The dining suite from the home of Nell Sebire (second wife of Thomas Sebire). A vintage very worn and marked rectangular wooden dining table with four thick turned legs.tables, dining tables, dining furniture

Toy dining tableSilver painted toy dining table.Niltoy furniture, dolls house

A large wooden dining table used by Carol Green CMHS memberA typical wooden Dining table of mid 20th century as used by residents in the City of MoorabbinA large wooden dining table.furniture, woodwork, craftsmen, moorabbin, melbourne, bentleigh early settlers

This table along with the set of six original dining chairs (2 armchairs + 4 chairs) was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when the dining suite was purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay between 1926-1929.Extandable rectangular dining tabledining, manse, heritage listed, arts and crafts, dining suite

This photograph depicts the interior of the dining room of the Manse with the 6 chairs and table decorated with flowers. Behind the table is the arched cast iron fireplace (lost) with mantelpiece with a clock and candelabras. On the left side we can see the corner of the oak console and on the right another cupboard and a framed painting. The photograph also shows the wooden floor covered with rugs. Unfortunately it has been carpeted in the late 20th century.This photograph is a rare view of the Manse and the private life of a chaplain. It also depicts the original and now heritage listed arts and crafts furniture dating from around 1909.Black and white interior photograph of the dining table and chairs taken in the Manse room. Chaplain's quarter: dining roomreverend john reginald weller (1880-1969), manse, table, chairs, mantelpiece, fireplace, weller album, dining suite

Now a private residence.Colour photograph of dining room in Gainsborough House, showing wood panelling, dining table and embodied chairs. guesthouses, tourism, furnishings

Prior to the end of WW1 many members of the 4th Light Horse Regiment had been repatriated to Australia because of illness or wounds. These men were the originators of the Regimental Association. Some men are in uniform but most in civilian dress. This would suggest that they may have been discharged from the AIF.B&W photo (20.5 x 16 cm) of members and guests seated at dining tables. In black painted wooden frame.photo, 4th light horse, reunion

Photograph taken on the occasion of her 90th birthdayColour photograph of Mrs Vi Symmons, nee Coate seated at dining table on the occasion of her 90th birthday at Lakes Entrance Victoriagenealogy, people, celebration

POSSIBLY USED TO CONTAIN SALT ON DINING TABLESMALL ROUND GLASS BOWL WITH CUT GLASS PATTERN ON BASElocal history, domestic items, table setting

POSSIBLY USED TO CONTAIN SALT ON DINING TABLESMALL GLASS BOWL WITH A PATTERNlocal history, domestic items, table setting

This butter cooler was used in households to prevent butter from melting in the warmer weather. Ice would have been used in the butter container. The top of the container is domed, indicating the shape of the butter at that time (late 19th century). This butter cooler would have been a costly item and would have graced the dining table of a family that had considerable means. It would have been used on a dining table even after the invention of refrigeration in the 1880s as the eating rooms would have had little or no cooling mechanisms in the late 19th and early 20th centuries. This butter cooler has no known local provenance but it is a very attractive item and is retained as a good example of a household item no longer in use. It will be very useful for display.This is a silver butter cooler with a circular base with an ornamented edge. The base has a stem holding two highly ornamented arms branching out from the sides. These arms hold an oval container which has a chased silver base and an overhanging chased silver top. Inside the container is the space to hold ice or cold water. On top of the inside of the container sits a small round lid which holds the butter and the ice. The lid has several small holes for the ice water to drain underneath. The base of this lid is impressed with moulded fruit and leaves. The oval container has an over-arching handle attached. This is highly ornamented in fretwork. The sides of the container have two projecting pieces for holding the butter cooler and two other smaller projecting pieces with chains attached for hanging the object. One of these pieces has an oval holder for turning the hinged top of the container to close the container. This top has a chased silver patterning on its top. When the lid is closed the container adapts to a globe or egg shape.‘Made and Guaranteed by Meriden B. Company 5085 U.S.A. household items, history of warrnambool, silver butter cooler

This photo is thought to have been taken at the time of Alfred Mica Smith's retirement from the Ballarat School of Mines. It is most probably also the unveiling of the Max Meldrum portrait of Smith. Alfred Mica Smith retired from the Ballarat School of Mines in 1922 after an association of 41 years and aged 78 years. At the August meeting of the Ballarat School of Mines Council in 1881 it was resolved that 'Alfred Mica Smith Esq., B.Sc., be appointed Professor in Chemistry and Metallurgy and be Superintendent of the Laboratories, for the period of twelve months at a stipend of five hundred pounds per annum, and to commence duty as soon as possible'. (signed: James Oddie, Vice-President) Smith played a major role in the years of 1887-1893 when SMB was affiliated with Melbourne University. In 1912 he became Professor of Metallurgy and received an annual salary of 250 pounds. Alfred Mica Smith presented many scholarly papers, gave evidence at government enquiries into the safety of mines and became an authority on mine safety and ventilation. He was on the Mines Ventilation Board. Professor Smith was the public analyst for the City of Ballarat and Town of Ballarat East, as well as to a number of other boroughs and shires. He was also Chief juror to the Adelaide International Exhibition, chemical section. He provided information to the Royal Commission on gold mining (1889, 1891), and was President to the chemistry section of Australian Association for the Advancement of Science, Associate of American and Australasian Institute of Mining Engineering, Member of the Science Faculty Melbourne University, and Hon. Life Member of the Miner Managers' Association of Australia. He also was involved in many educational and community affairs such as President of the SMB Students' Association, President of the Ballarat Science Society, first President of the Ballarat Camera Club, Vice President of the Field Naturalists' Club, and he presented Ballaarat Fine Art Gallery with his collection of paintings and porcelain ware. His legacies include the mutual regard between him and his students, the many tributes by former students, the Mica Smith scholarship (established in 1923) and now known as the Corbould-Mica Smith Travelling Scholarship, his portrait in oils by noted artist Max Meldrum, and the marble bust of Smith sculptured by Paul Montford. Money for a scholarship in sanitary science at the University of Manchester in the name of his uncle R. A. Smith was left being set up in 1928. Smith died of cancer on 14 May 1926 and his remains, cremated at Springvale, were interred in the Ballaarat New Cemetery. See http://guerin.ballarat.edu.au/curator/honour-roll/honourroll_Smith,%20Alfred%20Mica.shtml Black and white mounted photograph showing a number of men sitting around two dining tables at Craig's Royal Hotel in Ballarat. Professor Alfred Mica Smith of the Ballarat School of Mines is standing 15 from the left, and is the subject of the painting on an easel to the left. The painting was presented to the Ballarat Fine Art GalleryLower right of mount 'Victa Studios Ballarat' Verso (typed and glued on): Presentation to professor Mica Smith, Craig's Hotelballarat school of mines, craig's hotel, craig's royal hotel, alfred mica smith, art gallery of ballarat, ballarat fine art gallery, portrait, frederick martell, daniel walker

Robin Boyd designed this dining table, which has a cork-tiled surface similar to that of the accompanying coffee table (item F036), kitchen joinery and stair treads. The table design is reproduced in the 2017 Boyd Collection by furniture makers K5.Victorian oak timber, cork top (9 x3 tiles), 4 tapered legs attached to a cross frame.walsh st furnishings, robin boyd

This glass dish would probably have been used at the dining table to hold salt, mustard or another condiment. Or it could have been used in an office to hold small pins etc. or it could have held a flower or flowers but it is a little shallow for this purpose. This item has no known local provenance but is retained for display purposes as an item more likely to have been used in past days. This is a small oval-shaped glass dish. The base is made of plain glass but the sides are patterned with plain glass interspersed with ridged glass. household items, history of warrnambool

This plate was used for serving carved meat at the dining table. This serving meat plate/platter dates to the 1914 to 1930's period in time. Generally fine bone china and crockery was imported. Pieces like this tray were often considered to be "good" crockery for use on special occasions.The item is an example of a piece of china used by local families in the early 20th century. It also has aesthetic significance.A large meat carving plate with a floral design around its rim. The plate is white china with pink and blue painted flowers. The edge is scalloped and painted with a gold edging.Underneath - H 4.....?domestic kitchen crockery, serving-plates platters food-preparation

This vase would have been used to hold five small flowers or fronds and would have been a decorative item on a dining table or mantelpiece. Today a vase holding one or a small number of flowers is called a specimen vase and the style of these tends to be less decorative than the item described here. This item has no known local provenance but is retained as an example of a household item from the past.This is a white china vase with a central pillar representing the trunk of a tree and (originally) four pillars branching out from the main pillar to represent the branches of a tree. One of these pillars is now missing. The china stems holding the branch columns have embossed flowers and fronds. The main pillar and the branch pillars have irregular-shaped openings for flower insertion.household items, history of warrnambool

Black and white photograph elderly people sitting at dining room tables for Senior Lunch organised by Community Health Centre. Lakes Entrance Victoriacommunity services, public health

This extension table was used as the dining table in the Boyd's Camberwell home. The legs were cut to create a coffee table when it was moved to the Walsh Street house. It was placed along the west facing windowall in the study in Children's Pavilion. Mandie, Penleigh and Suzy Boyd used to watch televison on the set placed on this coffee table.Timber table (expandable). Top surface slides off to reveal two extra flaps.walsh st furnishings, robin boyd, ohm2022, ohm2022_34

BHS CollectionCopy of photo. Large group of men gathered at dining tables. All males, dressed in dinner suits. Five men seated in front of photo, numbered across bottom photo - no names. Tables set with food and bottles of wine/beer. Some men in background holding long, white pipes in their mouths. In the room has brick walls, flags hanging from ceiling.Unknownperson, individual, basil miller

The real breakthrough in the design of hand salad servers probably came in the 19th century. As the middle class grew and people started to pay more attention to tableware and dining etiquette, there was a demand for specialized kitchen tools. Hand salad servers became a popular addition to the dining table. They were often made of silver or other metals, which were seen as a sign of wealth and sophistication.A vintage silver plated hand salad server fork with a long lined patterned handle finishing with a crest. It has a hole at the end to hang it. Three cutout triangular shapes form the fork at the serving end of the bowl.EPNSfood preparation, kitchen equipment, sald servers, food servers, sald bowls

This set of six original chairs (2 armchairs + 4 chairs) along with the dining table was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. chair, dining, manse, heritage listed, dining suite, arts and crafts

Food & Fashions for the Field was a champagne lunch and fashion parade fundraising event sponsored by the Gas & Fuel Corporation. In this photo, two people seated at a small coffee table peruse the event program. A similar photo, depicting the same woman seated at a dining table with another man, appears on the cover (page 1) of the No 42, November 1986 issue of the Arthritis Foundation of Victoria's quarterly newsletter, News Review. The event was reviewed on page 8 of the same issue.B&W photo of a man and a woman seated at a small round coffee table. The man has his face turned toward the woman while speaking to her. She is looking down at an event program, which he his holding in one hand. The program is titled, "Food and Fashions for the Field". In the background, a third person (partially obscured) is walking across the room behind them.arthritis foundation of victoria, afv, gas and fuel corporation, food and fashions for the field, fashion parade, luncheon, professor barry preston, news review, 1986, 1987

"Today the Chalet lounges and hallways are stocked with a number of disparate furnishings of unknown provenance - table and chair settings... many ranging in styles from Edwardian and Art Deco periods. While they may appear to be original to the rooms, the items are not evident in any of the historic photographs surveyed in the course of this report, so their historical association with the Chalet does not appear to be strong and enduring. Some, including the Art Deco dining table and chairs in the Music Room ( MBC0038.2) ... appear to be domestic furnishings rather than those of a 'resort house'. Two blonde wood chairs with brown leather seats. Carved floral design at back, top of chairs.

Robin Boyd most likely saw Solstar at Asher Bilu's exhibition at South Yarra Gallery in September 1968. In November 1968, Robin Boyd arranged for the loan of this painting from South Yarra Gallery to Australian Pavilion at Expo '70 in Osaka, where Boyd was appointed Exhibit Architect. It hung in the bedroom over a bed, containing a life-size cut-out figure by Bruce Petty, in the Model House Interior exhibit on modern living in the Space Tube. On its return from Expo, the painting was in transit at the Boyd's home in Walsh Street and they liked it so much that they decided to buy it. Solstar originally hung on the wall at the end of the galley kitchen. The artwork at the Boyd's home in Walsh St has been moved several times over the years. Solstar now hangs above the dining table, but at the time of Solstar's acquisition, the Boyds hung the painting "Winter Triumphant" (1920) by Penleigh Boyd, Robin Boyd’s father, above the dining table. In early 2021, Asher and Luba Bilu visited Walsh St to view Solstar again. Asher was extremely happy with how the painting looked and its condition 53 years after painting it. He requested it be hung a little higher and he returned in April to make some minor restorations to remove scratches. Silver mixed media with large black circular area in the central lower half. On reverse has the title: Solstar/A. Bilu/Arrow showing which way up. Unsigned on the front.asher bilu, penleigh boyd, expo 70, osaka, robin boyd, south yarra gallery, walsh st artwork, ohm2022, ohm2022_13

Sir Gilbert Joseph Cullen Dyett (1891-1964) was born in Bendigo, at the age of 14 he started working for J H Curnow Real Estate and Auction rooms. In March 1915 he was commissioned as Lieutenant in the 7th Battalion and was badly wounded at Lone Pine, Gallipoli. After the war he was prominent in many organizations including Anzac Remembrance Appeal, Ocean Road Trust, Returned Services League, Australian War Memorial, Racecourse Licences Board of Victoria, Victoria Trotting and Racing Association (which was largely controlled by John Wren) He was caricatured as Captain Dwyer by Frank Hardy in his novel Power without Glory. HE was Knighted in 1934. Died in Fitzroy in1964 and is buried in Bendigo. Ref. Australian Dictionary of Biography. https://adb.anu.edu.au/biography/dyett-sir-gilbert-joseph-cullen-6071 A black and white photograph of about 90 men in dinner suits sitting at dining tables. The tables are all set with empty plates, all the men are looking at the camera. There are Heraldic shields and flags on the walls. Gilbert Dyett is sitting at the podium table next to The Prince of Wales. The photo is on a cream coloured mount behind glass with a black wooden frame. Also in the frame below photo there is a grey piece with black printing - Dinner in honour of the Delegates attending the Third Biennial Conference of the British Empire Service League. His Royal Highness, THE PRINCE OF WALES in the chair. Hotel Cecil. June, 1927 Swane, 146, New Bond St. W, and at Southsea gilbert dyett, british empire service league, the prince of wales, the connaught rooms, 'fortuna

This important occasion (the First Conference of the British Empire Service League), in the life and career Gilbert J C Dyett, indicates his position in a world between the 1st and 2nd World Wars when the British Empire was still a major power and ones proximity to the Royal Family was the key to your standing. Note, under the Union Jacks and third from the left edge sits the lead delegate and President of the league Bendigonian Gilbert Dyett, beside a Field Marshal and beside him the Chairman and Paron The Prince of Wales The venue The Connaught Rooms, London on the 16th July 1923. Sir Gilbert Joseph Cullen Dyett (1891-1964) was born in Bendigo, at the age of 14 he started working for J H Curnow Real Estate and Auction rooms. In March 1915 he was commissioned as Lieutenant in the 7th Battalion and was badly wounded at Lone Pine, Gallipoli. After the war he was prominent in many organizations including Anzac Remembrance Appeal, Ocean Road Trust, Returned Services League, Australian War Memorial, Racecourse Licences Board of Victoria, Victoria Trotting and Racing Association (which was largely controlled by John Wren) He was caricatured as Captain Dwyer by Frank Hardy in his novel Power without Glory. HE was Knighted in 1934. Died in Fitzroy in1964 and is buried in Bendigo. Ref. Australian Dictionary of Biography. https://adb.anu.edu.au/biography/dyett-sir-gilbert-joseph-cullen-6071 A black and white photograph of about 90 men in dinner suits sitting at dining tables. The tables are all set with empty plates and opened wine bottles. all the men are looking at the camera. There are Heraldic shield and flags on the walls. Gilbert Dyett is sitting at the podium table, second from the left two places from The Prince of Wales who is sitting on the left edge of the flags. The photo is in a brown mount which has a small white piece in the lower section with black printing - THE BRITISH EMPIRE SEERVICE LEAGUE Welcome Dinner to the Overseas Delegates attending the First Biennial Conference. THE CONNAUGHT ROOMS, LONDON 16TH JULY 1923. His Royal Highness, THE PRINCE OF WALES, Patron in the chair gilbert dyett, british empire service league, the prince of wales, the connaught rooms, 'fortuna

The dolls house and furniture was made by Heinrich August Ernst KOCH, who was interned at Orange NSW on the 6 June 1940. In 1941 was taken to Tatura VIC for an appeals tribunal hearing. He was released in 1943 to the Civil Alien Corp. The donor of the dolls house, John Smiles, is the grandson of Heinrich. Heinrich made the dolls house and furniture which he made for his daughters in Sydney NSW. It was sent to them whilst interned. The furniture is copies of real life size items and the house has features common with the family home in Sydney.Wooden, painted dolls house, made from packing crates. 5 main pieces with additional pieces (roof, chimney, stairs, outside roof area, furniture) which go together to form this long single story dolls house. Painted in cream with green features and red roof. Windows and doors open. Several windows have glass in them. Original piece of Lino in kitchen area. 2 rooms are wallpapered. Original pieces of furniture are included (see list attached to worksheet). These include dining table and four chairs, side board, dressing table, bed, tall boy, low boy, entrance table, entrance bench, entrance hall stand, kitchen table, 4 chairs and 2 benches.heinrich august ernst koch, john smiles, orange internment camp, tatura internment camp, civil alien corp

A function at Legacy House, including a lunch. From the Post-It note it is the launch of Badge Week in 1998, Tom Butcher is the president. (See also 00747 and 00749). It would appear that elderly Hazel McKean is a guest of honour, she is a World War I widow. 00748.1 President Tom Butcher, Tim Lane (journalist from ABC Sport) and Legacy CEO David Cull. 00748.2 Tom Butcher receiving a cheque from Col Bruce Amor. 00748.3 Gwen Watt and L/- Allan Couper 00748.4 Unknown and President Tom Butcher. 00748.5 Elaine Ward and Gwen Watt 00748.6 Unknown, L/- Alan Fookes and L/- Allan Couper 00748.7 David Cull, Peter Lawrence and Lucky Luscombe. 00748.8 Graham Riches, and 3 unknown. 00748.9 Six people seated at a dining table, including on the right Ray Ward and David Cull. They are sitting in front of a banner "Legacy, 75th Anniversary, Still Caring". 00748.10 Three people seatedA record of a function at Legacy House in 1998. Colour photo x 10 of guests at Legacy house.Printing on the back "75th anniversary, legacy promotion, tom butcher

A function at Legacy House, including a lunch. From the Post-It note it could have been the launch of Badge Week in 1998, Tom Butcher is the president. (See also 00748 and 00749). It would appear that elderly Hazel McKean is a guest of honour, she is a World War I widow. 00747.1 Legacy World War 1 widow Hazel McKean, Moira Marshall and Sarah (B?) 00747.2 Unknown, Ray Ward, Richard (?) and Betty Hardman. 00747.3 Two men and Col Bruce Amor. 00747.4 L/- Lucky Luscombe in centre with 4 guests 00747.5 Seven people seated around the table, including second from Left President Tom Butcher, centre L/- Brian Luscombe, then Peter Lawrence, Gwen Watt and Col Bruce Amor. 00747.6 Four guests at their dining table, including on the far right is Elaine Ward. 00747.7 L/- Graham Riches, elderly guest Hazel McKean and three other unknown guests. 00747.8 President Tom Butcher making a speech in front of the "Legacy, 75th Anniversary Banner, Still Caring"A record of a function at Legacy House in 1998. Colour photo x 8 of guests at Legacy house.Printing on the back "75th anniversary, legacy promotion