used by nursing staff to assist women to void when bed riddenan essential item in providing care to non ambulant womenSilver coloured metal female urine collector, funnel shaped neck with rolled metal opening, bulbous collecting chamber with flat base, curved handle to upper surface176-024 black texta on base and sticky label blue ink to base, engraved - PARAMOUNT/STAINLESS STEEL/K.G.LUKE/63, WARD 4/AH engraved to superior surfacemonel metal, female urinal, k.g.luke, nursing care, alfred hospital, alfred hospital nurses league, ward 4

Gertrude Perry was born in California Gully in 1917. Her singing skills were recognized at an early age. She later sang with local choirs and sang on radio. She was involved with the Bendigo Operatic Society for many years. Gertrude began her working life in sales. After studying book keeping she worked at the Bendigo Ordnance Factory during WW2 and then worked for local solicitors and accountants. Gertrude was involved with many community and sporting organizations.V.S.C.C. Inc. Certificate noting Gertrude Perry has been acknowledged as a PURPLE STAR MEMBER of the club having achieved the distinction of collecting 250 Souvenir Tea Spoons. Certificate from Victorian Souvenir Collectors Club inc. Certificate signed on 20/7/91 by President M A Tobias, and Secretary K Rowe. Gertrude Perry Collection.Certificate signed on 20/7/91 by President M A Tobias, and Secretary K Rowephysical culture class, fitness, exercise

Gertrude Perry was born in California Gully in 1917. Her singing skills were recognized at an early age. She later sang with local choirs and sang on radio. She was involved with the Bendigo Operatic Society for many years. Gertrude began her working life in sales. After studying book keeping she worked at the Bendigo Ordnance Factory during WW2 and then worked for local solicitors and accountants. Gertrude was involved with many community and sporting organizations.V.S.C.C. Inc. Certificate noting Gertrude Perry has been acknowledged as a SILVER STAR MEMBER of the club having achieved the distinction of collecting 500 Souvenir Tea Spoons. Certificate from Victorian Spoon Collectors Club inc. Certificate signed on 20/7/91 by President M A Tobias, and Secretary K Rowe. Card has green printing on a yellow base. Gertrude Perry Collection.Certificate signed on 20/7/91 by President M A Tobias, and Secretary K Rowephysical culture class, fitness, exercise

Composed and signed by WHC Darvall on the executive of the Victorian Mission to Seamen also with reference to three other officers: Mr Reid-President, Mr Allard Vice President, Mr Seymour Hon Treasurer. Darvall returned to Melbourne late 1901 early 1902. A former solicitor Darvall and the Mission Committee are concerned it seems at the 'appropriation' by other organisations of donations or funds usually promised to the VMTS. The seamen's home was being built or about to be on the site of the World Trade centre on Siddeley St. as at 2020. This letter was sent out at a pivotal period in the Mission story soon after the sudden death of Rev James after 20 constant years service, with the proposed arrival of a Seamen's home on Siddeley St to a location close by to one long sought by the Victorian Mission for their first Central Mission and just a few years before arrival of the London Mission to Seamen representative Rev A Gurney-Goldsmith. The ladies Committee of the Mission and volunteers had prior to appointment of a paid collector had done most of the collecting of donations.A 2 page printed circular or letter addressed to Dear Sir alerting the recipient to the new appointment of a paid Collector, Mr L Dangerfield, visiting supporters authorised to collect donations and subscriptions and not to be confused with other similarly named groups such as the Seamen's home. The pamphlet also includes extracts from a speech by "His Excellency the Governor" reminding the recipient of the authentic goals of the Mission which also, as ever, were essential to business interests in supporting seafarers.paid collector, mr l. dangerfield, whc darvall, rev james, rev geary

'the Parthian Shot ' Newsletter for the Golden City Collectors Association Inc. July 1996 / A4 stapled paper sheets / first page shows Official Logo / 54th Edition /Po Box 66 , California Gully Bendigo /-one of the aims of the Association -To preserve and collect firearms of interest to members of both historical and antique nature. / Includes the Association's submission to the Minister of Police Emergency services regarding the proposed changes to the current Firearms legislationorganization, club/society, golden city collectors association inc, the golden city collectors association inc /

Collector says "I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Please refer to the following worksheet for a full breakdown of the collection." Checked blanket, pink, blue and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Item donated by Mary Gilbert, headmistress at Orbost High School, a historian who initiated the Orbost Museum.The album contains cigarette cards/swap cards. These were generally collected by schoolchildren and placed in albums made specifically for these cards. Collectors would try to collect the cards for complete teams of footballers, cricketers.Small green-covered album with tile in faded gold on front. Filled with small cigarette cards. Eight cards per page. Cards put into slit corners.Seven pages of footballers in black and white. One page coloured, one with 5 only, coloured.Three page cricketers in black and white. Three pages butterflies in colour. One page Australian birds in colour. Four pages film stars black and white, six to a page,one page of 5, one of 1.Inscription on front cover in centre.Faded gold cursive writing."Cigarette Pictures". At foot of cover in faded gold block letters."HOLDS 224 SMALL AND 24 LARGE CARDS"album, cigarette cards, 1920 1930, football players, cricketers, film stars, australian birds, butterflies, mary gilbert, english cigarette cards

Vintage Droste’s Cacao pastille tins are highly collectible Dutch advertising items produced by the Droste factory in Haarlem, Netherlands. These tins are renowned for their iconic Art Nouveau style, often featuring the famous "Droste nurse" or traditional Dutch scenes, and are frequently used today for decorative kitchen storage or as collector's items. A tiny vintage lidded Pastille Droste Cacao tin featuring the lithographic art of Droste's Cacao and chocolate produced by the Droste factory in Haarlem, Netherlands. It has the famous Droste nurse on one side, a couple sitting inside a train carriage on another with the two remaining sides featuring the manufacturing details and a floral symbol on the other. These tins are estimated to be from the 1930's.As above the manufacturing and contents information is printed on the tin.containers, tins, domestic objects

The medal was awarded to junior missionary collectors for collecting over £5 for the missionary work of the church during a year. The first year this was achieved the medal was awarded and in subsequent years a bar was awarded. After 10 years a long service badge was also given. The practice started in 1904 with the Wesleyan Methodists by a man called Stanley Sowton so £5 was a large amount in those days.Bronze Maltese cross Junior Methodist Church Distinguished Service Order medal on a dark blue and brown grosgrain ribbon. The ribbon has a metal bar and smaller Maltese cross on it.On the large cross: "JMC DSO" "FOR ZEAL FOR CHRIST", on small cross: "JMC DSO" "FOR ZEAL FOR CHRIST" "10 YEARS", on bar: "1956"junior methodist church

The flyer is a call by the St Kilda Patriotic Society to St Kilda residents to donate at least a shilling a month to provide soldiers fighting overseas with comforts from home to help improve their well being, health and morale. Donors were invited to complete and submit a coupon at the bottom of the page, following which voluntary collectors would come to their home to collect the money each month. White paper printed in black on one side. Two copies held, one of which also has the printed letter V superimposed on it.st kilda patriotic society, wwii fund-raising

Collector says: Cream and blue panel blankets were the first style of domestic blankets I started collecting and both of these ones were found in Geelong op shops. Pairs of blankets were regularly advertised as ideal wedding gifts and 'The Bride' label is one of my favourite labels of all time. This is the only one I've ever seen but hopefully there are lots more out there being handed down the generations.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized cream blanket with blue stripesWarrnambool/The Bride/All Wool ---Deluxe/Made in Australiawool, blanket, blanket fever, warrnambool, bride

This album is believed to have belonged to Jessie Bonnett ( 1897-1990) the daughter of Frederick and Charity (nee Phillips) Bonnett. Jessie spent her life on the family farm at Mepunga. She was a keen collector of newspaper cuttings recipes, postcards and collectable cards of the day. She won prizes at the local agricultural show for her flower collections. Most young girls early to mid 20th century had autograph albums Today the entries in these are a source of great social history. This album contains many local names of the time (Flett, Wiggs, Jenkinson Philips, Hortle etc.) and there are several interesting sketches and works of art. This album is of considerable significance as it was owned by Jessie Bonnett a member of a pioneer family in the Mepunga district. It is an important contribution to social history (1910 -12).This is an autograph album with a dark red leather cover. It has gold lettering on the front cover, pages with gilt edges, hand written entries, hand paintings and sketches. Autographs vintage autograph albums, jessie bonnett

This mug was made by Reinhold Merkelbach. Reinhold Merkelbach was founded in 1845 by Wilhelm Merkelbach, a descendent of a long line of German potters, and the company eventually took the name of his son Wilhelm Reinhold Merkelbach, who left school early to get involved with the family business. The company became a major name in German ceramics, especially in the Jugendstil style. The company produced a large number of collectable beer steins in the late 18th and early 19th centuries, including a number of so-called “character steins.” In 1882, the firm began producing art pottery, which at that time was enjoying a revival and new appreciation in Europe in general and in Germany in particular. Reinhold Merkelbach produced ceramic objects both with and without pewter hardware but rarely altered its manufacturing techniques. Many of its products were destined for use at pubs, bars, or breweries as well as in the homes of Germany’s beer-drinking populace. It had a retail location in Munich and also sold products through its factory warehouse. In 1971, half of the company’s ownership was sold to W. Goebel KG and the firm’s name changed officially to Merkelbach Manufaktur GmbH & Co. KG. Goebel ultimately purchased the other half of the business before members of the Merkelbach family, along with a handful of collectors and former staff members, repurchased the factory in 1988. In 2007, Judith Merkelbach Engelmann decided to close the firm; demand for ceramics had been decreasing and the next generation of the family had no interest in maintaining the business. Luckily, Reinhold Merkelbach transferred its moulds to Töpferei Girmscheid Höhr-Grenzhausen to ensure that its best-known pieces of Jugendstil art pottery and steins would continue to be available to interested consumers and collectors.This beer stein was made around the mid-20th century by a popular German maker. It fits in with the context of maritime village life. At this current time, there is no particular connection with people, places and events. The German beer stein is made from ceramic ironstone. It has a bell-shaped hinged pewter lid with a leaf-shaped thumb lever. The lid has a pattern stamped on it. The design on the mug includes a woman in bright colours, a man holding a musket, and buildings in mountain settings. There are inscriptions on the mug. Marked "Made in Germany" "RM" "4070" (underside of mug) "05" to the side of mug flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, beer stein, ceramic beer stein, reinhold merkelbach, drinking vessel

In around 1924 a band of Gija people crossed fences onto their traditional land near Bedford Downs Station in the East Kimberley 2000 km northeast of Perth and killed nine head of cattle. This act precipitated one of the massacres to become known as the 'killing times'. Paddy Quilty, the station owner of Bedford Downs had his men collect wagon loads of firewood which was distributed around the camp. He then invited everyone to assemble for their rations. The food, laced with strychnine, was handed out. As the Gija people fell down dying in agony, they were shot. The firewood was used to burn the bodies. One boy escaped to the the story. Paddy Jamin Jaminji (c.1922-1997) painted The Hills of Bedford Downs Station as part of a series of painting about the Killing Times. It depicts the story and sites of the massacre. At least twelve killing sites are recorded within a radius of 150 km of Turkey Creek, WA. The painting was possibly discarded due to its damage in one corner and later collected from an old shelter at Warmun on a field trip by collector Neil McLeod in 1995.Large painting on board of symbolic landscape. Brown, yellow, cream and white. Framed.bedford downs station, massacre, killing, gija, paddy quilty, turkey creek, warmun

Ferdinand von Mueller was born at Rostock, Germany, on 30 June 1825 , died at Melbourne, Australia, on 10 October 1896. He studied pharmacy and took his Doctor of Philosophy at the University of Kiel in 1847. He came to Australia in 1848 for health reasons and became a great botanical collector and writer. He was Victorian Government Botanist from 1853, and for a time Director of the Botanic Gardens. He travelled widely in Victoria and was on the A.C.Gregory expedition to northern Australia in 1855-57. He supported botanical exploration and collecting throughout the colonies. Charles Henry [Carl] Grove died on 17/4/1938 at Box Hill at the age of 88 and was buried in Orbost. Prior to coming to the Snowy River district, Carl worked as overseer on Buchan Station. In 1880, he selected land at Newmerella after first coming here in 1874 with early selector James A Robertson. He married Annie Robertson in 1876. Carl was a farmer, hop and seed grower and nurseryman. He was an elected Councillor of the newly formed Tambo Shire in 1882, and then in 1892 to the Orbost Shire where he served for many years filling varioius public roles. In 1911, he shifted to Queensland, but later returned to Victoria and died at Box Hill. (Ref. Nov 2014 Newsletter) Mueller was one of the first people to take a scientific interest in Victorian forests, and argued against indiscriminate clearing of land. This item is a useful research tool. It is associated with Carl Grove, a prominent early resident of Orbost.A black book with the title "Key To The System of Victorian Plants 1" in gold print.inside cover - "To Carl Grove from Baron Von Mueller March 1896"von-mueller-ferdinand botany-victoria plants-victoria grove-carl

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1930s dress in 1983 to wear to her sister's Registry Office wedding in William Street, Melbourne. It was the first vintage clothing item she ever purchased and was the starting point of a lifelong love of collecting, preserving and promoting historical clothing. She subsequently wore the dress to a great number of events and considered it an important piece in her wardrobe. c1930s black cotton filet net dress with white cotton embroidered flowers. The dress fastens centre front with three hook and eyes, eleven black silk covered buttons and finished with black acetate ribbon band pussy bow at the neck , is slim fitting and finishes at approximately knee length. The head of the sleeve is gathered with a small shoulder band and finishes above the elbow with a black silk band. filet net, 1930s, di reidie, vintage clothing

Ferdinand von Mueller was born at Rostock, Germany, on 30 June 1825 , died at Melbourne, Australia, on 10 October 1896. He studied pharmacy and took his Doctor of Philosophy at the University of Kiel in 1847. He came to Australia in 1848 for health reasons and became a great botanical collector and writer. He was Victorian Government Botanist from 1853, and for a time Director of the Botanic Gardens. He travelled widely in Victoria and was on the A.C.Gregory expedition to northern Australia in 1855-57. He supported botanical exploration and collecting throughout the colonies. 681.3 was presented to Carl Grove from G. Tadgell of Flemington. Charles Henry [Carl] Grove died on 17/4/1938 at Box Hill at the age of 88 and was buried in Orbost. Prior to coming to the Snowy River district, Carl worked as overseer on Buchan Station. In 1880, he selected land at Newmerella after first coming here in 1874 with early selector James A Robertson.He was one of the first selectors at Orbost - in 1880 he selected 320 acres at Newmerella, which he called „Ulinda‟ He married Annie Robertson in 1876. Carl was a farmer, hop and seed grower and nurseryman. He was an elected Councillor of the newly formed Tambo Shire in 1882, and then in 1892 to the Orbost Shire where he served for many years filling varioius public roles. In 1911, he shifted to Queensland, but later returned to Victoria and died at Box Hill. (Ref. Nov 2014 Newsletter) Mueller was one of the first people to take a scientific interest in Victorian forests, and argued against indiscriminate clearing of land. This item is a useful research tool. It is associated with Carl Grove, a prominent early resident of Orbost.Three copies of fabric bound book with a deep blue cover and the title, "Key To The System Of Victorian plants" in gold print. It has an ornate border around the edge.inside cover of 681.1 - To H. Grove, March 1891 Ulinda, Newmerella, Victoriaferdinand-von-mueller grove-carl botany plants-victoria

On 11th December 2001 an event was held in Wodonga to celebrate 100 years of the Australian Customs Service. It was held at the former Customs House building in Wodonga. The ceremony was attended by several dignitaries including the sitting Members of Parliament Mr Tony Plowman and Mr Bill Baxter. Speeches were made by Cr John Watson and Mr Bob Morgan, Supervisor of Australian Customs. A commemorative plaque was also unveiled. The Australian Customs Service played an important role in the history of Wodonga and a major part in the federation of the colonies of Australia. In 1852 the colonies were given the right to collect import duties on items such as coffee, tea, tobacco, chocolate and spirits. NSW was first to impose collection of duties in 1853. At that time Wodonga was not an official port of entry and was not allowed to collect duties. This regulation made it illegal for people to transport dutiable goods across the Murray River from NSW which provided an incentive for smuggling, while at the same time strangling the legitimate trade. Merchants and settlers along the Murray River complained and petitioners approached Melbourne to establish a Customs House on the Murray River so that trade could resume. Belvoir (later to become Wodonga) was a made a port of entry with its own Customs House gazetted on 22nd December 1854. The Government set aside 500 Pounds in 1859 to build Belvoir's own Customs House J P Hanify was appointed as sub-collector at Belvoir. The Customs House was built near the end of Union Bridge over the Murray River in 1859. Tariffs or customs duties greatly angered residents and it was little wonder the customs officer of the day was always an unpopular man. Tariffs had to be paid on articles such as tobacco, many food items and new clothing that were carried across the Border. The range of items was extended over time, leading to some farmers even swimming their livestock across the river to avoid duties at the Customs House. The levying of duties ended with Federation in 1901. Francis Cobham depicted in this photograph, took up the position of Customs Officer in 1867 and remained there until his retirement in 1890. The building was originally a 2-roomed Customs House in 1856 but was extended to provide living quarters for the Cobham family while a nearby cottage became the Customs House. The building was moved to a position south of the lagoon in the mid-1980s and is now a restaurant.This item is significant because it documents the commemoration ceremony for the Australian Custom Service held in Wodonga on 11th December 2001.An A4 size certificate created to acknowledge the centenary of the Australian Customs Service officially established at the time of Federation in 1901. The certificate accompanied the donation of a photo of the Wodonga Customs House including the Customs Officer and his family. It has been mounted in a clear frame.This photograph was presented to the Wodonga Historical Society on the occasion of the unveiling of the Plaque to commemorate 100 years of Federation and 100 years of the Australian Customs Service. The building in the photograph is the Customs House at Wodonga on the Victorian side of the New South Wales border. It was taken in 1883 when collection of Customs wàs a state responsibility. People in the photograph are; second from left- Mr Francis McCrea Cobham (Customs Officer from 1877 to 1890), his daughters Connie (extreme, left), Katie and son Willie. Nothing is known of the person on the extreme right. 11 December 2001 Cr John K.D. Watson Mayor City of Wodonga Insignias of the City of Wodonga and Australian Customs Serviceaustralian customs service, customs house wodonga

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this in 2012 at an auction of vintage clothing from the private collection of prominent Sydney fashion designer Lisa Ho, part of a wider sale of assets after Ho's business fell into deep debt. Ho began collecting vintage clothing and fabrics at the age of fifteen and her collection featured significant clothing items collected from around the world. For many years she drew on it as a source of design inspiration, particularly for print, in her highly successful fashion business. Di later wished she had purchased more at the auction!A full length slim fitting gown of gold metal thread and black thread self wave design fabric. The dress features a shawl collar, vertical pleat bodice, three panel, peaked front skirt. The dress secures with press studs at the centre front for modesty with a full left side opening secured by press studs. The sleeve features a front and back seam creating a squared shoulder head with fullness that is pleated in centre on the arm. the sleeve length is above the elbow. lisa ho, lisa ho collection, di reidie, vintage clothing, 1930s

Phenyle has been used for decades as a cleaner and disinfectant. It is well know for its use for cleaning outdoor toilets and easily identified by its strong odour. The brown glass bottle is immediately recognised as containing a poison. We've all seen them in a hundred different mystery movie scenes. The medicine cabinet opens and there, sitting on a shelf, is the incriminating object -- the ominous dark bottle with the skull and crossbones on the label. In off-screen reality, however, poison bottles have quite a different identity -- they are distinctive, varied, colorful -- and definitely collectible. Obviously, the one thing that sets the poison bottle apart from all other bottles is the need for prominent and immediate identification as a receptacle for toxic material, and this was achieved in a number of ways, including shape, color, embossing and labeling. Poisons were commonly found in the home for the purpose of controlling rodents and other pests, and were sold by grocers and druggists. For consumer protection, as far back as 1829, New York State made mandatory the marking of the bottles with the word "poison" in large letters. Then, in the middle of the 19th century, the American Pharmaceutical Association recommended legislation regarding identification of all poison bottles. In 1872 the American Medical Association also made recommendations -- namely that poison bottles be made of colored glass, and also have a rough surface on one side -- making them identifiable even in the dark -- and the word "poison" visible on the other (the skull and crossbones wasn't quite as ubiquitous as those movies led us to believe). However, passing these laws was not easy, and the manufacturers were essentially left to do as they wished. For collectors, the high point of poison bottle manufacturing was the period ranging roughly from the 1870s to the 1930s. At that time some, of the bottles were distinguished by particularly bright colors, such as cobalt blue (the most common) and emerald green. Others, particularly rare and collectible, had unusual -- and appropriate -- shapes, including skulls, leg bones and coffins. In order to better identify these lethal vessels by feel (not forgetting that there were many people in this period who could not read) when groping for them in the dark, they had such elaborate tactile patterns as quilted diamonds, lattices, hobnails and prominent vertical or horizontal ribbing, as well as spiky knobs and ridges. In addition, many had sharp points on top for the same precautionary purpose. Further efforts to distinguish poison bottles from others included uncommon multisided and triangular shapes, and unusual, hard-to-open tops, the predecessors of the modern child-proof openings. https://www.southcoasttoday.com/story/lifestyle/2001/08/19/poison-bottles-steeped-in-history/50352280007/The recognition and awareness of bottles containing poisonpous substances is extremely important for safety reasons.Bottle, brown glass, diamond shaped. "Bright Star" phenyle. Paper label attached, but peeling off and badly damaged. Corked with contents. Text moulded into glass, some with a border of stars. Poisonous contents, not to be taken. Registered Number 2140. Volume is 20 fluid ounces. Printed label "Bright Star". Text is moulded in the glass in raised lettering: "PHENYLE" outlined and decorated with star border. "POISONOUS", "NOT TO BE TAKEN" "V / DM / A" within oval, "REGD NO. 2140" (D and O are smaller and underlined) . Base is marked "F190".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bright star, phenyl, cleaning and disinfecting chemical, poison, bottles

"The outbreak of World War I in August 1914 had an immediate impact on communities across Australia, and it was no different in Melton. Young men began enlisting immediately, and Australia’s initial offer of 20,000 troops was soon exceeded by Victorian enlistments alone. Over the four years of the war, approximately 114,000 Victorians enlisted and around 91,000 servicemen and women were sent overseas. They came not just from Melbourne, but from all over the state; from farms, small towns and suburban areas. They included locals, newly arrived migrants and Indigenous people. The Australian home front was a hive of activity throughout the war, and the Melton community played its part. Following the announcement that Australia was joining the war with Great Britain and its allies on 5 August 1914, the Melton community lost no time in launching into action. A meeting ‘to assist the Red Cross fund’ was held in the Melton Mechanics’ Institute hall on 18 August – just days after the outbreak of the war. Collectors were appointed for each corner of the shire and individual donations were made. A Melton branch of the Australian Red Cross Society was formed in June 1915 and focused its energies on raising funds to purchase material that was used to make clothes for sick and wounded soldiers. A depot was established in Melton to collect clothing and other ‘comfort’ items for the soldiers – including reading material, tobacco, linen, canned foods and soap – and to coordinate the branch’s work and activities. Local cab driver Percival Stubbs volunteered to transport all the packages to the Melton railway station, until he enlisted and departed for the front in 1916. Such were the numbers of people getting involved that branches were also established in Toolern Vale and Rockbank. Regular community events were held to farewell soldiers who were leaving on active service and to welcome those who returned home. Gunner Robert (Bob) Wynne, whose uncle’s family ran the general store in Toolern Vale, was presented with a pair of field glasses (binoculars), a gold watch, inscribed locket and autographed letter by the Toolern Vale community before he set sail for the front in 1916. His mother noted that he ‘sailed away in good spirits with a smile till out of sight’. From June 1915 to June 1919, the Melton Red Cross branch donated 2,156 pairs of socks, 1,357 shirts, 425 kit bags, 251 pillowslips, 224 towels and 121 pairs of pajamas. Countless fundraising events were held, including jumble fairs, concerts and gift evenings. Local schools also encouraged students to contribute through fund-raising and making and collecting comforts for the soldiers. People across the country engaged in similar activities, but Victoria’s rural communities found unique ways of contributing. In Melton, people were encouraged to send rabbits and hares ‘in good condition’ to an exporter in Spencer Street, for export to Belgium ‘for the relief of those suffering". Special Anzac Memorial article featured in the Star Weeklylocal identities, war

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

3 Page Letter printed on A4 printer paper. Bearing the letterhead of the Bush Dance and Music Club of Bendigo Inc. Postal Address Secretary PO Box 922 Bendigo 3552 Telephone number (03) 5442 1153 email [email protected] Mark Maddock Case Officer Australian Honours and Awards Secretariat Government house Canberra ACT 2600 28th February 2011. Dear Mark, Thank you for giving us the opportunity to speak for Peter Ellis. We know Peter to be a worthy candidate for the award and I think that most people that know him would agree. I had been putting together a nomination for Peter that was suggested by a couple at our club meeting on a night when Peter was not present. Everyone felt that he should have recognition for all the work that he has done and it was unanimously voted on. I was given the job. As someone else has beaten me to it I now can speak for him on my own behalf and in my role as secretary of the Bush Dance & Music Club Inc. Peter Ellis is a very good friend of mine and I have known him since April 1975 when we met at a Saturday night dance. At that time there was a small group of us that went around the dances. We would go 100kms to find dances that were not on the average programme, dances such as The Lancers, Albert's, Waltz Cotillion and lots of Polkas. We bemoaned the fact that they appeared to be dying out in the Towns and Cities so we tried to get the Bendigo Old Time Dance Club of which we were members, to introduce these dances on to the programme, but they were not interested. After a lot of discussion Peter, Maurie Rayner, myself and several others decided to start our own dance club where we could do the dances that we liked, and to endeavour to keep them alive. We formed the Sandhurst Dance Club in June 1979 (renamed ten years later as the Bush Dance & Music Club of Bendigo Inc.) In 1981 Peter made two attempts to form a band for the club and in 1983 the 'Celebrated Emu Creek Bush Band' was born, with Peter as the leader. Later Peter set up a junior section of the Emu Creek Band and some of these children grew up to become competent musicians and leaders of their own bands/Groups. Peter's friendship with the late Harry McQueen of Castlemaine led to and increased knowledge of the dances, calls for the sets and the various tunes used. Peter joined the Wedderburn Old Timers Orchestra in late 1979 and travelling around Victoria and interstate with them was of immense help in learning to MC dances, call sets acoustically and in collecting new 'old dances' and tunes. He met elderly MC's who gave him information on the way that they ran the dances in the old days. It was also an introduction to playing items at concerts and in reviving much of the old traditions of the bush. Demand for the tunes for dances led to Peter compiling a series of three books called 'Collectors Choice' which were published by the Victorian Folk Music Club in 1986, 1987 and 1988. 1988 was a very busy year for Peter and The Emu Creek Bush Band as they recorded two double music tapes for the club 'The Merry Country Dance' and 'The Waltz the Polka and all Kinds of Dancing' which were in much demand at the time. Also in 1988 he collaborated with the late Shirley Andrews and they co-authored the book 'Two Hundred Dancing Years and how to celebrate them with a Colonial Ball' for the Bicentennial of 1988. this publication, was instigated by the Government backed Bicentenary Committee, and distributed free to every municipality in Australia. In 1996 The Emu Creek Bush Band and Peter recorded and produced a single CD called a Friday night at 'The Spring Valley Hop'. In 1998 The Bush Dance & Music Club again happily agreed to financially back Peter to produce a series of CDs. The first thing he did was to revive and update the 1988 music tapes for CD. The first of the Qadrille Mania series of double CDs with companion call books was launched in 1999 then in 2000 and 2001. then the triple CD called The Waltz Polka & all kinds of Dances in 2002 followed by the Merry Country Dance CDs in 2005, 2006 and 2007. There were six double CDs and one triple CD produced which was a major undertaking that went on for eight years. The CDs have a great many tunes that Peter collected over the years mixed in with well known tunes and there are very few repeats. During this time we applied for a Grant from the Victorian Government to publish a book on the social History of country dances and dance instructions with Peter as the author. We were successful and published it in 2005. Our CDs and book have all been lodged with the National Library of Canberra as has all Peter's sheet music, boxes of it, as well as everything he has produced. At the 2005 Canberra National Folk Festival, at a meeting of collectors, it was stated that Peter has the largest collection of dance related material in the National Library. Peter compiled and produced his own project a triple CD called 'Take Me Back to Bendigo' in 2002. 2006 Peter and Emu Creek Bush Band produced another single CD 'Bush Concert Vol one Back to Goornong'. 2008 A pet project of Peter's was compiling and producing a double CD for the Wedderburn Old Timers it was of all the recorded material performed by them at concerts and taped by friends and fans. It was funded by Gavan Holt a son of the late Lindsay Holt an original 'Old Timer'. Recent publications are a book mainly music 'Music Makes Me Smile' a tribute to Con Klippel and the music of the Nariel Valley near Corryong Victoria. Peter Ellis & Harry Gardner 1998. The Waltz, The Polka & All Kinds of Dancing' a sheet music book for musicians supported by the Folk Song & Dance Society of Victoria. 2007-8 not sure of year. Peter has been involved over the years in collecting music and dance by himself and also with Rob Willis and the late John Meredith for the National Library in Canberra. He is continually asked for information and to write articles for people and to verify points re dance and music. He corresponds with like minded people overseas and frequently goes off to Folk Festivals all over the country, usually running dance classes, musician's workshops or just playing for dances. He is an excellent musician and plays Piano, Button Accordion, Concertina, Mouth Organ, Tin Whistle, Ukulele, Spoons and the Bones. He is regarded as one of Australia's foremost collectors and presenters of Australian traditional dance tunes, dances and some musical instruments. Over the years I have heard him referred to as the Guru of folk dance and music. Peter lives and breathes for this passion of his and always has several irons in the fire. He is a life member of The Bush Dance & Music Club of Bendigo Inc. The Victorian Folk Music Club, and The Bendigo Field Naturalists Club. He was a recipient of the David Squance Award in 1994 presented by the Folk Song & Dance Society of Victoria. Over the last twelve months for the folk magazine 'Trad & Now' he has written articles on the old dances and music and this is an ongoing project. This has led to our clubs present project which is the filming of the dances to be shown on UTube as it is referred to in the magazine. This involves members in hours and hours of practising the dances then filming them, and all with Peter's expert teaching and watchful eye on everyone. The Bush Dance & Music Club are and always have been behind Peter wholeheartedly in everything that he does and we are extremely proud of what he has achieved. His drive and enthusiasm for the preservation of music and dance is catching. People like Peter are absolutely necessary in finding and preserving our Australian Heritage, without them it would be lost forever and Australia would be a great deal poorer for it. The Bush Dance and Music Club of Bendigo Inc. and I fully support this nomination for an award as he is truly deserving of it. Yours sincerely Mary E Smith. Secretary of the Bush Dance & Music Club Inc. Peter's Timeline. 1979 A Foundation Member of the Bush Dance & Music Club of Bendigo Inc. 1979 Joined the Wedderburn Old Timers Orchestra. 1983 The Celebrated Emu Creek Bush Band was formed. 1986 Collectors Choice. Volume one. 1987 Collectors Choice. Volume Two. 1988 Collectors Choice. Volume Three. 1988 Recorded Tapes - The Merry Country Dance & The Waltz Polka & all Kinds of Dances. 1988 A book with the late Shirley Andrews called Two Hundred years of Dancing. 1991 Across to Perth collecting for National Library with the Late John Meredith. 1996 Single CD A Friday Night at the Spring Gully Hop. 1998 Music Makes Me Smile. A tribute to Con Klippel 7 music of the Nariel Valley. 1999 Double CD Quadrille Mania 1&2 2000 Double CD Quadrille Mania 3&4 2001 Double CD Quadrille Mania 5&6 2002 His own project triple CD Take Me Back To Bendigo. (Goldrush to Federation and Beyond). 2002 Triple CD The Waltz The Polka & All kinds of Dances. 2005 Double CD The Merry Country Dance 1 & 2. 2002 Book, The Merry Country Dance. 2006 Single CD with Emu Creek 'Bush Concert Vol 1 Back to Goornong' 2006 Double CD The Merry Country Dance 3&4 2007 Double CD The Merry Country Dance 5&6 2007-8-? A book of music, The Waltz, The Polka & All Kinds of Dances. 2008 Double CD The Wedderburn Old Timers in Concert.person, individual, peter ellis oam

2 page article printer on A4 printer paper. Handwritten in greylead pencil across top of first page reads: Trad + Now Article written by John Williamson. Peter Ellis Order of Australia Recipient 2012 By John Williams. On 26th of January 2012 Peter Ellis was awarded the Order of Australia (OAM) for his services to the Arts through the collection and preservation of Australia's folk history. Peter has been a long time correspondent to this magazine and has provided the most detailed information on social dancing in Australia. There are many more things about Peter that readers should know. Peter has the largest collection of dance related material in the National Library Archives from over thirty years of collecting. His collecting trips have included Victoria, Western Australia and Tasmania. The Western Australia trip was with John Meredith who was a long time mate of Peter's. Peter is a founder, charter member and life member of the Bush Dance and Music Club of Bendigo and received the Graham Squance award from the Folk Song and Dance Society of Victoria. He was also awarded a life membership of the Victorian Folk Music Club. Peter is founder of the Celebrated Emu Creek Bush Band which has been performing for thirty years and has played at the opening of the Melbourne Museum, Victorian State Parliament and Centenaries of the Shamrock Hotel and Post Office in Bendigo among many other gigs. Peter has also produced twenty one CDs with Emu Creek in that time which cover quadrilles, couples dances and the History of the Bendigo over one hundred and fifty years. (Emu Creek are already booked for the Canberra Centenary Ball in 2013!) Peter has also played with the famous Wedderburn Old Timers for thirty years during which time that band has received two platinum and several gold recording awards. Peter has also found the time to write several books including his three well know volumes of dance music, 'Collectors Choice' and the definitive volume on social dance in Australia 'Merry Country Dance'. He has also co-authored 'Two Hundred Dancing Years' with Shirley Andrews and 'Music Makes Me Smile - The music of the Nariel Valley' with Harry Gardner. Peter has also contributed to books compiled by others such as Rob Willis, Graham Seal and Dave Di Santi. Peter has trained many young musicians and conducted continuing Ed classes and Deb sets. He is a gold medal standard ballroom dancer in his own right which many dancers say contributes to his understanding of the correct tempo for all the dances he plays for. Peter has also been instrumental in the Bendigo Field Naturalist's Club of which he is a life member. He has been heavily involved in campaigns that have led to the establishment of two flora reserves and extensions to the Greater Bendigo National Park when housing developments threatened native bushland. He has contributed text and photographs to the publication 'Wildflowers of Bendigo'. Peter's award was really well deserved as you can see. What is really fitting is that he received the award on Australia Day. How fitting for a man who has single handedly saved more of Australia's Social Dance music and history than any other person. Australian dancing, music and the environment really owes Peter a lot. Well done from all your Trad and Now readers.person, individual, peter ellis oam

A series of sixty one articles written by Leighton Rawlings and published in the Bendigo Weekly between 2000 and 2003. Each article details a collectable item and its history. Each article includes a photograph. The articles are stored in a white vinyl covered two ring A5 folder. Index below. Collectors” Corner Number Article Name Date 1. Miner’s Food Tins 21/2/2003 2. Bendigo Girls High School Jubilee Magazine 28/03/2003 3. Bendigo’s Juvenile & Industrial Exhibition 28/02/2003 4. Bendigo’s 59TH Grand Spring Show Program 7/03/2003 5. Bendigo’s Mayfair Distributors 9/08/2002 6. Celebration of Bendigo’s 1951 Gold Centenary 31/01/2003 7. Souvenir of American Naval Visit to Bendigo 6/09/2002 8. Back Seat Driver’s Licence 4/04/2003 9. Antique Shearing Documents 19/07/2002 10. Angus Mackay’s Top Hat and Exquisite Hat Case 2/08/2002 11. Early Morse Code Key Set 9/02/2001 12. Antique Produce Weighing Scales 16/02/2001 13. Bendigo Aerated Water Containers 14. Bendigo’s “Poppet Head” Bottle 14/12/2001 15. 1901 Federal Parliament Medallion 18/05/2001 16. Queen Victoria Diamond Jubilee Medallion 1/06/2001 17. Prince of Wales Visit to Eaglehawk 8/06/2001 18. The Beehive Store Sales Docket 15/06/2001 19. Australia’s First Newspaper 22/06/2001 20. Australia’s First Newspaper 29/06/2001 21. Bendigo City Jubilee Ball 6/07/2001 22. Bendigo’s Busy Red Emporium 1 3/07/2001 23. “Saintly” Memorabillia (sic) of a Bygone Era 20/07/2002 24. Historical Bendigo Lodge Certificate 28/09/2001 25. Bendigo Agricultural Show 19/10/2001 26. Victorian Railway’s Smoke Social Invitation 5/10/2001 27. Early Award Medallions 6/03/1998 28. Home Delivery Grocer 26/10/2001 29. Swimming Proficiency Medallion 9/11/2001 30. 1950’s Road Travel Ticket Collection 27/07/2001 31. Glover’s Soft Drink Bottle 3/08/2001 32. Antique Leggo’s Bottles 10/08/2001 33. Collectable Documents 17/08/2001 34. Broadcast Listener’s Licence 31/08/2001 35. Antique Board Game 7/09/2001 36. Century Old Memorabilia Returns to Sacred Heart Cathedral 30/11/2001 37. California Hill Methodist Church Memorabilia 21/12/2001 38. Goldfield Wax Matched Tin Box 4/01/2002 39. Memorabilia of a Bendigo Lodge Member Nov 2001 40. Eaglehawk General Store Memorabilia Nov 2001 41. Bendigo’s Rescue Home Memorabilia 18/01/2002 42. Automobile Parts House Memorabilia 11/01/2002 43. Antique Insurance Certificates 1/02/2002 44. The Universal Self Instructor 8/02/2002 45. Automobile Parts House Memorabilia – Part 2 15/02/2002 46. Miner’s Hard Hat 1/03/2002 47. Antique Bendigo Medicine Bottle 8/03/2002 48. British Prime Ministers Visit Memorabilia 22/03/02 49. Bendigo’s Sun Newspaper 28/3/2002 50. Bendigo Grocer’s Memorabilia 5/04/2002 51. The Universal Self Instructor 52. Gold Mining Company Documents 31/05/2002 53. Bendigo Motoring Memorabilia 17/05/2002 54. Bendigo Carriage to Motoring Memorabilia 24/05/2002 55. Bendigo Easter Fair and Grand National Show Medals 13/09/2002 56. Official Trades Union Directory 1949 27/09/2002 57. The 1889 Pickles & Sons Challenge Cup 4/10/2002 58. Chico Roll goes “Gold” 21/12/2001 59. What’s It Worth by Ken Arnold. Money Box 28/09/2001 60. What’s It Worth by Ken Arnold. Bottle 5/10/2001 61. What’s It Worth by Ken Arnold. Jar 10/01/2003collectables, leighton rawlings

Bendigo Easter Fair Festival Program, 26-31 March, 1997. Festival Features, Evening of Art & Classical Music, Rotary Club of Bendigo. VicHealth Easter Fest, Victorian Health Promotion Foundation & Bendigo Community Health Services. Fine Food Fest. Free Stage. Free Evening Concert & Fireworks, Zaire. Torchlight Procession, sponsored by Prime TV & Coca Cola, Bendigo Market Place. Fireworks Spectacular, Sponsored by Bendigo Market Place & Prime TV. Street Fiesta, sponsored by Arts Victoria. Street Extravaganza, Coca Cola Carnival, Sponsored by Coca Cola. Star for a Day, Power Audio Visual & Prime Television. Handcraft Bazaar, Rotary Club of Bendigo Sandhurst Art & Craft Market. Cosmopolitan Street Café, Arts Victoria. Awakening of the Dragon, Bendigo Chinese Association. Gala Parade, Prime Television & Coca Cola. Firewalking by the Australian Skeptics, Discovery Science & Technology Centre. Up In Flames, Discovery Science & Technology Centre. Barry Kenny's Country Roundup, Nadort Promotions. School's Day. Teddy Bear's Picnic, Dragon City Marshals. Fire Brigades Children's Carnival. Family Event, Bendigo Minister's Fellowship. Bendigo Easter Antique Fair. Historic Photographic Exhibition, Burt Sargent Circa 1900. Open Garden at Nanga Gnulle (''nanga nully''). A parade of Quilts, Strathdale Bendigo Quilters Inc. Tasting the Life, Gail Tavener Studio. Snakes Alive Dangerous Australians, BRIT. Y's Men's Club of Bendigo Book Fair, YMCA. Bendigo Camera Club, BRIT. Bendigo Woodcraft Exhibition, Woodturners Bendigo Inc. Autumn Bonsai, Bendigo Bonsai Club. Convocation, National Trust Bendigo. Arms & Collectables, Golden City Collectors Assoc. In. Rotary Art Show. Rotary Pottery Exhibition. Women's Vision For The Church, Provincial Council of Mothers Union. Historic Toorak House, Lioness Club of Golden City Bendigo. White Hills Cemetery. Bendigo Cemetery. Festival of Flowers, Craft & Garden, Bendigo Jockey Club. Shannons Corporation Motorfest, City Drive Through, Static Display, Motorkhana, Time Trial. Bendigo Bank Dragon Mile. Volkswagen Car Show, a part of the 28th National Bug-In. Repco Cycles, Australian Veteran Cycling Council Inc. Championships. Under 17 Australian Badminton Championships. Palm Sunday, Bendigo Symphony Orchestra. Way of the Cross, Bendigo's Combined Churches. The Easter Story, Kangfluca Music. Sunrise Church Service, Bendigo Ministers' Fellowship. Map of CBD Advertisements: Bendigo Easter Antique Fair. Austar. Bendigo Art Gallery. Bendigo Visitor Information Centre. Prime. Golden Dragon Museum Inc. Bendigo Heritage Tours. Discovery Science & Technology Centre Bendigo. Sponsors: Sandhurst Trustees, Prime, Vic Health, ABC Radio, Arts Victoria, Coca Cola, Events Bendigo, City Of Greater Bendigo, Bendigo Community Health Services, Shannons., Morris Design PH 5448 8777Morris Designevent, easter fair, bendigo easter fair, bendigo easter fair festival program, 26-31 march, 1997. festival features, evening of art & classical music, easter fest, . fine food fest. free stage. free evening concert & fireworks. torchlight procession. fireworks spectacular, street fiesta, street extravaganza, coca cola carnival, star for a day, handcraft bazaar, art & craft market. cosmopolitan street café, awakening of the dragon. gala parade, firewalking australian skeptics, discovery science & technology centre. up in flames, barry kenny's country roundup, nadort promotions. school's day. teddy bear's picnic, fire brigades children's carnival. family event, bendigo minister's fellowship. antique fair. photographic exhibition, burt sargent circa 1900. open garden nanga gnulle a parade of quilts, strathdale bendigo quilters inc. tasting the life, gail tavener studio. snakes alive dangerous australians, brit. book fair, ymca. bendigo camera club, brit. bendigo woodcraft exhibition, woodturners bendigo inc. autumn bonsai, bendigo bonsai club. convocation, national trust bendigo. arms & collectables, golden city collectors assoc. art show. pottery exhibition. women's vision for the church, provincial council of mothers union. historic toorak house, lioness club. white hills cemetery. bendigo cemetery. festival of flowers, craft & garden, bendigo jockey club. motorfest, drive through, static display, motorkhana, time trial. dragon mile. volkswagen car show, national bug-in. repco cycles, australian veteran cycling council inc. championships. under 17 australian badminton championships. palm sunday, bendigo symphony orchestra. way of the cross, bendigo's combined churches. the easter story, kangfluca music. sunrise church service, bendigo ministers' fellowship. map of cbd advertisements: antique fair. golden dragon museum inc. bendigo heritage tours. discovery science & technology centre bendigo. sponsors: sandhurst trustees, vic health, abc radio, arts victoria, coca cola, events bendigo, city of greater bendigo, bendigo community health services, shannons., morris design. prime tv. austar. bendigo art gallery. bendigo visitor information centre. prime, victorian health promotion foundation, zaire, sponsored by bendigo market place & prime tv, sponsored by arts victoria, sponsored coca cola, power audio visual, rotary club of bendigo sandhurst, bendigo chinese association, y's men's club of bendigo

4 page A4 printed document. Achievements of Peter Ellis (for consideration for the Order of Australia) Peter is regarded as one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra. Peter has been collecting for many years and has collected with the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi amongst others. Peter has literally travelled Australia collecting over the past thirty years. He has extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection, for example. Most of his recording has been in North Western and Central Victoria. Peter collected a lot of his material from Harry McQueen ( Castlemaine), which led to a double CD of Harry's music. Harry had played in dance bands for over sixty years in Central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. Founder, Charter member and life member of the Bush Dance and Music Club of Bendigo. Life Member of the Victorian Folk Music Club. Recipient of the Graham Squance award (for the person who has done the most to promote folk dance and music in Victoria)) from the Folk Song and Dance Society of Victoria. Member of the famous Wedderburn Old Timers Band for over twenty-eight years (two platinum and several gold recordings in that time). Founder and leader of the Emu Creek Bush Band (twenty-nine years old in 2010) Emu Creek has made many CDs of dance music as listed. Friday Night at the Spring Gully Hop, Three double CDs called 'Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded, under Peter's guidance, so they would not be lost to posterity. A triple CD called 'Take Me Back To Bendigo' with heritage songs and music from the Gold Rush to Federation (solely organised and financed by Peter) These CDs show the multicultural heritage in Bendigo and include music and groups from the Koorie, Chinese, Cornish, German, Irish, Italian, Scots, English and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by Emu Creek Following much practice under Peter's tutelage. For further authenticity Peter liaised with other musicians to record some tracks which were revived from almost two hundred years ago and have now been recorded using the instruments of the time. A three volume set of Bush Concert recordings (Vol 1 Goornong (launched Australia Day 2006 with any profits going to the Soldier's Memorial Hall Committee), Vol 2 Heywood and Vol 3 Maldon/Sutton Grange, already recorded and to be released as money from other projects becomes available. NOTE: None of these CDs have led to any profit. All money raised is put back into the community and further heritage recordings, books and videos through the Bush Dance and Music Club of Bendigo Inc. In 2009 a full collection of all Peter's book and CDs was donated to the John Gorton Library as part of the recognition of the fifty year career of the Gay Charmers Dance Band from Lake Charm. 'Music of the Diggings' (4 tracks by Peter or Emu Creek). In addition the Emu Creek Band, under Peter's leadership, has appeared on a CD backing Bruce Watson on his song, 'The Old Bush Dance'. Emu Creek has performed at National Folk Festivals in four states and several times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for over twenty years as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter has written and published many books related to traditional music and dance. These include Three volumes of 'Collectors Choice' which is musical notation for bush dances coupled with much dance history which would have been lost without Peter's efforts. 'Two Hundred Dancing Years - How to run a Colonial Ball: (co-authored with Shirley Andrews (A.M.), 'Music Makes Me Smile - The Music of the Nariel Valley' (co-authored with Harry Gardner). The Merry Country Dance' (292 pages) a companion to the three double CDs. He has also been a contributor to Verandah Music' authors Rob Willis and Graham Seal and 'The Oxford Companion to Australia Folklore' Ed Graham Seal. Peter is also a regular contributor to 'Trad and Now' Magazine. His latest completed book is titled 'The Merry Country Dance' and is over three hundred pages of social history, recipes and dance instructions. It was completed with the assistance of a Victorian Government Heritage Grant. The first edition sold out in only a few weeks. Peter has taught many children about old time musicianship through the junior bands which have functioned over the years with many children joining Emu Creek and then going on to follow their own musical inclinations. He has trained several young concertina and button accordion players over the years. Peter has been a regular tutor with Continuing Education in tin whistle, harmonica and old time dancing for many years. Peter has conducted workshops in music dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National folk Festivals. He has also done this at Maldon for many years, Port Fairy, Glen Innes, Jamberoo and Kiama Festivals. For over thirty years Peter has been a guest player and MC for the dances at the Nariel Folk Festival (Australia's oldest continuing Folk Festival) Peter is very well known in the Corryong area as a collector and the co-author of the book, Music Makes Me Smile, about the Klippel/Simpson dynasty in the Nariel Creek Band. This book is currently being revised for re-issue as more material has come to light since the original publication. For many years Peter trained Debutante Sets in the Bendigo District. Peter was an instigator of the annual Dinki Di Ball held each September in Eaglehawk for the past thirteen years. At this ball three bands play for a quarter of the night and then join together for the final part of the evening. The bands are Emu Creek, The Wedderburn Old Timers and the Gay Charmers. Up to four hundred dancers, many in heritage costumes have attended this dance. The ball also pays tribute to, and involves, the old MC's. Through this example their skills have been passed down to a younger generation of MC's. All profits are returned to the Dance Club to foster our musical heritage. Each Ball includes presentations designed to promote social dancing in Australia. Over the years several young musicians have been presented with musical instruments at the Ball, libraries have been given copies of Peter's books and CDs and one year a keen young dancer was presented a pair of dancing shoes. Peter is a trained ballroom dancer and has gained gold medal status in this field. Peter is an accomplished musician and is one of Australia's foremost button accordion players. He is also highly accomplished on the tin whistle, bones and harmonica. He is the only exponent of the Swanee whistle that I have seen. Peter also plays the piano and ukulele. Thirty six years membership of the Bendigo Field Naturalists Club, Secretary in the 1970s and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). Peter was also extremely active in the establishment of the Salomon's Gully and Jackass Flat Flora Reserves in Bendigo which have now been saved for posterity. Peter has also been involved in efforts to save One Tree Hill and this area has now been included in the Greater Bendigo National Park. He has discovered and named new plant species in the Whipstick Forest and propagates Australian plants. Peter takes regular guided tours of interested people through the Whipstick each Spring on wild flower educational tours. He is a keen and gifted photographer of local plant species. Life member of the Bendigo Field Naturalists. Peter contributed text and photographs to their publication 'Wildflowers of Bendigo'. When the Victorian State Parliament had its first historical sitting outside Melbourne Emu Creek played during lunch for the guests and public. They have also played at functions such as the Centenaries of Federation, the Bendigo Post Office, the Shamrock Hotel and the opening of the new Melbourne Museum and the Federation Museum in Bendigo. The band regularly plays for Seniors week and at homes for the aged such as Bethlehem, Mirridong, Bignold Park, Bendigo Village and others. Peter has been instrumental in getting the band to play for fundraisers such as schools, scouts and environmental groups. The band plays many charitable 'gigs'. The band supports the Bendigo Easter Fair and the Eaglehawk Fair when able and has appeared in several parades over the years. The above list shows the invaluable contribution that Peter Ellis has made towards the collecting and distributing of Australia's musical and dance heritage. No one has done more than Peter in this area. He has also been active locally and nationally in his endeavours towads saving the natural environment. He has put many years of time and energy into both area's and has many on going projects in mind for the years ahead. The awarding of an honour from Australia would be just reward for a man who has preserved so much of our musical and dance heritage for future generations. Knowing Peter I have no doubt he would treasure such an honour as he has given so much to preserve Australia's music and dance heritage over most of his sixty plus years. Compiled by John Williams. Handwritten notes at bottom of last page reads: Referees Jacinta Allan MLA Steve Gibbons MHR Willie Carney ex Mayor of Bendigo Supporting letter Mary Smith Sec. Bush Dance + Music Club.person, individual, peter ellis oam

Colour photocopy of newspaper article Obituary. Dated Saturday, May 23, 2015. Article is not complete. Titled Peter Ellis O. Reads: Bendigo is set to farewell a true national treasure. Dawn Rasmussen reports. Peter Ellis OAM 1946-2015. Friends, colleagues and mates around the world agree, with the passing of Peter Ellis OAM, Bendigo has lost a national treasure. 'Peter was passionate about dance, music, photography and the environment, and watching him tend to his interests, like a juggler with 100 different objects in the air, was a sight to behold,' friend John Williams said. In his 70th year, Peter was known for his casual approach to the niceties but he always insisted his teapot be adorned with a suitable tea cosy. He enjoyed a glass of wine with friends, hunting up the history of folklore, dance and music, and nothing better than a walk in the bush. Peter is one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra, collected over many years, with mates like the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi among others. He literally travelled Australia collecting, and had extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection. .. .. .. And central Victoria. Peter collected a lot of material from Harry McQueen (Castlemaine), who played in dance bands for over 60 years in central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. As a charter member and life member of the Bush Dance and Music Club of Bendigo and the Victorian Folk Music Club, a member of the famous Wedderburn Old Timers Band for over 28 years (two platinum and several gold recordings in that time), founder and leader of the Emu Creek Bush Band (29 years old in 2010) and creator of the 'Friday Night at the Spring Gully Hop' single CD, Peter has been a driving force in the local band and live music scene. Turning his attention to ensuring the music he unearthed would not be forgotten or let lay idle again, under his guidance three double CD's called Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded were produced, and a triple CD called 'Take Me back To Bendigo', composed of heritage songs and music from the Gold Rush to Federation. These Cd's show the multicultural heritage in Bendigo and include music and songs from the Koorie.. .. … and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by the Emu Creek bush Band following much practice under Peter's tutelage. For further authenticity .. .. .. Tracks which were revived from almost 200 years ago and have now been recorded using the instruments of the time. There is an accompanying book which is set to become the 'Bible' for anyone interested in social dance in Australia. Other CDs include Bush Concert recordings (Volume 1 Goornong), Cooee, Songs of the ANZACs two- CD set in conjunction with the Bendigo Historial Society, 'Music of the Diggings' (four tracks by Peter or Emu Creek) and many more guest… ARTICLE CUT OFFperson, individual, peter ellis oam