Salvation Army Donation Tin. Two photographs possible the front and back of one tin. Inscriptions reflect the role of the Salvation Army and their work during this period.Black & white photographs of Donation tin enlarged. Front of tin what is readable "The Salvation Army Society RESCUE AND PRISON GATE WORK broken hearts and blighted hopes slaves of Sin and Degradation. Blood and Fire. The Salvation Army. THE TOTAL number of Homes is now over Six--- Providing Daily Accommodation for 3,000 Persons AND COSTING over --1,200 PER WEEK for MAINTENANCE PLEASE HELP by placing a COIN in the box" On the back of the tin "THE ARMY PROVIDES work for the workless. Love for the Loveless. Cleanliness for the Unclean. Friendship for the Friendless. Food for the Hungry. Help for the Helpless. Beds for the Bedless. Hope for the Hopeless. Our Agencies Comprise the Following. Homes for Discharged Prisoners. Rescue Work for fallen Women. Industrial Homes for Boys. Industrial Homes for Girls. Maternity Bags. Women Shelters, Nursing Homes, Labour Tards. Samaritan Relief Work. Food Depots. Mens Shelters. Industrial Hospital Visitations. Gaol Visitation. Enquiries for Lost F" In Pencil written on the back "Larger than actual Size"stawell religion

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the RVIB tin could be used gathering coins at events such as Carols by Candlelight, White Cane day or other special marketing days.1 metal coin collection tin with handle and paper wrapYour Donation Supports the Work of The Royal Victorian Institute for the Blind RVIB lighthouse logo 557 St Kilda Road, Melbourne, Telephone 9529 3544royal victorian institute for the blind, equipment

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the 3RPH tin could be used gathering coins at events such as outside broadcasts or other special marketing days.1 metal coin collection tin with handle and paper wrap1170 Radio 3RPH For the print handicapped A service of the Association for the Blindassociation for the blind, 3rph radio station

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the older Blind Babies tin has been wrapped with a modern RVIB wrapper, which could be used at Carols by Candlelight, White Cane day or other special marketing days.1 metal coin collection tin with paper wrapWrapper: Your Donation Supports the Work of the Royal Victorian Institute for the Blind RVIB lighthouse logo 557 St Kilda Road, Melbourne, Telephone 9577 3341 Old label Front: For the Blind Babies Children and Adults of the Royal Victorian Institute for the Blind 557 St Kilda Road, Prahran Side: As a thanksgiving for sight! (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body) It might hit You or Me! Side: As a thanksgiving for sight! (Elaine Leahy facing towards the RVIB gates). The gates of the Institute are always open to welcome all eligible blind babies, children and adults who seek, and never fail to receive, its aid.royal victorian institute for the blind, fundraising

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the Blind Babies tin could have be used at Carols by Candlelight, White Cane day or other special marketing days.3 metal coin collection tin with paper wrapFront: For the Blind Babies Children and Adults of the Royal Victorian Institute for the Blind 557 St Kilda Road, Prahran Side: As a thanksgiving for sight! (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body) It might hit You or Me! Side: As a thanksgiving for sight! (Elaine Leahy facing towards the RVIB gates). The gates of the Institute are always open to welcome all eligible blind babies, children and adults who seek, and never fail to receive, its aid.royal victorian institute for the blind, fundraising

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the Vision Australia tin could be used gathering coins at events such as Carols by Candlelight or other special marketing days.1 metal coin collection tin with paper wrapPaper wrapper around tin: Help me to break down the barriers and achieve greater heights Vision Australia blindness and low vision services Paper on top of tin: Thank you for your support Vision Australia blindness and low vision servicesvision australia, fundraising

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. These boxes were designed to be reused, with a pop out section in the base.2 x metal coin collection tins with printed sidesFront: The Royal Victorian Institute for the Blind St Kilda Road The only Institute in Victoria for teaching blind adults trades & professions educating & maintaining blind children & babies (Lighthouse with words radiating out from light) Modern cottage homes Pensions - after care & sick fund Prevention of blindness lectures, etc. Free wireless radio for needy cases Boat shed & club house Professions & trades Blind babies nursery Wireless sets Social club Happiness for the blind every day & night Musical education Higher education Domestic science classes for blind women & girls A free education Maintenance of blind children The Lighthouse! As a thanksgiving for sight Please place a coin in this box and help to keep the Beacon Light flashing for the Institute's Blind Adults, Babies and Children Side: (Picture of two girls playing with dolls house) Our blind babies and pupils will probably spend 70 years in our Royal Victorian Institute for the Blind St Kilda Road As a thanksgiving for sight please help make their years very happy ones by placing a coin in this box! Reverse front: (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body.) It might hit You or Me! Please! Will You? As a thanksgiving for the sight you and your dear ones possess, please place a coin in this box to assist the Royal Victorian Institute for the Blind, St Kilda Road, and its Blind Adults, Children and Babies! Reverse side: (picture of workshop at RVIB) One of our many spacious workshops provided by public subscription! The Royal Victorian Institute for the Blind is faced with the problem of employing and otherwise assisting its blind workers. It gives them charitable allowances in addition to their earnings, amounting to approximately 15,000 (pounds) every year, to enable them to support their wives and families! No profits can therefore be made! This 15,000 (pounds) is distributed because the great handicap of blindness prevents blind persons from earning as much as their more fortunate sighted fellows. Please! Ask Storekeepers for our Baskets, Mats, Brooms, etc. And as a thanksgiving for Your Sight place a coin in this box for our blind adults, children and babies! Embossed on the top of the box is Royal Victorian Institute for the Blindfundraising, royal victorian institute for the blind

The canteen is part of the Mission to Seafarers building that has catered to visiting seafarers since 1917. The canteen is operated by the Flying Angel Club, which offered services to seafarers including food, drink and souvenirs from the canteen and events held in the main hall which invloved the use of the canteen. The Ladies Harbor Lights Guild also used the canteen facilities for functions and fundraisers held at the Mission to Seafarers. One of the flyer in Chinese helps dating the photograph between 1963-66 when Padre Wong was chaplain at the Mission.Historical record of the Mission to Seafarers canteen post-1963. This is an example of the contemporaneous use of the canteen as primarily a supply shop and in a comparative fashion reveals some of the overall changes at the Mission.A white-bordered, black and white photograph of the Mission to Seafarers Canteen. From the left hand side of the photograph the image portrays an external doorway with six glass windows, emitting light from behind. This leads to the dipslay cabinet and bench of the canteen which is reflecting light from the windowed door. Central to the image is a pillar which is three-quarters wood paling starting from the floor, of which a map is displayed on one edge and a notice board on the remaining visible edge of the pillar. A bench is visible to the right side of the pillar and the far right side of the photograph, posters are hung on the wall. Purple stamp on central back of photograph. "Melbourne Harbor/Trust Photograph/Negative No......." photograph, canteen, tab, koalas, blackboard, archway, pennant, licensed-to-sell-postage-stamps, mission to seamen, mission to seafarers, melbourne, flying angel club, map, bar, milkshake machine, display case, fluorescent light, notice board, wains coting, postcards, milkshake, beverage, plastichrome, matches, razors, gillette, straw, melbourne harbour trust, melbourne harbor trust, donation tin, lighthouse

Knitting Books provided by The Red Cross for women to contribute to the war effort by knitting garments for soldiers to stay warm. Second booklet also contains a list of donations accepted such as tinned food.Green Folder containing three knitting books. Knitting pattern for wounded soldiers or soldiers currently serving eg air pilots neck muff, airmens wollen gloves and bed socks. Newspaper clipping about knitting.On outside green folder " L.A Anderson, Sutherland's Creek." First Booklet. " Australian Red Cross Society Knitting Book" Second Booklet. " Australian Comforts Fund Victorian Division Guide to Knitting" Index of knitting patterns. Third Booklet. "Red Cross Society Australian Branch"wwi, wwii, australian red cross, red cross society, australian comforts fund, knitting, knitting patterns, victoria

At Briggs’ Brass Foundry, traditional sand-casting techniques have been practised for generations. Sand casting, a craft that spans over two thousand years, involves creating intricate moulds into which molten metal is poured. This handcrafted process produces durable brass and copper alloy goods, which are particularly suited to marine environments. Items such as bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers have all been made using this technique. The bronze mixture used by Briggs is a copper-based alloy, carefully formulated from locally sourced ingots of copper, tin, zinc and lead in precise quantities. This results in a non-ferrous finished product, renowned for its longevity and resilience, often lasting indefinitely even in harsh conditions. Donation to Flagstaff Hill: In Flagstaff Hill's formative years, 1972-1975, the Briggs family generously donated a range of related items, including casting patterns, brassware, tools, machinery and a cupboard. These patterns illustrate the historic trades of foundering and metalwork, both of which have been essential in supporting marine industries such as shipwrights and boatbuilders. Furthermore, local industries like farming and manufacturing have relied on foundries for the casting of essential equipment. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. Exhibition and Legacy: The donated items were displayed in a simulated Brass Foundry within the Village. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory.The small cupboard holds particular significance due to its association with brass foundries operating across Victoria. Marine industries, including ship and boat building, depend heavily on high-quality castings for their machinery, equipment and fittings. Briggs Brass Foundry developed a specialised brass alloy using non-ferrous metals, ensuring the durability and longevity of its products in demanding marine environments. The cupboard is linked to Briggs Maine, a longstanding business dedicated to producing cast goods tailored for the marine sector. The foundry was equipped to meet requirements for both custom and mass-produced items. Briggs Foundry’s products were commonly installed on sailing and steam vessels operating along Victoria’s coastline, including in Warrnambool. In addition to general marine fittings, Briggs Marine was recognised for its expertise in bell-founding. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry.Cupboard; wooden, painted red with two green doors, round wood door knobs a wood catch. Doors are made from tongue-and-groove wood. Inside are two shelves. Stored on the shelves are an assortment of brass hinges, pipes, handles, ventilators, collars, and so on from the Briggs Foundry, Melbourne.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs, briggs marine, briggs foundry, cupboard, storage, brass objects, briggs family, marine products, village display, briggs brass foundry, briggs marine foundry, briggs marine products, herbert harrison briggs, george edward briggs, cyril falkiner mckinnon briggs, collingwood, moorabbin, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, sand cast, marine equipment, marine fittings, foundry, brass foundry, founders

The Phillip island Band was active during 1920 - 1940. Cowes has a rotunda which was built and used by members for concerts and instrument storage, located on the foreshore near the corner of Thompson Ave and The Esplanade.Hand made, semi-circular with handle, hinged lid with slot, provision for lock, dark green, metal. Broken lock inside. "Donations Please" in red textra on loose white paper inside. Punctured base."Phillip Island Band" and "Thank You" in white paint on lid. "Phillip Island Band" in black paint on front.collection tin, phillip island band, phillip island band rotunda, cowes phillip island, donations

Rectangular brass / tin box issued to allied servicemen Christmas 1914, organised by Princess Mary (daughter of King George V). the tin was presented to all the troops at War for Christmas containing a photo of King George and Queen Mary, a Christmas card tobacco or chocolate. Initially to seamen at sea and soldiers at the front but widened as many thought they missed out. Funding the Christmas boxes were organised by public donation.Tin lid impressed with a female head in profile encircled with a wreath, and two "M". The tin is dated Christmas 1914. Around the edges the names of the allied countries are noted including France, Russia and Japanchristmas box, christmas 1914

This is an example of posters with a patriotic theme the purpose of which was to raise money for goods for service personal overseas, during WW2. "Tin-hat" badges were sold for 1 and 2 shillings and 1pound. The 'tin-hat' appeal was conducted from 4 Sept - 17 Sept in 1943. Organised by the Returned Soldiers League. A poster is superimposed on a hidden print. The poster which is on top of a hidden print has these words written on it: "Don’t Let the Boys down, Help the tin hat appeal for the Australian Comforts Fund, Friday 1 Aug buy a tin hat or send your donation to RSL War Service Fund Tin Hat Appeal Office – Town Hall Melbourne"australian comfort funds, ww2, tin hat appeal

Photos during Badge Week in September 2004. 00698.1 A photo of a badge seller in army uniform with name badge 'Bellis' with a Legacy badge tray with a lady making a purchase. 00698.2 Three badge sellers in uniform, Bellis, Campbell and Brough with their badge trays and collection tins 00698.3 Brough receiving a donation. 00698.4 and 00698.5 elderly sellers making sales at Parliament Station. (see also photos at 00706)A record of fundraising.Colour photo x 5 of various badge sellers at Parliament Station.Printed on the back No.< > Clarendon Photos 0551 which is the frame numbers and place of processing. Negative numbers 1A, 2A, 4A, 5A and 6A.legacy appeal, fundraising, badge week

Two photos about the donation of a special bottle of King's Ale to Legacy that was to be auctioned to raise money for Legacy Week in 1960. A newspaper clipping about the event explains the story. In 1902 a special brew of ale was made by King Edward VII. In 1960 a bottle of the ale turned up in Melbourne and was donated to Legacy by Mr A W Taylor of 'Old Tin Shed' a motor accessories firm. The photo shows Executive Officer Ivan Layton, Mr A W Taylor and Legatee George Cowan.A record of an unusual donation in Legacy Week in the 1960s.Black and white photo x 2 of Kings Ale for Legacy Week 1960.00789.1 Handwritten in black pen: "L. to R. / Ivan Layton / Mr A. W. Taylor (of "Old Tin Shed") donor of Ale / George Cowan / Legacy Week 1960" Hand written in blue pen "('Age')". 00789.2 Handwritten in black pen "Legacy Week 1960 / Verse with King's Ale". Hand written in blue pen "('Age')". legacy week, ivan layton, george cowan, donation, ale, beer

A collection tin in the shape of an army tin hat. Date that it was used is unknown. They could have been left at shopping centres or other public spaces for the general public to donate loose change.A record of a method of fundraising.Round silver collection tin in the shape of an army tin hat.Stickers saying 'Your donation helps the dependants of Australian veterans who were killed or have since died. Thank you'. Underneath a sticker saying 'Property of Legacy' and 'Call the Fundraising Department at Legacy House on 9663 3564 for collection'.fundraising, donations

A photo of Legacy President Colin Bannister and a group of people. Most, including L/- Bannister, are holding envelopes and it is possible they are representative of charities receiving donations from an organisation - perhaps the Army. It can be seen that one person is from the RSL, and another from The Salvation Army. The photos came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a fundraising marathon run (some are items 00433 to 00438, 01410 to 01415).A record of a donation to Legacy in 1985.Black and white photo of President Colin Bannister and a group of people with envelopes.fundraising, donation

A newspaper article promoting Legacy Week in The Sun on 10 September 1960. The story about the donation of a special bottle of King's Ale to Legacy that was to be auctioned to raise money for Legacy Week in 1960. In 1902 a special brew of ale was made by King Edward VII. In 1960 a bottle of the ale turned up in Melbourne and was donated to Legacy by Mr A W Taylor of 'Old Tin Shed' a motor accessories firm. The photo shows Mr A W Taylor and Legatee George Cowan. A similar photo was taken by The Age. The article was cut from the newspaper and pasted into a scrap book of press clippings. For many years Legacy kept scrap books of press clippings that related to their work and publicity.A record of publicity photos taken in 1960 for promoting Legacy during Legacy week.Newspaper article of a donor presenting King's Ale to Legacy in 1960 pasted to brown page of a scrap book .Title 'King's Ale for Legacylegacy week, fundraising, junior legatee, ale, beer

A photo of Badge Day in the 1960s, with Ivan Layton, Mrs Mack and Legatee Bert Davis counting the donations near a Legacy Appeal tin. Ivan Layton was the Chief Executive Officer for many years. Legatee Bert Davis was the Chief Financial Officer in the early sixties. Mrs Mack was a generous fundraiser. She lived at Mount Macedon and opened her beautiful garden to the public on a regular basis to assist Legacy with fundraising. She was given a Legacy lone pine tree by a grateful Legacy to add to her garden. The letter accompanying the photo said the garden and tree was lost in the Ash Wednesday fires in 1983. Further research shows that Mrs Margaret Mack and her husband Mr John D. (Jack) Mack first opened their garden at Dreamthorpe, Mt Macedon, in April 1950 for a garden fete. It raised £140 for Legacy (source: Trove). The exact date of the photo is unknown but would be early 1960s. Photo donated by Legatee Bert Davis' daughters.An excellent record of important people in Legacy's history.Black and white photo of Ivan Layton, Mrs Mack and Legatee Bert Davis on Badge Day.badge day, ivan layton, bert davis

Photograph depicts a Returned Nurses Club member selling poppies and taking donations for Rememberance Day. The nurse is [Edna Nell] Anna Doig.Newspaper clipping of a large black and white photograph of an older man in a top hat talking to a shorter woman holding a collection tin. The photograph has a caption and heading.returned nurses club, anna doig, edna nell doig

These metal tins were used in public spaces and street appeals to gather monetary donations from residents to support local unemployed workers and their families.Rusty old burnt tin with a slot it the top for coins and a hole in the bottom to empty. Metal handle. Torn white label with inscription in red.CITY OF ST. KILDA APPEAL for the Unemployed Authorised Collector No.city of st kilda, st kilda unemployed

These photographs and documents are items collected at the event marking the handover of Pino Calati’s artwork from the St Albans Community Youth Club to Brimbank City Council on the 7th August 2026. These paintings were found behind the stairs at The Tin Shed, Errington Reserve, Main Road East, St. Albans. The paintings were then professionally restored and then donated to the Brimbank City Council on the 7th August 2028 by the St. Albans Community Youth Club. Pino is also featured in the artwork "Visions of St. Albans" by Thea Dulcic.Giuseppe "Pino" Calati was an Italian‑Australian sculptor and community artist active in St. Albans, Melbourne, born in 1916, with at least one documented work, a reclining stone figure, appearing in Australian art auction records.6998.01 - Pino Calati Art Donation Event - Celebrating The Life And Art Of Pilo Calati By Joseph Ribabow Page 6.jpg 6998.02 - Pino Calati Art Donation Event - Visions Of St. Albans By Thea Dulcic.jpg 6998.03 - Pino Calati Art Donation Event - Handover Event Richard Carthew.JPG Richard Carthew 6998.04 - Pino Calati Art Donation Event - Handover Event Richard Carthew.JPG Richard Carthew 6998.05 - Pino Calati Art Donation Event - Handover Event James Dredge.JPG James Dredge 6998.06 - Pino Calati Art Donation Event - Handover Event Joseph Ribarow.JPG Joseph Ribarow 6998.07 - Pino Calati Art Donation Event - Handover Event City Of Brimbank Mayor Cr. Virginia Tachos 2025 - 2026.JPG Cr. Virginia Tachos 6998.08 - Pino Calati Art Donation Event - Handover Event.JPG (L-R) Tamara Carr, Michael Sheill, Richard Orjis, Cr. Virginia Tachos, Richard Carthew 6998.09 - Pino Calati Art Donation Event - Handover Event.JPG (L-R) Tamara Carr, Michael Sheill, Richard Orjis, Cr. Virginia Tachos, Richard Carthew 6998.10 - Pino Calati Art Donation Event - Handover Event.JPG (L-R) Richard Carthew, James Dredge, Cr. Virginia Tachos, Joseph Ribarow, Tamara Carr 6998.11 - Pino Calati Art Donation Event - Handover Event Art Collection.JPG 6998.12 - Pino Calati Art Donation Event - Handover Event Art Collection.JPG 6998.13 - Pino Calati Art Donation Event - Visions Of St. Albans By Thea Dulcic.JPG 6998.14 - Pino Calati Art Donation Event - Art Comes Out Of The Archive Star Weekly 18th August 2026 Page 1.jpg (L-R) Richard Carthew, James Dredge, Cr. Virginia Tachos, Joseph Ribarow, Tamara Carrgiuseppe "pino" calati, pino calati