Displayed in History House Royal Bayreuth is the name of a factory that was founded in Tettau, Bavaria, in 1794. It closed in 2019. The marks have changed through the years. A stylized crest, the name Royal Bayreuth, and the word Bavaria appear in slightly different forms from 1870 to about 1919. Later dishes may include the words U.S. Zone (1945–1949), the year of the issue, or the word Germany instead of Bavaria.Royal Bayreuth saucer Blue and white saucer with gold decorative lines on edge and cup recess. Logo on base.Front: Base: Royal Bayreuth/T/1794/Germany/US Zone (colour transfer, centre)decorative item, saucer, china, tea service

White and gold floral decorative china cup and saucer.cups and saucers

Displayed at History House.378.1 Large teacup with a "willow pattern" style design around outside edge and at base of cup. Blue and white. Worn gold rim around edge and on handle. 378.2 "Willow pattern" style design in blue and white on saucer, with decorative gold line on edge and set 2cms within edge.

Saucer porcelain made by Copeland formerly "Spode". Style Greek, blue and white decorative rim. Figures around curve, angel figures in the middle. Chip on rim.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Displayed in History HouseWhite saucer with gold edgingFront: Base: Royal/Standard/Bone China/Englanddecorative item, bone china, saucer

Displayed in History House (cabinet, North wall). Owned by Mrs. C. Keiller? (from scrap of paper in pot).Ornamental tea-set in cream and green glaze with pattern of flowers in red, white, black and green glaze. Red chinese charcters down side. 4193.1 - Sugar bowl. H: 5.0 x DIA: 6.3 (8.5 with handle) 4193.2 - Tea-cup. 2.9 x 4.2 x 5.3 (with handle 4193.3 - Lid to sugar bowl 4.0 x 1.0 4193.4 - Tea-pot 7.0 x 9.6 4193.5 - Saucer 1.2 x DIA: 8.0 4193.6 - Milk jug 6.5 x DIA: 6.7 4193.7 - Lid to teapot 3.7 x 1.0Front: Base of saucer (4193.5): Gift from/China 1884 (blue pen on sticker) Back: 1884 (blue pen scratched into glaze)

These are two vintage small cups, probably dating from early in the 20th century. They may have originally had saucers to match. Both cups have different inscriptions, and were likely given as a present to indicate friendship or love and other examples of the same type of cup have similar inscriptions such as 'Remember me' and 'Forget-Me-Not'. The cup may not have been used but kept for decorative purposes.This cup has no known provenance and is kept for display purposes as an attractive vintage household itemThese are two small china cups with a light greenish yellow and white body and a white handles. The white section has some gold lettering on it. The cup is decorated with s raised pattern of a gold chain and blue and gold flowers. The country of origin is stamped on the base..1 A Present .2 Remember me. Made in Germanysmall china cup, vintage china, household decorative items

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melbourne's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement.https://vhd.heritagecouncil.vic.gov.au/places/4442 Victorian Heritage Register: What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 60 of Photograph Album with three exterior photographs (one portrait and two landscape) of Anselm.Hand written: 4 Glenferrie Street [top right] / ANSELM 4 Glenferrie St [under top photo] / 60 [bottom right] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, gates, cast iron work

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melboume's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement. Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/4442 What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 61 of Photograph Album with one exterior photograph (portrait) of Anselm.Hand written: 61 [bottom left] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, brick house, attics

This is a dish or pin tray sold in Warrnambool as a souvenir of the city. It features Shelly Beach, one of the popular picnic spots, especially in the first half of the 20th century. This dish was made by Royal Stafford China and was presumably produced with a plain centre so that an illustration of a tourist spot in Australia could be reproduced on the dish. There were many similar items produced by Royal Stafford China that featured Warrnambool scenes and were selling in Warrnambool in the 1930s, 40s and 50s. They were all good quality items and so many have survived today. They were useful as well as decorative – vases, plates, cups and saucers etc. Some business houses in Warrnambool also had Royal Stafford China souvenir items featuring the business name to sell or give away to customers. Tourism in Warrnambool has always been an important aspect of the city and this souvenir dish is a good example of the souvenir items on sale in the first five or six decades of the 20th century. It will be useful for display. This is a small white china dish or pin tray with a colour sketch (taken from a photograph?) of Shelly Beach in Warrnambool. The illustration covers most of the dish which has a gold edging. The bottom of the dish has the name and symbol of its maker. ‘Royal Stafford China Made in England’ tourism in warrnambool, royal stafford china

CH002.1 and CH002.2 - Blue and white English breakfast cup and saucer with blue oak leaf, wheat and flower in blue together with a blue decorative border. CH002.3 Letter which purports to confirm the provenance of the cup and saucer.

Hand painted and gilded porcelain

The Lady Loch was a Lighthouse Tender built in 1886 by Campbell, Sloss & McCann in Footscray, for the Victorian Dept. of Public Works. The ship was named after Lady Elizabeth Loch, wife of Sir Henry Loch, Governor of Victoria from 1884 -1889. It was an iron Steamship of 531 tons. Built for use as a lighthouse tender and serviced lighthouses around the south east coast and Tasmania. Owned by Victorian Ports and Harbours Department. Register closed in September 1935 when the vessel was converted to a hulk at Brisbane. Official Number: 88946 Length: 182' Plywood box containing a child's Japanese ceramic toy tea set. Total of eleven pieces in irridescent green ceramic with yellow and black decorative edges. The plywood box is not original. Comprises: One teapot with lid One sugar bowl with lid One milk jug Two cups and saucers Two side platesOn teapot, milk jug, two plates and saucers: ''Made in Japan'' . Address label on front of the box: "To Miss Betty/Johnson/Cliffy Island Lighthouse/Lady Loch"

made in Camp 3 approx 1940 by Rudolf HoeferSMALL Jewel box made of polished red gum, shaped like an egg cup, sitting on a saucer, with a domed lid featuring a knobwooden jewel box, hoefer, rudolf, camp 3, tatura, kazenwadel, gerda, handcrafts, woodcarving

Blue metal child's cup, saucer and plate set with decorative borderdomestic items, infants

4 matching object set. Object 1:Tea cup, object 2: saucer, object 3:plate, object 4: milk jug. Off white china tea set with moulded ribbed pattern. Floral painted design on all items in black and deep red. All items have gold leaf trim on edges.On object 4, milk jug: Rd64638 stamped on bottom and 2339 written in gold paint also on bottom.domestic items, food & drink consumption, tea set, milk jug, cup, saucer, plate, floral design, set, matching.

This gravy boat is part of a dinner set used in the 1900's.An aged faded white ceramic gravy boat (no saucer) with two red stripes on the rim and two red lines around the body. It has a rectangular handle with two simple red decorative flowers.dinner sets, dinnerware, tableware, gravy boats

Porcelain saucer issued to commemorate the destruction of the German Light Cruiser Emden by HMAS Sydney .Hmas Sydney destroyed the "Emden" at Keeling Cocos Island Nov 9. 1914

Patriotic porcelain 'Might in the right cause shall prevail'

Belleek was established following the Irish famine of the mid nineteenth century that brought so many Australian families, including the Taffe and Berkery families to immigrate to the Australian colonies. This Belleek porcelain tea set and tray in the Thorn pattern based on the hawthorn bush sprig in flower carries the impressed registration mark for 1878. Belleek was well represented at the Melbourne International Exhibition of 1880-81 at Melbourne's Exhibition building and many examples were bought by key Ballarat Irish families including those connected to this family such as the Brophy, O'Malley and Fitzgerald families, Julia Taffe's (nee Berkery) aunts uncles and cousins. Many such examples remain in Ballarat collections although this is not one.Tea set consisting of a tray with teapot, creamer, sugar bowl two saucers and one remaining cup from the original pair. All pieces decorated in the thorn and spiderweb pattern.Impressed factory mark and registration mark on base of each piece.belleek, porcelain, ballarat, ireland, exhibition building, melbourne, exhibition, thorn pattern, irish famine, tea set, tray, brophy, fitzgerald, o'malley, julia taffe, berkery, australian colonies,

The simple cottagy handpainted designs of Louse Powell's on Wedgewood creamware was popular in the 1920s. This is one of a set of four (possibly originally six) Louisa Powell decorated Wedgewood cups and saucers. Louise Powell was the grand-daughter of Emile Lessor.Wedgwood sought to offer a new product range which, after its success, lead to she and her husband receiving money towards a studio to work, two assistants in London and a studio in the Wedgwood factory. Their brief was to developed the art wares within the company. Their style was sought by Wedgwood to mass-produce works which coincided with the arts and crafts movement. A lot of Louise's work was individual as she preferred calligraphic and heraldic motifs. Most of her designs were hand painted and a lot of her patterns were derived from nature in a calligraphic fashion.Underglaze printed Wedgewood label to base with Louisa Powell cypher. wedgewood, louise powell, creamware, cottage designs., emile lessor, porcelain

Vessels for storing water such as these are common throughout the ages and evident in the pottery of the middle east, Mediterranean and Africa. Between 1880 and 1910 Bendigo Pottery produced these as part of their terracotta ware range. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and art pieces and the Civic Collection holds a number of important items within its collection.Polished terracotta water holder with saucer and stopper. Globular body with rounded base. The shoulders taper into long cylindrical neck, no handle or pouring spout. Surface is undecorated expect for two rings at base of neck. This is the smaller of the two. 0430a stopper; 0430b vessel; 0430c saucerNone foundbendigo pottery, george gutherie, city of greater bendigo tourism

Vessels for storing water such as these are common throughout the ages and evident in the pottery of the middle east, Mediterranean and Africa. Between 1880 and 1910 Bendigo Pottery produced these as part of their terracotta ware range. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative ware, as well as artistically, being responsible for training and supporting many local potters. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and art pieces and the Civic Collection holds a number of important items within its collection.Polished terracotta water holder with saucer and stopper. Globular body with rounded base. The shoulders taper into long cylindrical neck, no handle or pouring spout. Surface is undecorated except for two rings at base of neck. This is the larger of the two. 0431a stopper; 0431b vessel; 0431c saucerNone foundbendigo pottery, city of greater bendigo tourism, george guthrie

This hand crafted doily, created during war time, features a side on image of a soldier holding a rifle with butt at his feet. In Victorian times, idle hands were frowned upon so women knitted and crocheted. In addition to their decorative function doilies have the practical role of protecting fine-wood furniture from the scratches caused by crockery or decorative objects, or from spilled tea when used on tea trays or with cups and saucers. Off white square crocheted doily with side on image of soldier holding rifle in the centre.Crotched - "Our Hero Were proud of him" "ANZAC 1915"doily, 1915