One of 6 photographs donated by Z. CoxBlack & White photograph of a group of people in front of the Cowes Shire Hall and Library. Two men in uniform and two men with clerical collars.On back: Cowes Shire Hallcowes shire hall, cowes library, phillip island, z cox

Cowes Public Hall was formerly the Cowes Mechanics’ Institute and Free Library, established in 1882. Photographer was Oxford Photos, Russell Street, Melbourne.HistoricalLarge, black & white photo of a large crowd of adults and children, some in fancy dress and wearing masks, in a wooden hall.Fancy Dress Ball. Reopening of the Library Hall, Cowes, Vic. 1925fancy dress, cowes library, lifestyle, cowes hall

Collection of Newspaper clippings from Scrap Book 1960 - 1973Photo and article on the back of the Shire Hall falling down.cowes shire hall, back wall fallen down, cowes shire hall, jean jamieson

Shire Hall in Thompson Avenue, Cowes. Built early 1930's. Demolished 1984/1985. The Shire Hall was also used as a Picture Theatre and Ballroom catering for 200 persons. On the right hand side was the Library which later was moved downstairs. The Council Chambers were on the third floor.Shire Hall in Thompson Avenue, Cowes. Box like building with windows overlooking the street. Note entrance at the middle of the building - also the Notice Board on the right advertising the forth coming films. The building was on three levels. Note Balcony above front door in the middle of the building.local history, photographs, historic, buildings - historical, coloured photograph, john cook, phillip island, cowes shire hall

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the old Mechanics Hall in Chapel Street, Cowes. Became the Kindergarten and at present the home of the Genealogy Society (2017)local history, photography, photographs, mechanics hall, cowes, black & white photograph, phillip island, halls., john jenner, bryant west

The annual Christmas dinner for the Society was held in the Anglican church hall.HistoricalLarge coloured photo of members of the Phillip Island and District Historical Society at St Philip's Church of England Hall, Cowes.Names of those attending are on a seperate media itempidhs, phillip island historical society, cherry mcfee, john jansson, christine grayden, gaye cleeland, meg & alec davis, una lyons, julie box, judy gittus, jan andrews, patsy hunt, maurice schinkel, alice robinson, kevin findlay, marion wood, bruce proctor, graeme clausen, pam rothfield, ray jansson, judy lawrence, beverley forrest, neil robinson, maggie robinson, elaine findlay, peter brookes, cheryl overton, bill overton, john eddy, pat taylor

E E Matthews was our donor, Alice Robinson's grandmother. Alice was the debutante - nee Clark.345-01: A Certificate of Registration for E. E. Matthews from the Midwives Board, Victoria on the 11th January, 1917. 345-02: A small cardboard programme with 4 pages inside for dance programme of the Debutante Ball held at the Cowes Shire Hall on the 26th September 1947. Small white pencil attached.midwives certificate, e e matthews, debutante ball programme, alice clark, alice robinson

Article from a collection of newspaper clippings from October 1968 to July 1971Article about the 100yrs celebrations at Phillip Island in November 1968. Account of Back to Phillip Island 100yrs after first sub division of land at Phillip Island. Account of History of Phillip Island from discovery by Surgeon George Bass on January 5, 1979 to 1922. Account of Historical Display in the Cowes Parish Hall.phillip island, back to phillip island celebrations, surgeon george bass

Article from a collection of newspaper clippings from October 1968 to July 1971Article about the filthy state the Teenage Club of Cowes left the Shire Hall in and the Shire of Phillip Island Council has placed them on probation.phillip island, cowes, cowes teenage club

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

Kept by A H Barnes, 1922-1924 name changed to Grampians House kept by Miss Allison and Miss Porter 1924-1925 kept by Mrs Anderson Grampians House - The earliest record of Grampians House was recorded in 1918 when the property was known as "Killarney" listed in the Country, Hotel and Boarding House Guide and Tourists handbook. The listing notes it as being kept my Mr A H Barnes The property consisted of 29 acres, the house of 8 rooms, kitchen, bathroom, vestibule, front and side passages, with verandah on front and side of building, also 3 roomed cottage with bathroom, 5 chalets containing 7 bedrooms, storeroom,wash house, water and gas laid on throughout. 4 stall stables and feed house, buggy shed for three buggies, motor shed for 4 cars, cow shed, and yards and pens. Local resident Mrs E Watson who attended school in the nearby public hall remembers going to a side window of the house and being able to purchase biscuits, sweets and drinks. The 1922-24 Handbook the listing was changed to "Grampians House" kept by Misses Allison and Porter. The 1924-25 Handbook listed "Grampians House" being kept by Mrs Anderson.Photo of original building of 8 rooms Proprietor A H BarnesFuji Film Pictor Paperaccommodation, guesthouses, killarney, grampian hosue

Popular Grampian Mountains (The Blue Mountains of Victoria) Saturday, 1st April, 1922 at 12 o'clock On the property Halls Gap, 17 miles from Stawell Mitchell Bros & White under instructions from the Administrator of Lulu Barnes, deceased, and Mr A. H. Barnes, will offer by public auction on the property, the well known Tourist Accomodation (sic) House, "Killarney" together with 29 acres of freehold land, household furniture, stock, vehicles and sundries. The buildings consist main building of 8 rooms, kitchen, bathroom, vestibule, front and side passages, with verandah on front and side of building, also 3 roomed cottage with bathroom, 5 chalets containing 7 bedrooms, storeroom. wash house, water and gas laid on throughout. 4 cars, cow sheds, yards, pens, and sundry outbuildings. The furniture is all in first class order, consisting of beds and bedding for 30 visitors. Carl Ecko piano, splendid instrument; overmantle (sic) suites of furniture, extension tables, card tables, book case, sideboard, cupboards, dining table and chairs, linoleums, mats, wardrobes, duchess-chests, washstands and ware, curtains, pictures, ornaments, iron safe, kitchen tables, chairs, stove, separator, copper, large assortment of glassware, crockery, cutlery, kitchen utensils, and everything necessary for running the house. Rolling stock and C, consisting of 5 buggy and saddle ponies, 2 milch (sic) cows, 4 head young cattle, 3 pigs, 30 fowls, single seated hooded rubber tyred buggy, nearly new, 2 seated drag, carry seven, in good order; double seated buggy, gig, waggonette (sic), carry one ton; lorry, spring dray, double furrow disc plough, garden plow (sic), roller, garden roller. 6 saddles and bridles, almost new, large quantity of heavy and light harness, swing bars, chains, and numerous sundries. NOTE - The property will be offered with furniture, rolling stock & c., as a going concern at 12 o'clock sharp; and if not sold the furniture, stock, & C., will be offered TERMS AT SALE. MITCHELL BROS. & WHITE. AuctioneersTyped extract of advertisement for auction of Killarney from Stawell News 25-3-1922 later known as Grampians Housemedia, newspaper articles, guesthouses, killarney

Photo shows 3 members of the knight family standing in front of wood heap There are two dogs and a cow From left to right - Leslie (Les), Augustus knight, Lil Knightpeople, knight

Part of a collection from Jessie Smith. Mechanics Hall later destroyed by fire 9th March 1933 Rebuilt and became the Kindergarten. Being used by the Genealogy Society at present (2017)The Mechanics Hall - (Shire Hall, Library and RSL rooms) - Chapel Street, Cowes. Road in front over crest. Trees behind right middle.local history, photographs, buildings, historic, chapel street, cowes, phillip island, black & white photograph, historic buildings, jessie smith collection, stan mcfee

The first church services were held at the McHaffie home in Ventnor once a fornight, the Preacher coming over in a whaleboat from the mainland. Land was reserved for the Church in 1869 and the first services were held in the new church in 1870. The Parish Hall was built in 1935. The short history in the pamphlet was based on material collected from Minute Books, Preachers' Books, Registers of Services, Documents and memories of those who have been closely associated with the Church over many years.A pamphlet produced by the St Philips Church of England for the Centenary - 1870 - 1970. A short history of the church is recorded in the pamphlet starting in 1864 when services were held at the McHaffie family home in Ventnor.st philip's church of england phillip island, cowes anglican church phillip island, alice robinson

Kevin Findlay and the Goodall family in the photograph. Photo donated by Kevin Findlay.Black & White photograph of the Cowes State School children in Fancy Dress at the Shire Hall.kevin findlay, school fancy dress event, goodall family, cowes state school

Part of a collection of photographs donated by Bruce Bennett. Taken from different collections: Betty Kuc collection and Wal Steer. Most are photographs taken of postcards and photos.233-08. Black & White photograph of a postcard. Cowes Pier with shed, cranes and old Moonah tree in the foreground. 233-09. Black & White photograph of a postcard. Cowes Pier looking towards the east. Beach and foreshore in the foreground. 233-10. Black & White photograph reproduction of two young ladies in swimming costumes on Cowes Beach with pier in background. 233-11. Black & White photograph of a postcard. Cowes pier and Jetty shed, showing post and rail fence around entrance to pier. Tall Moonah tree near Jetty shed. 233-12. Black & White photograph reproduction of Genesta House with "Welcome Home" sign and Union Jack flags flying. Perhaps a welcome for local ment back home from the war?? 233-13. Black & White photograph reproduction of Genesta House in Cowes, Phillip Island. 233-14. Black & White photograph reproduction of Gullifer's Corner Store on the corner of Thompson Avenue & Chapel Street, Cowes Phillip Island. 233-15. Black & Whtie photograph of a gathering at the Cenotaph in Cowes, Phillip Island. 233-16. Black & White photograph reproduction of the Butcher Shop, Thompson Avenue, Cowes, near the old Shire Hall. 233-17. Black & White photograph reproduction of the lady on the rocks at Erehwon Point. Coastal vegetation behind the beach and two boats on the sand in the distance. 233-18. Black & White photograph reproduction of the Cowes Pier with masted ship and small boat at the pier. 233-19. Black & White photograph of the Garage Tea Rooms in Thompson Avenue, Cowes, with young cypresses which were planted circa 1915.233-08. The Rose Series P659. The Pier, Cowes, Phillip Is., Victoria. 233-09. The Rose Series P658. The Pier, Cowes, Phillip Is., Victoria. 233-11. The Rose Series P672. The Pier, Cowes, Phillip Is., Victoria. 233-16. Cowes - Jan. 1938 cowes pier phillip island, cenotaph cowes phillip island, gullifer's corner store cowes phillip island, garage tea rooms cowes phillip island, genesta house, genesta guesthouse, guesthouses cowes phillip island, erehwon point, cowes, a. smith garage tea rooms cowes phillip island, butcher shop cowes phillip island, bruce bennett, betty kuc collection, wal steer collection

One of 11 photographs left in the museum for the Society by an anonymous donor.Black & White postcard of Thompson Avenue lined with Cypress Trees. Cypress Lined Street at Cowes Hislop Series On Back: Looking down Thompson Avenue toward Beach. Car is outside the Town Hall.thompson avenue cowes, cypress trees in thompson avenue cowes, golden cypress thompson avenue cowes, cowes phillip island

Article from a collection of newspaper cutting from October 1968 to July 1971Article about Mrs Gretta Hall praising Mr Jock McKechnie, shire engineer, for preserving the natural beauty when re-disigning Gordon Street, Cowes. Was also criticised by Mrs Hall for spoiling the rustic beauty with bitumen and concrete drains.phillip island, mr jock mckechnie, mrs gretta hall, gordon street, cowes

The land in Chapel Street was granted by the Presbyterian Church in 1869. A church was finally built by Alex McLardy at a cost of £127 and was dedicated in august 1895. The first Presbyterian Church services held on Phillip Island in 1889 were conducted under a tree in the open air. May 1890 Dr. Alexander Robb was appointed the first Minister and continued until his death 11 years later. 1929 an annex was built providing more accommodation. 1968 the joint Presbyterian and Methodist congregation was formed. In 1975 a new building was dedicated.St John's Uniting Church, Chapel Street, Cowes. Large wooden structure combining Church and Hall. In 1971 the building committee commissioned an architect who designed the building with an unusual roof structure which reflected the concept of a keel of a ship - appropriate for the setting of a building by the sea. The bell is from the wrecked ship "The Speke".local history, photographs, buildings, historic, buildings - historical, coloured photograph, john cook, phillip island, st john's church cowes, uniting church cowes phillip island

St John's Presbyterian Church is in Chapel Street, Cowes. The time span of the photo appears to be 1920s-1940s.HistoricalLarge sepia photo, mounted on cardboard, of produce including pumpkins, apples and potatoes displayed surrounded with sheaths inside hall. There is a plaque on the wall behind, the heading of which reads " In memory of the Rev. Alexander Robb D.D."st john's presbyterian church, rev alexander robb, photograph, churches- phillip island, lifestyle

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-38: Rev Alexander Robb, DD. Rev Robb had been a missionary in Old Calabar and Jamaica and was the first minister of the Cowes Presbyterian Church from 1890-1901. Services were also held in the Public Hall at Rhyll. A daughter, Kathleen, like her parents, is buried in the cemetery. Kathleen was married to Harry West. 466-39: James Hill. Jimmy, as he was fondly called, came to Phillip Island in 1920 and purchased the Hotel, known as Woods Family Hotel (later the Phillip Island Hotel in Walpole Street). A milestone occurred whilst in his capable hands he installed an electric light plant, (32 volts), the first on the Island. He also made hundreds of cement bricks with which he built his own home. He died in 1937 aged 68. His only child Dorothy Edhouse aged 98, is also buried with her father.phillip island cemetery, james hill, rev alexander robb, nancy mchaffie, edith jeffery

23 pages including information on inside covers. Text with black and white illustrations and photographs and map. Contents: Crossing Place Need for a school Residence for the teacher Closure A View of Lower Plenty 1918 Moving day at the Village The Golf Club Depression 1931 Vandals Electricity Grass Fires Cows at School Mothers' Club Women's liberation 1950's Lower Plenty after 1945 Swimming Pool - drowned dreams Long Grass - snakes - meadow hay - Fire Brigade The Royal Visit 1954 School Band Community Centre Our School Hall Trees and Gardens The Library Education 1874-1974 A Teacher's View The Second generation - children of ex-pupils (photo with names) The Third generation - Grandchildren of ex-pupils (photo with names) Head Teachers (list with dates) The Staff 1974 (photo with names) The sketch on the cover shows the Lower Plenty Bridge, toll house and the Plenty Bridge hotel, both no longer there. The bridge is listed in the Banyule Heritage Study and has recently been restored by Banyule Council as a pedestrian bridge - NL 137 March 2001 Paperback; [24] p. : ill. ; 25 cm.lower plenty, state school no. 1295, lower plenty primary school

Was folded up and pasted into the minutes of the Borough Legislative Committee opposite June/July, 1865. Joan WINTER, City of Port Phillip Collections Manager, paid for conservators to remove and restore it, then framed it for exhibition in 'Dreedging, Draining and Dipping'1995/96. Following end of exhibition it was returned, in frame.Large typeset framed proclamation, "Rules and Regulations for the management of the Sandridge Borough Common" Dated 13 July 1865. Refers to cattle, cows, calves, horses, sheep, goets, pigs and the herdsman rulesbuilt environment - civic, livestock, andrew plummer, edward clark, town clerks

Claude BUTCHER was the last milkman to home deliver milk in Port Melbourne. On the weekly invoice the amount of milk & the price was recorded from Friday to the following Thursday. Small white invoice with black printing & image of cow on top left . 'Our milk recommended by Baby Clinic' along the bottom.seaside dairy, claude butcher

Arthur Butcher and his wife Martha arrived at Fisherman's Bend in 1911and established a dairy, sheep and goat farmFisherman's Bend photos from Butcher family (set of 9): .01 6 x 8.5 B&W photo of cows grazing on Butcher's farmfishermans bend, business and traders - dairies, gladys butcher, butcher family dairy

Fisherman's Bend photos from Butcher family (set of nine): .09 7 x 11 B&W photo of man with cow & calf on Butcher's farm fishermans bend, business and traders - dairies, gladys butcher, butcher family dairy