents, commercial development, residential development, child care, glen huntly post office, official buildings, weatherboard buildings, clergy, church residences, meeting rooms

Sandhurst's 1871 population included the second largest number of Chinese nationals in the state, at 734. Some left a lasting mark including at the Joss house temple which celebrated its 150th anniversary. The history includes the mystery of the single Chinese woman recorded on the goldfields in 1871.Bendigo Advertiser half page article with photo of volunteer Wendy Brotheras, honouring China's links to Bendigo at the Joss House as the temple celebrates 150 years.bendigo census 1871, joss house

Land for the Bendigo Chinese precinct was set aside by an Act of parliament' Bendigo (Dai Gum San Village) Land Act 1975' to be administered by the Bendigo Trust. The cultural precinct includes the Golden Dragon Museum, Yi Yuan Gardens and the Kuan Yin Temple.DAI GUM SAN BENDIGO'S BIG GOLD MOUNTAIN - CHINESE VILLAGE TOURIST PROJECT Softcover booklet with red cover and black and silver printing. Booklet contains 31 pages with description of the project to be built and outlining the benefits to the community. Also contains colour photographs.The Bendigo Trustchinese

Diggers & Mining. Gold. Slide si of a 'joss house' with some Chinese people outside and one in the doorway. A 'joss house' or temple was a feature or many Chinese camps. Markings: 14 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Coloured booklet of various scenes and buildings in and around Bendigo, titled Bendigo Victoria's Golden City. The front cover has a scene of Charing Cross looking towards Pall Mall. Inside the front cover is a very brief history and some Historical Buildings are mentioned. They are: Fortuna, Shamrock Hotel, Gold Mines Hotel, City Hall, Post Office, Law Courts, the Home for the Aged, Sacred Heart Cathedral, St. Paul's, Specimen Cottage, Log Lock-up and the Chinese Joss House. The coloured pictures inside are: The Central Deborah Gold Mine, Fortuna, Miner's Cottage, The Gold Mines Hotel, Victoria Hill, Bendigo Law Courts, Eaglehawk Log Lock-up, Look-out Tower Rosalind Park, Alexandra Fountain - Charing Cross, Conservatory Gardens with Law Courts in background, Inside the Conservatory, Bendigo Home & Hospital for the Aged - Victoria's 'White House', Sacred Heart Cathedral, Chinese Joss House, Chinese Joss House - Interior of the Main Temple, Bendigo Pottery - Potter at work, Bendigo Municipal Offices, Bendigo Institute of Technology at Flora Hill, Mt. Alvernia Hospital, Cobb & Co Coach, R Class Locomotive, Bendigo Tramcar, Lake Weeroona and Lake Eppalock Pumping Station. Some more attractions are mentioned inside the back cover. On the back cover is the Cenotaph - the only scale replica of the Whitehall Cenotaph - and Alexandra Fountain by night.Nucolorvue Productions Pty Ltdbendigo, tourism, photographs of bendigo icons, bendigo - victoria's golden city, fortuna, shamrock hotel, gold mines hotel, city hall, post office, law courts, home for the aged, victoria's 'white house', sacred heart cathedral, st paul's, specimen cottage, log lock-up, chinese joss house, charing cross, cenotaph, alexandra fountain, centra deborah gold mine, army cartographic unit, miner's cottage, harvey town, victoria hill, look-out tower rosalind park, conservatory gardens, conservatory, bendigo pottery, bendigo municipal offices, bendigo institute of technology, mt alvernia hospital, cobb & co coach, r class locomotive, bendigo railway station, bendigo tramcar, lake weeroona, lake eppalock pumping station, art gallery, historical museum eaglehawk, melville's caves, whitehall cenotaph, nucolorvue productins pty ltd, national library of australia

Two small brochures for the Golden Fragon Museum, Bendigo, classical Chinese gardens and Kuan Yin Temple.bendigo, chinese, dragon museum

Bendigo Joss House. Altar in main temple.Nucolorvue Productions Pty Ltd.chinese, altar in main temple, altar in main temple at the bendigo joss house.

This file contains 10 items about the history of Glen Huntly: 1/6 photocopied pages from ‘The History of St Kilda’ which relates to the place name Glen Huntly, and the Quarantine graves, date unknown. 2/2 photocopied pages from the ‘Sun Pictorial’ dated 13/4/1928 and 12/4/1928; relating to the state of the graves at Point Ormond and their re-internment to St Kilda Cemetery. 3/1 pen and ink sketch of graves at Point Ormond from the State Library Victoria. 4/3 pages taken from a website on the re-internment of graves and some social history as to the reason that the new emigrants were coming to Australia. The Article also has 7 photographs. 5/2 newspaper articles on the ‘Glen Huntly’ descendants forthcoming reunion being held on 21&22/4/1990. 6/1 article reprinted from newsletter no. 22 October 1983 on the barque ‘Glen Huntly’. Also details of passengers who died and the burial of 3 at Point Ormond. 7/1 handwritten document (unattributed) taken from ‘Migrant ships for South Australia 1836-1850’ by Ronald Parsons. 8/1 pamphlet commemorating the 150th anniversary of the ‘Glen Huntly’ arriving in Melbourne. It gives information about the ship, passengers, memorial in St Kilda Cemetery and upcoming descendants’ reunion. 9/1 program of commemoration events 21&22/4/1990. 10/1 piece of art work for a ‘Welcome to Glen Huntly’ sign, featuring a ship. Undated, unattributed and source unknown.‘glen huntly’, buchanan captain, fever ship, emigrants, cummins ann, st kilda cemetery, bowman mrs, caulfield, craig john, cameron miss, mcgonagle mrs, elsternwick, armstrong george, mathers james, the glen huntly pioneers memorial, jones alfred ramsey, st david’s uniting church (grange road), glen huntly, glen huntly road, lake street, glen huntly state school, glen huntly presbyterian church, south caulfield, mernda avenue, garden avenue, grange road, jenkin (boss) william, wattle avenue, chinese joss-house, smith a.w, glen huntly post office, foundation stones, king f.l, methodist church, trinity congregational church, greek orthodox church, salvation army temple, wanalta road, st anthony’s roman catholic church, st agnes’ anglican church, booran road, st david’s uniting church, el nido grove, manses, royal avenue, munster avenue, james street, rothschild street, neerim road, organs, peace memorial organ, railways, marara road, curraweena road, booran road, bambra road, rosstown railway, murray-ross william, leila road, murray-ross leila, ‘the grange’, north road, wild cherry road, ‘rosstown’, picture theatres, manchester grove, aerodrome, lord reserve, neville street, lyons street, morgan street, rosedale avenue, rifle clubs, glen huntly infant welfare centre, watson grove, rowlands drapery, drapers, bones plant nursery, nurseries, elsternwick railway station, railway stations, kooyong road, glen eira road, truganini road, rosstown sugar works, ross murray, street names, typhoid, diseases, death and dying

Main Street Procession c1900 in front of Methodist Church looking East. Constable on Horseback visible. Possibly the Ballarat dragon making the date 1906 or it could be the Chinese See Yup Society Dragon, the head of which is still preserved in their South Melbourne temple. Businesses from left, Carters Boot Shop, Post Office Hotel, G. Mahanke Bakery, J.H. Stabb Stawell Coach Factory, Speedwell Cycles, W.J. Jenkinson Bootmakers, Bone Saddle & Harness Factory, W. Whiteside Taylors. Big Hill is visible in background and possibly the Market Building roof above the G. Mahnke sign. Sop In Trove the only mentions of a Chinese parade at Stawell was for Easter Monday 1906, and this occasion did feature a dragon – the costumes, banners, and dragon appear to have been borrowed from Melbourne, and it is suspected that this was the See Yup Society Dragon, the head of which is still preserved in their South Melbourne temple. At the time that this photo was taken there were only three Chinese communities in Victoria which are now known to have had parade regalia and a dragon – Bendigo, Ballarat, and Melbourne. The Melbourne dragon was the smaller of these, and that seems to match with what you can see in the photo, as does what appears to be a striped horn (frustratingly the pole obscures most of the dragon’s face). All three dragon heads still survive today, as does some of the original parade regalia, but Bendigo’s collection and dragon is the most complete. The remains of the See Yup Society collection have still to be properly studied and conserved. I would also note that if this photo was from Easter Monday 1906 then Bendigo and possibly Ballarat Chinese communities would not have been able to make their dragons available as both would have been preoccupied with their own towns’ Easter festivities. Photo taken from the Town Hall balcony of procession looking towards corner of Wimmera Street stawell businesses streetscape, chinese

Probably obtained as a trophy from the Boxer Rebellion in 1900-1, ChinaCase: wood, glass; Gun: wood, ironChinese inscriptions translated read: Manufactured by De-Sheng Gun & Cannon Factory; Feng-Shen-Miao, Tianjin; De Sheng means Virtue & Victory & Feng Shen Miao means Wind God Temple

Colour photo of a group of Legacy widows in Beijing China. Melbourne Legacy would help arrange tours and day trips for the Widows clubs. This was a tour in 1993 that went to China. There appears to be about 50 ladies in the photo with a two tour guides. From the sign it appears it was taken on 23 June 1993. The tour was run by Interasia Tours and advertised in The Answer. It was an 8 day tour to Beijing and covered places such as Temple of Heaven, Tiananmin Square, Forbidden City, Summer Palace, Ming Tombs and the Great Wall of China. It was fully inclusive and only $1,449 per person twin share.A record of outings and activities being provided for the widows.Colour photo of widows in Beijing China in 1993, in a souvenir folder.Cardboard folder is labelled 'China Beijing Swan Promotion Co Ltd.' Photo includes a sign saying 'The Palace Museum Tai He Dian Hall 1993/6/23'.widows, souvenir, beijing, answer

The chinese called the rich goldfields in the heart of Victoria Dai Gum San, Big Gold Mountain. A place of untold wealth and promise. Today Dai Gum San is a rich Chinese Cultural Centre and Chinese precinct in the centre of Bendigo which links the Golden Dragon Museum with the Yi Yuan Gardens and Kuan Yin Temple. The gardens are a place of peace and beauty and the Kuan Yin Temple is a stunning home for the goddess of compassion.Squarish piece of quartz with printed plaque attached to front face. Dai gum san / In appreciation of your contribution / to the development of the / Bendigo Chinese Precinct / August 2010dai gum san, bendigo chinese dragon, golden dragon museum, city of greater bendigo heritage attractions

Chinese participation in the Bendigo Easter Fair is a rare surviving cultural practice of Chinese involvement in similar events, which also took place in Melbourne, Beechworth, Ararat, Ballarat and other gold mining towns in the nineteenth century. According to Chinese tradition the dragon is a mythical creature with the attributes of a number of animals. The dragon has associated regalia in the form of a pearl (or teaser) and a flame. In procession, dancers carrying Loong's pearl and flame preceded the dragon. The pearl was intended to entice the dragon to join the procession and encourage him to play while the flame symbolised the power of the dragon. The pearl and flame were imported from China, possibly in the nineteenth century. The Easter Fair has since 1871 raised money for the Bendigo Benevolent Home and Asylum and the Bendigo Hospital. The Chinese took part in the annual Easter Fair celebrations from 1879, providing traditionally dressed actors and dancers for the procession in the streets of Bendigo. From 1892, a dragon provided a focus for the Chinese contribution to the festivities and was extremely popular with the whole community. Two large dragons and one small dragon participated in the Federation celebrations held in Melbourne in May 1901. It appears that one of the large dragons was Loong and the other large dragon may be the one now held at the See Yup temple in South Melbourne. There is slight doubt as to the date the present Loong was made and imported from China as there were a number of dragons in use in Bendigo and Melbourne at the time, and there are contemporary newspaper reports from Bendigo and Melbourne of dragons and regalia being imported in 1892, 1901 and 1906. Ceremonial dragons are fragile items made of organic materials and some of the dragons described in contemporary sources no longer exist. However the State Library of Victoria holds a photograph of a dragon in front of Parliament House at the Federation celebrations. This photo is securely dated to May 1901 and was definitely taken during the Federation celebration. The details of the dragon's decoration and regalia are almost identical to the existing Loong. The only minor differences seem to be loss of ornament on the chin and sides of the face which are likely the result of later restorations. Therefore Loong almost definitely dates from 1901 at least and may be earlier. Whether Loong dates from 1892 or 1901 does not diminish his significance as a rare surviving artefact relating to the Chinese in Victoria.(source Victorian Heritage Listing)Full colour photographic poster promoting Sun Loong. Black background with close up of head and shoulders. Text lower left; Sun Loong. the longest dragon' / dances each Easter through the streets / of Bendigo, one of five Dragon Cities in this world ... / - Bendigo Chinese Associationsun loong, bendigo easter fair